Monday, November 30, 2015

Diary of a Lost Girl available at the Neue Galerie in NYC


The woman in gold wants everyone to know that the "Louise Brooks edition" of Diary of a Lost Girl is for sale at the Neue Galerie in New York City. That's were Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold), a 1907 painting by Gustav Klimt, can also be found.

The Neue Galerie is a museum of German and Austrian art and culture, and the Margarete Böhme book, Diary of a Lost Girl, is featured among their new and noteworthy items in their gift shop. Check it out!


For more on this book, which was the basis for the 1929 film of the same name just released on DVD and Blu-ray by Kino Lorber, please visit http://www.pandorasbox.com/diary.  The book is also available at the George Eastman Museum gift shop in Rochester, New York.

Sunday, November 29, 2015

Follow the Louise Brooks Society on Social Media

The Louise Brooks Society website was launched in 1995. That makes it something of an internet pioneer. The LBS was the first Louise Brooks website, and one of the earliest sites devoted to any actor or actress. With a goal of stimulating interest in her life and films, the LBS has always sought new ways of getting the word out.

One of its earliest efforts at reaching fans was through posting messages on bulletin board systems (BBS), listserves, newsgroups (Usenet), and on AOL and Prodigy, back when they were dominant. The earliest archived newsgroup post mentioning the Louise Brooks Society, from October 27, 1995, announces the website. Another, a query from the LBS asking about a screening of Pandora’s Box in Poland, dates to January 29, 1996. These posts, which can still be read, are now part of the Usenet Archive.

The LBS was an early adopter of social media, even before the term existed. In the past, it has had its own message board, Yahoo Group, Tribe.net page, email newsletter, and still lingering MySpace account. The LBS started blogging in 2002, first on LiveJournal and then on Blogger. Between them, there are thousands of blog posts, most of which now reside on the LBS blog at louisebrookssociety.blogspot.com. The LBS blog is a member of various blogger affiliations, including the Classic Movie Blog Association and LAMB (Large Ass Movie Blogs).

The same year that the LBS began blogging, it also jumped on the internet music bandwagon and launched its own online radio station on Live365. Since 2002, RadioLulu has been streaming Louise Brooks-inspired, silent film themed music of the 1920s, 1930s, and today. Thousands have tuned-in and “liked” its broadcast.

The LBS joined Twitter in January 2009, and has tweeted thousands of time. The LBS Facebook page goes back to 2010. It has been “liked” thousands of times as well, and there are many postings. The LBS joined YouTube in 2013. Check it out to see what videos can be found there.





Follow the Louise Brooks Society


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Saturday, November 28, 2015

Its the Old Army Game, starring W.C. Fields & Louise Brooks, screens at Museum of Moving Image

Its the Old Army Game (1926), starring W.C. Fields and Louise Brooks, screens in NYC at the Museum of Moving Image on Sunday, November 29th. The screening is part of the W.C. Fields in Astoria series. More information about this special event can be found HERE.


With live music by Donald Sosin Directed by A. Edward Sutherland. 1926. 70 min., 35mm print from the Library of Congress. With W.C. Fields, Louise Brooks. Fields plays a misanthropic, small-town pharmacist whose lovely shop assistant (Louise Brooks) gets him involved in a phony real estate scheme. The film is regarded as a high point of Fields’s silent filmography. The story was later revised and revamped in the talkies The Pharmacist (1933) and It’s a Gift (1934).

For more information about the film, check out the Louise Brooks Society filmography page. The film, especially interiors, were shot at Paramount’s Astoria Studios on Long Island (located at 3412 36th Street in the Astoria neighborhood in Queens) and in Manhattan. Location shooting, including exteriors, was done in Ocala and Palm Beach, Florida in February, 1926. The outdoor scenes in Palm Beach were shot at El Mirasol, the estate of multi-millionaire investment banker Edward T. Stotesbury. In 1912, after having been a widower for thirty-some years, Stotesbury remarried and became the stepfather of three children including Henrietta Louise Cromwell Brooks (known simply as Louise Brooks), an American socialite and the first wife of General Douglas MacArthur. In her heyday, she was “considered one of Washington’s most beautiful and attractive young women”. Because of their names, the two women were sometimes confused in the press. (Read more about the Palm Beach location on silentlocations.com.)




Tickets: $12 ($9 for senior citizens and students / free for members at the Film Lover level and above). Order tickets online. (Members may contact members@movingimage.us with any questions regarding online reservations.)
 
All tickets include same-day admission to the Museum (see gallery hours). View the Museum’s ticketing policy here.


Friday, November 27, 2015

Gift ideas for the Louise Brooks or silent film fan on your list

There are a handful of new releases in 2015 which would make a great gift for the Louise Brooks or silent film fan on your list. Click on the title links to make a purchase.

The Diary of a Lost Girl (Kino Lorber)
by G.W. Pabst

The second and final collaboration of actress Louise Brooks and director G.W. Pabst (Pandora's Box), DIARY OF A LOST GIRL is a provocative adaptation of Margarethe Böhme's notorious novel, in which the naive daughter of a middle class pharmacist is seduced by her father's assistant, only to be disowned and sent to a repressive home for wayward girls. She escapes, searches for her child, and ends up in a high-class brothel, only to turn the tables on the society which had abused her. It's another tour-de-force performance by Brooks, whom silent film historian Kevin Brownlow calls an actress of brilliance, a luminescent personality and a beauty unparalleled in screen history.


Special Features: Mastered in HD from archival 35mm elements, and digitally restored, Audio commentary by Thomas Gladysz, Director, Louise Brooks Society, Windy Riley Goes Hollywood (1930, 18 Min., featuring Louise Brooks)

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Louise Brooks Detective (NBM Publishing)
by Rick Geary

A fictional story centered on actress Louise Brooks, this graphic novel by Rick Geary is spun around her actual brief meteoric career as a smoldering film actress who popularized bangs. Geary fantasizes about her coming back to her home town of Wichita where she becomes intrigued by a murder involving a friend, a famous reclusive writer and a shady beau. Not before she gets herself in great danger will she emerge with the solution the police fail to grasp.

The author, Rick Geary, is related to Louise Brooks.

"A fun, twisty mystery for both film buffs and crime fiction lovers, and the final revelation is satisfying." — Publishers Weekly

"He knows his way around both history and crime stories. Geary is also possessed of a unique and charming art style, something I've dubbed 'faux woodcut,' which makes everything he draws look like it's lifted from some magical era of the past that never really existed, but should have." — Andrew A. Smith, Tribune News Service
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Louise Brooks, Frank Zappa, & Other Charmers & Dreamers (The Devault-Graves Agency)
by Tom Graves
 
Award-winning author and journalist Tom Graves in "Louise Brooks, Frank Zappa, & Other Charmers & Dreamers" collects the best of his long-form journalism and profiles as well as his in-depth interviews with a variety of curious personalities. The lead piece is "My Afternoon with Louise Brooks" about Graves's encounter in 1982 with the reclusive silent film legend Louise Brooks. He was the last journalist ever to sit bedside with Miss Brooks, who allowed very few people into her life. Also included are Graves's 1979 sit down with the king of Southern grit lit, Harry Crews, his discovery of the first Elvis impersonator, his search with the help of Quentin Tarantino to find actress Linda Haynes, who had vanished from Hollywood. Included are also Graves's in-depth question and answer interviews with: Frank Zappa, Mick Taylor of the Rolling Stones, Lee Mavers of the cult band the La's, and Mark Lindsay of Paul Revere and the Raiders. Some of Graves's best essays are also part of this anthology: his piece on the Sex Pistols in Memphis, an apology for biographer Albert Goldman, a revisit of Woodstock, and more.
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by William Wellman  Jr 
The extraordinary life—the first—of the legendary, under celebrated Hollywood director known in his day as “Wild Bill” (and he was!) Wellman, whose eighty-two movies (six of them uncredited), many of them iconic; many of them sharp, cold, brutal; others poetic, moving; all of them a lesson in close-up art, ranged from adventure and gangster pictures to comedies, aviation, romances, westerns, and searing social dramas.

Among his iconic pictures: the pioneering World War I epic Wings (winner of the first Academy Award for best picture), Public Enemy (the toughest gangster picture of them all), Nothing Sacred, the original A Star Is Born, Beggars of Life (with Louise Brooks), The Call of the Wild, The Ox-Bow Incident, Battleground, The High and the Mighty...
Wellman directed Hollywood’s biggest stars for three decades, including Clark Gable, Gary Cooper, Barbara Stanwyck, John Wayne, Lauren Bacall, and Clint Eastwood. It was said he directed “like a general trying to break out of a beachhead.” He made pictures with such noted producers as Darryl F. Zanuck, Nunnally Johnson, Jesse Lasky, and David O. Selznick.

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Ziegfeld and His Follies: A Biography of Broadway's Greatest Producer (University Press of Kentucky)
by Cynthia Brideson and Sara Brideson


The name Florenz Ziegfeld Jr. (1867–1932) is synonymous with the revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, Will Rogers. and Louise Brooks. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits―including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928)―several of which were adapted for the silver screen.

In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources―including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia―the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.

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The Roaring Road: Book 1 The Road West (Road Trip Dog Publishing)
by Johann M.C. Laesecke

(Jazz Age inspired fiction) 1924 – Prohibition has been the law since 1920 but that did not stop people from wanting alcoholic beverages nor did it stop the organizations that supplied them. Lack of good alcoholic beverages causes many speakeasies and gangs to manufacture low quality substitutes made from dangerous ingredients. Violence is on the rise as the gangs protect their turf and their products. Dan and Laure grew up in small villages in the far north and south areas of Chicago. They meet in unusual circumstances and Dan loves her at first sight. Laure has the same feelings for him but a past relationship causes her to be cautious and Dan is forced to undertake an impossible mission. Thus begins the adventure of The Roaring Road. Take a prototype Duesenberg and a Road Trip Dog - add mayhem, a mob chief, a group of highwaymen and a gang of bank robbers, a pair of kidnappers and assorted other villains, throw in visits to speakeasies plus the lure of Hollywood in the form of a prank devised by the infamous actress Louise Brooks that turns out to be wildly successful, and Laure is offered a role in the 1926 movie 'The Great Gatsby'. Automobiles, trains, aeroplanes, flapper glamour, adventure, mayhem and lust on the roads and rails and in the speakeasies and blind pigs of Prohibition. What could possibly go wrong?

The Roaring Road: Book 2 The Road East (Road Trip Dog Publishing)
by Johann M.C. Laesecke

(Jazz Age inspired fiction) 1926 - Laure and Dan are being drawn into Hollywood even as their challenge of moving their contraband inventory becomes critical. Laure is a dancer on the 1926 production of The Great Gatsby movie, while Dan has an offer to become a movie producer. There are others who want Laure, and not for her dancing. Trouble looms as kidnappers are sent to grab Laure and send her to Chicago where her life expectancy will be very short. The railcar full of wine and booze is hijacked and their friend Scott is taken as a hostage and is forced to become a morphine addict. Dan's crew captures the train and Scott back and they send him to the rehab clinic Scott and Dan helped fund. Trouble continues to come at Dan and Laure but they gather a small group of people with unusual talents to help. The Chicago gangs become more involved and more mayhem leads to a confrontation in Cherryvale, Kansas which happens to be the hometown of Louise Brooks. Come with us on our adventure tale of captures, rescues, recapture, speakeasies, mayhem and lust on the roaring roads and rails of the Prohibition era. What Could Possibly Go Wrong?

Thursday, November 26, 2015

Hollywood Celebrates the Holidays, including Thanksgiving

There is a swell new book out from Schiffer, Hollywood Celebrates the Holidays: 1920-1970, by Karie Bible and Mary Mallory. Fans of silent film, of early Hollywood, and the studio era will all want to get a copy. At nearly 200 pages, this pictorial is chock-full of images you'll delight in looking at again and again. That's not a cliche, it's just the plain and simple truth.

The book description: "Marvelously illustrated with more than 200 rare images from the silent era through the 1970s, this joyous treasure trove features film and television’s most famous actors and actresses celebrating the holidays, big and small, in lavishly produced photographs. Join the stars for festive fun in celebrating a variety of holidays, from New Year’s to Saint Patrick’s Day to Christmas and everything in between. Legends such as Elizabeth Taylor, Joan Crawford, Judy Garland, and Audrey Hepburn spread holiday cheer throughout the calendar year in iconic, ironic, and illustrious style. These images, taken by legendary stills photographers, hearken back to the Golden Age of Hollywood, when motion picture studios devised elaborate publicity campaigns to promote their stars and to keep their names and faces in front of the movie-going public all year round."

Hollywood Celebrates the Holidays: 1920-1970 includes Louise Brooks in a Christmas themed pic. The book also includes many of Brooks' contemporaries and co-stars on various pages, including these Thanksgiving themed pics. The LBS recommends this new book.


About the Authors: Film historian and photo archivist Mary Mallory is the author of Hollywoodland and the eBook Hollywoodland: Tales Lost and Found. She writes on Los Angeles and film history for the blog The Daily Mirror and serves on the board of Hollywood Heritage. Karie Bible is the official tour guide at Hollywood Forever Cemetery and co-author of Location Filming in Los Angeles. She has lectured at numerous venues, including the RMS Queen Mary and the Homestead Museum, and has appeared on Turner Classic Movies.

Wednesday, November 25, 2015

Louise Brooks and John Held, Jr.: A Dual Discovery

Louise Brooks and John Held, Jr.: A Dual Discovery
By Michael Smith

Back in 1995 during my junior year of high school I was sitting in History class learning about the 1920's.  In the chapter of our textbook dedicated to the Prohibition Era there was an illustration that really caught my fancy, and I was fascinated by the style of the men and women in the drawing.  The caption said the name of the artist but unfortunately I didn't write it down and it escaped my memory for the next few years.

Fast forward to 1999: I am taking an illustration class in college and the professor tells us to choose any illustrator we want, past or present, and make an illustration in his or her style.  I immediately knew who I would pick: the artist who created that drawing in my junior year high school History class textbook, but the problem was I didn't remember his name;  however, I knew the internet could help me.

After several computer-lab hours of searching terms like "1920's illustrators", "1920's cartoonists", and "1920's artists" on pre-Google era search engines that would be considered primitive today, I finally rediscovered the name of the artist I had originally discovered four years earlier: John Held, Jr.

But that wasn't the only thing I came across.

During my search through countless websites dedicated to 1920's culture, I saw a photo of an absolutely gorgeous girl with a perfectly trimmed jet black bob.  Her name was Louise Brooks and after doing a separate search for information on her, I learned she was a dancer and silent-film actress in the 20's and early 30's.  I was immediately smitten.  Wanting to see more pictures, I visited the Louise Brooks Society website for the very first time.  As I was browsing the photos, my professor walked behind me, stopped dead in his tracks, and exclaimed, "Wow, Michael, she is *beautiful*!!!" with much emphasis on the word beautiful.  I had been gazing wide-eyed at a portrait of Louise and due to my instructor's reaction I could tell she was something special, still making men stare all these years later.

About a month went by and I took a trip to New York City with the student newspaper staff at my college. Someone said they were going to go check out an old book store named Gotham Book Mart so I decided to tag along.  We arrived at the store, and since my fellow staff member said this place had been there for decades and decades, I asked the girl at the counter if they had anything by John Held, Jr. (since I also knew he worked in the city during his prime.) She didn't know the name and wasn't sure (I don't think they even had a computer to search their inventory) but she asked me what subject it would be and I told her he was an artist that did cartooning and illustration. So she pointed me towards a shelf that had comic strip related books on it and that was that.

I walked over to the shelf, and two seconds later a young man (probably a manager) walks out from the back room and asks me, "Did you just ask if we had anything by John Held, Jr.?" and I said, "Yeah..." He replies, "Did you know he designed our sign back in the 20's?" My eyes got huge and I don't even remember what I said, if anything, but I do remember immediately running out the door, looking up, and gazing at an original piece of art by one of my favorite artists from one of my favorite eras that had been hanging over a New York City sidewalk for seventy-plus years.  (See the attached photo of the sign, I found the photo on the internet.  I don't know who owns the copyright to this photo but I wanted to include it with my essay to show what the sign looks like.)
 

What are the odds??? Overall a pretty wild experience.

Part 2: What Louise Means To Me

If it wasn't for John Held, Jr., I don't know when I would have discovered Louise.  I know I would have stumbled upon her eventually due to my strong interest in the 20's because she is an icon of the era and any website or book about the Jazz Age wouldn't be complete without mentioning her, and it wouldn't be worth looking at without showing her picture.

Louise is my muse and in 2014 she inspired me to start a community page on Facebook called Louise Brooks Fan Club.  This page has over 6,000 Likes and gets more and more just about every day.  Since I also post photos of other beautiful actresses, showgirls, models, artwork, music, and fashion from the Roaring 20's, Louise Brooks to me is the personification of that decade.  Not only is she "the quintessential flapper" she is also the physical embodiment of the entire era.  Louise is the main focus of my page, tying all my seemingly-random posts together, making them all on-topic and appropriate.  But most importantly she helped me create a creative outlet for myself where I can share photos I like, music reviews I've written, clever captions I come up with, my sense of humor, and my random thoughts on art and beauty with thousands of people, something I've wanted ever since I first heard the word "blog".  And for that I will be forever grateful to our beloved Brooksie.

Tuesday, November 24, 2015

Lulu gets around: Louise Brooks in the Dutch East Indies

This rare clipping depicts Louise Brooks arrival in Berlin to begin work on Pandora's Box. What is amazing about this clip is that it comes from Bataviaasch Nieuwsblad, one of the leading and largest daily newspapers in the Dutch East Indies. It was based in Batavia (now Jakarta) on Java, but read throughout the archipelago. Lulu sure did get around.


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