Saturday, December 5, 2015

Snapshots from Louise Brooks' Rochester, NY (part 1)

I recently had the pleasure of visiting Rochester, New York in order to conduct some research on Louise Brooks at the George Eastman House Museum. During my four day visit, I had the chance to meet friends, talk on the radio, and walk the streets of a city Louise Brooks once called home. I also spent two and a half days reading through Brooks' notebooks. (More on that at a later date.)

While I was in Rochester, I had the chance to visit a few sites of interest to fans of Louise Brooks. My thanks to Rochester resident Tim Moore who was my valued guide. All of the snapshots below were taken by myself, unless otherwise noted. Here they are, in no particular order.

Rochester Public Library, which Louise Brooks visited many times.


The one-time site of the Regent Theater, the first theater to show a Brooks' film in Rochester.







Under a different name, this is the restaurant where Brooks and Kenneth Tynan once ate.
(Photo by Tim Moore)

Outside the Eastman Theater, where Louise Brooks danced as a member of the Denishawn Dance Co.
(Photo by Tim Moore)

Inside the Eastman Theater. Brooks danced upon that very stage!





Outside Brooks' longtime Rochester apartment on North Goodman street, which is not far from the GEH.
(Photo by Tim Moore)



Another view of Brooks' apartment building in Rochester.

Outside the newly renamed George Eastman Museum.
At my work station inside the George Eastman Museum, where I spent 2 1/2 days reading Brooks' notebooks.
(Photo by Tim Moore)
The Dryden Theater is attached to the Eastman Museum. Most all of Brooks surviving films
have been shown there, and the actress herself watched movies there.

To be continued ......

Friday, December 4, 2015

San Francisco Silent Film Festival Presents Day of Silents

With its many festivals devoted to so many different aspects of film, festivals goers in San Francisco are especially fortunate in their opportunity to take in movies others may have only heard or read about.

Take, for example, the upcoming San Francisco Silent Film Festival "Day of Silents" on December 5th. The event features a rare thriller starring the legendary escape artist Harry Houdini, a more than century old travelogue from China, a silent era pirate film in Technicolor, and more—including the not-to-be-missed masterpiece starring the sublime Anna May Wong.

And what's more, each film features live musical accompaniment in the confines of the historic Castro Theatre. For complete details, visit silentfilm.org.

THE BLACK PIRATE - 11:00 am

The day starts with The Black Pirate (1926), starring Douglas Fairbanks and featuring the lovely Billie Dove. The film's many spectacular feats of derring-do include swordplay and underwater scenes—all in dazzling two-color Technicolor (one of its earliest uses). In this classic, Fairbanks plays a nobleman who takes the identity of a pirate to infiltrate and take revenge on the cutthroats responsible for his father's death. Fairbanks biographer Jeffrey Vance writes, "Fairbanks is resplendent as the bold buccaneer and buoyed by a production brimming with rip-roaring adventure and spiced with exceptional stunts and swordplay, including the celebrated 'sliding down the sails' sequence." Author and Fairbanks expert Tracey Goessel will introduce the film; live musical accompaniment by the Alloy Orchestra.

AROUND CHINA WITH A MOVIE CAMERA - 1:00 pm


This compilation program takes viewers back to the days of the late Qing dynasty in Imperial China with a program of rarely-seen short films including travelogues and newsreels. See bustling and cosmopolitan Shanghai in 1900, visit Imperial Beijing in 1910, and cruise the picturesque canals of Hangzhou in 1925. Recently compiled from the collections of the BFI National Archive, the footage was shot by a diverse group of British and French filmmakers—some professionals, but mostly amateurs, including tourists, expatriates, and missionaries. Live musical accompaniment by Donald Sosin.

THE GRIM GAME - 3:00 pm

The Grim Game (1919) is the second of master escape artist and magician Harry Houdini's five silent films, and the first of two he made for Paramount. It has long been unavailable, as the studio retained only one five-minute sequence featuring the film's famous mid-air plane collision. However, thanks to a print held by a longtime Houdini fan, audiences can now see a restoration of the complete film. The Grim Game casts Houdini as a newspaper reporter who fakes his uncle’s murder so he can be convicted of it, only to have villains kill the man and kidnap the reporter's fiancée. Of course, it's all a pretext for a series of daredevil escapes, from Houdini’s breaking out of prison to his getting out of a straitjacket suspended from the top of a skyscraper. The Grim Game restorer Rick Schmidlin will introduce the film; live musical accompaniment by Donald Sosin.

THE INHUMAN WOMAN (L’INHUMAINE) - 6:30 pm

Famous singer Claire Lescot (played by soprano Georgette Leblanc) is the "inhuman woman" of the title of Marcel L’Herbier’s elaborate 1924 fantasy. Lescot lives on the outskirts of Paris, where she draws men to her like moths to a flame. She is aloof, always. When it seems that Lescot is the cause of a suicide, her fans desert her. The filming of a concert where she's raucously booed is a bit of cinema history: among the attendees were Pablo Picasso, Man Ray, Erik Satie, James Joyce, and Ezra Pound! The director's conception for the film's sets were no less ambitious. Painter Fernand Léger and filmmakers Alberto Cavalcanti and Claude Autant-Lara had parts in the design. The film was recently restored by Lobster Films, who commissioned a new score to be performed by Alloy Orchestra.




PICCADILLY - 9:15 pm

After years of being typecast in Hollywood, Anna May Wong left for Europe in search of better roles. In British director E.A. Dupont’s Piccadilly (1929), Wong is mesmerizing as Shosho, a scullery maid who becomes a dance sensation and an object of desire for all who see her. In Piccadilly, Wong displays the cold ambition and manipulative sexuality of the classic femme fatale, while revealing—occasionally—the vulnerability of a young woman. This is hot stuff for 1929, especially the film's inter-racial romance: American censors cut a kiss. Gilda Gray and Charles Laughton round out the cast of the film, some of whose scenes were filmed inside London's famous Cafe de Paris (where Louise Brooks was the first person to dance the Charleston). Live musical accompaniment by Donald Sosin.

Besides the special guests on hand to introduce films, a handful of authors will also be on hand to sign books between screenings. They include Tracey Goessel (The First King of Hollywood: The Life of Douglas Fairbanks), Karie Bible (Hollywood Celebrates the Holidays: 1920-1970), and Thomas Gladysz (the "Louise Brooks edition" of Diary of a Lost Girl).

The San Francisco Silent Film Festival "Day of Silents" will take place at the Castro Theatre on Saturday, December 5. For more information and to purchase tickets and passes, visit silentfilm.org.

Thursday, December 3, 2015

A ballet of Frank Wedekind's Lulu

If you are near the Oper Halle (Saale), Germany on December 4, 2015 you might want to check out the premiere of Lulu, a ballet enacted by Jochen Ulrich & the Tanzfonds Erbe, based on Frank  Wedekind's Büchse der Pandora and Erdgeist.

There are performances on Dec. 30th 2015; Jan. 23rd & 31st, Feb. 26th, March 4th and June 25th 2016. For more information see http://buehnen-halle.de/lulu


Gefördert von TANZFONDS ERBE – eine Initiative der Kulturstiftung des Bundes
Mit der Premiere des Balletts »Lulu« des 2012 verstorbenen Choreografen Jochen Ulrich, einem der entscheidendsten Wegbereiter des Modernen Tanzes in Deutschland, knüpft das Ballett Rossa an die erfolgreiche Vertanzung von dessen »Anna Karenina« an. Auch bei diesem Handlungsballett nach der gesellschaftskritischen Doppeltragödie »Erdgeist« und »Die Büchse der Pandora« des deutschen Schriftstellers und Dramatikers Frank Wedekind steht eine der faszinierendsten Frauenfiguren der Weltliteratur im Mittelpunkt. Als musikalische Grundlage dienen Kompositionen des Italieners Nino Rota zu den zwischen 1952 und 1970 entstandenen Filmen »Rocco und seine Brüder« und »Der Leopard« von Visconti sowie »Der weiße Scheich«, »La Strada«, »8 ½« und »Die Clowns« von Fellini, die sowohl groteske als auch dekadent neo-roman- tische Züge tragen. Hierzu erzählt Jochen Ulrich seine »Lulu« mit seinem unverwechselbaren ausdrucksstarken Tanzstil als Geschichte einer selbstbewusst mit ihrer erotischen Anziehungskraft spielenden Frau aus einfachsten Verhältnissen. Alle Männer, die ihr begegnen, erliegen ihren Verführungs- künsten. Indem Lulu deren Fantasien befriedigt, bringt sie ihre Liebhaber um den Verstand und treibt sie in den Tod. Auf der Flucht vor der Polizei landet sie in London, wo sie sich – inzwischen selbst emotional ausgebeutet – im finstersten Milieu prostituiert und die Begegnung mit dem Freier Jack the Ripper tragisch endet.

Musikalische Leitung Hilary Griffiths

Musikalische Leitung Robbert van Steijn

Inszenierung und Choreografie Jochen Ulrich †

Inszenierung und Choroegrafie Darie Cardyn

Bühne Katrin Kegler-Fritsch

Kostüme Marie-Therese Cramer

Dramaturgie Manfred Weber

Dr. Schön Michal Sedláček

Eduard Schwarz Johan Plaitano

Lulu Yuliya Gerbyna

Dr. Goll Martin Zanotti

Schigolch Dalier Burchanow

Ballett Rossa

Statisterie der Oper Halle

Staatskapelle Halle

Wednesday, December 2, 2015

Louise Brooks Society director Thomas Gladysz on NPR affiliate WXXI in Rochester, NY

Thomas Gladysz, Director of the Louise Brooks Society, will be talking about the actress and silent film star on NPR affiliate WXXI (Rochester, NY) at 1:00 pm (EST). The program can be heard on the radio in the greater Finger Lakes area of New York State. It also streams over the internet. Follow this link for more information and to tune in - http://interactive.wxxi.org/

Tuesday, December 1, 2015

Prix de beauté with Louise Brooks screens in Istanbul

Prix de beauté, starring Louise Brooks, will be shown at the upcoming 2nd International Istanbul Silent Cinema Days, running December 3 - 6, in Istanbul, Turkey. Organized by Kino Istanbul and hosted by Istanbul Modern, Pera Museum and the French Cultural Center, the festival will present pioneering examples of cinema. Each screening will be accompanied by live music.

More information about Sessiz Sinema Günleri / Silent Cinema Days can be found on its website or Facebook page.


Prix de beauté, a French produced film from 1930, will be shown as part of a series devoted to Divas. According to an article in Daily Sabah, "Louise Brooks's groundbreaking film Prix de Beauté (Beauty Prize) will also be screened as a part of the Diva Films section. Famous for her iconic haircut, the film focuses on individual freedom and it is about the turbulent events that women experience after winning a beauty competition."

Here is what the Sessiz Sinema Günleri website says about the film


Güzellik Ödülü – Prix de Beauté – Miss Europe / AUGUSTO GENINA / 1930 / Fransa – France / 113’ / Siyah beyaz – Black & white / DCP / Restorasyon – Restoration: Cineteca di Bologna
Müzisyen / Musician: Stephen Horne

Daktilograf olarak çalışan ve Andre adlı bir gazeteciyle ilişkisi olan Lucienne “Lulu” Garnier, The Globe gazetesinin açtığı güzellik yarışmasına katılır, birinciliği kazanacağı kesinleşir, ancak kıskanç Andre’nin itirazları üzerine vazgeçip evine geri döner. Lucienne’in peşini bırakmazlar, bu sefer bir film teklifi alır. Baştan reddedip, sözleşmeyi yırtar ama sonra Andre’yi bırakıp, yıldız olmaya giden yola adımını atar. Prix de Beauté, Louise Brooks’un Avrupa’da bilinen en son filmi. Avrupalı yönetmen Augusto Genina tarafindan çekilen filmin hikayesi, yine Avrupalı iki yönetmene ait: Fransız René Clair ve Avusturyalı Wilhelm Pabst.

Nezih Erdoğan


The Louise Brooks Society archives holds little in the way of clippings or advertisements for Brooks' film in Turkey. One of the few items we do have is this newspaper notice for Prix de beauté from 1931.



Monday, November 30, 2015

Diary of a Lost Girl available at the Neue Galerie in NYC


The woman in gold wants everyone to know that the "Louise Brooks edition" of Diary of a Lost Girl is for sale at the Neue Galerie in New York City. That's were Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold), a 1907 painting by Gustav Klimt, can also be found.

The Neue Galerie is a museum of German and Austrian art and culture, and the Margarete Böhme book, Diary of a Lost Girl, is featured among their new and noteworthy items in their gift shop. Check it out!


For more on this book, which was the basis for the 1929 film of the same name just released on DVD and Blu-ray by Kino Lorber, please visit http://www.pandorasbox.com/diary.  The book is also available at the George Eastman Museum gift shop in Rochester, New York.

Sunday, November 29, 2015

Follow the Louise Brooks Society on Social Media

The Louise Brooks Society website was launched in 1995. That makes it something of an internet pioneer. The LBS was the first Louise Brooks website, and one of the earliest sites devoted to any actor or actress. With a goal of stimulating interest in her life and films, the LBS has always sought new ways of getting the word out.

One of its earliest efforts at reaching fans was through posting messages on bulletin board systems (BBS), listserves, newsgroups (Usenet), and on AOL and Prodigy, back when they were dominant. The earliest archived newsgroup post mentioning the Louise Brooks Society, from October 27, 1995, announces the website. Another, a query from the LBS asking about a screening of Pandora’s Box in Poland, dates to January 29, 1996. These posts, which can still be read, are now part of the Usenet Archive.

The LBS was an early adopter of social media, even before the term existed. In the past, it has had its own message board, Yahoo Group, Tribe.net page, email newsletter, and still lingering MySpace account. The LBS started blogging in 2002, first on LiveJournal and then on Blogger. Between them, there are thousands of blog posts, most of which now reside on the LBS blog at louisebrookssociety.blogspot.com. The LBS blog is a member of various blogger affiliations, including the Classic Movie Blog Association and LAMB (Large Ass Movie Blogs).

The same year that the LBS began blogging, it also jumped on the internet music bandwagon and launched its own online radio station on Live365. Since 2002, RadioLulu has been streaming Louise Brooks-inspired, silent film themed music of the 1920s, 1930s, and today. Thousands have tuned-in and “liked” its broadcast.

The LBS joined Twitter in January 2009, and has tweeted thousands of time. The LBS Facebook page goes back to 2010. It has been “liked” thousands of times as well, and there are many postings. The LBS joined YouTube in 2013. Check it out to see what videos can be found there.





Follow the Louise Brooks Society


Amazon Store

CafePress  

Facebook

Flickr

Google+ 

LibraryThing

LinkedIn 

paper.li

SoundCloud 

Twitter

YouTube


Saturday, November 28, 2015

Its the Old Army Game, starring W.C. Fields & Louise Brooks, screens at Museum of Moving Image

Its the Old Army Game (1926), starring W.C. Fields and Louise Brooks, screens in NYC at the Museum of Moving Image on Sunday, November 29th. The screening is part of the W.C. Fields in Astoria series. More information about this special event can be found HERE.


With live music by Donald Sosin Directed by A. Edward Sutherland. 1926. 70 min., 35mm print from the Library of Congress. With W.C. Fields, Louise Brooks. Fields plays a misanthropic, small-town pharmacist whose lovely shop assistant (Louise Brooks) gets him involved in a phony real estate scheme. The film is regarded as a high point of Fields’s silent filmography. The story was later revised and revamped in the talkies The Pharmacist (1933) and It’s a Gift (1934).

For more information about the film, check out the Louise Brooks Society filmography page. The film, especially interiors, were shot at Paramount’s Astoria Studios on Long Island (located at 3412 36th Street in the Astoria neighborhood in Queens) and in Manhattan. Location shooting, including exteriors, was done in Ocala and Palm Beach, Florida in February, 1926. The outdoor scenes in Palm Beach were shot at El Mirasol, the estate of multi-millionaire investment banker Edward T. Stotesbury. In 1912, after having been a widower for thirty-some years, Stotesbury remarried and became the stepfather of three children including Henrietta Louise Cromwell Brooks (known simply as Louise Brooks), an American socialite and the first wife of General Douglas MacArthur. In her heyday, she was “considered one of Washington’s most beautiful and attractive young women”. Because of their names, the two women were sometimes confused in the press. (Read more about the Palm Beach location on silentlocations.com.)




Tickets: $12 ($9 for senior citizens and students / free for members at the Film Lover level and above). Order tickets online. (Members may contact members@movingimage.us with any questions regarding online reservations.)
 
All tickets include same-day admission to the Museum (see gallery hours). View the Museum’s ticketing policy here.


Friday, November 27, 2015

Gift ideas for the Louise Brooks or silent film fan on your list

There are a handful of new releases in 2015 which would make a great gift for the Louise Brooks or silent film fan on your list. Click on the title links to make a purchase.

The Diary of a Lost Girl (Kino Lorber)
by G.W. Pabst

The second and final collaboration of actress Louise Brooks and director G.W. Pabst (Pandora's Box), DIARY OF A LOST GIRL is a provocative adaptation of Margarethe Böhme's notorious novel, in which the naive daughter of a middle class pharmacist is seduced by her father's assistant, only to be disowned and sent to a repressive home for wayward girls. She escapes, searches for her child, and ends up in a high-class brothel, only to turn the tables on the society which had abused her. It's another tour-de-force performance by Brooks, whom silent film historian Kevin Brownlow calls an actress of brilliance, a luminescent personality and a beauty unparalleled in screen history.


Special Features: Mastered in HD from archival 35mm elements, and digitally restored, Audio commentary by Thomas Gladysz, Director, Louise Brooks Society, Windy Riley Goes Hollywood (1930, 18 Min., featuring Louise Brooks)

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Louise Brooks Detective (NBM Publishing)
by Rick Geary

A fictional story centered on actress Louise Brooks, this graphic novel by Rick Geary is spun around her actual brief meteoric career as a smoldering film actress who popularized bangs. Geary fantasizes about her coming back to her home town of Wichita where she becomes intrigued by a murder involving a friend, a famous reclusive writer and a shady beau. Not before she gets herself in great danger will she emerge with the solution the police fail to grasp.

The author, Rick Geary, is related to Louise Brooks.

"A fun, twisty mystery for both film buffs and crime fiction lovers, and the final revelation is satisfying." — Publishers Weekly

"He knows his way around both history and crime stories. Geary is also possessed of a unique and charming art style, something I've dubbed 'faux woodcut,' which makes everything he draws look like it's lifted from some magical era of the past that never really existed, but should have." — Andrew A. Smith, Tribune News Service
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Louise Brooks, Frank Zappa, & Other Charmers & Dreamers (The Devault-Graves Agency)
by Tom Graves
 
Award-winning author and journalist Tom Graves in "Louise Brooks, Frank Zappa, & Other Charmers & Dreamers" collects the best of his long-form journalism and profiles as well as his in-depth interviews with a variety of curious personalities. The lead piece is "My Afternoon with Louise Brooks" about Graves's encounter in 1982 with the reclusive silent film legend Louise Brooks. He was the last journalist ever to sit bedside with Miss Brooks, who allowed very few people into her life. Also included are Graves's 1979 sit down with the king of Southern grit lit, Harry Crews, his discovery of the first Elvis impersonator, his search with the help of Quentin Tarantino to find actress Linda Haynes, who had vanished from Hollywood. Included are also Graves's in-depth question and answer interviews with: Frank Zappa, Mick Taylor of the Rolling Stones, Lee Mavers of the cult band the La's, and Mark Lindsay of Paul Revere and the Raiders. Some of Graves's best essays are also part of this anthology: his piece on the Sex Pistols in Memphis, an apology for biographer Albert Goldman, a revisit of Woodstock, and more.
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by William Wellman  Jr 
The extraordinary life—the first—of the legendary, under celebrated Hollywood director known in his day as “Wild Bill” (and he was!) Wellman, whose eighty-two movies (six of them uncredited), many of them iconic; many of them sharp, cold, brutal; others poetic, moving; all of them a lesson in close-up art, ranged from adventure and gangster pictures to comedies, aviation, romances, westerns, and searing social dramas.

Among his iconic pictures: the pioneering World War I epic Wings (winner of the first Academy Award for best picture), Public Enemy (the toughest gangster picture of them all), Nothing Sacred, the original A Star Is Born, Beggars of Life (with Louise Brooks), The Call of the Wild, The Ox-Bow Incident, Battleground, The High and the Mighty...
Wellman directed Hollywood’s biggest stars for three decades, including Clark Gable, Gary Cooper, Barbara Stanwyck, John Wayne, Lauren Bacall, and Clint Eastwood. It was said he directed “like a general trying to break out of a beachhead.” He made pictures with such noted producers as Darryl F. Zanuck, Nunnally Johnson, Jesse Lasky, and David O. Selznick.

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Ziegfeld and His Follies: A Biography of Broadway's Greatest Producer (University Press of Kentucky)
by Cynthia Brideson and Sara Brideson


The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, Will Rogers. and Louise Brooks. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits―including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928)―several of which were adapted for the silver screen.

In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources―including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia―the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.

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The Roaring Road: Book 1 The Road West (Road Trip Dog Publishing)
by Johann M.C. Laesecke

(Jazz Age inspired fiction) 1924 – Prohibition has been the law since 1920 but that did not stop people from wanting alcoholic beverages nor did it stop the organizations that supplied them. Lack of good alcoholic beverages causes many speakeasies and gangs to manufacture low quality substitutes made from dangerous ingredients. Violence is on the rise as the gangs protect their turf and their products. Dan and Laure grew up in small villages in the far north and south areas of Chicago. They meet in unusual circumstances and Dan loves her at first sight. Laure has the same feelings for him but a past relationship causes her to be cautious and Dan is forced to undertake an impossible mission. Thus begins the adventure of The Roaring Road. Take a prototype Duesenberg and a Road Trip Dog - add mayhem, a mob chief, a group of highwaymen and a gang of bank robbers, a pair of kidnappers and assorted other villains, throw in visits to speakeasies plus the lure of Hollywood in the form of a prank devised by the infamous actress Louise Brooks that turns out to be wildly successful, and Laure is offered a role in the 1926 movie 'The Great Gatsby'. Automobiles, trains, aeroplanes, flapper glamour, adventure, mayhem and lust on the roads and rails and in the speakeasies and blind pigs of Prohibition. What could possibly go wrong?

The Roaring Road: Book 2 The Road East (Road Trip Dog Publishing)
by Johann M.C. Laesecke

(Jazz Age inspired fiction) 1926 - Laure and Dan are being drawn into Hollywood even as their challenge of moving their contraband inventory becomes critical. Laure is a dancer on the 1926 production of The Great Gatsby movie, while Dan has an offer to become a movie producer. There are others who want Laure, and not for her dancing. Trouble looms as kidnappers are sent to grab Laure and send her to Chicago where her life expectancy will be very short. The railcar full of wine and booze is hijacked and their friend Scott is taken as a hostage and is forced to become a morphine addict. Dan's crew captures the train and Scott back and they send him to the rehab clinic Scott and Dan helped fund. Trouble continues to come at Dan and Laure but they gather a small group of people with unusual talents to help. The Chicago gangs become more involved and more mayhem leads to a confrontation in Cherryvale, Kansas which happens to be the hometown of Louise Brooks. Come with us on our adventure tale of captures, rescues, recapture, speakeasies, mayhem and lust on the roaring roads and rails of the Prohibition era. What Could Possibly Go Wrong?
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