Thursday, August 27, 2015

Louise Brooks and F. Scott Fitzgerald - a connection

I recently came across a review of an intriguing book, The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love, by James L.W. West III. The book was published by Random House in 2005. The review, by Fitzgerald scholar/biographer Scott Donaldson, reveals what The Perfect Hour only hinted at --  a previously unknown link between actress Louise Brooks and author F. Scott Fitzgerald.

The publisher description of The Perfect Hour summarizes the book this way: "In The Perfect Hour, biographer James L. W. West III reveals the never-before told story of the romance between F. Scott Fitzgerald and his first love, Ginevra King. They met in January 1915, when Scott was nineteen, a Princeton student, and sixteen-year-old Ginevra, socially poised and confident, was a sophomore at Westover School. Their romance flourished in heartfelt letters and quickly ran its course–but Scott never forgot it. Ginevra became the inspiration for Isabelle Borgé in This Side of Paradise and the model for Daisy Buchanan in The Great Gatsby. Scott also wrote short stories inspired by her–including “Babes in the Woods” and “Winter Dreams,” which, along with Ginevra’s own story featuring Scott are reprinted in this volume. With access to Ginevra’s personal diary, love letters, photographs, and Scott’s own scrapbook, West tells the beguiling story of youthful passion that shaped Scott Fitzgerald’s life as a writer. For Scott and Ginevra, “the perfect hour” was private code for a fleeting time they almost shared and then yearned after for the rest of their lives. Now West brings that perfect hour back to life in all its freshness, delicacy, and poignant brevity."

Being something of a F. Scott Fitzgerald devotee, I purchased a copy of The Perfect Hour and read it and liked it. If you like reading about Fitzgerald, you should too!

Deering Davis, 1926
What West reveals is that in the mid-Teens, while being courted by Fitzgerald, Ginerva King was infatuated with a "Chicago boy" by the name of Deering Davis, with the two suitors aware of one another. What Scott Donaldson reveals is that Deering Davis is the same Chicago boy / Chicago playboy who married Brooks in 1933.

Of course, it is known that Brooks had met Scott and Zelda Fitzgerald at a Hollywood party. Brooks described meeting the Fitzgeralds at the Ambassador hotel in Los Angeles in 1927. “They were sitting close together on a sofa, like a comedy team, and the first thing that struck me was how small they were.” Brooks “had come to see the genius writer,” adding, “but what dominated the room was the blazing intelligence of Zelda’s profile… the profile of a witch.”

What we don't know is whether or not Deering Davis (Brooks' second husband) ever revealed his earlier courtship of Fitzgerald's "first love" to Brooks. I suppose it's unlikely, as the Davis-King romance was one of youth and had taken place nearly 20 years earlier.

It has always been a mystery to me as to what Brooks saw in Davis. Was it the fact he was tall, dark, and handsome? I am just a straight guy and no judge of men. But to me, Fitzgerald is handsome, Davis not so. I don't think Davis photographed all that well, and he always seemed to have dark rings under his eyes. Ginerva King thought him a very good dancer, as did Brooks, who formed a dance team with Davis for a short time in the early 1930s.

What we do know is that Davis had a reputation as a Chicago playboy, and romanced many women. Evidently, he had what it took. Below is a little known clipping depicting Deering Davis and Louise Brooks.

Tuesday, August 25, 2015

Louise Brooks and the koala bear

We've all seen the picture of Louise Brooks with a koala bear, but did we ever know it's name? Meet Archie.

Monday, August 24, 2015

There's A Tear For Every Smile In Hollywood

"There's A Tear For Every Smile In Hollywood," by the Blue Steele Orchestra, recorded May 1930. Mabel Bateson on the vocal.


There's A Tear For Every Smile In Hollywood... by bigband78

Sunday, August 23, 2015

The other Louise Brooks: Louise Voray

Speaking of other Louise Brooks.... the actress we know had a Hollywood double named Louise Voray. I haven't been able to find out much about her besides this one 1930 clipping. (I also own an original photograph of the image on the right depicted in the newspaper clipping. She is a look-alike.) Since Brooks worked so seldom in Hollywood around 1929 - 1930, I can't imagined there was much need for her doubling. Does anyone know anything else about Louise Voray?

Friday, August 21, 2015

The other Louise Brooks and the Lindbergh baby kidnappers

In the 1920s and 1930s, there were two Louise Brooks whose name popped up in the press.

The other Louise Brooks, the pretty blonde showgirl whose career shadowed that of the actress Louise Brooks, was thought at one time to have been mixed up in the Lindbergh kidnapping case. The Associated Press send out her picture with the following caption in 1932.

"Louise Brooks, former showgirl, was being sought by Boston, Mass., authorities after police learned that the girl's mother, Mrs. Martin Brooks, of Boston, had received a letter from Louise purporting to tell that she knew the kidnappers of the Lindbergh baby, March 31, 1932. It is one of the hundreds of clues that police throughout the country are patiently tracking down."

Was this just a publicity stunt, or some sort of mix-up? I haven't been able to find anything else on this stray bit of information. Are there any Lindbergh baby kidnapping experts who know where this "clue" went - aside from the fact this Louise Brooks wasn't involved.

Thursday, August 20, 2015

The LBS recommends these film / film history links

I've been working on rebuilding the Louise Brooks Society website, in particular one of its oldest pages, "Lulu in Cyberspace".  It is a page of links to other Louise Brooks sites and pages as well as recommended links to other silent film, movie history and Jazz Age material.

Here are some recommended film / film history links. Happy exploring:

Wednesday, August 19, 2015

Mary & Louise - a new short film about Mary Pickford and Louise Brooks

Mary and Louise is a 20-minute film about about finding your voice that features characters based on Mary Pickford and Louise Brooks.

The premise is simple, and poetic. After each fail miserably on the set of their first "talkie", the two silent film stars vow never to speak again. Out of work and past their prime, they become roommates in Brooklyn. Mary and Louise is a fantasy and a comedy with dark undertones which explores the ups and down of friendship and the importance of finding one's voice amid the din of great personal and technological change.

Directed by Abigail Zealey Bess and written by Amy Staats (the actress who plays Pickford), the film is now on the festival circuit. It was screened at the Cayman International and Maine International Film Festivals this summer. Last year, it won the Britt Penrod Award for best trailer.

As can be seen in the video clip below, characters based on Marlene Dietrich, Rudolph Valentino, W.C. Fields, Gloria Swanson, Jean Harlow, Nosferatu, and Charlie Chaplin also figure in the film. I for one am looking forward to seeing the entire film.


Tuesday, August 18, 2015

The LBS recommends these silent film era links

I've been working on rebuilding the Louise Brooks Society website, in particular one of its oldest pages, "Lulu in Cyberspace".  It is a page of links to other Louise Brooks sites and pages as well as recommended links to other silent film, movie history and Jazz Age material.

Here are some recommended silent film era links. Happy exploring:

Monday, August 17, 2015

Pandora's Box screened this weekend in Miami, Florida

We missed it. Pandora's Box screened this past weekend in Miami, Floria as part of the Bal Harbour Shops’ Fashion Project celebrating the intersection between fashion and film with “Dressing Down the Movies,” a free retrospective of 24 classic films ranging from the silent era to the present day. The retrospective runs August 15  through September 30.

According to an article in the Miami Herald, "The selection ranges from 1929’s Pandora’s Box, in which actress Louise Brooks popularized (and immortalized) women’s bob hairstyle, to 1994’s Ready to Wear, director Robert Altman’s comical takedown of haute couture."


SATURDAY, AUGUST 15 2:30PM & 7PM
SUNDAY, AUGUST 16 3PM
Pandora’s Box

"What else could Louise Brooks possibly play other than a seductive, thoughtless young woman whose raw sensuality and uninhibited nature bring ruin to herself  and those who love her? “When you meet someone like this in life, you’re attracted,” wrote an admiring Roger Ebert, “but you know in your gut she’ll be nothing but trouble.” Pandora’s Box’s impact on fashion is timeless. The Brooks bob is as iconic as the tank dress she slinks around in, courtesy of  Jean Patou. 1929, directed by G. W. Pabst from the play by Frank Wedekind. With Louise Brooks."

As much as we appreciate their enthusiasm, they get details wrong. Brooks wore a Patou dress in Prix de Beaute, not Pandora's Box. More information about the festival can be found HERE.
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