Diary of a Lost Girl to screen in San Francisco

Diary of a Lost Girl, the acclaimed 1929 German silent film starring Louise Brooks, will be the centerpiece of this year’s San Francisco Silent Film Festival. The Festival, which is celebrating its 15th annual event in July, has announced the schedule for its 4-day summer happening held at the historic Castro Theater. Diary has been designated the Founder’s Pick film for the 2010 Festival.

The 116-minute version of Diary which will be screened on July 17 has been mastered from a restoration of the film made by the Cineteca di Bologna with approximately seven minutes of previously censored footage. This 35 mm print is courtesy of KINO International. The film will be accompanied by the Mont Alto Motion Picture Orchestra. The musical group, known for their accompaniment to silent films, will debut their original score for the Brooks film.

Following this special screening, a book signing will take place at the Castro Theater which should prove of interest to fans of Louise Brooks. Ira M. Resnick, the author of Starstruck: Vintage Movie Posters from Classic Hollywood (Abbeville), will be signing copies of his new coffee table book. It contains, notably, a number of illustrations of posters and lobby cards of Brooks’ films, including a one-of-a-kind poster for Diary of a Lost Girl for which the author once paid $60,000.

Also signing books following Diary of a Lost Girl will be Hollywood screenwriter Samuel Bernstein, whose Lulu: A Novel, has just been published by Walford Press. The subject of this “non-fiction” novel is, of course, Louise Brooks. And as well, there will be a signing for my forthcoming edition of Böhme’s The Diary of a Lost Girl, which is being brought back into print a century after it was first published in English translation in the United States. This new, illustrated edition includes an introduction detailing the history of the book and the films made from it.

More about this special happening at http://www.examiner.com/x-48577-Louise-Brooks-Examiner~y2010m5d21-Louise-Brooks-film-centerpiece-of-2010-Silent-Film-Festival

On Kenneth Tynan & Louise Brooks

There is an interesting article in today's Guardian UK about Kenneth Tynan, the British-born critic and writer whose 1978 New Yorker article about Louise Brooks, "The Girl in the Black Helmet," helped ignite a revival of interest in the actress.

Although best known as a theatre critic, Tynan also wrote widely on film and for the movies. Tynan wrote a number of screenplays including the Ealing Studios' "least Ealing film ever." Michael Billington's article, "Kenneth Tynan off stage: the theatre critic's life in film," looks at the critic's unrealized screenplays (including one for The Lord of the Flies) and collaboration with Roman Polanski.

Billington concludes his article this way:  "But, if Tynan's screen output was small, his writing on film is imperishable. Best of all is his famous New Yorker profile of Louise Brooks, in which he tracks the ageing, reclusive star down to her Rochester, NY hideaway and gets her to relive her memories of making Pandora's Box with Pabst. If Brooks was intrigued by Tynan, he was obviously hypnotised by her. And, in Tynan's scene-by-scene breakdown of Brooks's most famous movie and in his thralldom to this enchantress, you get a perfect marriage of his critical instinct and lifelong star-worship."

Which reminds me, I need to go and find the picture of Tynan dressed in drag as Louise Brooks . . . . complete with a black helmet.

Archives up for sale

As everyone knows, the print industry is on the skids. Newspapers and magazines are in trouble. Many have folded. And some are starting to sell off their assets - namely their archives, in order to raise cash and clean house.

Lately, two of the leading Chicago newspapers have started to sell off their photo archives. (Other newspapers from around the country are doing the same thing.) The two Chicago papers are The Sun-Times and The Tribune. Here is a recent article from the Chicago Reader about the Sun-Times and its sale of its photo archive. The article mentions that some of the images are being sold through eBay.

I have also noticed some Chicago Tribune images for sale on eBay, and elsewhere. Some of these images are vintage, some are contemporary. Some were common publicity phots, others were images taken by local news photographers. Two of the images I noticed were of Louise Brooks. Here is one of them.

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Who knows what else will show up? Perhaps something unusual and interesting? Louise Brooks spent a little time in Chicago while married to a Chicago resident. She also danced there while a member of the Denishawn Dance Company. I have visited the city and its public library on more than a few occasions researching the actress. It has many connections with Brooks, and a rich history within film history. It was even home to Photoplay magazine.

LBS mentioned

Hazaa, this Louise Brooks Society blog was mentioned in another blog. The post, titled "A Love Letter to Louise Brooks," can be found at http://feminema.wordpress.com/2010/05/18/love-letter-to-louise-brooks/

Louise Brooks postcard

This nice old postcard of Louise Brooks is currently for sale on eBay. Check it out. It's a Ross Verlag 4608/1.

From Jim Tully to Colleen moore

As mentioned in yesterday blog, here is one of my copies of Jim Tully's Beggars of Life, inscribed to actress Colleen Moore. I found it in a used bookstore here in California. The store owner gave me a discount, because it had sat on the shelves for so long. And they were happy to sell.

 

Tully's inscription to Colleen Moore reads "With the admiration of a Irish rover to a whimsical girl who knew him when." The book is signed, Hollywood, California 1926.

Beggars of Life returns to print

Speaking of Beggars of Life . . . the 1924 bestselling book by Jim Tully which served as the basis for the 1928 William Wellman film of the same name starring Louise Brooks, is due to be republished. The book will be republished in June by Kent State University Press, with a new cover and new introductions by Tully scholars Paul J. Bauer and Mark Dawidziak.

This from the publisher: "Jim Tully takes us across the seamy underbelly of pre-WWI America on freight trains, and inside hobo jungles and brothels while narrowly averting railroad bulls (cops) and wardens of order. 

Written with unflinching honesty and insight, Beggars of Life follows Tully from his first ride at age thirteen, choosing life on the road over a deadening job, through his teenage years of learning the ropes of the rails and living one meal to the next. 

Tully’s direct, confrontational approach helped shape the hard-boiled school of writing, and later immeasurably influenced the noir genre. Beggars of Life was the first in Tully’s five-volume memoir, dubbed the "Underworld Edition," recalling his transformation from road-kid to novelist, journalist, Hollywood columnist, chain maker, boxer, circus handyman, and tree surgeon.

Jim Tully (1891–1947) was a best-selling novelist and popular Hollywood journalist in the 1920s and ’30s. Known as "Cincinnati Red" during his years as a road-kid, he counted prizefighter and publicist of Charlie Chaplin among his many jobs. He is considered (with Dashiel Hammett) one of the inventors of the hard-boiled style of American writing."

The reprint of Beggars of Life is part of larger effort by Kent State University press to bring other Tully books back into print. So far, two other Tully novels have been reissued. They are Circus Parade, with a foreword by Harvey Pekar, and Shanty Irish, with a foreword by John Sayles. No word yet on who might be writing the foreword to Beggars of Life.

I do plan on getting a copy of this new edition, though I already own two other copies of the book! One of them is an old photoplay edition which once belonged, reportedly, to the son or grandson of Ambrose Bierce. The other is a first edition copy which once belonged to Colleen Moore. It has her decorative bookplate inside, and the book is inscribed by Tully to the actress with an appropriate Irish sentiment. It is one of my treasures.

Once it is released, the book should be available for purchase online and at better independent bookstores.

Secret hobo code

When the William Wellman film, Beggars of Life, was released in 1928, some of the publicity materials focused on hobo culture. The film was based on a book of the same name by Jim Tully, which tells of his days as a hobo among the wandering down-and-out of America. In the film, Brooks plays a young women who dresses as a young man and goes on the run. And for a time, she hangs out in what was then termed a "hobo jungle."

Articles about the film at the time contained mini-dictionaries of hobo terms and slang. This publicity photo, which is currently for sale on eBay, depicts the actress in character holding a coded message - the snipe (or descriptive text) on the back of the picture states the sign  notes the approaching town has a police force hostile towards vagrants.