Saturday, February 13, 2010

Lulu now, Lulu forever - European shop windows

Here are a couple of pictures of shop windows in Europe. The first, of a store window (likely a photography studio) is from Paris circa 1929 / 1930. It features Louise Brooks' image which are either for sale (quick, get the time machine) or as examples of the studio's work. At the time, Louise was the toast of the town.


The second, of a cartoon museum (?) or shop in Rome, is a contemporary image. It features images of the Louise Brooks inspired cartoon Valentina, by the late Guido Crepax.


Know of other similar images? Please let everyone know or send scans to the Louise Brooks Society. [ When I used to work as a bookseller on Haight Street in San Francisco I did my part: I used to quietly sneak books into the store window displays which featured Brooks' image. And they often drew customers in to purchase a book. . . . ]

Friday, February 12, 2010

Another vintage postcard

Yesterday, I posted a bit about some vintage Louise Brooks postcards for sale on eBay. Among those for sale, here is another of my favorites. As Brooks is not wearing her customary bob, its a little bit unusual. Nevertheless, she photographs quite lovely. Don't you think?
The vintage Russian postcard I also mentioned yesterday has also shown up again. Here is a link to its eBay listing. The seller's page says this card dates from 1928.

Thursday, February 11, 2010

Vintage postcards on eBay

Attention Louise Brooks collectors. There are a bunch of rather nice vintage Louise Brooks postcards for sale on eBay. They are all of French, German, or Austrian origin. (A few weeks back, there was even a scarce vintage Russian postcard for sale.)

Visit eBay and search under "Louise Brooks" and "postcards." You are sure to find them. The asking price is a bit steep, with opening bids starting in the low three figures (around $100.00). Nevertheless, its always fun to look. Here is one of my very favorites, a French postcard circa 1930 featuring an intense close-up of the actress.

Wednesday, February 10, 2010

Pandora's Box anniversary

It was 81 years ago tomorrow that the first reviews of Pandora's Box began to appear in Berlin newspapers. The G.W. Pabst-directed film, starring Louise Brooks as Lulu, premiered at the Gloria–Palast theatre in Berlin on February 9, 1929. On the 11th of the month, articles appeared in Berliner Tageblatt, Berliner Morgenpost, Die Welt, Deutsche Allgemeine Zeitung, Neue Berliner Zeitung / Das 12 Uhr Blatt and numerous other publications. (Boy oh boy did they have a lot of newspapers back then.) More articles appeared on the 12th. 

Over the years, I have collected a thick portfolio of vintage German articles, reviews and other clippings documenting the making of the film and its subsequent release in Germany. I have also compiled a multi-page bibliography of material about the film. All of this material will end up in a book someday, I promise.

And as well, I've also collected photocopies of vintage German newspaper advertisements from around the time of its debut. In honor of the anniversary of its premiere, I have included a scan of one of these glorious advertisements.

In the years since its release, Pandora's Box has been shown not just in Germany but all around the world. One of my ongoing projects has been to track the exhibition of the film over the course of time and in different countries. To me, its interesting to find out what others from around the world (and in past decades) have said about this classic work.

One of my more unusual finds was a 1929 advertisement for the film in a Jewish newspaper published in Warsaw, Poland. (See below). It's interesting to note that the actress' name in the ad is given as "Luiza Brooks." 

Advertisements can tell us a lot. What I learned from another Polish newspaper advertisement is that the film opened at the Casino Theatre, and that Adam Furmanskiego led an orchestra at the Polish premier. [Unless I am mistaken, this is the same Adam Furmanski (1883-1943) who founded and led a Jewish Orchestra in the Warsaw Ghetto around 1940. Furmanski died there.]

The film has been advertised or written about under various titles, and even sometimes under two different names in the same country. So far, I have documented the film having been shown as جعبه‌ی پاندور (Arabic countries); La caja de Pandora (Argentina); Lulu (Argentina); Le boîte de Pandore (Belgium); Loulou (Belgium); A caixa de Pandora (Brazil); La caja de Pandora (Chile); Lulu (Chile); Pandorina skrínka (Czechoslovakia); Umrít Büchse der Pandoru (Czechoslovakia); Pandoras æske (Denmark); Pandora laegas (Estonia); Pandoran lipas (Finland); Loulou (France); Le boîte de Pandore (France); Λούλου (Greece); Lulu- το κουτί της Πανδώρας (Greece); Pandóra szelencéje (Hungary); תיבת פנדורה (Israel); Lulu (Italy); Il vaso di Pandora (Italy); Jack lo Sventratore (Italy); Pandoras lade (Latvia); Pandoros skrynia (Lithuania); La caja de Pandora (Mexico); De doos van Pandora (Netherlands); Pandoras eske (Norway); Puszka Pandory (Poland); A bocéta de Pandora (Portugal); A caixa de Pandora (Portugal); Cutia Pandorei (Romania); Pandorina skrinjica (Slovenia); La caja de Pandora (Spain); Pandoras ask (Sweden); Pandora’nýn Kutusuö (Turkey); Pandora's Box (United States); La caja de Pandora (Uruguay); Lulu (Uruguay); Lulu (U.S.S.R.), Ящик Пандорьі (U.S.S.R.); Лулу (U.S.S.R.); and La caja de Pandora (Venezula).


Certainly, there are other listings to be found. I should probably stop blabbering and look for more. (If you, dear reader, live in a country not noted here and know of a contemporary or historic screening of the film, please send me an email telling all . . . . )

Tuesday, February 9, 2010

re: Michel Mohrt's "La Guerre Civile"

Today, I returned to the San Francisco Public Library to pick up an interlibrary loan request. Another contemporary French novel which I had requested had arrived, and was "ready for pick-up." The book was Michel Mohrt's La Guerre Civile, published by Gallimard in 1986.

La Guerre Civile is the second book by this now elderly French writer which mentions Louise Brooks. The other is his 1991 novel Un Soir, à Londres, which I blogged about on February 1st.

Though I don't read French, I paged through (aka visually skimmed) the novel on the streetcar on the way home from the library and found the page which includes the reference to the actress. It's page 49. Here it is.

I would certainly appreciate it if any French speaking Louise Brooks fans could provide a quick translation into English of the sentences around the reference to the actress. And do any readers of this blog have contact with the author, Michel Mohrt? I would love to know about his interest in Louise Brooks. The search goes on . . . .

Monday, February 8, 2010

Follow up: Jacques Arnaut

I have finally finished "visually skimming" all 607 pages of Jacques Arnaut, a 1933 French novel by Leon Bopp. (See this blog as well as this earlier blog for the story so far.) I failed to find the brief reference to Louise Brooks which I know exists in this book. As I don't read French, visually skimming is the best I could manage.

My inter-library loan copy of this rare book is coming due. Thus, my search to contextualize the reference will have to wait. Perhaps, one day, should I ever obtain a keyword searchable copy of the text, I may yet uncover the passage which refers to the actress. (If anyone could help with this matter, it would certainly be appreciated.)

On to other things . . . . Speaking of early 20th century French literature, did you know that the acclaimed French writer Paul Claudel saw the 1927 Brooks' film, Evening Clothes?

Claudel, a poet, dramatist, and diplomat as well as the younger brother of the sculptor Camille Claudel (who was muse to Rodin) attended a special screening of Evening Clothes in Los Angeles on March 7, 1927. The event was held at the Metropolitan Theatre, the largest movie theater in Los Angeles at the time.

The film's story concerned a French gentleman farmer who goes to Paris to win back the affections of his bride. The premiere, and the presence of the French writer, generated a considerable amount of press as Claudel was, at the time, the French ambassador to the United States. A few weeks later, on March 21st, he appeared on the cover of TIME magazine.

As a celebrated writer and as an ambassador, Claudel was something of a celebrity. Newspaper coverage of the event noted his attendance as well as that of the film's star, Adolphe Menjou. Each were introduced from the stage. If there are any Paul Claudel scholars out there who are aware of the author having written about this event - I would love to hear from you. There was no mention of Brooks herself being in attendance, though its possible, as she was living in Southern California at the time. 

[A couple of days earlier, Evening Clothes had its world premiere at the Metropolitan. Menjou was in attendance at that event as well, and according to newspaper articles at the time, he made his way through the crowds unnoticed wearing a beard.]

Sunday, February 7, 2010

Classic Movie Kisses

A scene from Pandora's Box (1929) made the list of "50 Classic Movie Kisses" in today's LA Times Magazine. Gosh, who wouldn't want to kiss Louise Brooks? 

However, I would have chosen a different scene from the film than the one noted in the LA Times piece. I think the backstage scene in Pandora's Box - depicted below - where Lulu and Dr. Schon are caught embracing is especially torrid.


Check out the complete list, along with video clips, at www.latimesmagazine.com/2010/02/50-kisses.html

Friday, February 5, 2010

Considering Evelyn Brent

Of all the actors and actresses with which Louise Brooks worked, only a few appeared in more than one film with the Kansas-born star. They include Adolphe Menjou in A Social Celebrity (1926) and Evening Clothes (1927), Wallace Beery in Now We're in the Air (1927) and Beggars of Life (1928), Richard Arlen in Rolled Stockings (1927) and Beggars of Life (1928), and Evelyn Brent in Love Em and Leave Em (1926) and King of Gamblers (1937).

Based on a popular stage play of the time, Love Em and Leave Em is an entertaining film which proved equally popular with movie goers. It's quite good, as is each actress in their roles as sisters. The proto-noir King of Gamblers (alternately known as Czar of the Slot Machines) is also recommended, though Brooks' role was cut from this Robert Florey-directed crime drama and Brent only appears briefly. [The image of the two actress pictured here dates from 1937. It was a publicity still taken at the time each were working on King of Gamblers.]

If you ever have the chance to see either of these Brooks-Brent pairings, don't miss out.  Evidently, Brooks herself felt there was something special about Brent. In 1975, Brooks penned a brief, little known essay titled "Stardom and Evelyn Brent" for the Toronto Film Society. The essay has yet to be published in a book.

Recently, the McFarland publishing company issued Evelyn Brent: The Life and Films of Hollywood's Lady Crook, by Lynn Kear and James King. This 300-page work - which includes a forward by Kevin Brownlow, tells the remarkable story of a remarkable actress whose personal life and professional career paralleled that of Brooks' own.

In his review of this new book, film historian Anthony Slide (whose work I appreciate) evokes Brooks' reputation in relation to Brent's. In reviewing the book, Slide states that this new book ". . . . looks at the career of one of the most coldly beautiful and very up-to-date in terms of her good looks and restrained performances of silent actresses. No, I am not talking about Louise Brooks. The latter is not quite frankly as talented an actress, and certainly does not boast a career as long as that of the lady to whom I refer."

Anyone familiar with the up and down trajectory of Brooks' life and career will feel on familiar ground in reading Lynn Kear's new book. 

The publisher encapsulates this new book this way: "Evelyn Brent's life and career were going quite well in 1928. She was happily living with writer Dorothy Herzog following her divorce from producer Bernard Fineman, and the tiny brunette had wowed fans and critics in the silent films The Underworld and The Last Command. She'd also been a sensation in Paramount's first dialogue film, Interference. But by the end of that year Brent was headed for a quick, downward spiral ending in bankruptcy and occasional work as an extra. What happened is a complicated story laced with bad luck, poor decisions, and treachery detailed in the first and only full-length biography." Like I said, anyone familiar with the up and down trajectory of Brooks' life and career . . . .

Evelyn Brent: The Life and Films of Hollywood's Lady Crook is half biographical study and half filmography. It's packed with details, and a few images. Any fan of Louise Brooks will want to check it out - as it does contain a good number of references to Brooks and the two films Brooks and Brent made together. Kear, who authored an earlier book on Kay Francis, has done a more than worthwhile job in telling Brent's remarkable story. Evelyn Brent is available on-line and through the publisher.

Thursday, February 4, 2010

Let me tell you about my day, again

I returned to the San Francisco Public Library this morning to look at the three inter-library loan requests which had arrived. All together, there were nine rolls of microfilm from the State Library in Sacramento. They were each rolls I wanted to look at during my last visit, but just didn't have the time to go over.

There was microfilm of the San Jose Mercury Herald, Lodi Sentinel, and Delta News (Sacramento County). I spent a little more than two hours going through it all, and found four more screenings (and supporting advertisements) to add to my project, Lulu by the Bay. (My wife says I have creeping project syndrome.)

Nevertheless, I had fun, and love researching. Truly. I found two more listings for Lodi (a small, not-so-far-away Central California town located between the state capital of Sacramento and the city of Stockton -  made famous by Creedence Clearwater Revival), as well as one listing for the South Bay city of Santa Clara (found in the San Jose newspaper), and one first ever listing for the small hamlet of Rio Vista (found in the Delta News).

Pictured here is a rather typical example of the kind of stuff I have uncovered in my research. It is an advertisement for the 1927 Louise Brooks film, Rolled Stockings. Incidentally, that film largely shot in and around Berkeley, California.

According to the Cinema Treasures website, the T&D Theatre opened in 1912. "It was a long, narrow theater with a tall, brick stage house. For many years it was operated by T&D Theatres" and was eventually renamed The State Theatre. Interestingly, there was a T&D Theater located in Oakland, California - I have a handful of listings for Brooks' films having screened there as well. The Lodi theatre was advertised as a "T&D Jr.," so perhaps it was part of a chain of theaters in Northern California.

According to Cinema Treasures, the Lodi theater is now closed but the building still stands. Today, it serves as a banquet hall.


I take a streetcar to get to the library, and always bring along something along to read. And as noted in my previous blog, of late I have been visually skimming Jacques Arnaut by Leon Bopp. It is a French novel from 1933. Visually skimming is the best I can do, as I don't read French. However, I am hoping to spot a reference to Louise Brooks which I know exists in this book. I am 300 pages into the Bopp's book, and so far have not come across Brooks' name. 

However, I did come across a rather interesting looking passage, or chapter, called "Haine." It begins on page 183. And, it is filled with American references - to Chicago and New York, to Sherwood Anderson and Sinclair Lewis, to Babe Ruth, Lake Michigan, Chrysler, the Morning Pictorial, and American dollars. Lots of American dollar$.

I wish I could read French and could understand what appears to be a rather interesting novel. In my previous post I suggested this book was comparable to James Joyce's A Portrait of an Artist as a Young Man and Ulysses or Finnegans Wake. Now, I'm thinking John Dos Passos' Manhattan Transfer or USA Trilogy.

In order to learn something about this intriguing novelist, I put in an ILL request for A study of Léon Bopp: the novelist and the philosopher, a 1955 English-language book. Perhaps it will provide some info on Bopp and his work. I will let my few readers know if I find that still elusive reference.
Powered By Blogger