Sunday, February 15, 2015

More on Jim Tully and Beggars of Life

As the world awaits the tonight's premiere of the television documentary Road Kid to Writer - The Tracks of Jim Tully on Western Reserve PBS (WNEO Channel 45.1 / WEAO Channel 49.1) in northeast Ohio, why not check out this excellent 14 minute radio documentary which aired last November on Southern California Public Radio. An online article, images, and a link to listen can be found HERE.

Jim Tully on the MGM lot.

Jim Tully's 1924 novel, Beggars of Life, was a big deal in its day. It also figures significantly in the life and career of Louise Brooks.

Tully wrote it while in the employ of Charlie Chaplin; and later, in the summer of 1925 and while they were having an affair, Chaplin and Brooks went to see the stage adaption of Tully's book in New York City. (That stage play, incidentally, starred a Tully look-alike redhead by the name of Jimmy Cagney.)

Earlier, in the spring of 1925, Brooks was hired to play a small part in the Herbert Brenon directed film, The Street of Forgotten Men. Like Beggars of Life, it too features a story with a down and out theme. In its review of the film, the New York Daily News even went so far as to name check Tully's then famous work, stating "The Street of Forgotten Men dips into the dark pools of life. It shows you the beggars of life - apologies to Jim Tully - and in showing them it shows them up."

Three year's later, Louise Brooks co-starred in the William Wellman film adaption of Beggars of Life (1928). It is widely considered today the actress' best surviving American film, and one of her best performances.

Louise Brooks on the back and front covers of the British dust jacket of Beggars of Life, which was published
at the time the film was released in 1928. (image courtesy of Frank Thompson)

Saturday, February 14, 2015

Louise Brooks included in new documentary on Beggars of Life author Jim Tully

Jim Tully is a writer whose reputation is on the rise. According to the Cleveland Plain Dealer, his "extraordinary life story has long been a movie waiting to be made."

Over the last few years, this once famous "Hobo author" has been celebrated with the publication of a definitive biography, a string of newspaper and magazine articles, reissues of his out-of-print bestsellers, screenings of movies based on his books, and the recent DVD release of Beggars of Life (1928), an acclaimed silent film based on Tully's best known work.

In 2012 there was "Tullyfest", a series of exhibits, lectures, talks, screenings, and walking tours held in-and-around Hollywood, the author's one-time home. The event, which marked the 100th anniversary of Tully's arrival in Los Angeles, also saw the publication of The Dozen and One: A Field Guide to the Books of Jim Tully, by Howard Prouty of ReadersInk in Los Angeles.

Now comes Road Kid to Writer - The Tracks of Jim Tully, a new documentary by Mark Wade Stone and StoryWorks.TV which airs February 15th on PBS in Ohio. At 50 minutes, it packs a punch, and should go a long way toward reestablishing the author as one of the significant American personalities of the 1920's.

As this new documentary shows, Jim Tully (1886-1947) was a larger-than-life character: stocky, short, and with a tussle of red hair, this rough and tumble writer was hard to miss either in person or on the printed page.

The son of an impoverished Irish immigrant ditch-digger, Tully fled the orphanage where he had been placed following the death of his mother and spent most of his teenage years in the company of the American underclass. Drifting across the country as a "road kid," Tully rode the rails, sleeping in hobo camps, begging meals at back doors, and haunting public libraries wherever he went. It was a hardscrabble life.

Weary of wandering after six years, Tully jumped off a railroad car in Ohio with dreams of becoming a writer. He published a few poems, and supported himself working as a newspaper reporter, professional boxer, chain maker, and tree surgeon. These early experiences would shape his future books.

Tully moved to Hollywood in 1912, and there started work on his first work, Emmett Lawler. (Originally composed as a single paragraph 100,000 word novel--it took a decade to complete). Tully also fell in with a crowd of artistically inclined up-and-comers. His growing circle of friends included the likes of Lon Chaney, Tom Mix, Erich von Stroheim, Boris Karloff, and others. Another early friend was director Paul Bern, who insisted Tully meet another "little tramp" by the name of Charlie Chaplin. Tully went to work for Chaplin as ghostwriter, publicist and creative factotum.

Jim Tully is center, to the left of Charlie Chaplin. Louise Brooks' future husband,
 Eddie Sutherland is second from the right.
After a year-and-a-half in Chaplin's employ, Tully began to turn-out a stream of critically acclaimed books about his road years, including Beggars of Life (a major bestseller), Circus Parade, Blood on the Moon, Shadows of Men, and Shanty Irish. Tully was quickly established as a major American author, and he used his status to launch a parallel career as a Hollywood journalist, writing for Vanity Fair, Photoplay and other leading magazines. Much as his gritty books shocked readers, his truth-be-told magazine articles on the movies rocked Hollywood. One, about matinee idol John Gilbert, even led to a headline-making fistfight.

While some of Tully's more gritty books ran afoul of the censors (one was banned in Boston), they also garnered critical acclaim and considerable commercial success. A couple were filmed, and a couple were turned into successful stage plays. H.L. Mencken, his editor at The American Mercury, was a longtime champion. Screenwriter Rupert Hughes, another promoter of Tully's work, wrote that this singular author had "fathered the school of hard-boiled writing so zealously cultivated by Ernest Hemingway and lesser luminaries."

Richard Arlen, Louise Brooks and Jim Tully on the set of Beggars of Life
Road Kid to Writer - The Tracks of Jim Tully tells a remarkable story. Always in the thick of things, the author's equally remarkable array of friends and associates include W. C. Fields, Wallace Beery, Eddie Sutherland, and Frank Capra. He also crossed paths with Jack London, James Joyce, Jimmy Cagney, Joe Louis, Amelia Earhart, Louis B. Mayer, George Bernard Shaw, and H.G. Wells. All are glimpsed in Road Kid to Writer, a revelatory documentary deserving a broader, even national audience. The Youngstown Vindicator newspaper in Ohio wrote up the broadcast a few days ago.

Louise Brooks and Jim Tully didn't like one another, but that shouldn't stop you from watching this worthwhile film. Road Kid to Writer - The Tracks of Jim Tully premieres on Western Reserve PBS (WNEO Channel 45.1 / WEAO Channel 49.1) on Sunday, February 15 at 7 p.m. Additional airdates can be found at westernreservepublicmedia.org/schedule.htm

Thursday, February 12, 2015

The Louise Brooks Evening Gown


1926 Advertisement for the Louise Brooks Evening Gown, designed by Sally Milgrim,
"America's Foremost Fashion Creator," based in New York City and Chicago.
The photo of Louise Brooks is by M.I. Boris.

Monday, February 2, 2015

Louise Brooks should be a Google doodle


It is about time ..... 

Why not suggest Louise Brooks become a Google doodle on her birthday, November 14th. 

Send a suggestion to proposals@google.com

Saturday, January 31, 2015

Louise Brooks: Detective coming June 2015

From the publisher: "A fictional story centered on actress Louise Brooks, this graphic novel by Rick Geary is spun around her actual brief meteoric career as a smoldering film actress who popularized bangs. Geary fantasizes about her coming back to her home town of Wichita where she becomes intrigued by a murder involving a friend, a famous reclusive writer and a shady beau. Not before she gets herself in great danger will she emerge with the solution the police fail to grasp."

Rick Geary is an award-winning cartoonist and illustrator. He is the author and illustrator of several books, including the other titles in the Treasury of XXth Century Murder series. He has worked for Marvel Entertainment Group, DC Comics, Dark Horse Comics, and Heavy Metal magazine, and has contributed to National Lampoon and the New York Times Book Review. He lives in Carrizozo, New Mexico and is distantly related to Louise Brooks.

Tuesday, January 27, 2015

New Spanish language version of Lulu in Hollywood by Louise Brooks



Last year saw the release of a new Spanish language version of Lulu in Hollywood by Louise Brooks. The book, titled lulú en hollywood, was published in Spain by torres de papel. Like its English language editions, there are seven chapters, an introduction by William Shawn, and an epilogue by Lotte Eisner. The selection of images differs. Shown here are the front and back covers.

Sunday, January 25, 2015

Toronto Silent Film Festival to screen Louise Brooks' film Diary of a Lost Girl

The Toronto Silent Film Festival is set to screen the 1929 G.W. Pabst directed Louise Brooks' film Diary of a Lost Girl on Thursday, April 9th at 7:00 pm. This special screening, with musical accompaniment by Bill O'Meara, will take place at the Innis Town Hall in Toronto.

More information at www.torontosilentfilmfestival.com/the-film-schedule.html

Read more about the book that inspired the film at www.pandorasbox.com/diary.html

Thursday, January 22, 2015

Dutch National Opera premieres William Kentridge's LULU

The Dutch National Opera will premiere William Kentridge's long anticipated staging of the complete version of Alban Berg’s opera Lulu at the Dutch National Opera & Ballet, in a co-production with the Metropolitan Opera New York and English National Opera. Performances takes place June 1, 6, 8, 14, 20, 23, 25 and 28.

Lulu? from the Dutch National Opera website


From the Dutch National Opera website: "Alban Berg wrestled with Lulu his entire life, leaving it unfinished at his death in 1935. Friedrich Cerha completed the orchestration of the third act only in 1979. Until then, only the first two acts were ever performed, with segments of the Lulu Suite as a conclusion. Although the musical motives are based on a single twelve-tone series, the instrumentation is colourful and there is a great variety of musical forms. As the rhythm of the vocal lines closely follows that of speech, the text comes across as very natural. One of the highlights is Lulu’s provocative song ‘Wenn sich die Menschen um meinetwillen umgebracht haben’."

"The story is drawn from two plays by Frank Wedekind about the attractive young dancer Lulu, who uses her charms to conquer and destroy. All men – and the occasional woman – desire her, but whoever marries her is faced with a death sentence. Guilt or innocence? That is the question. With each man, Lulu climbs the social ladder. She is cold and calculating, but also an easy prey for others. In the middle of the opera Berg includes music for a silent film that depicts Lulu’s demise after she has murdered her husband Dr. Schön. The dénouement at the end of the third act – Lulu has descended into prostitution – is sensational."

"Conductor Fabio Luisi and director William Kentridge both make their Dutch National Opera debut. Mojca Erdmann appeared previously at Dutch National Opera as Blonde in Die Entführung aus dem Serail. In both voice and appearance, Erdmann is a perfect Lulu. The South African artist and filmmaker William Kentridge was inspired for his staging by the silent films from the 1920s and ‘30s, the time in which Lulu was composed." Among those silent films is Pandora's Box, starring Louise Brooks. The 1929 silent film is based on the same literary source material as Berg's libretto.

The Royal Concertgebouw Orchestra takes its place in the pit, and the opera will be performed in German, with surtitles in Dutch and English.

William Kentridge's staging of Alban Berg’s Lulu will take place at the Metropolitan Opera in New York in early November. Exact dates will be announced in February.

William Kentridge working on Lulu for the Metropolitan Opera in New York. (photo by Robert Caplin)

Monday, January 19, 2015

A new version of Lulu by Nicolas Mahler

There is a new graphic novel version of the Lulu story, Lulu und das schwarze Quadrat: Frei nach Frank Wedekind, by Nicolas Mahler. The book was published in Germany in October, 2014. The legs on the front belong to Louise Brooks, while the drawn character of Lulu found in the book bears the Brooks' bob.

The author is a prolific and critically acclaimed graphic artist whose work is oftenbased on literary sources. He contributes to Austrian, German and Swiss newspapers and magazines. His earlier work includes a pieces related to Franz Kafka, as well as Alice in Sussex (based on Alice in Wonderland) and The Man Without Qualities (based on the novel by Robert Musil). More about the artist can be found at his website at www.mahlermuseum.at/

According to his Wikipedia page: "Mahler's style is characterized by an extremely reduced stroke with which he captures quirky characters." In the award statement for the 2006 Max and Moritz Prize, it was noted that "The figures of Nicolas Mahler have no eyes, no ears, no mouths - but they certainly have character. Always succeeds Mahler, bringing with minimalist drawings and marginal humor his few strokes to the point. He commutes between virtuoso banal, absurd and Kafkaesque."

From the publisher "In seiner brillanten neuen Graphic Novel »Lulu und das schwarze Quadrat« entschlackt Nicolas Mahler Frank Wedekinds Tragödien »Erdgeist« und »Die Büchse der Pandora« zu einer schwarzen Komödie über weibliche Körperlichkeit, männliches Besitzdenken und Kasimir Malewitschs Schwarzem Quadrat."

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