If you are stuck at home these days and are spending more time than ever looking for something to read or watch, might I recommend.... a couple of worthwhile articles which have popped up which I would like to recommend everyone check out.
On August 15, Jan-Christopher posted the English-language version of the piece which appeared in the above mentioned Austrian book. (The piece was first published in German.) Besides his many accomplishments, Jan-Christopher was also once associated with the George Eastman House in Rochester, New York. And that's how he came to meet Louise Brooks. "I met Louise Brooks for the first time in 1975, long after her Hollywood career had ended, when she was living on N. Goodman Street in Rochester, N.Y., around the block from my apartment. At the time, I was a paid post-graduate intern at George Eastman House and confess that when I met her in Curator George Pratt’s office, she was to me just another silent film actress." Jan-Christopher's piece goes on to recount his observations of Brooks, and his visit to her spartan apartment. It is a special piece, which I recommend everyone take the time to read.
Another piece I think everyone might enjoy reading is "Double Lives: On Louise Brooks’s 'Thirteen Women in Films',” by Maya Cantu, which appeared in the Los Angeles Review of Books on August 15. It is a consideration-meditation of Louise Brooks as a feminist icon. I think it is a thoughtful piece. Cantu, like Horak, is an academic. She teaches Drama and Literature at Bennington College, and is the author of American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy.
While I agree with much of what Cantu says in her piece, I must disagree with her assessment (or her hinging part of her argument on) of a recently released docu-drama, Silent and Forgotten. I viewed it in pre-release, and think it is somewhat weak tea. [An earlier LBS blog on the video was posted here on September 14, 2019.] Nevertheless, I encourage everyone to watch it and to read the Cantu piece and to see for themselves.
In Silent and Forgotten, a single actress ( re-enacts the stories of 13 of the most famous actresses of the silent era, including Brooks. However, as one reviewer put it,
Silent and Forgotten, an independent film our from Summer Hill Entertainment, is out on DVD at a reasonable $9.99, and is also available for streaming on Amazon Prime (at this time). Here is the long version of the trailer, which give the flavor of the film.
The first is by Jan-Christopher Horak, and it is titled "The Last Days of Louise Brooks." It appeared on Jan-Christopher's blog, Archival Spaces: Memory, Images, History. Jan-Christopher is an impressive fellow. He is a film archivist, teacher, and the author or editor of a handful of books including Lovers of Cinema: The First American Film Avant-Garde, 1919-1945, and Dream Merchants: Making and Selling Films in Hollywood's Golden Age. I have met him a couple times over the years, and recently emailed him about his contribution to an Austrian book about Louise Brooks called Louise Brooks: Rebellin, Ikone, Legende.
On August 15, Jan-Christopher posted the English-language version of the piece which appeared in the above mentioned Austrian book. (The piece was first published in German.) Besides his many accomplishments, Jan-Christopher was also once associated with the George Eastman House in Rochester, New York. And that's how he came to meet Louise Brooks. "I met Louise Brooks for the first time in 1975, long after her Hollywood career had ended, when she was living on N. Goodman Street in Rochester, N.Y., around the block from my apartment. At the time, I was a paid post-graduate intern at George Eastman House and confess that when I met her in Curator George Pratt’s office, she was to me just another silent film actress." Jan-Christopher's piece goes on to recount his observations of Brooks, and his visit to her spartan apartment. It is a special piece, which I recommend everyone take the time to read.
Another piece I think everyone might enjoy reading is "Double Lives: On Louise Brooks’s 'Thirteen Women in Films',” by Maya Cantu, which appeared in the Los Angeles Review of Books on August 15. It is a consideration-meditation of Louise Brooks as a feminist icon. I think it is a thoughtful piece. Cantu, like Horak, is an academic. She teaches Drama and Literature at Bennington College, and is the author of American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy.
While I agree with much of what Cantu says in her piece, I must disagree with her assessment (or her hinging part of her argument on) of a recently released docu-drama, Silent and Forgotten. I viewed it in pre-release, and think it is somewhat weak tea. [An earlier LBS blog on the video was posted here on September 14, 2019.] Nevertheless, I encourage everyone to watch it and to read the Cantu piece and to see for themselves.
In Silent and Forgotten, a single actress ( re-enacts the stories of 13 of the most famous actresses of the silent era, including Brooks. However, as one reviewer put it,
Silent and Forgotten, an independent film our from Summer Hill Entertainment, is out on DVD at a reasonable $9.99, and is also available for streaming on Amazon Prime (at this time). Here is the long version of the trailer, which give the flavor of the film.
2 comments:
Would you post links to the Jan-Christopher Horak blog? I can’t find the article or the blog? Thanks.
Apologies, please ignore, I just found the hidden hyper link! Perhaps to others it could be in a different colour to the rest of the text perhaps?
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