Showing posts with label BFI. Show all posts
Showing posts with label BFI. Show all posts

Tuesday, June 25, 2024

Love ’Em and Leave ’Em, starring Louise Brooks, shows at BFI in London on August 18

Love ’Em and Leave ’Em (1926), starring Louise Brooks, will be shown at the BFI (British Film Institute) NFT 2 in London on August 18. A 78 minute, 16mm print from the BFI National Archive will be shown at this rare screening, which will include an introduction and live piano accompaniment. (There are no details on who will give the intro or play the piano.) Tickets go on sale July 4. More information can be found HERE.


Love ’Em and Leave ’Em is a delightful film, and it proved popular in its day on both sides of the Atlantic. According to the BFI website,"Louise Brooks proves she is more than just a proficient at the Charleston in this snappy comedy of sibling rivalry. She almost out-acts the film’s star, Evelyn Brent, who plays the elder sister who has promised her mother to keep the vampish youngster out of trouble. It was Brooks’ best performance to date – ably directed by Frank Tuttle – and heralded her transfer to Hollywood and true stardom."

Critics praised the film and Brooks' role in it. In fact, many suggested Brooks stole the film from star Evelyn Brent. The New York Herald Tribune critic opined, “Love ‘Em and Leave ‘Em . . . did manage to accomplish one thing. It has silenced, for the time being at least, the charge that Louise Brooks cannot act. Her portrayal of the predatory shop girl of the Abbott-Weaver tale was one of the bright spots of recent film histrionism.”

John S. Cohen Jr. of the New York Sun added, “The real surprise of the film is Louise Brooks. With practically all connoisseurs of beauty in the throes of adulation over her generally effectiveness, Miss Brooks has not heretofore impressed anyone as a roomful (as Lorelei says) of Duses. But in Love 'Em and Leave 'Em, unless I too have simply fallen under her spell, she gives an uncannily effective impersonation of a bad little notion counter vampire. Even her excellent acting, however, cannot approach in effectiveness the scenes where, in ‘Scandals’ attire, she does what we may call a mean Charleston.”


Along with Louise Brooks and Evelyn Brent, Love Em and Leave Em also features leading man Lawrence Gray as well as Osgood Perkins, an accomplished stage actor and the father of later famwed actor Tony Perkins. Also in the cast is Ed Garvey, a star football player at Notre Dame, and Anita Page, who reportedly had an uncredited bit part.

In 1929, Love 'Em and Leave 'Em was remade as The Saturday Night Kid, a talkie starring Clara Bow, Jean Arthur, and James Hall with Jean Harlow in a bit part. And what's more, the remake was directed by Brooks' ex-husband Eddie Sutherland.

More information about the film can be found on the Love Em and Leave Em (filmography page) on the newly revamped Louise Brooks Society website. 

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2024. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Saturday, April 27, 2024

Pandora's Box, starring Louise Brooks, screens 4 times in London in May

Pandora's Box (1929), the sensational German silent film starring Louise Brooks, will be shown four times in London during the month of May. It is not explicitly stated which print will be shown, but as the  stated running time is 135 minutes and the musical accompaniment is noted as being the Peer Raben score, I will assume the print is the recently released restoration which is recently making the rounds. Further details about this mini-series can be found HERE

This screening of the German film will be shown with English subtitles. The film comes with a PG certificate. The screenings will take place:

Saturday 04 May 2024 15:10  Studio  with the Peer Raben pre-recorded score

Friday 17 May 2024 18:00 NFT2  with the Peer Raben pre-recorded score

Saturday 25 May 2024 13:10 NFT3   with live piano accompaniment by Costas Fotopoulos

Friday 31 May 2024 14:30 NFT3  with the Peer Raben pre-recorded score

 

According to the BFI website: "Louise Brooks dazzles as the iconic showgirl who leaves a trail of destruction in her wake, in one of the great silent films of the Weimar era." A second note, by Ruby McGuigan, states, "Pabst’s startlingly modern adaptation of Wedekind’s Lulu plays follows the downward spiral of a vivacious showgirl, brought vibrantly to life by a live-wire Louise Brooks, wreaking casual havoc on all she encounters through the sheer power of charisma. Brooks’ irresistible charm and pathos made her a star, and anchored this sexually frank melodrama of lust, greed and violence."


A chronological confusion: Isn't it common practice to date a film to its year of release? As in The Godfather (1972) and Star Wars (1977) and Pulp Fiction (1994).

On the above referenced BFI page, Pandora Box is dated to 1928. That was the year it was made. It was released in 1929. 

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2024. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Monday, February 23, 2009

Screen Seductresses tickets to be won!

The FutureMovies website in Britian is giving away tickets to a upcoming screening of Pandora's Box (1929) at the BFI, in London. 

Women have always been a commanding presence on the cinema screen and BFI Southbank, in association with the Birds Eye View Film Festival, are presenting a season of films dedicated to these vamps, vixens and femmes fatales. The season features an extended run of Joseph H. Lewis’s electrifying love-on-the-run cult classic Gun Crazy, in which Bart (John Dall) loves guns without wanting to kill, but Laurie (Peggy Cummins) yearns for violent excitement… Other highlights include Barbara Stanwyck’s glacial turn in Double Indemnity, Rita Hayworth’s infamous Gilda and ‘the miracle of Louise Brooks’ in Pandora’s Box. This is just a selection of the great films on offer; for more information seewww.bfi.org.uk/femmesfatalesfuturefilms.

To find out more about the ticket give away, visit this webpage. And good luck!

Saturday, February 7, 2009

Lulu in London at BFI

Pandora's Box will be shown at the British Film Institute in London on March 11. Louise Brooks shines as the free-spirited, luminous Lulu. With specially commissioned live musical accompaniment from The Monroe Transfer. For more info, see http://www.bfi.org.uk/whatson/pandoras_box_2 
Wed 11 Mar 18:00 NFT1
A distinguished society man becomes enraged by jealously on his wedding day, with disastrous consequences.
Free-spirited and luminous, Lulu affects those around her like a flame attracting moths. When her affair with distinguished society man Dr Schön (Kortner) becomes public, he marries her. But already on his wedding day Schön is enraged by jealousy, with disastrous  consequences. Brooks plays Lulu with astonishing insouciance and impenetrable allure; the film reveals, in Lotte Eisner's words, 'the
miracle of Louise Brooks'.
Directed by: GW Pabst 
Cast: Louise Brooks, Fritz Kortner, Francis Lederer 
Country: Germany 
Year: 1929 
Running time: c131min
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