Here is what I what I looked at and here is what I found

I went ot the library yesterday to check out some of my just arrived interlibrary loans. Here is what I what I looked at and here is what I found. . . .  Following up on an earlier post, I requested some college newspapers in hopes of finding reviews of Denishawn performances. I asked for the Ohio State Lantern, but my request was rejected as the microfilm for this Ohio State University student newspaper was "not on the shelf." I shall ask for it again at a later date. I also requested the Cornell Daily Sun and the Reveille (from Louisiana State University), but neither newspaper contained any editorial coverage. The Cornell Daily Sun did run a couple of advertisements for the Denishawn performance in nearby Ithaca, New York.

I also looked at various issues of the Whig Journal (from Quincy, Illinois) and the Omaha Bee (from Omaha, Nebraska), and in each I did find articles and reviews of the Denishawn performances in those two cities. Citations for the material I found have been added to the various LBS bibliographies.

Think about it

Louise Brooks appears on the cover of the previous issue of Think magazine, which comes from Prague. Check it out here.

ABOUT THE COVER: 
Jeffree Benet "I photoshopped in the cover of the previous issue into the hands of 20's film darling Louise Brooks, from an old publicity still. The cover conspiratorally warns 'Look Normal. They must suspect nothing'."

Louise Brooks by Rick Geary

A caricature of Louise Brooks by Rick Geary shows up on eBay ocassionally as a rubber stamp. There is one for sale now. I have one of these rubber stamps. And I remember that Barry Paris stamped a copy of his biography that he signed for me some years ago. They are nifty.

Library of Congress follow-up

I have heard back from the Library of Congress regarding The Street of Forgotten Men. Here is what they wrote.

The Moving Image Section of the Library of Congress has an incomplete 16mm reference print of THE STREET OF FORGOTTEN MEN (1925), which is available for viewing in our Motion Picture and Television Reading Room by researchers with an advance appointment.

THE STREET OF FORGOTTEN MEN
6 reels (r1, 3-7); 2000 ft., si., b&w, 16mm reference print

I am excitied. I shall attempt to make an appointment to view this film while I am in Washington D.C.

Library of Congress

For work reasons, I will be travelling to Washington D.C. in mid-May to attend the national booksellers convention. While in the Capitol, I hope to visit the Library of Congress, and do some research on Louise Brooks. (I've never been to the Library of Congress - though I have borrowed a number of inter-library loans from this institution. They have an amazing collection.)

And so, yesterday, I spent most of the day planning my visit. The LOC is the largest library in the world. It has closed stacks. And there are a number of rules which apply to individuals and independent researchers like myself. For example, individuals can only make 9 requests per hour in the Newspaper & Current Periodical Reading Room. And scanners, larger than the hand-held variety, are not allowed, etc . . . . Thus, I spent my day figuring out which buildings, collections, and rooms are open when, and what material can be found where. I also obtained call numbers for the various items I hope to look at. I will likely have little more than one day at the LOC - and so, I prioritized which material I want to examine first. I hope to make the most of my time. And there is sure to be some competition for the microfilm reader/printers. I have to work efficiantly.

For a handful of key newspapers, The Library of Congress is the only library in the country which has certain titles readily available on microfilm. For example, in order to complete my survey of particular papers (in search of either Denishawn material or film reviews), I plan to request theRochester Times Union, Newark Star-Eagle, Minneapolis Morning Tribune, Boston Post and a couple of Buffalo papers. I also hope to explore theIndianapolis News, Oklahoma City times, and Rocky Mountain News. The LOC has each of these papers on microfilm. One elusive paper which the LOC does not have on microfilm - but instead has in bound volumes - is the Atlantic City Evening Union. I have long been anxious to look at this paper and uncover what articles it may have run about the near week-long Denishawn engagement there in 1923, the Miss America contest and the filming of American Venus in 1925, and the later screening of the film in 1926. I would guess it is ripe with interesting material!

It is also my understanding that the LOC has 6 of 7 reels of  The Street of Forgotten Men, the first film in which Louise Brooks appeared. I have a query in to the LOC to find out if  this 1925 Herbert Brennon directed film is, in fact, available for individual screening. How thrilling it would be to view the film! If it is, and if I am able to see it, I will take many notes. To be continued . . . . 

Teatro della Lulu

Mars Toyko is a visual artist working in miniature 3-D diorama who has created "Teatro della Lulu (Homage to Louise Brooks)." The artist sent an email to alert me to her work. She wrote, "I have been a fan of Louise Brooks for years and have created an Homage to her."



This photo was taken with a macro lens attachment. The original diorama is only 3" wide, 4.5" deep, and 4" high. For me, this piece evokes the work of the American surrealist Joseph Cornell - one of my favorite artists and an inspiration to Mars Toyko. (Cornell was famously obsessed with certain ballerinas and actresses - most notably Hedy Lamarr - and he created elaborate shadow boxes in their honor.) Toyko's collage and constructions also bring the work of Betye Saar to mind. Those wishing to see more of the artist's efforts should visit http://teenytheaters.com/

Diary of a Lost Circus

The Montreal Mirror reports on a vaudeville entertainment taking place this weekend in Montreal, Canada called "Diary of a Lost Circus." The event/performance is burlesque, and has nothing to do with silent film, though it was in some small way inspired by the Louise Brooks' film, Diary of a Lost Girl. The Mirror reports

"I was talking with Damiana on the phone," he recalls, "she was asking me what to call the night, and we came up with names like the Sexy Pants Party, the I Wanna Dance Half-Naked by Myself Show and the like. Damiana, the goddess she is, mentions we should use the word 'circus.' As I gracefully glanced at the 1929 German poster for the Louise Brooks film Diary of a Lost Girl, I thought to myself, 'We are all kind of lost, all trying to find our spot, looking for other spot-finders and with our dances and guitars, we end up finding each other by accident.'"

Castelli's philosophical revelation prompted the title 'Diary of a Lost Circus,' and Dolce dug it too. 'A lost circus,' muses Castelli, 'a  whole lot of us wandering around in the city with a stick, a dress and a good song in our head.

Interestingly, Frank Wedekind's original Lulu plays - the basis for Pandora's Box - are framed by a circus. Anyways, here is a link to the news story. If anyone should attend and spot a Brooks sighting, please post something here.

Louise Brooks event this Saturday

Louise Brooks fans will want to know about an event taking place on Saturday. Echoeing language from the LBS website, this small piece appeared inArtvoice, a Buffalo alternative weekly. "Louise Brooks appeared in 24 films between 1925 and 1948, during what is considered the Golden Age of Hollywood. Perhaps most famous for her portrayal of Lulu in G. W. Pabst’s German classic Pandora’s Box (1929), Brooks has since gained iconic status among film buffs. Though she may be remembered as much for her trademark bobbed haircut as for her acting ability, her impact on film history is undeniable. This year marks what would have been the actress’ 100th birthday, and a photo exhibit and reception will be held in her honor at the Karpeles Manuscript Museum. An exhibit of Brooks images is noteworthy enough but the fact that entertainment is provided by Lowest of Low frontman Ron Hawkins’ Acoustic Revue makes the evening extra special." For more info and pix, visit this website.