The books on display included biographies and memoirs, pictorials, and how-to titles, as well as novels, poetry and self-help works written by some of the biggest names in film. "Reading the Stars" was divided into five parts. They were 1) general books about the movies - including criticism and commentary, guide books for the aspiring hopeful, and fiction showing both the glamorous and seamy side of Hollywood, 2) vintage books about individual movie stars, 3) books written by various film stars, 4) photoplay editions, the movie tie-in books of the time, and 5) books by and about Rudolph Valentino, an actor who was both the author and subject of a number of books.
What follows is
a more detailed look at the exhibit. The text is drawn from the
information panels and descriptive tags placed inside the five display
cases. All together, there were a few dozen books on display,
regretfully too many books to picture here; I have, nevertheless, tried
to depict as many highlights and favorites as practical.
(Section 1) About the Movies:
In the early years of the 20th century, the movies and the movie
industry were just getting started. The movies were an art form in
search of itself, while the movie industry was growing by leaps and
bounds into a business concern whose reach would know few limits. This sections collects some of the many books in which society and the movie industry itself looked at where things stood with this, the "7th art."
The Best Moving Pictures of 1922-23, Also Who's Who in the Movies and the Yearbook of the American Screen, by Robert E. Sherwood. Boston: Small, Maynard, 1923.
An
early consideration of the movies as an art form all its own. Sherwood
was one of the original members of the Algonquin Round Table as well as
the "motion picture editor" of both the New York Herald and Life magazine. He would later make his name as a playwright and screenwriter, and would win four Pulitzer Prizes.
What's Wrong with the Movies?, by Tamar Lane. Los Angeles: The Waverly Co., 1923.
Lane was a forward thinking critic based in Hollywood who went on to found Film Mercury,
a notable though short lived independent journal of film criticism.
This scarce book brings together articles by the pseudonymous critic
written for Motion Picture Magazine and The Screen.
Pictorial Beauty on the Screen, by Victor O. Freeburg. Macmillan Co.: New York, 1923.
An early attempt at formulating an aesthetic of motion pictures - or what some might call the language of film. The book is dedicated to James Cruze and features a prefatory note by Rex Ingram. Each were important early directors.
Hollywood Undressed: Observations of Sylvia As Noted by Her Secretary, by Sylvia Ullback. New York: Brentano's, 1931.
A
gossipy look at Hollywood goings-on, by an "internationally famed
masseuse" who "ruthlessly exposes the follies and foibles of our best
loved film stars."
Film Flashes: The Wit and Humor of a Nation in Pictures. New York: Leslie Judge Co., 1916.
This collection of illustrated articles both by and about the stars was drawn from popular magazines of the time. A series of articles by Mrs. D.W. Griffith (about her husband) is included, along with humorous verse, profiles of Mabel Normand, Bessie Love and others, as well as bits about the Niles Essanay Motion Picture Company (headquartered on the West Coast in nearby Fremont).
How to Write Photoplays, by John Emerson and Anita Loos. New York: James A. McCann Co., 1921.
Emerson and Loos are one of the most accomplished husband-and-wife screenwriting teams in film history. (Loos also wrote the local favorite, San Francisco.) This advice book includes writing tips as well as a complete scenario.
Palmer Plan Handbook: Photoplay Writing, by Frederick Palmer. Los Angeles, Ca: Palmer Photoplay Corp., 1921.
This how-to book describes itself as a "practical treatise on scenario writing as practiced at the leading motion picture studios." Also included are the rules of the National Board of Censors.
Screen Acting: Its Requirements and Rewards, by Inez and Helen Klumph. New York: Falk, 1922.
Many dreamed of making it in the movies. This book, which features a preface by Lillian Gish, states that it is a supplementary text used in the New York Institute of Photography.
Photoplay Writing, by William L. Wright. New York: Falk Pub. Co., 1922.
A how-to guide book.
How to Make Your Own Motion Picture Plays, by John E. Bechdolt. New York: Greenberg, 1926.
Another how-to guide book.
Little Stories from the Screen, by William A. Lathrop. New York: Britton Pub. Co., 1917.
An illustrated collection of short story fictionalizations of various films, including one about a cave man.
Buck Parvin and the Movies, by C. E. Van Loan and Arthur W. Brown. New York: Grosset & Dunlap, 1917.
A early novel set in the filmworld.
Merry Go Round, by Georges Lewys. Los Angeles: Privately printed for subscribers only, 1923.
A novelization of the famous film by Erich von Stroheim, dedicated to and written with the cooperation of the director. This unexpunged limited edition once belonged to director George Cukor, and bears his bookplate.
The Star of Hollywood, by Edward Stilgebauer and E. E. Wilson. Cleveland: International Fiction Library, 1929.
A small press novel about life in the movie capital. It is one of a handful of literary works set in the film world and published in the silent era.
Queer People, by Carroll and Garrett Graham. New York: Grosset & Dunlap, 1930.
Another example of a Hollywood novel - "If any resemblances to well-known figures in Hollywood life occur in certain passages, it is only because America's fifth greatest industry has become so completely standardized that everybody resembles everybody else."
(Section 2) About the Stars:
Whether in magazine or book form, fans and movie goers of the silent era liked reading about their favorite stars. This sections collects a small number of the many books and booklets published about various stars.
My Strange Life: The Intimate Life Story of a Moving Picture Actress. New York: Grosset & Dunlap, 1915.
There is a bit of a mystery around the author of this early book, just as there was around the true nature of certain well known actresses... what were they really like? Included are accounts of Mary Pickford, Blanche Sweet, Pearl White, Marguerite Clark and others. (see previous post for illustration)
The First One Hundred Noted Men and Women of the Screen, by Carolyn Lowrey. New York: Moffat, Yard and Co., 1920.
This rare book represents one publisher's attempt to establish a who's who of notable stars. Roscoe "Fatty" Arbuckle is included, Charlie Chaplin is not. Thomas Ince and Rex Ingram are included, D.W. Griffith is not.
Famous Film Folk: A Gallery of Life Portraits and Biographies, by Charles D. Fox. New York: George H. Doran, 1925.
Portraits and short biographies of just about every star in the heavens are included in this well read book, which once belonged to a high school library in Indiana.
Stars of the Photoplay. Chicago: Photoplay magazine, 1924.
Photoplay was one of the leading fan magazines, not unlike People magazine today. This pictorial features a constellation of stars, including John Barrymore and Maurice Costello (grandfather and great grandfather of Drew Barrymore, respectively), Neil Hamilton (Commissioner Gordon on TV's Batman), child star Jackie Coogan (Uncle Fester on TV's The Addams Family) and others both remembered and forgotten.
Stars of the Movies and Featured Players. Hollywood, Calif: Hollywood Publicity Co., 1927.
This rare soft cover book features 250 full-page portraits of movie stars from around the world. Included are Europeans Lars Hanson, Conrad Veidt, Lya Di Putti, Pola Negri and Emil Jannings, Canadian-born Norma Shearer, Mexican-born Ramon Navarro, as well as San Jose's Edmund Lowe and San Francisco's Lawrence Grey and Janet Gaynor. The book originally sold for $1.00. Copies in an embossed leatherette binding sold for $1.50.
Wallace Reid: His Life Story, by Bertha W. Reid. New York, N.Y: Sorg Pub. Co., 1923.
Wallace Reid was a handsome leading man described as "the screen's most perfect lover." His Mother wrote this book after his early death brought on by morphine addiction.
The Talmadge Sisters: Norma, Constance, Natalie; an Intimate Story of the World's Most Famous Screen Family, by Margaret L. Talmadge. Philadelphia: J.B. Lippincott Co., 1924.
The Mother of the famous Talmadge sisters wrote this book about her three daughters. Norma and Constance were major stars. Natalie was married for a short time to Buster Keaton.
The Private Life of Greta Garbo, by R P. Palmborg. London: Hutchinson & Co, c.193?.
Garbo was among the most private and reclusive of stars. This is the UK paperback edition of a biography first published in the United States in 1931
Behind the Screen, by Samuel Goldwyn. New York: George H. Doran Co., 1923.
The Polish-born Schmuel Gelbfisz changed his name to Samuel Goldwyn and helped found a handful of motion picture studios, including Metro-Goldywn-Mayer. This collection of articles looks at some of the major figures in Hollywood.
The House That Shadows Built: The Story of Adolph Zukor and His Circle, by Will Irwin. Garden City, NY: Doubleday, Doran & Co., Inc, 1928.
The story of Adolph Zukor, and early film mogul and founder of Paramount Pictures.
The Life and Adventures of Carl Laemmle, by John Drinkwater. New York: G. P. Putnam's Sons, 1931.
A look at the life of Carl Laemmle, a pioneer in American film making and a founder of one of the original major Hollywood movie studios - Universal.
(Section 3) Written by the Stars:
Like many of today's movie and entertainment celebrities, the film stars of the silent era published all manner of books including memoirs, autobiographies, cookbooks, novels, poetry, and more. But who really wrote them? A few were written by the stars themselves, or with the help of a "actual writer." Most were likely ghost written.
Pinto Ben and other stories, by William S. Hart & Mary Hart. New York: Britton Publishing Co., 1919.
A Lighter of Flames, by William S. Hart. New York: Thomas Y. Crowell Co., 1923.
Hart was one of the first great stars; he was especially well known for his Western films, including Tumbleweeds. Life in the American west was also the subject of his fiction.
The Life Story of an Ugly Duckling: An Autobiographical Fragment in Seven Parts, by Marie Dressler. New York: R. M. McBride & Co., 1924.
Dressler was a stage star before entering films in 1910, when she was 42. A robust, full-bodied woman, Dressler's popularity rose and fell during the silent era. With the coming of sound, her popularity rose once more. Dressler won an Academy Award in 1931.
The Bandit Prince, by Sessue Hayakawa. New York: Macaulay, 1926.
Hayakawa was the first and one of the few Asian actors to find major stardom in the United States. Prolifically talented, he created his own production company, and produced, directed, designed, wrote, edited, and acted in films. He also wrote several plays (once appearing on stage in San Francisco), painted watercolors, performed martial arts, and in 1961 wrote an autobiography, Zen Showed Me the Way.
An American Comedy, by Harold Lloyd and Wesley W. Stout. New York: Longman, Green and Co., 1928.
Along with Buster Keaton and Charlie Chaplin, Harold Lloyd was one of the three great comedic actors of the silent film era. This book tells of his life in film while presenting the actor as a regular fellow.
Men, Marriage and Me, by Peggy Hopkins Joyce. New York: Macauley Co., 1930.
Joyce enjoyed fleeting fame on stage and screen, and was just as well known for her several marriages to wealthy men, her colorful divorces, scandalous affairs, and lavish lifestyle. A recent biography was titled Gold Digger: The Outrageous Life and Times of Peggy Hopkins Joyce.
Laugh and Live, by Douglas Fairbanks. New York: Britton Publishing Co., 1917.
Making Life Worth While, by Douglas Fairbanks. New York: Britton Pub. Co., 1918.
Wedlock in Time, by Douglas Fairbanks. New York: Britton Publishing Co., 1918.
Three of the handful of "self-help" books written by the swashbuckling film superstar.
The Three Musketeers, by Douglas Fairbanks and Edward Knoblock. Douglas Fairbanks Picture Corp., 1921.
Douglas Fairbanks Sr. was multitalented. He was an actor, screenwriter, director and producer, one of the founders of United Artists, and a founding member of The Motion Picture Academy. The Three Musketeers is Fairbanks' short fictionalization of the classic Alexander Dumas novel.
The Demi-Widow, by Mary Pickford. Indianapolis: Bobbs-Merrill Co., 1935.
Known as "America's Sweetheart," Pickford was both a film superstar and multi-talented business women. Along with husband Douglas Fairbanks Sr., she helped found United Artists. The Demi-Widow was one of a small number of books Pickford wrote during the early 1930's.
The Truth About the Movies: By the Stars, by Laurence A. Hughes. Hollywood: Hollywood Pub., Inc, 1924.
This collection of articles includes Mary Pickford's "Advice to Young Screen Aspirants" and Norma Talmadge's "What Percentage of Girls Who Come to Hollywood Actually Achieve Success." Other contributors are Pola Negri, Marion Davies, Lon Chaney, Wallace Beery, Zasu Pitts, King Vidor, Mae Murray, Erich von Stroheim, and Buster Keaton. Each of the articles are signed by the actor, actress, or director - as if to prove their authenticity.
How I Broke into the Movies: Signed Autobiographies, by Hal C. Herman. Hollywood: H.C. Herman, 1929.
Sixty actors and actress supposedly wrote these short accounts of how they got their start in film. Among the contributors are Clara Bow, Charlie Chaplin, Gary Cooper, Joan Crawford, Greta Garbo, John Gilbert, Colleen Moore, Will Rogers, Gloria Swanson, Lupe Velez and others. Director D.W. Griffith wrote the forward. (see previous post for illustration)
(Section 4) Photoplay Editions:
Today, when a book is issued in conjunction with the release of a film, the publisher will often include the image of the movie's star on the book's cover. The practice is meant to identify the book with the film. It is also meant to attract the attention of movie goers, and hopefully boost sales. Such books are called "movie tie-ins." The earliest movie tie-ins date to the silent era. During the Teens and Twenties, motion pictures were called "photoplays" - and thus the movie tie-in books of the silent and early sound era came to be known as "photoplay editions."
Typically, photoplay editions were reprints of novels (both literary classics and popular bestsellers) illustrated with images from a film production. Less typically, photoplay editions were novelizations of films, with the script or film story fictionalized into narrative form. Today, photoplay editions are sought after by bibliophiles, film buffs, or collectors interested in a particular author, actor, film or movie genre.
The first photoplay editions were published around 1912, and as a publishing genre, they reached their peak in the 1920's and early 1930's. Thousands of different titles were issued in the United States. Most photoplays were published in hardback by companies like Grosset & Dunlap or A.L. Burt, and some in soft cover by a company like Jacobsen Hodgkinson. Similar movie related books were published in Canada, England, France, Germany, Australia and elsewhere around the world.
Most American photoplay editions feature stills and/or a dust jacket with artwork from the film. Deluxe editions might also contain a decorative binding, illustrated end papers, the cast and credits, or rarely - an introduction by the star or director. Sometimes, the spine, cover or title page of the book will note the edition is a "photoplay edition" or is illustrated with scenes from a "photo-drama."
The first book published on the subject was written by Emil Petaja, a San Francisco science fiction & fantasy author. Petaja was also a film buff and collector, and his 1975 work, Photoplay Edition, was based on his collection of more than 800 books! In his introduction, Petaja told of a time when photoplay editions could easily be found in thrift shops and second hand book stores. Now, they are collector's items. (The most sought after vintage photoplays are tie-in editions of classic films such as Dracula, Frankenstein and King Kong, or lost silent films such as London After Midnight.) In some instances, the printed story and handful of scene stills is all that remains of the silent era's many lost films.
The Belovéd Adventurer, by Emmett C. Hall. Philadelphia: Lubin Manufacturing Co, 1914.
This scarce photoplay was based on a now lost 15 part serial. The book features 15 interior illustrations, and was, unusually so, published by the film's production company.
20,000 Leagues Under the Sea, by Jules Verne. New York: Grosset & Dunlap, 1916.
A landmark work of cinema, this movie tie-in edition features a wrap-around pictorial dust jacket, dramatic illustrated binding, and 4 interior illustrations from the film.
The Rose-Bush of a Thousand Years, by Mabel Wagnalls. New York: Funk & Wagnalls Co., 1918.
Author Mabel Wagnalls was the child of the co-founders of Funk & Wagnalls. She authored a number of books, including this one, which was made into the film Revelation, starring the stage and film actress Alla Nazimova. The book features 8 interior illustrations from the "motion-picture drama."
Lorna Doone, by R.D. Blackmore. Springfield, Mass: Milton Bradley Co., 1921.
Published by the famous game company and aimed toward the young reader, this authorized "Madge Bellamy" edition of the popular classic features illustrated endpapers, a special dedication from the actress, her printed signature on the cover, a foreword by movie producer Thomas Ince, 8 duo-tone prints of scenes from the film, and color illustrations. Over the years, this classic novel has inspired at least ten movies and broadcast miniseries.
Evangeline, by Henry Wadsworth Longfellow and Carolyn S. Bailey. Springfield, Mass: Milton Bradley Co.,1922.
Here, the great American poet shares a byline with one Carolyn Sherwin Bailey, who wrote an introduction and prose version of the familiar poem (which is also included). This movie tie-in edition includes 11 interior duo-tone illustrations from the film.
Ben-Hur, by Lew Wallace. New York: Grosset & Dunlap, circa 1922.
An immensely popular film based on an immensely popular book. This movie tie-in edition features a wrap-around pictorial dust jacket and 8 interior illustrations from the film. The title page states that it is part of an edition of one million copies published by arrangement with Harper and Brothers.
A Lost Lady, by Willa Cather. New York: Grosset & Dunlap, 1923.
Cather was a Pulitzer Prize winning novelist. This movie tie-in edition features a pictorial dust jacket and 8 interior illustrations from the film.
Captain January, by Laura E. H. Richards. Boston: L.C. Page, 1924.
Child actress Baby Peggy was one of the silent film era's biggest little stars, and this "Baby Peggy edition" features an illustrated binding and many illustrations from the film. (see previous post for illustration)
Editha's Burglar, by Frances H. Burnett. Boston: L.C. Page, 1925.
This authorized "Baby Peggy edition" features an illustrated binding, a printed letter from the actress (appropriately written in a child's hand) and numerous illustrations from the film. The back of the book advertises the "Mary Pickford edition" of Pollyanna: The Glad Book, and the "Mary Miles Minter edition" of Anne of Green Gables. (see previous post for illustration)
Little Robinson Crusoe: A New "Crusoe" Story Featuring Jackie Coogan, by Charles D. Fox. New York: Charles Renard Corp., 1925.
This
retelling of the Robinson Crusoe story was aimed at young readers. This
movie tie-in edition features illustrated endpapers, a printed letter
from the child actor who stars in the film, and "21 full page action
photo-drawings." A special supplement in the rear of the book contains
"Jackie Coogan's Own Daily Dozen" - a series of exercises illustrated
with 12 photographs of the child star.
The Scarlet Letter, by Nathaniel Hawthorne. New York: Grosset & Dunlap, 1926..
A classic American novel turned into a classic silent film starring one of the greatest actresses of all time. This movie tie-in edition features a pictorial dust jacket and 12 interior illustrations from the film.
The General, by Joseph Warren. New York: Grosset & Dunlap, 1927.
A rarity, this novel made its first appearance in print as a photoplay edition; it is also the only American movie tie-in to feature Buster Keaton. This edition features a pictorial dust jacket and 12 interior illustrations from the film.
Wings, by John M. Saunders. New York: Grosset & Dunlap, 1927.
Wings was the first film to win an Academy Award for "Best Picture." This movie tie-in edition features a pictorial dust jacket, tinted illustrated endpapers, and 18 interior illustrations from the film.
Beggars of Life, by Jim Tully. New York: Grosset & Dunlap, 1928.
Based on the 1924 bestseller by the celebrated "hobo author," this movie tie-in edition features a pictorial dust jacket and 4 interior illustrations from the film. Tully also authored one of the first novels critical of Hollywood, Jarnegan (1926).
Camille, by Alexandre Dumas. New York: Grosset & Dunlap, 1927.
To emphasize the importance of this film, this "edition de luxe" features a pictorial dust jacket (with a Norma Talmadge printed autograph) and 14 sepia-toned interior illustrations from the film.
(Section 5) Rudolph Valentino:
Rudolph Valentino (1895 – 1926) was one of the biggest stars of the silent film era. His sudden death at age 31 made news around the world. More than 100,000 people lined the streets of New York City to pay their respects at his funeral. A few heartbroken fans even took their own lives.
Born in Italy, Valentino made his way as a young man to the United States, where he worked as a dancer and stage actor before gaining small parts in various films in the late Teens. His big break came with The Four Horsemen of the Apocalypse (1921), in which he famously danced the Tango (a dance then considered somewhat risqué). With the release later that year of The Sheik (1921), Valentino skyrocketed to fame. His dark good looks and smoldering sensuality typed him as a "Latin Lover," though he was in fact a gifted actor capable of playing many different roles. The actor's other films include Camille (1921), Moran of the Lady Letty (1922 - filmed in San Francisco), Beyond the Rocks (1922 - with Gloria Swanson), and his final film, The Son of the Sheik (1926).
Valentino's was one of the defining personalities of the Jazz Age. His fame was so great - and interest in the actor so extensive - that everything he did was closely watched. When Valentino grew a beard, so did other men. When he wore a bracelet, it became a fashion. Even the way he kissed a woman's hand sparked a public craze.
This display includes examples of the kinds of books found in the other four cases - books by the actor, books about the actor, and photoplay editions of the books which were the basis of his films. Even in death, Valentino was legend. After his passing, a number of tributes were published, as were biographies and memoirs by those who knew him. In the 1950's and 1960's, three books were issued by those who claimed to have been in psychic communication with the then long deceased actor.
The books in this case come from the collection of Valentino scholar, collector and author Donna Hill, a San Francisco resident. Her 2010 pictorial, Rudolph Valentino - The Silent Idol His Life in Photographs, is the most recent title in the ever expanding Valentino bibliography. It is available through the San Francisco Public Library.
Daydreams, by Rudolph Valentino. New York: MacFadden Publications, Inc., 1923.
A book of poems authored by the popular actor.
Daydreams, by Rudolph Valentino. London: Hurst and Blackett, Ltd., 1924.
The UK edition of Valentino's poetry, published to coincide with the UK release of Valentino’s 1924 film Monsieur Beaucaire.
My Private Diary, by Rudolph Valentino. Chicago: Occult Pub. Co., 1929.
Valentino's
travel diaries recount his first trip back to Europe after becoming a
star. This book was available in hardback as well as paperback, and was
originally serialized in Movie Weekly Magazine in 1924.
The Shriek: A Satirical Burlesque by Charles Somerville. New York: W. J. Watt & Co, 1922.
A “palpitant Passionut” burlesque of the hottest novel of the decade.
Valentino As I Knew Him, by George S. Ullman. New York: Macy-Masius, 1926.
Rushed
to print a scant two months after Valentino’s death, this book promised
an intimate glimpse into the life of the late star. It was also
published in the UK, France, Finland and elsewhere.
Rudy: an Intimate Portrait of Rudolph Valentino, by Natacha Rambova. London: Hutchinson & Co. Ltd., 1926.
Valentino
and Rambova were married for a short while in the early 1920s. This
volume only had one printing, as stipulated by the author. It is very
difficult to locate in its original dust jacket.
Rudolph Valentino. Recollections, by Natacha Rambova. New York: Jacobsen-Hodgkinson Corp., 1927.
An abridged version of Rambova's book, here published as an inexpensive soft cover.
Rudolph Valentino: His Romantic Life and Death, by Ben-Allah. Hollywood, Calif: Ben-Allah Co., 1926.
A self-published tribute issued after Valentino's death in August, 1926.
Valentino, the Unforgotten, by Roger C. Peterson. Los Angeles, Calif: Wetzel Pub. Co., 1937.
Issued a decade after Valentino's death, these recollections chronicle the fans who made the pilgrimage to the actor's gravesite. It's author was a cemetery worker in Hollywood.
Remember Valentino: Reminiscences of the World's Greatest Lover, by Beulah Livingstone. New York: Strand Press, 1938.
Personal recollections of Valentino by a journalist and friend that includes synopses of his last two films, The Eagle and The Son of the Sheik. This book was published to coincide with the well-received 1938 reissue of the two films.
Beyond the Rocks, by Glyn, Elinor. New York: The Macaulay Company, 1922.
This movie tie-in edition features a pictorial dust jacket and 4 interior illustrations from the film.
Blood and Sand, by Vincente Ibáñez Blasco. New York: E.P. Dutton & Company, 1922.
Blasco was a world famous Spanish novelist who also authored The Four Horsemen of the Apocalypse, the basis for another Valentino film. This movie tie-in features a pictorial dust jacket and 16 interior illustrations from the film. This particular edition can be difficult to locate in any form, and is nearly impossible to find in dust jacket.
Cobra, by Martin Brown and Russell Holman. New York: Grosset & Dunlap, 1925.
This movie tie-in edition features a pictorial dust jacket and 16 interior illustrations from the film.
Cobra, by Martin Brown and Russell Holman. London: Readers Library Pub. Co, 1925.
This UK movie tie-in edition features only a pictorial dust jacket. The UK movie tie-in were seldom as elaborate as their American counterparts.
The Eagle: The Story of the Film, by Hayter Preston and Henry Savage. London: Readers Library Pub. Co, 1926.
This UK movie tie-in edition features a pictorial dust jacket, and is without any interior illustrations.
Monsieur Beaucaire, by Booth Tarkington. New York: Grosset & Dunlap, 1924.
Tarkington was a two-time winner of the Pulitzer Prize for fiction. This movie tie-in features a pictorial dust jacket and 6 interior illustrations from the film.
The Sheik, by E. M. Hull. London: Readers Library Pub. Co, 1922.
This UK movie tie-in features a pictorial dust jacket and 1 interior illustration from the film.
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| Though not included in the exhibit, this rare softcover photoplay edition speaks volumes about the silent era. |
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