Magic & Romance of Art Dolls

A book I've never seen before, Magic & Romance of Art Dolls, is for sale on eBay. According to the item description,

Some of the real and fictional characters which were fashioned into dolls and illustrated in the book are Ziegfield Follies girl Marilyn Miller, Josephine Baker, Louise Brooks, Gloria Swanson, Greta Garbo, Marlene Dietrich, Charlie Chaplin, Rudolf Valentino, Shirley Temple, Felix the Cat, Betty Boop, Madame Butterfly, Mimi, Carmen, Pierrot and Madame Pompadour.

Unfortunately, the seller doesn't picture the Louise Brooks doll, as far as I can figure. Here is the book, with Valentino on the cover.

Christina Aguilera does Louise Brooks

According to an article in the Toronto Globe and Mail, pop star Christina Aguilera impersonated Louise Brooks at a recent concert. The newspaper's reporter noted:

Visually, the show felt like a Broadway fantasia on themes from the thirties, with references to the steamy vigour of the Savoy Ballroom, to the white-clad elegance of the Cotton Club, and to the risqué pantomime of Clara Bow and Louise Brooks (both impersonated by Ms. Aguilera in videos made to look like silent films). A montage of tabloid front pages rolling off an old printing press projected Ms. Aguilera (the subject of every headline) into the period's media machinery, while she sang about how women need to defeat double standards.

Libby Holman's word game

This item appeared in a Walter Winchell column back in the early 1930's. Louise Brooks makes an appearance . . . . Brooks Atkinson was a famous critic of the time.

Anna May Wong article

There is an interesting article about Anna May Wong reproduced onto the alt.movies.silent newsgroup. Check it out here.

Inspiration

According to the item description on eBay, the image of Louise Brooks shown below inspired the color study for the cover of Leanta Books edition of Edgar Rice Burroughs A Princess of Mars, also shown below. THe artist is named Burton. Check it out for yourself here.

Care to subscribe?

This recent subscription card for the New York Review of Books features a caricature of Louise Brooks by David Levine. Thanx to Dwight Cocke for passing this along.

Newspapers reject Lulu ad

According to a report in today's Hartford Courant, two newspapers have rejected a newspaper advertisement for an upcoming production of "Lulu." The Courant article stated "An advertisement promoting the upcoming play "Lulu" at Yale Repertory Theatre in New Haven was rejected last week by The New York Times and the New Haven Register as not meeting advertising standards." This LiveJournal had blogged about the production a few days ago. Here is a copy of the offending advertisement.



The article went on to note, "Frank Wedekind's 'Lulu' plays were banned when they published in the late 19th and early 20th centuries," says Jacques Lemarre, associate marketing director for Yale Rep. "As a result, we knew that the image created for our upcoming production needed to be provocative. Director Mark Lamos has said that his production will contain nudity and sexual situations, and Yale Rep's advertisements reflect that content. While we are disappointed that some newspapers are rejecting our ads, we believe they are tasteful, yet indicative of the mature content of the Yale Rep production. . . ."

The Courant article also added, "Lulu" centers on a charismatic yet innocent temptress who seduces men, causing their doom. Wedekind's two plays -- titled "Earth Spirit" and "Pandora's Box" -- collectively make up "Lulu" and were made into a celebrated German silent film calledPandora's Box starring Louise Brooks. It was also the basis of an Alban Berg opera of the same name."

I think the ad is tasteful. And I wish I lived nearby and could attend the production. I hope all Lulu / Louise Brooks fans in the New Haven area turn out to show their support. More about the production can be found at  www.yalerep.org/lulu.html

Web pages about Louise

Here is an informational page about Louise Brooks in French. The page is part of a larger site - Encinematheque - about early movie stars. And if you haven't already come across this illustrated blog entry about Louise, be sure and check it out. It is part of the Greenbriar Pictures Show, "a site dedicated to the great days of movie exhibition."

Amy Crehore

Amy Crehore is a remarkable artist working in Los Angeles. Her work has been exhibited in various galleries, and reporduced in various magazines. For me, she paints in a style which brings the singular work of Mark Ryden to mind. (Check out her art and website here.) This past week, Crehore blogged about Louise Brooks. . . . "Why is Louise Brooks so much more amazing than ANY woman in cinema today?" I emailed the artist, and asked if she had ever painted Brooks' portrait. She hadn't, but thinks "she is a wonderful subject."

Louise Brooks and the New Woman in Weimar Cinema

I have blogged recently about the exhibit "Louise Brooks and the New Woman in Weimar Cinema," which is currently on display at the International Center for Photography in New York City (through April 29th). In today's Boston Globe, there is a small write-upabout the exhibit by Mark Feeney.

A few years before Cartier-Bresson picked up a camera, and while Munkacsi was still in Berlin, German film witnessed a collision (or should that be interlocking?) of female sexuality and assertion such as the screen has not seen since. Louise Brooks , with that crown of black hair befitting a monarch of the Eternal Feminine , exploded forth in "Pandora's Box" and "Diary of a Lost Girl ." Marlene Dietrich became a star in "The Blue Angel. " "Madchen in Uniform " portrayed lesbianism with an unprecedented sympathy. "Metropolis " took the virgin-whore dialectic far into the future and well over the top with the saintly Maria and her lewd robot impersonator.
"Louise Brooks and the the 'New Woman' in Weimar Cinema" (it, too, runs through April 29) includes stills from each of those films, two dozen in all. A small show, it seems all the smaller after the expansiveness of the Munkacsi and Cartier-Bresson exhibitions. But one look into the eyes of Louise Brooks is reminder enough that small need not mean insubstantial.

Apparently, there is also a nice looking brochure which goes along with the show. One of them recently has shown up on eBay.

Link

A Wedekind revival ?

Might there be a Frank Wedekind revival brewing? There is an article which speculates as much on Broadwayworld.com The article, "Mark Lamos Directs Wedekind's LULU at Yale Rep," notes the forthcoming production in New Haven. Not Surprisingly, the article mentions Louise Brooks, the most famous Lulu (and the most famous Wedekind character) of them all.

According to Lamos, “When James Bundy suggested Wedekind's Lulu as a possibility for my return to Yale Rep, I hadn’t read it for many years. What struck me most was how different the play was from G.W. Pabst’s silkily sensual silent film starring the legendary Louise Brooks. It also bore only passing resemblance to Alban Berg’s operatic incarnation. Wedekind worked from a tradition of cabaret, vaudeville, and the political club scene of his time. The original Lulu is much more absurdist, more knockabout than the famous film and the lushly atonal operatic masterpiece. His work inspired artists in all mediums, including Bert Brecht, whose experimental mixing of styles and tones became a staple of the 20th century avant-garde.”

The article then goes on to note, "With the recent Criterion DVD release of Pabst’s Pandora’s Box (1929) and the hit Broadway musical adaptation of Wedekind’s Spring Awakening, now is the time to rediscover this highly influential playwright." [ And not to forget the Silent Theater production of Lulu which played in Chicago, NYC and San Francisco.]

p.s. I wonder why the producers chose Carl R. Mueller translation of Wedekind's play, and not one of the many others by Stephen Spender, Eric Bently, Samuel Eliot, etc....

Would you whisper ?

A reproduction of this nifty magazine cover is for sale on eBay. It is the a tabloid of the time, the Police Gazette - dating from  December 13, 1924. The photo on the cover is by Alfred Cheney Johnston. The title below the picture (as best I can tell) reads "If you met her on a farm would you whisper, 'chick, chick.'"

Blog on Blog

Larry Doe, who recently was involved with the transcription of vintage Denishawn instruction piano rolls, has blogged about the the LBS. Check out Larry's earlier blog entries. Imagine being able to hear music recorded for Denishawn way back in the 1920's.

Silent Film Still Archive

Bruce Calvert has moved his Silent Film Still Archive to a new URL. Check it out at www.silentfilmstillarchive.com  

Also worth checking out is an online article on Christianity and the origins of the film industry. It makes for somewhat interesting reading. Check it out at www.spcm.org/Journal/spip.php?article7228  

Inter-library loans: Intrigue and Comedy Abound

Some of the inter-library loan material I have looked at lately includes microfilm of the Salina Evening Journal (from Kansas) andPottsville Republican (from Pennsylvannia), from which I gathered material on Louise Brooks' 1922 Denishawn performances in each of those locales. I found a few articles and advertisements, as well as a review. I also looked at a number of months of theOregon Statesman (from Salem, Oregon) and Tacoma Daily Ledger (from Washington), but only found a couple of film related articles.

One of the curious items I ran across were a couple of incorrectly captioned photographs. This one - pictured below - confuses Louise Brooks and Colleen Moore and their respective co-stars. As it happened, films starring each actress were playing at the same time in Tacoma, Washington.

This is not the first time I have come across a Louise Brooks-Colleen Moore mix-up: I think, because the two actresses wore their hair in a similar fashion (and perhaps resembled one another slightly), and because at times they played the same sorts of roles, newspapers editors and the public sometimes mistook one actress for the other. Or was it that they thought of them in similar terms?

Here are the adjoining advertisements for the Louise Brooks and Colleen Moore films which appeared in the Tacoma paper (on the same page as the previously mentioned miscaptioned photographs).

 

At home

Another nice image of Louise Brooks for sale on eBay.

Viewpoint: Modern Drama

A rather interesting article on the work of Frank Wedekind is in the March, 2007 issue of Opera News. F. Paul Driscoll 's piece begins

The characters and situations created by German-born playwright Frank Wedekind (1864–1918) have lost none of their power to shock and disturb audiences. The feral, heartless temptress at the heart of Wedekind's Lulu plays is familiar to opera aficionados as the femme fatale of Alban Berg's Lulu; for film buffs, the personification of Wedekind's cunning mantrap is Louise Brooks, in G. W. Pabst's classic silent film Pandora's Box. Brooks's keen intelligence and highly individual "look" — sharp, shining eyes, immaculately trim legs and a glossy helmet of bobbed black hair — conspired to create one of cinema's enduring erotic icons. But what makes Pandora's Box, first released in 1929, still feel freshly-minted is the character of Lulu, the amoral, unapologetic adventuress that Wedekind put on paper more than a decade before Brooks was born. Alban Berg'sLulu is still thought of as a "modern" opera, although the composer has been dead for more than seventy years; it will always seem so, because its leading character refuses to age. Lulu's fascination lies in her ability to simulate freshness; she attracts men because her possibilities seem endless. Her life, for as long as it lasts, is lived in the future tense. 

China nixes LBS at LJ

According to a post on BoingBoing (which references a news item on Wired News), "China has added the whole of LiveJournal to its list of banned websites."

Sadly, thus, the billions of people of China won't be able to keep up with what's new in the world of Louise Brooks. . . . what new picture of the actress has popped up on eBay, where one of her films is screening around the world, what new articles or reviews have been uncovered, or even what news songs have been added to RadioLulu. What is the world coming to?

Ford Sterling

There is a new book out on Ford Sterling, the one time Keystone Kop and comedic actor who appeared in two Louise Brooks films, The American Venus and The Show-Off (both 1926). Wendy Warwick White's Ford Sterling: The Life and Films is the first ever book on this talented and fascinating personality. "The main focus of the work is Sterling's career, from 1911 to 1937, which is unfortunately largely forgotten today. With an emphasis on correcting inaccuracies and restoring Sterling's legacy, this volume examines his on-screen work, his production ventures, his reputation as a world renowned photographer and his final debilitating illness. A detailed filmography provides all known production, cast and crew information as well as a synopsis for each film when available."

Silent film revivalism

There is an article on the Wired website about a revival of interest in silent film which has been getting alot of attention lately. The article, "Filmmakers Seek Future in Past," can be found at www.wired.com/news/culture/0,72766-0.html?tw=wn_index_16 [ This is not the first time Wired News has written about renewed interest in silent film. Back in 1998, journalist Steve Silberman wrote a piece about Louise Brooks and the Louise Brooks Society. ]

A post about the article on the popular website BoingBoing notes: "The piece explores modern scoring of silent films and the future of silent films on the ubiquitous video displays of major cities (as well as all silent, black and white plays based on Louise Brooks films... )" Among other things, the article discusses the recent Silent Theatre Company of Chicago production of Lulu, which was written up on this blog last year. Additionally, the author of the article, John Brownlee, has posted his extensive interview with Tonika Todorova, director of the Silent Theatre company. The interview is presented in three parts):

        Part 1: http://blog.wired.com/tableofmalcontents/2007/02/interview_lulu_.html
        Part 2: http://blog.wired.com/tableofmalcontents/2007/02/interview_lulu__1.html
        Part 3: http://blog.wired.com/tableofmalcontents/2007/03/interview_lulu_.html

Another uncommon image

Another uncommon image of Louise Brooks is for sale on eBay.

Uncommon and unflattering

This uncommon image of Louise Brooks is for sale on eBay. In her youth, Brooks was one of the most photogenic of stars. It was difficult to take a bad picture of the actress. However, I think this image is one of the least flattering portraits of Brooks I have ever seen. What do you think?

Lulu on Long Island

Pandora's Box will be screened on March 21st at 7:30 pm at the Cinema Arts Centre on Long Island. (The event is noted under "Special Events" on the organizations website.) The screening will feature live musical accompaniment by Ben Model, who has composed an original score. I would love to hear from anyone who attends this event.

p.s. It seems there are almost as many screenings of Pandora's Box and other Brooks films this year as there were last year, when the Louise Brooks centenary took place. Certainly, the number of screenings in 2007 surpasses those in 2005.

Pandora's Box in San Jose

Do you know the way . . . . Pandora's Box will be shown March 9th in San Jose, California. The screening is part of the Cinequest festival. From the festival website:
Pandora's Box (1929)

Directed by G.W. Pabst; Starring Louise Brooks, Fritz Kortner, Franz Lederer, Gustav Diessl.
Friday, March 9th @ 7:00pm California Theatre • $10 Ticket includes organ accompaniment by Dennis James at the Mighty Wurlitzer.

The incandescent, iconic Louise Brooks plays Lulu, a flower girl turned cabaret dancer, who entices and destroys the lives of the men who love her. Upon it’s initial release, Pandora’s Box was considered a failure in both Germany and the United States, but the film is now recognized as a timeless classic (like Brooks herself).

"There is no Garbo! There is no Dietrich! There is only Louise Brooks!"
– Henri Langlois, Founder of the Cinématheque Française.

While 2006 marked the 100th anniversary of the birth of Louise Brooks, it also served as a rebirth of sorts, as new audiences were introduced to the timeless beauty and appeal of “the girl in the black helmet”. Brooks was the ultimate Hollywood rebel, defiantly quitting her contract with Paramount in 1928 in order to go to Berlin to work with director G.W. Pabst. She made Pandora’s Box and Diary of a Lost Girl for Pabst, (as well as a third film, Prix de Beaute, in France), before returning to the Hollywood. But having burnt her bridges with Paramount, she found herself blackballed by the studios. She landed a few small parts in low budget films and ended her career in a western B-movie, supporting John Wayne, in 1938. What “might have been” had been destroyed by her keen intelligence, capricious nature, and deep disdain for the industry and most of its denizens.

For years Brooks languished in anonymity, working various jobs from dance instructor to sales clerk at Saks Fifth Avenue. In the mid-fifties, she was “rediscovered” by film historians and critics. She was encouraged to write about her experiences, and the resulting published essays proved to be clever, insightful and devastatingly honest. Her book Lulu in Hollywood was published in 1982 and is still in print. Louise Brooks died in 1985 at the age of 78.

Fashion decrees

Here is a clipping I ran across while looking through old newspapers on microfilm. As can be seen, Louise Brooks is one of the models included in this syndicated fashion column.

Inter-library loan finds

A bunch of inter-library loans have come in recently! I went through four more months of the North China Daily News, and came across advertisements and brief write-ups for The American Venus and A Girl in Every Port. Both films played in Shanghai in the fall of 1928. Remarkably, one of the advertisements for A Girl in Every Port took up nearly three-quarters of a page! I also went through some reels of the Arkansas Gazette (from Little Rock, Arkansas), Knoxville News-Sentinal (from Knoxville, Tennessee), and Illinois State Journal (from Springfield, Illinois) - and found a few film reviews in each. Citations for each of these finds have been added to the LBS bibliographies.

I  went through a few months of the Long Island Daily Press and Daily Long Island Farmer. I was hoping to find material on Louise Brooks' Ziegfeld Follies appearances or on later screenings of her films in the Big Apple. However, this New York City area newspaper didn't cover Manhattan goings-on - and thus I turned up nothing of interest. (Previously, I had lots of luck uncovering Brooks' material in the two Brooklyn newspapers. I have yet to look at the Staten Island newspaper.) Similarly, my look-through the Daily Clarion-Ledger (from Jackson, Mississippi) also turned up nothing. And, my request for the Denver Times was declined - as no lending institution could be found in Colorado or elsewhere. Fortunately, I have in the past gotten access to a couple of other Denver papers.

I also went through some microfilm of the Trenton Evening Times. I had requested the month of September 1925, as this month sometimes turns up material on The Street of Forgotten Men (which opened a couple of months earlier and was still in circulation around the country)  as well as the 1925 Miss America contest. The contest - which served as the backdrop to Louise Brooks' second film, The American Venus - was held in the second week of September in nearby Atlantic City, New Jersey. In my searching, I managed to uncover a couple of articles about the contest, as well as a comic strip called "Petey Dink." For about two weeks, it focussed on the Miss America contest. Here is a typical strip.



The search goes on. I put in some more ILL requests. And we shall see what turns up next time.

Paper sculpture

Check out these paper sculptures of Louise Brooks-like figures. Very nifty!

City Girls

Back on Valentine's Day, I blogged about the Berlinale International Film Festival and its series called "City Girls," which is devoted to movies of the 1910's and 1920's. One of the films screened as part of the series is Love Em and Leave Em (1926), which features Louise Brooks as a department store employee.

Well, as it turns out, there are a couple of new books out in Germany which features the actress on the cover! I have already placed my order. (I adore the image of Brooks on the cover of these new books. She is so direct - almost defient looking. So modern !)

Pandora's Box

"Pandora's Box," as depicted by Arthur Rackham (for sale on eBay)

Arcadia books

Chances are, you’ve seen Arcadia Publishing books in your local bookstore. They are the photo-filled paperbacks (with often sepia color covers) that document the local histories of communities, business, schools, sports and ethnic groups across the nation. I own a bunch of them, mostly books about the San Francisco Bay Area (where I live now) and the Detroit area (where I grew up). Among my Bay Area books are a couple on the movie theaters of San Francisco and Oakland - each of which have made for interesting reading in local history.

During my December trip to Detroit, I picked up a just published book on Detroit's Downtown Movie Palaces, which has also proved to be quite interesting. In that book, I was able to see images of a few of the theaters where Louise Brooks' films first played in the Motor City. Another recent acquisition is The Chicago Movie Palaces of Balaban and Katz.

I was especially interested in this title because - through my research - I know that all of Brooks' American silent films played in Chicago, and usually at a Balaban and Katz theater. (Balaban and Katz, the dominant theater chain in the Windy City, were also the primary exhibitors of Paramount films in Chicago.) Thus I was not suprised to see The Canary Murder Case (1929) advertised on the marquee of the Uptown theater (as depicted on page 74 of this book).

A few other titles from Arcadia which I hope to check out eventually include Cleveland's Playhouse Square (the cover image depicts a marquee trumpeting the name of Ethel Shutta - Brooks' one time co-star in the Follies), Stepping Out in Cincinnati: Queen City   Entertainment 1900-1960, and South Jersey Movie Houses. I am interested in the history of theaters, and like local history. These books make for great reading.

Zasu

I made a small discovery.

Today, I went to the 40th California International Antiquarian Book Fair, which is held every two years in San Francisco. The fair is the largest rare book show in the West. I've gone many times. Generally speaking, I like to go and just browse. I rarely make a purchase, as the first editions and autographed copies are beyond my budget! Nevertheless, its fun to look. Today, for example, I saw nice copies of Charlie Chaplin's My Trip Abroad (1922) and Sessue Hayakawa's The Bandit Prince (1926) - each in their original dustjacket! I also found a remarkable illustrated book from 1930 called Modern Picture-Houses and Theaters. I will try and track down a less expensive copy of this latter book for myself, as it looked very interesting.

While walking the aisles, I also came across a Louise Brooks item I had never seen before, or even known about. Actually, it was my wife who spotted it first! I was about to leave a booth, having seen all I thought I wanted to, when my wife said, "Did you see that?" No, I hadn't. And there was a vintage Louise Brooks item staring me in the face. Wow!

A New York dealer was offering two sets of Czech sheet music dating from the late 1920s / early 1930s. One set of sheet music - containing about 12 pieces and dating from 1929, measured approximately 9" x 12". The second set, a miniature version of the first - dated from 1931 and measured approximately 4" x 5". Each group, seemingly, contained the same set of songs. And contained within each of these sets was a song called "Zasu" (described as an "English vocal waltz") which featured Louise Brooks on the cover. I was flabbergasted! I offered to buy the one sheet - but the dealer was only selling them as a set. He wanted $4800.00 for the lot, and that was far too much for me.

From what I was able to find out, the sheet music was from the Liberated Theatre, an avant-garde theater company located in Prague. "Zasu" - as I believe were all the songs in the set - was composed by Jaroslav Jezek - who is today considered one of the great Czech composers of the inter-war period. (Jezek is sometimes spoken of as a Gershwin-like composer, as Jezek was influenced by jazz and composed in both the popular and classical styles. Coincidentally, there is an exhibit about Jezek closing at the end of the month at the National Museum in Prague. ) Besides being composed by a famous Czech composer, each of the song sheets were strikingly designed by Frantisek Zelenka - an equally acclaimed Czech artist. Thus the premium on these vintage items. A famous composer + an acclaimed artist + their ephemeral nature and rarity = extraordinary value.

I was desperate to obtains some sort of visual documentation of this item, and asked the dealer for a photocopy or scan of this single piece, but he would make no promises.

Later in the day, I did some internet research on Jezek, Zelenka and the Liberated Theatre. And, after a little looking around, I did manage to track down a Czech compact disc featuring a vintage recording of "Zasu" with the composer at the piano. I ordered a copy. When that disc arrives, I hope to place the song on RadioLulu. And perhaps the CD will reveal a little but more about the song and any connection to Louise Brooks which may exist.

Lulu at Harvard

Pandora's Box will be shown at Harvard University on Tuesday, February 20. Showtime is 7 pm. The film is being shown with live piano accompaniment as part of a series of "Silent Film Classics." More information can be found on the sponsor website.

From the Harvard Film Archive website: "In Pandora's Box , Louise Brooks provides one of the great performances of the silent era as Lulu, the hedonistic but otherwise innocent prostitute who unwittingly brings down all who come into contact with her. Released just as sound films began to flood the market, Pandora's Box had multiple problems with the censors as well: Lulu sleeps with a father and his son, gambles, lies, and befriends cinema's first sympathetic lesbian. Panned and forgotten in its own time, it was rediscovered in the 1950s when numerous film historians agreed thatPandora's Box was a masterpiece and Brooks, a minor star best known for her black helmet haircut, a major talent."

Love em and Leave em in Berlin

Love em and Leave em will be shown in Berlin on Sunday, February 18th. (Apparently, the film had also been shown on February 9th.) These screenings are part of the Berlinale International Film Festival, which is running a series called "City Girls" devoted to movies from the 1910's and 1920's. The series features films staring the likes of Louise Brooks, Greta Garbo and Clara Bow. For more about the series, check out Jess Smee's informative article, "Girls in the City," in the current issue of Spiegel International. More information about the festival and the series can also be found on the Berlinale website, including the festival program which includes two pages (in pdf format) devoted to our Miss Brooks. It's worth checking out.

Stolen Moments preview

In the past, I've written about Stolen Moments, Donna Hill's rather excellent podcast about "Rudolph Valentino, silent films and everything movies." If you're a fan of silent films and you haven't given it a listen, you should. It's quite enjoyable. The January installment was recently posted, and it sketches this year's programs.  Donna is planning podcasts devoted to Roman Novarro, silent comedy, some of the silent film festivals around the country and - Louise Brooks! Sometime in the coming months, there will be a Brooks showing featuring Barry Paris, Kevin Brownlow and myself. Stay tuned (pun intended) for further details.

More inter-library loans and more

This week, I looked at some more inter-library loans. I went through the Salina Sun (located in a small town in Kansas) andHamilton Spectator (located in a small town in Ontario, Canada), and found some Denishawn material in each. Curiously, small town newspapers typically gave greater coverage to the Denishawn troupe than did big city newspapers. I also went through some microfilm reels of the Houston Post-Dispatch (Texas) and Hartford Courant (Connecticut), and found some articles, reviews and advertisements for Louise Brooks' films. Citations were added to the LBS bibliographies, and I also placed a couple of more loan requests.

I am also currently reading Louis Horst: Musician in a Dancer's World (Duke University Press, 1992) by Janet Mansfield Soares. Horst was the longtime musical director of the Denishawn Dance Company, including the two seasons Brooks was a member of the group. I am liking the book a good deal, and have gathered a few leads on Brooks-Denishawn research.

Lulu in Catholicism

Back in 1988, the Rochester Times-Union ran an article about Barry Paris and his then not-yet-published biography of Louise Brooks. This was one of the articles I obtained on my recent visit to the Rochester Public Library.

The article read, in part, "Although he's already delivered a 1,050-page manuscript to publisher Alfred A. Knopf Inc., Barry Paris hasn't stopped his voracious research on the life of Louise Brooks, the silent screen star who spent her last three decades in Rochester. Paris, a Pittsburgh-based writer, says he heard that on April 11, 1963, Brooks delivered a lecture to the Catholic Womens Clubs of Rochester on "The Influence of Movie Stars on the Freedom of Women." The article went on note that Paris was in search of a copy of the lecture, as no record of it seems to have survived. "He asks that anyone who attended the lecture and either taped, or obtained a copy, or tooks notes on it - or just has a clear memories of it - write to him . . . ."

That clipping led me to request an interlibrary loan of the Courier Journal, the weekly Catholic newspaper based in Rochester. I went through  issues dating from April, 1963 hoping to find Brooks' lecture printed in full. No such luck! However, I did find a previously undocumented article announcing Brooks lecture, which was slated to take place on April 15th. The three paragraph article provided a few more bits of information, so the search goes on.

Forged letter for sale

There is a letter by Louise Brooks for sale on eBay. This 1966 letter references the actress dealings with journalists and editors, and her departure from the Catholic Church. Curiously, the seller - a known dealer - admits that the letter is signed "in a forged hand."  And that the entire letter is a "clever forgery." Yet still they want good money for it. Curious and curiouser.

Lulu, a new book

Yesterday, I got a copy of Lulu, a new book of photographs by Nili Yosha. This handsomely produced small press edition / artist's book documents the recent San Francisco production of Frank Wedekind's "Lulu" (by the Chicago-based Silent Theatre Company). Along with numerous black and white photographs, there is a bit of text - captions of a kind taken from the play. The book is a fine keepsake, and something I will long treasure. And, it is a "must" for Lulu enthuisiasts! Individuals interested in obtaining a copy can find a few for sale on eBay. 

Louise Brooks exhibit at the ICP

Speaking of exhibits, a small Louise Brooks exhibit is currently on display at the International Center for Photography in New York City. The exhibit, "Louise Brooks and the New Woman in Weimar Cinema," is on display through April 29.

From what I can tell, this exhibit is different from the one which recently closed at the George Eastman House. Instead of portraits, this one focusses on film stills. On display are various images from Pandora's Box and Diary of a Lost Girl, the two films Brooks made under director G. W. Pabst. According to the ICP website, "The American silent-film actress Louise Brooks (1906-1985) is one of the great female icons in the history of the cinema. . . . She embodied the ideal of the Weimar-era "New Woman," a social role that connoted political equality,  free-spiritedness, and gender ambiguity."

I would enjoy hearing from anyone who sees this exhibit.

December Trip (part two)

From Detroit, my wife and I flew to Rochester, New York. As most readers of this blog know, Louise Brooks made her home in Rochester starting in the late 1950's. Rochester is also home to the George Eastman House, one of the largest motion picture archives in the world.  My wife and I spent a full day at the GEH, mostly looking through clipping files and archival material related to the actress. We read letters both to and from Brooks, looked at vintage photographs she once owned, poured over many clippings about the actress, and examined other related documents such as manuscript pages, programs, and books. And of course, we took lots of notes.

While at the George Eastman House, we also took the opportunity to see the Louise Brooks exhibit, which was then on display. Here are a few snapshots taken in the museum. Anthony L'Abbate, the helpful curatorial assistant, took this first picture of my wife and I. It was very exciting to be there.

As can be seen from these pictures, the Brooks exhibit at the GEH was a modest one. (The exhibit took up one room - with a few other pictures hanging in the adjoining hallway.) The exhibit mostly featured photographs, many of which were familiar, some of which were not. There were also a few related magazines, books, and other items, including a painting of two birds by Louise Brooks. The painting - which is something I had never seen before - can be seen in two of the images below. (There is similiar piece of art depicted in the Barry Paris biography - see page 446.) I wonder how many such artworks Brooks completed?

It was thrilling to see this exhibit. And I am very glad we took the time to do so. My only regret is that we did not get into the GEH Dryden Theater. Wwe saw it from the outside, but it would have been interesting to see it from the inside. Lastly, here is a snapshot of one-half of the Brooks display in the George Eastman House gift shop. There were also a few DVD's for sale. Peter Cowie's new book and the recently released Pandora's Box DVD from Criterion were each featured prominantly.

While in Rochester, my wife and I also walked around the downtown. (Imagining Brooks herself walking these very streets in the 1950s or 1960's, perhaps . . . .)  We also made a point of visiting the Rochester Public Library - which Brooks frequented - and took the opportunity to do some research. 

We dug up articles, reviews and advertisements for the Denishawn Dance Company's two performances in Rochester during the years Brooks was a member of the troupe. We also scavenged some reviews and advertisements for Brooks' films when they were shown in the city in the 1920's. (Back then, Rochester boasted more than four city newspapers. And to date, I have only been able to get at a couple of them.)  We also copied more recent articles from the Rochester newspapers. For example, there were articles about the actress by Henry Clune, a local columnist. There was considerable coverage, including large headlines and front page articles, about the actress at the time of her death. And there were articles about the Louise Brooks biography by Barry Paris. All together, we gathered much new material. Citations for all that we found have been added to the LBS bibliographies.

December Trip (part one)

Last month, my wife and I took a trip to Detroit, Michigan. I spent time with my family (I grew up on the east side of the city). I also had the opportunity to introduce Pandora's Box when it was shown at the Detroit Film Theater, which is part of the Detroit Institute of the Arts. (The DIA is the fifth largest fine arts museum in the United States. It has a great collection of paintings, sculpture and other works. Check it out if you're ever in the Motor City.)

I had intended to introduce the film three times, as it was being shown as many times over the course of the second weekend in December. A traffic jam on I-75, however, prevented me from making it to the Friday night screening. (I got there 15 minutes late - but the show must go on, and the film started without my introduction.) Nevertheless, I did make it to the Saturday evening and Sunday afternoon screenings. There was an article about the film in a couple of the local papers. More than 500 people were in attendance for each showing. Wow!

Here is a picture of me sitting in the DIA theater before the film was shown on Saturday night. As you can see, it is a splendid theater which dates from the 1920's. (The theater will soon be closed for renovation.) I was told by one of the curators of film that this venue was the first museum theater in the United States to show films as "art." Screenings took place here before similar historic screenings at NY Museum of Modern Art.

And here is a pictue of me introducing the film. My rambling six minute introduction spoke a little bit Louise Brooks, about the LBS, about various centenary happenings, about Brooks' connections to Detroit, and about the film we all were about to see, Pandora's Box. I hope people liked what I had to say.

While in the Detroit-area, I took the opportunity to do a bit of research. I visited the Mount Clemens Public Library hoping to dig up something about Louise Brooks' 1935 dance engagement at the Blossom Heath Inn. (I spoke about this event in my introduction.) This one-time roadhouse is located in what is now St. Clair Shores, a suburb on the east side of Detroit. In the past, I acquired a few newspaper notices and advertisements in the major Detroit newspapers. Now, I thought I might look for additional material. As best I can figure, the only suburban newspapers covering this part of metro Detroit in the 1930's where those based in neighboring Mount Clemens. I looked through the Mount Clemens Daily Leader (daily) and Mount Clemens Monitor (weekly), but found nothing. Happily though, the librarians in the local history room gave me a few suggestions, including a contact at the St. Clair Shores library. So, maybe something futher will turn up. The hunt goes on.

New Amsterdam

Apparently, in the New Amsterdam theater lobby and elsewhere in the building, the Disney corporation (the current owners of the NYC building) has placed photographs of various performers who appeared at the theater in the Ziegfeld days, including Louise Brooks. Has anyone been to the newly restored building? Has anyone seen Brooks' image ?

Pandora's Box in Chicago

Mike Quintero sent word that Pandora's Box will be shown February 23rd at Northwestern University. The 1929 film, which stars Louise Brooks, will be screened with live musical accompaniment featuring Chicago jazz guitar virtuoso Andreas Kapsalis and his band. Here is what the film series website had to say about the film.

Friday, February 23, 8pm 
Pandora’s Box 
(G. W. Pabst, 1929, Germany, 110 minutes, 35mm)

Lulu (Louise Brooks), a sensual yet innocent showgirl, weaves a spell of sexual delirium that wrecks the lives of the men and women who fall in love with her. Ultimately a tragedy, the film follows her career and romantic exploits until her eventual destruction. Dramatizing the temptations of Berlin between the wars, Pandora’s Box is one of the classics of silent cinema. It also shaped the radiant on-screen persona of the legendary actress Louise Brooks. With her glossy black bobbed hair and glowing skin Brooks practically patented the “what have you done for me lately” look, becoming an icon of the 1920s.

Louise Brooks Society updates (part two)

Of late, I have been continueing by ongoing (read: never ending) research into the life and films of Louise Brooks. Some of the newspapers I looked at in pursuit of film-related material include the Concord Daily Monitor and New Hampshire Patriot (New Hampshire), South Bend Tribune (Indiana), Charlotte News & Evening Chronicle (North Carolina), Tallahassee Daily Democrat(Florida), and the Oregon Daily Journal (from Portland). Of these inter-library loan requests, the South Bend and Portland newspapers proved to be the most profitable for articles, reviews and advertisements.

Recently, I also made an afternoon visit to the library at San Francisco State University, where I gathered a few articles fromPhotoplay magazine. The library has microfilm of the film journal covering the later 1930's. And, while in Sacramento over the holidays, I made a visit to the California State Library. There, I looked at microfilm of a few California newspapers like the Los Angeles Examiner (I was missing a few film reviews from the 1920's), Santa Rosa Press Democrat (found a few reviews), Sausalito News, and Napa Valley Register. These last two small town newspapers turned up some advertisements.

I have put in inter-library loan requests for yet more periodicals. I still want to look at additional issues of the North China Daily News (from Shanghai), as well as newspapers from various towns and cities in Canada. I also have a number of requests cued up for papers from Kansas, New York and Pennslyvannia . . . . The search goes on.

Louise Brooks Society updates (part one)

I have updated a few parts of the Louise Brooks Society. . . . Recently, I added about a dozen new tracks to RadioLulu (the silent film and Louise Brooks-themed online radio station of the LBS). There are now more than 160 songs on the station. And the current playlist runs 8 hours and 40 minutes! Please tune in.

Some of the vintage tracks just added to the station include a couple from the teens - Byron G. Harlan's "Let's Go In To A Picture Show" and Arthur Collins & Byron Harlan's "Those Charlie Chaplin Feet." There are also a few new tracks from the twenties like Frankie Trumbauer and His Orchestra's version of "Louise" (which I think predates Maurice Chevalier's more familiar version), Ernest Hare & Billy Jones' rendition of "Don't Bring Lulu," and Marion Harris' wonderfully wicked jazz age song, "I'm A Jazz Vampire."Also, I couldn't resist "Pandora, Close That Box" by Billy Butterfield and His Orchestra, which dates from the 1940's.

Some of the contemporary tracks added lately include "Pandora's Box" by the Dutch goth band Clan of Xymox (I had added Louise, their other LB related song, late last year). Also new to the playlist is "Clara Bow" by Cleaners from Venus, and "Buster Keaton Blues" by the Gomalan Brass Quintet.

There are a handful of other songs I am hoping to add in the near future. One is "Louise, You Tease" by Coon-Sanders Nighthawks, recorded in 1925. Another is "Clara Bow" by the San Francisco rock band The Vaticans, recorded just last year. And, I hope to add a track or two by Blanche Ring, a popular Broadway and vaudeville entertainer who happened to be Eddie Sutherland's aunt. Notably, Blanche Ring appeared along with Louise Brooks in It's the Old Army Game, which was directed by Sutherland (Brooks' first husband).

If you know of any contemporary songs - including rock n roll song or songs by a local band - about Louise Brooks or any silent film star, please let me know. I will consider adding it to the RadioLulu playlist.

Recently, I also revised and expanded the Louise Brooks Society gift shop at CafePress.com. The url is www.cafepress.com/louisebrooks There are a whole bunch of rather nifty new items for sale including a set of tiles, and a set of tile boxes which I call "Pandora's Boxes." There are a few new t-shirts, a new blank journal, some new postcards and more. Here are the new magnet designs.

LB Magnet $3.99	Rectangle Magnet $3.99	Rectangle Magnet $3.99
Rectangle Magnet $3.99	Rectangle Magnet $3.99	Rectangle Magnet $3.99
LBS Magnet $3.99	Rectangle Magnet $3.99	Lulu Magnet $2.99
Rectangle Magnet $3.99	Rectangle Magnet $3.99

p.s. The small mark-up I put on each item helps pay for the expanded CafePress shop (which costs $7.00 per month), as well as RadioLulu (which costs $10.00 per month to broadcast). Hopefully, I will sell a few items a month.

Buffalo screening in February

Pandora's Box will be shown at 7 pm on February 6th at the Market Arcade Film and Arts Center(639 Main St.), in Buffalo, New York. Open to the public and screened as part of a university class series, the film will be preceeded by an introduction by a class instructor. Philip Carli will provide accompaniment on the electronic piano. This short wrote-up appeared in the University of Buffalo's UB Reporter:

Feb 6: "Pandora's Box/Die Büchse der Pandora," 1929, directed by Georg Wilhem Pabst. Few films come close to "Pandora's Box" for psychological and erotic depth. Louise Brooks is fabulous as Lulu in this film based on two plays by Franz Wedekind. Her look led to a comic strip—"Dixie Dugan"—and a social craze—flappers.

A watch for an eternity dreamed of by Louise Brooks

Boucheron Paris has an interesting advertisement featuring the English fashion model and author Sophie Dahl*, advertising a watch with the slogan, “A Watch for an eternity dreamed of by Louise Brooks.” (The ad appeared in the January 2007 edition of British Vogue.) The ad is part of Boucheron's 2006-2007 advertising campaign, which can be found at www.boucheron.com The website contains a bit more text about Brooks.




* Sophie Dahl is the daughter of Tessa Dahl (daughter of the children's author Roald Dahl and actress Patricia Neal), and her father is actor Julian Holloway (son of actor Stanley Holloway).

Diary of a Lost Girl screens in Seattle

Diary of a Lost Girl (1929) will be shown in Seattle, Washington with live musical accompaniment by Dennis James. The film will be shown on Monday, January 15th at 7 pm. Here is what the local alternative papers in Seattle had to say:

From The Stranger:

Diary of a Lost Girl: The Paramount's outstanding Silent Movie Mondays series returns with an abbreviated program on German expressionism. Up first is Pabst's Diary of a Lost Girl, starring Louise Brooks as an unlucky pharmacist's daughter with awesome bangs. Preceded by a lecture and accompanied on the organ by Dennis James, shortlisted for the 2006 Stranger Genius film award. Paramount,Mon Jan 15 at 7 pm.

From the Seattle Weekly:

Diary of a Lost Girl This 1929 film, starring Louise Brooks, is featured tonight in STG's series of German Expressionist Silents. Dennis James plays the Wurlitzer Organ during the screening. The Paramount Theatre, 911 Pine St., 682-1414. $12. 7 p.m. Mon. Jan. 15.

More RadioLulu updates

I've added about a dozen new tracks to RadioLulu, the silent film inspired, Louise-Brooks themed online radio station of the Louise Brooks Society. All of the newly added songs date from the 1920's and 1930's.

I 've added a couple of early songs about the movies, Billy Murray's Take Your Girlie to the Movies and the Peerless Quartet'sSince Mother Goes to Movie Shows. Each of these recordings date from the teens. I've also added a track which possibly references the Lon Chaney film, Laugh, Clown, Laugh! by Fred Waring's Pennsylvanians. Also new is a Jazz Age-themed number by Nat Shilkret & The Victor Orchestra, Flapperette. There are a couple of tracks by Buddy Rogers & His Orchestra,While a Cigarette Was Burning and Lovelight in the Starlight. Interestingly, not only was Buddy Rogers an actor and bandleader, but he was also married to Mary Pickford. And lastly, I added some vintage recordings with "Louise" in the title, such as Coon-Sanders Nighthawks delightfulLouise, You Tease, Bob Crosby & His Orchestra's nifty Louise, Louise, and Django Reinhardt's version of the Maurice Chevalier hit, Louise.

If you haven't already checked out RadioLulu, please give it a listen. The station is growing in popularity. Here's a recap of my station's stats for January:

Total Listening Hours: 890
Total Station Launches: 1231
Station Presets: 1193
Favorite Station Designations: 27

Lulu in Philly

Pandora's Box will be shown in Philadelphia this coming Monday. Here are the details.

PHILADELPHIA CITY INSTITUTE LIBRARY 1905 Locust St., 215-685-6621. Pandora's Box (1929, Germany, 100 min.) Louise Brooks stars as Lulu, a hedonistic dancer, prostitute and heartbreaker, in G.W. Pabst's silent masterpiece. Mon., Jan. 8, 2 p.m., free.