At the library this morning

Microfilm for three newspapers was waiting for me at the library this morning. Call me nerd, but I do enjoy researching. . . . Three months of the Cleveland Plain Dealer arrived, which enabled me to more-or-less complete my survey of that newspaper in preparation for my visit to the Ohio Historical Society. Tracking down dates for screenings of Brooks' films in the Plain Dealer will enable me get through microfilm of the three or four other Cleveland newspapers much more effeciantly.

Four reels of another Mid-west newspaper, the Milwaukee Herold, also arrived. The Herold was a rather impressive German-language newspaper, and in it, I found brief articles and substantial reviews of the two Denishawn performances in Milwaukee at the Pabst Theater. Though I don't read German, I was able to tell that Brooks was singled out (along with Martha Graham) in one of the reviews.

Two reels of the Asheville Times also arrived. In this North Carolina newspaper, I dug up articles, advertisements and a review of the 1923 Denishawn performance in that town. Brooks was mentioned in one item. The other reel - containing the last couple of months of 1927 - contained material on the local showing Now We're in the Air and The City Gone Wild. Citations for these newly uncovered articles and reviews will be added to the LBS bibliographies.

The American Venus on TCM

A two minute trailer for The American Venus (1926) - a lost Louise Brooks film and her first credited film role - will be shown on the cable station, Turner Classic Movies, during the evening of Sunday, November 21st. Consult your local television listings for the time and channel.

This two minute film is part of program of trailers of lost films, and one of four such Paramount trailers which will be shown the evening of the 21st. For further information, see http://www.turnerclassicmovies.com/ThisMonth/Article/0,,84023,00.html

Louise Brooks was born on this day

Future silent film star Louise Brooks was born on this day in 1906 in Cherryvale, Kansas. The Cherryvale Daily News ran a small item on the front page of newspaper. Happy Birthday, Louise.

If you haven't already seen them, you can still take a look at the remarkable batch of photographs which were recently auctioned off in New York. The photo's were part of the estate of the William Klein, a Rochester, New York film critic and longtime friend of the actress. (Klein can be seen in the 1998 documentary Louise Brooks: Looking for Lulu.) There are some singular images here, including Louise Brooks at the age of three in her first public performance.

In search of the Syracuse Herald

My inter-library loan request for the Syracuse Herald came back "negative." Curiously, no library has microfilm of this newspaper for the period I'm researching - the early and mid-1920's. And apparently, the only institutions which have bound volumes dating from the twenties are the Onondaga Historical Association and Onondaga Library System. Normally, bound volumes of newspaper are not loaned - they are just too big and fragile.

Would anyone who lives in Syracuse, New York or in Onondaga county be willing to track down a few reviews by visiting these Onondaga institutions? Denishawn performed in Syracuse in April, 1924. Having earlier gone through the Syracuse Post-Standard, I also have dates for a handful of screenings of Louise Brooks films.

Today is Armistice Day

Today is Veteran's Day, a holiday originally known as "Armistice Day." That holiday was originally created to mark the end of World War I - the so-called "war to end all wars." During the silent film era - especially during the 1920's - many films were made based on that tragedy. Perhaps the best of them was The Big Parade (1925), which starred John Gilbert and Renee Adoree.

Recently, I've been reading Dark Star, a highly recommmended biography of Gilbert by his daughter, Leatrice Gilbert Fountain. Yesterday, I came across this remarkable paragraph. "Lois Wilson was working in New York at the time of the premiere there. Jack [ John Gilbert ] travelled East for the opening in the company of her fiance, Richard Dix. They shared a compartment on the train, carrying with them the three steel boxes containing the film. Lois met them at the station and went with them to deliver the film to the Astor Theater, where The Big Parade was to open."

I am sure this was the exception, but isn't it remarkable that an actor was responsible not only for transporting a film across country, but for delivering it to the theater where it was to be shown. "Hi, this is John Gilbert. I have a delivery. . . ." How times have changed.

Another film set during World War I was Now We're in the Air (1927), which starred Wallace Beery, Raymond Hatton, and Louise Brooks (in the role of twins). Yesterday, while doing research at the library, I came across this rather nifty newspaper advertisement for the film.

                           

Even Digital Data Can Fade

There was a thought provoking article in today's New York Times by Katie Hafner, "Even Digital Memories Can Fade." The article begins . . . .

The nation's 115 million home computers are brimming over with personal treasures - millions of photographs, music of every genre, college papers, the great American novel and, of course, mountains of e-mail messages.

My computer is one of those 115 million, and I read Hafner's article in light of my research on Louise Brooks. Keep in mind that at least half of the "data" I have acquired on the actress (everything from rare portraits to bibliographical references, correspondence, webpages, and scans of newspaper and magazine articles) is in a digital format.

I do have a four drawer filing cabinet stuffed full of photocopies of vintage reviews, advertisements of Brooks' films, articles, films scripts, censorship files, and miscellaneous clippings from newspapers and magazines from around the world. I also have three or four boxes full of additional material - vintage magazines, programs, stills and other oversized items. Some of it is incredibly rare. I also have hundreds - if not a thousand - similar items in digital format - word docs, pdf files, html files, txt files, gifs and jpgs. I wonder how long all of this stuff will last. The article went on to state:

So dire and complex is the challenge of digital preservation in general that the Library of Congress has spent the last several years forming committees and issuing reports on the state of the nation's preparedness for digital preservation.

Hafner's article led me to the conclusion that I need to organize and back up everything I've collected and saved, not only in secondary digital files and formats - but to paper, when possible. I used to save things on a zip drive (a once popular storage medium) - until some of the zip discs wore out and I was unable to retrieve data. Now, everything resides on my Windows XP desktop computer.

Today's formats are likely to become obsolete and future software "probably will not recognize some aspects of that format," Mr. Thibodeau said. "It may still be a picture, but there might be things in it where, for instance, the colors are different."

The experts at the National Archives, like those at the Library of Congress, are working to develop uniformity among digital computer files to eliminate dependence on specific hardware or software.

How long will the material I've collected on Louise Brooks last? I don't know. How long will the Louise Brooks Society website - and all of its resulting information - last? I don't know. How long will this LiveJournal blog last? I don't know. Katie Hafner's article offers food for thought.

Notes on yesterday's trip to the library

Yesterday's trip to the library yielded some interesting results. I was able to dig up a few more reviews, articles and advertisements dating from Louise Brooks' time with the Denishawn dance company. This material - some of which mentioned Brooks - came from the Indianapolis Times and Sioux Falls Daily Press (from South Dakota). I also scavenged a few film reviews and advertisements (see earlier LiveJournal entry) from the New Orleans Item and the Manitoba Free Press (which comes from Winnipeg, Canada).

Three months of the Louisville Courier Journal also arrived. I was hoping to find something on Brooks' appearance as a night club dancer in Kentucky. In his biography of Brooks, Barry Paris mentions that she worked in that state in early 1935. I figured it must be in Louisville. I didn't find anything in the Courier Journal. So, I will next check the Lexington newspapers.

I also recieved a couple of months of the Miami Herald, where I was again looking for material on Brooks' appearances as a night club dancer. This time I hit the jackpot. There were numerous small articles, a few pictures, and lots of advertisements promoting "Louise Brooks and Dario." The featured performer at the Embassy Club where Brooks' was dancing was Marion Chase, a singer from New York City. I wasn't able to find out anything about her by searching Google. Is anyone familar with her?

One of the more interesting items was an advertisement for the Embassy Club which noted that boxer Max Baer, the world champion, would also be appearing on a particular evening. I wonder if Louise Brooks and Max Baer met?

                                                     

Effects of the recent election

On a personal note, I must admit to being pretty dissapointed by the election. The United States economy - under president Bush - looks like it's in shambles. (It feels like a recession to me!) 

This economic downturn has had some small impact on the efforts of the Louise Brooks Society. In the four years I have been actively researching the actress, for example, I have seen cut backs and closures at libraries across the United States. This is especially true in the last two or three years. Some institutions have reduced hours and staff, some have put off upgrading equipment (such as microfilm readers), some have closed off parts of their collections. And worn microfilm, which should be replaced, is still in use. I don't think it untrue to say that libraries, archives and cultural institutions across the United States have suffered under Bush.

Louise Brooks bibliographies

One of the most valuable assets of the Louise Brooks Society are the many annotated bibliographies which help document the life and career of the actress. Most importantly, these bibliographies help organize the vast amount of written material about the actress, including vintage reviews of her films. The bibliographies contain not only numerous citations, but also links to select articles. Additionally, many of the citations are annotated with a brief quote or passage which in themselves make for interesting reading. These web pages - all of which are a work in progress - can be accessed at www.pandorasbox.com/louisebrooks/bibliographies.html
So far, material has been gathered from the places most important to the story of Louise Brooks - Cherryvale and Wichita, Kansas, New York City, Los Angeles, Berlin, Germany and Rochester, New York.

Articles and film reviews are also being gathered from newspapers in nearly two dozen of the largest American cities of the 1920's - as well as select metropolitan areas in the then less populated South, Southwest and Far West. Taken together, these many articles offer a perspective on the actress in the words of her contemporaries. Additionally, many fascinating and previously unknown articles and bits of information have been uncovered. Work on the bibliographies has been going on for nearly four years, with another twelve months of effort already mapped out.

Arrived in the mail . . .

A bunch of nifty stuff arrived in the mail during the last few days. . . . Amanda sent photocopies of a dozen clipping - some vintage and some contemporary - and some I had never seen before. Thank you very much, Amanda!

I also recieved a copy of London Magazine (more a literary journal than a traditional magazine) which I had purchased over the internet from an English book dealer. This issue from 1966 contains a rather interesting article, "Daisy and Lulu," which compares and contrasts the heroines of Inside Daisy Clover and Pandora's Box. Very interesting, and an early example of contemporary writing about Brooks. There really isn't much from the 1960's that I have found. (One of the other fascinating pieces in this issue is an essay on Bob Dylan by Angela Carter - very smart stuff indeed. The juxtaposition of the two articles lead me to wonder . . . if "Daisy and Lulu," which Carter might well have read having an article of her own in the same issue, might have served as a kind of introduction to Louise Brooks for the novelist. Or perhaps, Carter had seen one of the screenings of Pandora's Box in London in the mid-1960's, which this article references. Whatever the case, Angela Carter - one of the seminal British fiction writers of the post-war era, went on to idolize Louise Brooks and write about the actress in various works. Perhaps this article or those screenings were the genesis of Carter's interest.)

Also arriving in the mail was the newly released three DVD set of  Brooks' movies from Carlotta Films. Nice packaging, and lots of extras are included on the discs. I have to reprogram my DVD player (the discs are region 2), and will relay my impressions on this important new French release sometime soon.

After a long wait and considerable expense, I also acquired the screenplays to two early Brooks' films, The American Venus and Love 'Em and Leave 'Em. They arrived in the mail today after a wait of nearly two months! The screenplay for The American Venus is especially interesting, as this is a lost film. So far, by hook and by crook, I have acquired the screenplays, scripts, or continuity for six other Brooks films - mostly later efforts. Among them are The Canary Muder Case, Windy Riley Goes Hollywood and God's Gift to Women. I wonder how many still exist.

Billboard magazine

Weekly trip to the San Francisco Public Library: There was no inter-library loan material waiting for me, so I took the opportunity to look through Billboard (the SFPL has a long run this trade journal on microfilm). I had previously gone through Billboard for reviews of Brooks' appearances with the Ziegfeld Follies, as well as reviews of her films.

I spent time looking through the years 1934 and 1935 in hope of finding anything on Brooks' appearances as a night club dancer. I was hopeful because Billboardcovered nite clubs and the nite club scene in Chicago, New York, Detroit, and Miami - all cities in which Brooks danced. I spent about an hour and a half scrolling through months and months of microfilm. I didn't find anything, and was about to give up, until I came across a review of Brooks and Dario's April 12, 1935 performance at the Capitol Theater in New York. They were part of the stage show supporting the MGM film Vanessa, staring Helen Hayes and Robert Montgomery.

"Louise Brooks and Dario, doubling from the Central Park Casino, are a new combination around and impressed as a class team. The girl is a smart looking brunet, while her male partner is a smooth teammate. Do two numbers, a modern ballroom waltz and a lighter flirtation dance. Their work holds interest, altho it's not outstanding."

Original Pandora's Box 1-sheet up for auction

A beautiful German 1-sheet poster, for Pandora's Box, is up for auction through eBay. This lithograph, which dates from 1928 and measures 55.9 x 37.4 inches, features artwork by Josef Bottlik (1897 - 1984). The poster printer is R. Spiegel of Berlin.

The auction, which begins November 6th, can be viewed here. Bidding starts at $15,000 and is estimated to sell for between $22,000 and $30,000.

                                             

Brooks mention in David Thomson article

David Thomson is an especially good film critic. He is also the author of the magnificent New Biographical Dictionary of Film (a book that belongs in every home), as well as many other worthwhile books and articles. Today's Independent newspaper from the U.K. carried an interesting article by Thomson which referenced Louise Brooks.

"But as the feeling dawned so pretty girls were named and hired and put on our screens week after week. In that process, the female soul was radically divided: there were the virgins, the very good girls - as typified by Lillian Gish, and to a rather cheekier degree by Mary Pickford. These women were models for human behaviour, even if they were already a little antiquated. For instance, D W Griffith was still honouring Gish's saintly woman as the First World War and its aftermath introduced the "jazz baby", the flapper, the "wild kid" - the kind of woman best celebrated by the fabulous Clara Bow and the young Gloria Swanson. And then there was the bad girl, the femme fatale, the temptress. That is a tradition that includes Theda Bara - the enchantress women in Cecil B De Mille films - and even Louise Brooks - though Brooks was too candid and carnal for American tastes and only found full expression in Germany, in G W Pabst's Pandora's Box."

Thanx to Christy, a regular reader of British newspapers, for pointing this out.

Thomas Dixon biography

Finished reading American Racist, by Anthony Slide, a recently published biography of the novelist and film-maker Thomas Dixon. I was surprised at how interesting I found this book - a testament, no doubt, to Anthony Slide's talents as a film historian.

Thomas Dixon has a notorious reputation as the author of The Klansman, the book which served as the basis for D.W. Griffith's film The Birth of a Nation (1915). Dixon has been, rightly so, branded an arch-conservative obsessed with what he viewed as "the Negro problem." However, as American Racist shows, Dixon was also a complex and talented individual who, as well as writing a few of the more popular novels of the early twentieth century, was involved in the production of some eighteen films. (Dixon had a knack for leveraging the stories found in his books into stageplays and films.)

Thomas Dixon used the motion picture as a propaganda tool for his opinions on race, communism, socialism, and feminism. His most spectacular cinematic production, The Fall of a Nation (1916), argues for American preparedness and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. (Like the majority of Dixon's films, The Fall of a Nation is now lost.)

Anthony Slide examines each of the author's films and discusses the novels from which they were adapted. Slide chronicles the Dixonr's transformation from a supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. Slide's book is the first work to discuss Dixon's work as a film-maker. Especially interesting was the book's final chapter, "Raymond Rohauer and the Dixon Legacy," which details the modern-day fight over the rights to The Birth of a Nation.

Harold Lloyd event

Though they were both associated with Paramount in the late 1920's, I am not aware that Louise Brooks and Harold Lloyd were acquainted. Nevertheless, silent film fans may want to attend this event.

Suzanne Lloyd
talk, slideshow & booksigning for "Harold Lloyd's Hollywood Nudes in 3D!"
Friday, November 19 at 7 pm

Suzanne Lloyd, granddaughter of silent film great Harold Lloyd, will speak about Harold Lloyd's Hollywood Nudes in 3D!, the sensational new book of 3D photographs by the late comedic actor. (Each book comes with a pair of 3D glasses.)

Devotees of Hollywood glamour, collectors of movie memorabilia, lovers of photography, and fans of comic icon Harold Lloyd are all in for a surprise with the release of this newly published book. Harold Lloyd's Hollywood Nudes in 3D! is retro chic at its best. From the late forties to the early sixties, Lloyd snapped close to a hundred thousand photographs of  women, many of them in 3D. These gorgeous models and starlets all posed for the camera in various states of undress. Lloyd's granddaughter and manager of his estate, Suzanne Lloyd, has collected 200 of Harold's best photographs in this delightful collection.

Some of the notable starlets who are featured include Bettie Page, Dixie Evans - who became the proprietor of the Exotic World Burlesque Museum, and Tura Satana, the exotic beauty of such film classics as Russ Meyer's  Faster Pussycat! Kill! Kill! In addition to the nudes, Lloyd took some exquisite photos of Marilyn Monroe, which also appear in the book.

This new book is edited by Suzanne Lloyd, and features a foreword by Robert J. Wagner. Suzanne Lloyd will present a slide show and talk. A booksigning will follow. This event will take place at The Booksmith, which is located at 1644 Haight Street in San Francisco. For further information, please call 415-863-8688. If you can't attend an event and would like to purchase an autographed book, please telephone or email the Booksmith.

American Venus trailer on TCM

A coming attractions trailer for The American Venus (1926) will be shown on Turner Classic Movies during the evening of Sunday, November 21st. Consult your local listings or the TCM website for the exact time.

This trailer is included on the recently released DVD, More Treasures from American Film Archives 1894-1931. TCM will be showing parts of this new release on the first three Sunday evenings in November. 

Remarkable eBay item for sale

There is a remarkable item for sale on eBay - a poster (seemingly on board) for the 1928 film A Girl in Every Port. I have never seen anything like this before. It may be unique, in that it was created by a local artist for a specific theater. The seller offers no information except that it is "huge."

Weekly trip to the library

Weekly trip to the library to go over newly arrived inter-library loan material. . . . Today, I looked at the Baltimore Post, and managed to turn up a Denishawn review, and a review of the Ziegfeld Follies production of  "Louie XIV." (Louise Brooks was in the company of each of these productions at the time of their Baltimore appearance.) Also found a review of The Street of Forgotten Men at the time it was screened in Baltimore in August, 1925. I was lucky to find what I did, as theBaltimore Post was one of the worst big city newspapers I have ever encountered. It was little more than a tabloid, and an uninteresting and un-fun one at that.

Also went through a couple months of the Chicago Daily News from 1934, where I managed to find an article and some advertisements for the dance team of Dario & Brooks and their appearance, along with torch song singer Helen Morgan, at the Chez Paree - "Chicago's Smartest Supper Club." There was no cover charge - and dinner was only $2.50. Can you imagine?

[ BTW: If you are not familiar with Morgan, do check her out - she is terrific: "Her small, pale appearance and her sweet, artless, and blues-tinged voice made her the ideal performer of the new sort of popular song that was being written in the 1920s and '30s: ironic, sometimes bitter, distinctly urban, and full of the disappointment, loneliness, and joyless hedonism that filled the smoky clubs."]

The day's biggest haul came from a newspaper from the smallest city - Cumberland, Maryland. I looked through about a month worth of the Cumberland Evening Times, where I found a bunch of articles, advertisements, feature photos and a review of the 1923 Denishawn performance in that town. Louise Brooks was mentioned in one of the advertisements, and was twice pictured in group photographs of the Denishawn company.

A footnote: there are interesting happenstances I run across while looking for Brooks material. For example, when Brooks and the Ziegfeld Follies appeared in Baltimore in February of 1925, also in town for a performance was the Denishawn Dance company. Brooks had been ejected from Denishawn less than a year before. Did she notice the Denishawn performance? . . . . And in Chicago, when she was performing with Dario at a supper club, the Chicago Daily News ran a big feature on movie stars (such as Clara Bow and Raymond Hatton) and their failed attempts at a comeback. Did Brooks notice this article? One can only wonder.

Image search

Yahoo announced recently that the search engine at Yahoo Images  ( http://images.search.yahoo.com ) now has over a billion images on record. That's a lot! Google Image Search ( http://www.google.com/imghp ), by comparison, counts itself as having over 880 million images.

Either search engine will turn up hundreds of images of Louise Brooks. Many of the results come from the Louise Brooks Society or the handful of other websites and webpages devoted to the actress. However, a thorough look through the search results will turn up some little seen and otherwise unusual images, including examples of "fan art" and other pictorial representations of the actress. Here is one that I find somewhat striking.

The Chanteuse and the Crooner

There is a new book out called Chanteuse in the City: The Realist Singer in French Film, by Kelley Conway. This study "provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Frehel, and Damia. Above all, Conway offers a fresh interpretation of 1930's French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the cafe-concert." Fittingly, there are a handful of references to Louise Brooks and Prix de Beaute (which is depicted three times) in this new book. I have read parts of this book, and found it interesting. You may too.

On a not unrelated "note" . . . .

Did anyone catch today's installment of Fresh Air, which featured rock guitarist Lenny Kaye? He spoke about his new book, You Call it Madness: The Sensuous Song of the Croon, which chronicles the male singers of the 1920's and 1930's - such as Rudy Vallee, Bing Crosby and Russ Columbo - who were known for their suave, sophisticated and romantic interpretations of song. Kaye's book looks quite worthwhile.

Emil Petaja "Photoplay Edition"

I have a few copies of  Photoplay Edition, by Emil Petaja, which I would like to sell. This collectors guide was the first book on the subject of photoplay editions, the movie tie-in books of the silent and early sound era. This heavily illustrated, 200 page bibliography contains a delightful introductory essay and a checklist of hundreds of titles. It is also illustrated with dozens of rare book covers and black-and-white stills. I am selling these softcover books for $10.00 each (which includes shipping). Personal checks or PayPal accepted. Contact me via email at thomasg at pandorasbox.com to arrange payment and shipping.

                                            

Emil Petaja (1915 - 2000) was a friend of mine, and I knew him during the last half dozen years of his life. Though an accomplished author in the fields of science fiction and fantasy, Emil is best known to movie lovers as the author of Photoplay Edition (SISU Publishers, 1975). Petaja based this book on his personal collection, which at the time of publication, numbered more than eight hundred books. He loved film, and was a life-long movie buff and collector of movie memorabilia. He had a large library of film-related books, owned hundreds of 16mm films and videotapes, and enjoyed recounting stories about classic films, actors and actresses. What always impressed me about Emil was his remarkable mind for recalling plots, the stars of films, and even the authors whose books were made into movies. Occasionally, we would take in a movie together. And I enjoyed many conversations with him about the movies. Emil was a gateway to the past.

Freckles and His Friends

Here is an amusing item I came across the other day while looking though old newspapers on microfilm. This comic strip dates from 1923, and features Buster Keaton as a character (in this day's strip). Other strips I noticed featured Mary Pickford and Constance Talmadge. Does anyone know anything more about "Freckles and His Friends," or the cartoonist, Blosser?

Research notes

There were five boxes of microfilm waiting for me at the library this morning. Such excitement . . . . I spent four hours looking through the Cincinnati Enquirer (found reviews and articles on four films) and Phildadelphia Inquirer (found a couple of brief articles and advertisements for Denishawn performances). One of the articles in the Philadelphia newspaper told how the Denishawn performance was cancelled because a train wreck had prevented the costumes for the dance company from arriving at the same time as the dancers themselves. (Apparently, the costumes and the dancers travelled on different trains.) "There was a dissapointed audience hanging about the doors," the article stated. Tickets had to be refunded. And the performance was rescheduled for a month later.

Also looked through the Muskogee Daily Phoenix (found lots of Denishawn material and an advertisement for American Venus in this Oklahoma newspaper), theCedar Rapids Republican (found Denishawn articles and advetisements, as well as a few film reviews in this Iowa newspaper), and Pittsfield Advertiser (this small town weekly newspaper from Maine did not yield any Denishawn material).

Some time in the next few years, I plan on writing a narrative history of Louise Brooks' two seasons spent with the Denishawn dance company. This account will be based on the hundreds of articles and reviews I have already collected (and will collect) covering the hundreds of performances Brooks and Denishawn gave across the United States. This account will follow their two tours of the United States and Canada.

Broadway: The American Musical

Tonight, I watched the first two hours of "Broadway: The American Musical" on PBS. It was great to hear recordings and see film clips from the late 1920's and early 1930's. (Or were all the film clips from the early 1930's? It was hard to tell. Were any of the Ziegfeld Follies stage shows of the 1920's ever filmed?) I have also taken a look at the companion book, Broadway: The American Musical, in hopes of finding at least a reference to Louise Brooks and her time with the George White Scandals and Ziegfeld Follies. But, alas, there were none. Except, perhaps, for the image on the back of the book which depicts the Follies of 1925. Is Brooks included in that shot?

New DVD release in France

Various news sources, including Le Monde, have recently mentioned the upcoming release in France of a 3-DVD box set featuring Loulou (aka Pandora's Box),Diary of a Lost Girl, and Prix de beauté. This set from Carlotta Films will also offer the documentary Looking for Lulu and considerable bonus material (commentary by film critics, etc....), along with musical accompaniment. This looks like a must have. Two sources for purchase include fnac.com and amazon.fr

                             

Online photo archives

New to the web is an archive of images from the New York Times. "The New York Times Photo Archives contains historic images carefully preserved over the past 100 years - one of the largest and most comprehensive collections of photographs in the world." Obviously, only a fraction of the images from this collection are online. Nevetheless, it's worth a look. The archives are searchable by keyword or browsable by category. No Louise Brooks images turned up, but I did come across interesting results searching under "Chaplin," "Fairbanks," "Valentino," etc.... This new site is set up as a store, but its still fun to browse.

Also online, courtesy of the Library of Congress, is an archive of images from the Chicago Daily News. "This collection comprises over 55,000 images of urban life captured on glass plate negatives between 1902 and 1933 by photographers employed by the Chicago Daily News, then one of Chicago's leading newspapers. The photographs illustrate the enormous variety of topics and events covered in the newspaper . . . . In addition to many Chicagoans, the images include politicians, actors, and other prominent people who stopped in Chicago during their travels . . . ." Again, no Louise Brooks images turned up, but other interesting (silent film) search results did! 

Now on DVD

Two Louise Brooks films are now available on DVD-R through Sunrise Silents. They are Love 'Em and Leave 'Em (1926) and The Canary Murder Case (1929). If you haven't seen Love 'Em and Leave 'Em - in which Brooks plays the 'bad' younger sister - you should! Brooks was only 20 years old when she made this delightful dramatic comedy. And she is terrific!

Research notes

Weekly trip to the San Francisco Public Library. No microfilm had arrived, so I spent an hour surveying Variety for additional material on Louise Brooks' appearances as a nite club dancer. I already had one citation - from April 17, 1934 - but managed to find another, an excellent short review from November 13, 1934!

Heard back regarding my inter-library loan request for the Sioux Fall Press. The South Dakota State Historical Society will loan microfilm of this publication, but charges the curious amount of $6.36 per reel. That's kinda steep. Most libraries don't charge the individual who makes the request. Other libraries charge $3.00 per roll; one or two charge $5.00 per roll. Nevertheless, I will go ahead with this request as I am attempting to track down articles and reviews for each of the Denishawn performances while Brooks was a member of that dance company. So far, I have more than one-hundred, as well as scores of newspaper advertisements and other miscellaneous clipping.

My ILL requests for two other newspapers came back negative. I was not able to get copies of the January 27, 1923 Evening Reporter-Star (from Orlando, Florida), nor the December 15, 1923 Daily Kentucky New Era (from Hopkinsville, Kentucky). Seemingly, no Florida universities nor the Florida Newspaper Project (an archive) have copies of the Evening Reporter-Star from the month when Denishawn performed in Orlando. The only holder of the Daily Kentucky New Era from late 1923 is the Hopkinsville Community College Library, and they apparently don't do inter-library loan.  I would really appreciate hearing from anyone who lives near Hopkinsville, Kentucky and would be willing to spend an hour at the library looking for Denishawn clippings. The same goes for anyone who lives in Orlando, Florida - as I would suspect the local city library has the local papers available on microfilm.

Meredith Lawrence

Today, here in San Francisco, I had the pleasure of meeting longtime LBS member and supporter Meredith Lawrence. Meredith, who lives in England, is here in California on vacation. We spoke of many things, of cabbages and kings . . . .

More Treasures from American Film Archives 1894-1931

Have heard that the recently released DVD, More Treasures from American Film Archives 1894-1931, contains a trailer from the now lost 1926 Louise Brooks film,The American Venus. I have not yet seen this for myself. Here is the description of the DVD.

"Like the first Treasures from the American Film Archives produced by the National Film Preservation Foundation, More Treasures takes as its starting point the preservation work of our nation's film archives. More Treasures covers the years from 1894 through 1931, when the motion pictures from a peepshow curio to the nation's fourth largest industry. This is the period from which fewest American Films survive. Five film archives have made it their mission to save what remains of these first decades of American film: the Academy of Motion Picture Arts and Sciences, George Eastman House, The Library of Congress, The Museum of Modern Art and the UCLA Film and Television Archive. More Treasures (made possible in part by a grant from the National Endowment for the Humanities) reproduces their superb preservation work-fifty films follwed by six previews for lost features and serials."

Somewhere in Time

Christopher Reeve has died. And as I write this entry I am watching, for perhaps the tenth time, his 1980 film Somewhere in Time. I know this film is sentimental, and some of the acting in it akward. And I know that some will balk at the notion that Reeve's character can, literally, will himself back into the past. But how I love this film. It has long been one of my favorites. I feel that if time travel ever does become feasible, it will be achieved not through some mechanical device, but as a result of sheer will power. Wishful thinking . . . .

New play about Kenneth Tynan

Amanda sent word about a new play based on the life of the acclaimed British critic Kenneth Tynan. (Tynan had interviewed Louise Brooks, and wrote the famousNew Yorker essay "The Girl in the Black Helmet.") An article appeared in Guardian newspaper.

"Kenneth Tynan has inspired one play in Smoking With Lulu. Now he is the subject of a one-man show, adapted from his diaries by Richard Nelson and Colin Chambers, and immaculately performed by Corin Redgrave. Presented as part of the RSC's New Work Festival, it reminds us that, even when overcome by ennui, melancholy, and emphysema, Tynan wrote with a precision and grace that most journalists would give their eye-teeth for."

There was a review in the Guardian a few days later. As well as this article in the Telegraph. Thank you Amanda.

Le regard de Buster Keaton

The other day on eBay, I won a copy of Le regard de Buster Keaton by Robert Benayoun. I already own a copy of this book in English, but was pleased to acquire this inexpensive softcover French edition because it contains Louise Brooks' brief piece on Keaton translated into French.

Blog search

Came across a few different 'meta" weblog / blog search engines, including Bloogz and Technorati and BlogPulse . A search for "Louise Brooks" turned up a handful of results on each search engine, though some of the results turned out to be broken links.

I wonder how extensively blogs (LiveJournal, Blogger, Movable Type, etc...) are indexed? And how long lasting are the entries? Will someone be able to read this entry in ten or twenty years?

(Two other blog search engines worth checking out are are Blogdex and Popdex.)

More Jewish Daily Forward

While looking at microfilm of vintage newspapers and magazines, it's not unusual to run across nifty material about other film stars. (Though I try to stay focussed on Louise Brooks, I have somehow managed to acquire thousands of photocopies of interesting articles, interviews, clippings, magazine covers, etc...... relating to other actors and actresses. What I will do with all this stuff, I do not know.)

Here are a couple of interesting things I copied from December, 1929 issues of the Jewish Daily Forward. The one on the left pictures a captioned photo of Clara Bow on the front page (top fold) of the Forward ! The one on the right is a feature photo of Anna May Wong, with its caption in both Yiddish and English. The English text reads "CHINESE ACTRESS CANNOT KISS ENGLISHMAN IN FILM  -  Anna May Wong, the charming Chinese motion picture star, who must not kiss John Longden, English actor, co-starring with her in a British talkie, according to a ruling by the English film censor."

Jewish Daily Forward

My weekly trip to the San Francisco Public Library yielded some rather interesting and unusual results. I visit the library once a week to place inter-library loan requests, and to go through what ever material has arrived from earlier requests.

This week I went through microfilm of the Buffalo Evening News and New Orleans Item-Tribune dating from the 1920's. I found a few more reviews, articles and advertisements in those publications for films featuring Louise Brooks.

The rather interesting and unusual items I found were advertisements, an image of Brooks, and what might also be an article about Pandora's Box dating from 1929 - all of which came from the Jewish Daily Forward, the Yiddish language newspaper from New York City. That metropolis was alive with non-English language newspapers in the 1920's and 1930's. And the Jewish Daily Forward, like the New York Times, Daily News, etc.... ran material on movies showing in town. Pandora's Box had its American debut in New York City in December, 1929.

Now, I can add this bit of Yiddish perspective to similar material I have already excavated from other New York-based German and Russian language newspapers of the period. (I have also looked at Italian and Polish language newspapers from NYC, but without finding anything regarding Pandora's Box.)

Does anyone read Yiddish? I don't, so I may well have missed some articles. However, I made photocopies from the microfilm of what seemed like relevant material. Here is the advertisement for the film's showing at the 55th Street Playhouse.

"Secret Life of Humphrey Bogart"

Just came across a book entitled The Secret Life of Humphrey Bogart: The Early Years (1899 - 1931), by Darwin Porter. (The book was published in 2003 by Georgia Literary Association.) This book is an account of Bogart's early life, especially his years as a Broadway and Hollywood actor. Porter claims to base much of the book on the papers of Bogart's friend, actor Kenneth MacKenna (who had a part in The American Venus), as well as interviews with various Hollywood actors of the twenties and thirties.  Despite these claims, the book has no footnotes, no noted sources, and no bibliography - just acknowledgements.

I haven't read the entire book, but only skimmed it for material on Louise Brooks, of which there is more than a few pages. The author claims to have interviewed Louise Brooks, but does not say when. (The back of the book depicts a number of actresses, including Brooks, and next to an apparent quote by Brooks, it reads "as told to the author in Rochester, NY.")

Personally, I have a hard time believing this book. It just doesn't seem to ring true. For me, the best thing about this book was its selection of images, including this portrait of Brooks.

Ohio / Michigan research trip

Finalized my travels plans for mid-December. I will be travelling to Ohio and Michigan where I will be visiting family and doing some research.

While in Ohio, I plan to visit the Columbus Metropolitan Library and Ohio Historical Society. At these two Columbus-based institutions I hope to gather reviews, articles and advertisements for the numerous Denishawn performances throughout Ohio for the two years Brooks was a member of that dance company. I also plan to gather vintage newspaper reviews of Brooks' films from major Ohio cities, such as Cleveland, Cinncinnati, Columbus, Toledo, Dayton and Akron. Until now, I have had a hard time borrowing material from libraries and archives in Ohio. This two day venture should fill in many gaps in my research. (Time permitting, I may also poke around the library at Ohio State University.)

From Ohio, I will travel north to the University of Michigan Library in Ann Arbor. That institution has a handfull of otherwise scarce German and French periodicials in which I will search for reviews and articles concerning Brooks' European films. The University of Michigan Library also has a weekly publication called Detroit Saturday Night which was published throughout the twenties and thirties. I don't know much about this very hard-to-find serial, but I am hoping that it may include coverage of Brooks' two week stint as a ballroom dancer in Detroit in 1934.

I plan to spend half a day in Ann Arbor. From there I drive to Lansing, where I return to the Library of Michigan. There, I plan to finish my survey of major Michigan newspapers in search of vintage film reviews. Still on the to-do list are newspapers from Grand Rapids, Saginaw, Kalamazoo and Port Huron. I figure I may spend up to eight hours at the Library of Michigan.

From there, I return to the Detroit area. I will be visiting with family, but hope to make a quick visit to the Royal Oak Public Library where I will be looking at microfilm of the Royal Oak Tribune. I'll be scanning this surburban newspaper in the slim hope of catching an article or advertisement from the period of the mid- to late 1920's.

Rare early portrait on eBay

A previously little seen portrait of a young Louise Brooks, most likely taken in 1925 by M.I. Boris, has shown up on eBay. The auction page can be found here. Along with some hand-written notations refering to Pandora's Box (which perhaps dates the use of this image for publicity purposes to late 1928 or early 1929), stamped on the back of the image is "Louise Brooks appearing in Paramount Pictures" and "From    Dept. Foreign Publicity and Advertising    FAMOUS PLAYERS LASKY CORPORATION    485 Fifth Avenue New York City    O.R. Geyer Manager".

 

The Louise Brooks Society webpage devoted to this singular photographer can be found here.