Love em and Leave em in Berlin

Love em and Leave em will be shown in Berlin on Sunday, February 18th. (Apparently, the film had also been shown on February 9th.) These screenings are part of the Berlinale International Film Festival, which is running a series called "City Girls" devoted to movies from the 1910's and 1920's. The series features films staring the likes of Louise Brooks, Greta Garbo and Clara Bow. For more about the series, check out Jess Smee's informative article, "Girls in the City," in the current issue of Spiegel International. More information about the festival and the series can also be found on the Berlinale website, including the festival program which includes two pages (in pdf format) devoted to our Miss Brooks. It's worth checking out.

Stolen Moments preview

In the past, I've written about Stolen Moments, Donna Hill's rather excellent podcast about "Rudolph Valentino, silent films and everything movies." If you're a fan of silent films and you haven't given it a listen, you should. It's quite enjoyable. The January installment was recently posted, and it sketches this year's programs.  Donna is planning podcasts devoted to Roman Novarro, silent comedy, some of the silent film festivals around the country and - Louise Brooks! Sometime in the coming months, there will be a Brooks showing featuring Barry Paris, Kevin Brownlow and myself. Stay tuned (pun intended) for further details.

More inter-library loans and more

This week, I looked at some more inter-library loans. I went through the Salina Sun (located in a small town in Kansas) andHamilton Spectator (located in a small town in Ontario, Canada), and found some Denishawn material in each. Curiously, small town newspapers typically gave greater coverage to the Denishawn troupe than did big city newspapers. I also went through some microfilm reels of the Houston Post-Dispatch (Texas) and Hartford Courant (Connecticut), and found some articles, reviews and advertisements for Louise Brooks' films. Citations were added to the LBS bibliographies, and I also placed a couple of more loan requests.

I am also currently reading Louis Horst: Musician in a Dancer's World (Duke University Press, 1992) by Janet Mansfield Soares. Horst was the longtime musical director of the Denishawn Dance Company, including the two seasons Brooks was a member of the group. I am liking the book a good deal, and have gathered a few leads on Brooks-Denishawn research.

Lulu in Catholicism

Back in 1988, the Rochester Times-Union ran an article about Barry Paris and his then not-yet-published biography of Louise Brooks. This was one of the articles I obtained on my recent visit to the Rochester Public Library.

The article read, in part, "Although he's already delivered a 1,050-page manuscript to publisher Alfred A. Knopf Inc., Barry Paris hasn't stopped his voracious research on the life of Louise Brooks, the silent screen star who spent her last three decades in Rochester. Paris, a Pittsburgh-based writer, says he heard that on April 11, 1963, Brooks delivered a lecture to the Catholic Womens Clubs of Rochester on "The Influence of Movie Stars on the Freedom of Women." The article went on note that Paris was in search of a copy of the lecture, as no record of it seems to have survived. "He asks that anyone who attended the lecture and either taped, or obtained a copy, or tooks notes on it - or just has a clear memories of it - write to him . . . ."

That clipping led me to request an interlibrary loan of the Courier Journal, the weekly Catholic newspaper based in Rochester. I went through  issues dating from April, 1963 hoping to find Brooks' lecture printed in full. No such luck! However, I did find a previously undocumented article announcing Brooks lecture, which was slated to take place on April 15th. The three paragraph article provided a few more bits of information, so the search goes on.

Forged letter for sale

There is a letter by Louise Brooks for sale on eBay. This 1966 letter references the actress dealings with journalists and editors, and her departure from the Catholic Church. Curiously, the seller - a known dealer - admits that the letter is signed "in a forged hand."  And that the entire letter is a "clever forgery." Yet still they want good money for it. Curious and curiouser.

Lulu, a new book

Yesterday, I got a copy of Lulu, a new book of photographs by Nili Yosha. This handsomely produced small press edition / artist's book documents the recent San Francisco production of Frank Wedekind's "Lulu" (by the Chicago-based Silent Theatre Company). Along with numerous black and white photographs, there is a bit of text - captions of a kind taken from the play. The book is a fine keepsake, and something I will long treasure. And, it is a "must" for Lulu enthuisiasts! Individuals interested in obtaining a copy can find a few for sale on eBay. 

Louise Brooks exhibit at the ICP

Speaking of exhibits, a small Louise Brooks exhibit is currently on display at the International Center for Photography in New York City. The exhibit, "Louise Brooks and the New Woman in Weimar Cinema," is on display through April 29.

From what I can tell, this exhibit is different from the one which recently closed at the George Eastman House. Instead of portraits, this one focusses on film stills. On display are various images from Pandora's Box and Diary of a Lost Girl, the two films Brooks made under director G. W. Pabst. According to the ICP website, "The American silent-film actress Louise Brooks (1906-1985) is one of the great female icons in the history of the cinema. . . . She embodied the ideal of the Weimar-era "New Woman," a social role that connoted political equality,  free-spiritedness, and gender ambiguity."

I would enjoy hearing from anyone who sees this exhibit.

December Trip (part two)

From Detroit, my wife and I flew to Rochester, New York. As most readers of this blog know, Louise Brooks made her home in Rochester starting in the late 1950's. Rochester is also home to the George Eastman House, one of the largest motion picture archives in the world.  My wife and I spent a full day at the GEH, mostly looking through clipping files and archival material related to the actress. We read letters both to and from Brooks, looked at vintage photographs she once owned, poured over many clippings about the actress, and examined other related documents such as manuscript pages, programs, and books. And of course, we took lots of notes.

While at the George Eastman House, we also took the opportunity to see the Louise Brooks exhibit, which was then on display. Here are a few snapshots taken in the museum. Anthony L'Abbate, the helpful curatorial assistant, took this first picture of my wife and I. It was very exciting to be there.

As can be seen from these pictures, the Brooks exhibit at the GEH was a modest one. (The exhibit took up one room - with a few other pictures hanging in the adjoining hallway.) The exhibit mostly featured photographs, many of which were familiar, some of which were not. There were also a few related magazines, books, and other items, including a painting of two birds by Louise Brooks. The painting - which is something I had never seen before - can be seen in two of the images below. (There is similiar piece of art depicted in the Barry Paris biography - see page 446.) I wonder how many such artworks Brooks completed?

It was thrilling to see this exhibit. And I am very glad we took the time to do so. My only regret is that we did not get into the GEH Dryden Theater. Wwe saw it from the outside, but it would have been interesting to see it from the inside. Lastly, here is a snapshot of one-half of the Brooks display in the George Eastman House gift shop. There were also a few DVD's for sale. Peter Cowie's new book and the recently released Pandora's Box DVD from Criterion were each featured prominantly.

While in Rochester, my wife and I also walked around the downtown. (Imagining Brooks herself walking these very streets in the 1950s or 1960's, perhaps . . . .)  We also made a point of visiting the Rochester Public Library - which Brooks frequented - and took the opportunity to do some research. 

We dug up articles, reviews and advertisements for the Denishawn Dance Company's two performances in Rochester during the years Brooks was a member of the troupe. We also scavenged some reviews and advertisements for Brooks' films when they were shown in the city in the 1920's. (Back then, Rochester boasted more than four city newspapers. And to date, I have only been able to get at a couple of them.)  We also copied more recent articles from the Rochester newspapers. For example, there were articles about the actress by Henry Clune, a local columnist. There was considerable coverage, including large headlines and front page articles, about the actress at the time of her death. And there were articles about the Louise Brooks biography by Barry Paris. All together, we gathered much new material. Citations for all that we found have been added to the LBS bibliographies.

December Trip (part one)

Last month, my wife and I took a trip to Detroit, Michigan. I spent time with my family (I grew up on the east side of the city). I also had the opportunity to introduce Pandora's Box when it was shown at the Detroit Film Theater, which is part of the Detroit Institute of the Arts. (The DIA is the fifth largest fine arts museum in the United States. It has a great collection of paintings, sculpture and other works. Check it out if you're ever in the Motor City.)

I had intended to introduce the film three times, as it was being shown as many times over the course of the second weekend in December. A traffic jam on I-75, however, prevented me from making it to the Friday night screening. (I got there 15 minutes late - but the show must go on, and the film started without my introduction.) Nevertheless, I did make it to the Saturday evening and Sunday afternoon screenings. There was an article about the film in a couple of the local papers. More than 500 people were in attendance for each showing. Wow!

Here is a picture of me sitting in the DIA theater before the film was shown on Saturday night. As you can see, it is a splendid theater which dates from the 1920's. (The theater will soon be closed for renovation.) I was told by one of the curators of film that this venue was the first museum theater in the United States to show films as "art." Screenings took place here before similar historic screenings at NY Museum of Modern Art.

And here is a pictue of me introducing the film. My rambling six minute introduction spoke a little bit Louise Brooks, about the LBS, about various centenary happenings, about Brooks' connections to Detroit, and about the film we all were about to see, Pandora's Box. I hope people liked what I had to say.

While in the Detroit-area, I took the opportunity to do a bit of research. I visited the Mount Clemens Public Library hoping to dig up something about Louise Brooks' 1935 dance engagement at the Blossom Heath Inn. (I spoke about this event in my introduction.) This one-time roadhouse is located in what is now St. Clair Shores, a suburb on the east side of Detroit. In the past, I acquired a few newspaper notices and advertisements in the major Detroit newspapers. Now, I thought I might look for additional material. As best I can figure, the only suburban newspapers covering this part of metro Detroit in the 1930's where those based in neighboring Mount Clemens. I looked through the Mount Clemens Daily Leader (daily) and Mount Clemens Monitor (weekly), but found nothing. Happily though, the librarians in the local history room gave me a few suggestions, including a contact at the St. Clair Shores library. So, maybe something futher will turn up. The hunt goes on.