Silent films can transport us back in time. Movies from the early
years of the 20th century are filled with details which reveals the way
people used to live, work, think, fall in love, solve problems, act
silly, and get by on a daily basis. The way people lived then and the
way people live now is different, and that's interesting.
Silent films, as well, are filled with all manner of objects from the
past, like hand-crank telephones, automobiles with rumble seats, and
acoustic record players known as Victrolas. And too, there are fashions
and hairstyles, especially in films from the Twenties, which depicted
the glamorous Gatsby side of the Jazz Age. City skylines and city
streets have also changed over the years. How many buildings in a scene
shot on the streets of Los Angeles or San Francisco or New York or Paris
in the 1920s are still extant? At this year's
San Francisco Silent Film Festival, you'll have a chance to see for yourself.
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| courtesy San Francisco Silent Film Festival |
There is a lot of detail to watch for at this year's Silent Film
Festival, which takes place July 18 - 21 at the Castro Theater in San
Francisco. For example, two of the most anticipated films at this year's
event, Prix de Beauté and The Last Edition, feature
extended scenes shot inside the composing and press rooms of newspapers
from the time--back when metal type was set by hand and newspapers were
printed on broadsheet. Imagine that.
There is also a quasi-documentary filmed entirely on location in Bali in 1935 by the ex-husband of Gloria Swanson. The film, Legong: Dance of the Virgins,
is a late silent and one of the last features shot in two-strip
Technicolor. It's gorgeous. And what's more, this special screening will
feature live musical accompaniment by a Balinese gamelan ensemble. All
the films at the Festival feature live musical accompaniment of one kind
or another.
Don't miss The Weavers, a German film with striking
intertitles designed by the radical artist George Grosz. Another
not-to-be-missed presentation, a late addition to the Festival, is a
newly discovered two-minute trailer for Dziga Vertov's The Eleventh Year
(1928). It's believed to be animated and directed by Aleksander
Rodchenko, one of the founders of the Constructivist art movement in the
Soviet Union.
For Downton Abbey fans, there's The First Born, a
rarely scene British drama set among the upper class. It was co-scripted
by Alfred Hitchcock's future wife and production partner, Alma Reville.
There's also a delicately composed Japanese silent, Yasujiro Ozu's Tokyo Chorus,
whose themes of parental love and middle-class dreams are set against a
backdrop of urban realities. As well, there are comedy shorts starring
Charlie Chaplin, Buster Keaton and Felix the Cat, and a Russian film
described as the "Best Soviet Silent Comedy ever." Hmmm.... here's what
else shouldn't be missed.
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| courtesy San Francisco Silent Film Festival |
1)
Prix de Beauté is the masterpiece that almost was. Based on a story idea by G.W. Pabst and Rene Clair,
Prix de Beauté
is screen legend Louise Brooks' last starring role. It was also
intended to be Clair's first sound film. The financing fell apart, and
the legendary French director withdrew. The Italian Augusto Genina (
Cyrano de Bergerac)
stepped in and shot it more-or-less as a silent but with dubbed
dialogue and sound effects. The result is a awkward hybrid effort, at
times effective, at times clumsy. The San Francisco Silent Film Festival
will screen the rarely seen, recently restored silent version which is
not only longer, but in most regards, superior--an almost masterpiece.
The film's climax, familiar to those who have seen the sound version on
DVD, has sent critics into rapture. It may be one of the great endings
of all time. Musician
Stephen Horne, who will be accompanying the film on piano, is promising
something special.
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| courtesy San Francisco Silent Film Festival |
2) Along with Fritz Lang and F.W. Murnau, Pabst (Pandora's Box, Diary of a Lost Girl) ranks among the great directors of the German silent cinema. One of his early works is The Joyless Street.
Today, it is considered one of the most important films of the
Weimar-era, and not just because it was Greta Garbo's second feature. The Joyless Street
is a masterpiece of cinematic storytelling, and one of the first films
of the "New Objectivity" movement. Its realism and juxtaposition of the
haves and have nots--as well as its frank sexuality, proved provocative
for censors of the time. The Joyless Street was cut wherever
it was shown, and sometimes banned outright. This painstaking new
restoration has reconstructed the film as close as possible to Pabst's
intention. [For decades there's been speculation that Marlene Dietrich
played a minor role in The Joyless Street. Dietrich is thought
by some to be the dark-haired woman waiting in line (with Garbo and Asta
Nielsen) in a scene at the butcher shop. In fact, it's the German
actress Hertha von Walther, one of the actresses featured in The Weavers.]
3) As Looney Tunes and Merrie Melodies animator Chuck Jones put it,
"The two most important people in animation are Winsor McCay and Walt
Disney." Today, everyone knows about Disney. Few know of McCay, a once
celebrated newspaper cartoonist who almost single-handedly pioneered
animated motion pictures. Academy Award winning filmmaker and McCay
biographer John Canemaker (Winsor McCay: His Life and Art)
screens four of McCay's short films and celebrates the many achievements
of this early-Twentieth-century genius who gave the world Little Nemo in Slumberland
and other works. [If McCay's style seem familiar, it may be because he
influenced a wide array of today's leading cartoonists, graphic
novelists, and illustrators--notably Art Spiegelman, Maurice Sendak,
William Joyce, Chris Ware, Bill Watterson, and Kim Deitch, whose The Boulevard of Broken Dreams
revolves around a character named Winsor. Deitch, a legendary
underground cartoonist and silent film enthusiast, will be on hand
signing copies of just released The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley (Fantagraphics), a full-length graphic novel with a silent film sub-plot created in a striking "widescreen" format.]
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| courtesy San Francisco Silent Film Festival |
4) The received wisdom is that Marion Davies wasn't much of an
actress. And, hadn't media tycoon William Randolph Hearst made her a
star, Davies' career would not have amounted to much. The Patsy proves the received wisdom wrong. Don't miss this film. It's perfect in every way.
5) It is an iconic image. A bespectacled man hanging off the hands of
a clock on the side of a skyscraper high above a city street. This
scene from Safety Last! is all the more thrilling because star
Harold Lloyd didn't employ special effects to make it happen. But why he
is up there in the first place? Safety Last! takes the
familiar story of boy meets girl and turns it into high-art. This
brilliant 1923 film, the Festival closer, inspired Pulitzer
Prize-winning author James Agee to later write of Lloyd's climb: "Each
new floor is like a stanza in a poem."
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| courtesy San Francisco Silent Film Festival |
More than 10,000 people are expected to attend this year's San
Francisco Silent Film Festival, which is now in its 18th year. It's
grown to become the largest silent film festival in North America--and
one of the largest in the world. The Silent Film Festival takes place
July 18 through July 21 at the historic
Castro Theater. Additional information, including the complete schedule of films, can be found at
www.silentfilm.org
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
