Wednesday, March 23, 2005

I recently came across

I recently came across this sentence from a novel by Salman Rushdie. "To understand just one life, you have to swallow the world." I feel it explains my approach to Louise Brooks.

Tuesday, March 22, 2005

John Decker

Back in 1925, the New York Evening World ran a review of the just opened Ziegfield Follies. The review stated " . . . a distinct hit was made last night by Louise Brooks, who is dancing in several numbers." The review also included a caricature of Brooks and her fellow Follies performers Dorothy Knapp and Ray Dooley (see page 91 of the Barry Paris biography).

The caricature was drawn by John Decker, the subject of a just published biography. According to the publisher "With all of his amazing talent - and scandalous exploits - it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief - but eccentric - life of this neglected painter, caricaturist, and sculptor." Along with his caricature of Brooks, Decker also drew many of the stars of the silent film era. Though only a few are shown in this new book, it looks interesting.

Monday, March 21, 2005

Where and Why Miss Brooks Draws the Line

ON THIS DAY IN 1926: Newspapers around the country ran an illustrated article on the draped nudes scandal entitled ''Where and Why Miss Brooks Draws the Line.'' This widely syndicated article ran in the Sunday supplement / Sunday magazine section of various papers including the Philadelphia Inquirer,Washington Post, and Sacramento Union. For a larger scan of the article, see  www.cartoonretro.com/louise/brooksmodestysm.jpg.

Sunday, March 20, 2005

Adventures in Sacramento

On Friday, I ventured to Sacramento (a two hour drive) and the home of the California State Library. This is my 15th trip to the State Library, which is located around the corner from the State Capitol and the offices of California's increasingly unpopular Governator, Arnold Schwarzenegger. Over the last few years, I have been surveying California newspapers, of which the State Library has an extensive collection on microfilm. So far, I have looked through various Los Angeles area papers - including those from Hollywood, Pasadena and Santa Monica. Earlier, I had also gone through microfilm for papers from other California cities and towns, such as Santa Barbara, Fresno, Modesto, Stockton, etc....

This time, I continued my search through the Hollywood Citizen News. This "small town" newspaper has proven rich in material relating to Louise Brooks. (Hollywood is a company town, and it's local paper, naturally, devoted considerable coverage to movies and the movie industry.) So far, I've found movie reviews, brief news items, miscellaneous articles, advertisements, and mentions in the "local" society and gossip columns. I've also found recipes ascribed to Brooks on the food pages, and a special bridal section once featured the actress modelling wedding gowns for a local store! Brooks' name started showing up in the paper with regularity once the actress moved to Los Angeles in 1927. And on earlier trips, I had gone through every day of the paper for that year. It is tedious work - but occassionally, some exceptional material turns up! This time, I went through the last six months of 1926, and found a few minor items. On my next trip to Sacramento, I plan to tackle 1928.

Like Hollywood, nearby Glendale was also something of a company town. Though I don't think any studios were located there, the local Glendale Daily Pressdevoted near daily coverage to the movies. I found that film companies - such as Paramount and MGM - held regular sneek previews of new films in Glendale. These sneek previews were intended to guage public reaction, and the studios would sometimes reshoot or recut a film based on audience response. (I had recently read about this practice in Gavin Lambert's biography of Norma Shearer.) In a couple of instances, I came across screenings of Brooks' films which were paired with sneek previews. From what I found, the preview film was never announced and only rarely reviewed. Thus, I wasn't able to determine which film was shown along with the Brooks film. Nevertheless, my quick search through nearly three years of the Glendale Daily Press proved fruitful. I found a slew of articles about Brooks' films. I plan to add citations to the LBS bibliographies later today.

With my remaining time at the library, I decided to take a peak at the Daily Bruin, the student newspaper from UCLA. I didn't expect to find much of anything, as most of the college newspapers that I have looked at in the past yielded little. I was surprised! I came across original articles reporting on lectures and talks at UCLA by movie directors and producers, interviews with the stars, and reviews of new films by student reporters. Daily Bruin coverage of the movies, including reviews of films opening in Los Angeles, really picked up starting in late 1926. With what time I had, I was able to uncover  reviews of Love 'Em and Leave 'Em (1926) and Evening Clothes (1927). On my next trip to the State Library, I plan to finish going through this notable student newspaper.

Saturday, March 19, 2005

Lulupalooza

Something everyone will want to know about - a Louise Brooks film festival. Announcing Lulupalooza '05. Check it out at http://www.lulupalooza.org/

Thursday, March 17, 2005

Willem Frederik Hermans

I recently received through the mail a copy of a novel by Willem Frederik Hermans. The book, written in Dutch and published in Amsterdam in 1988, is titledEen Heilige Van De Horlogerie. Louise Brooks is pictured on the cover.

From what I have been able to find out, Hermans is a noted literary novelist, and is considered one of the three most important authors in the Netherlands in the period following the second World War. His style is described as bleak - at times existential, surreal and satirical. A Google search reveals many pages in Dutch, and only a few in English. Not being able to read Dutch, I don't know much of anything about this novel, except that Louise Brooks may have inspired a character in the novel. I have an image of another version of this book (published the previous year), and the actress is also pictured on the cover of that edition. Here is a scan of the reverse of my recently acquired softcover copy. As can be seen, Louise Brooks is mentioned in the text on the back of the book. Can anyone provide a translation of this text, or some sort of approximate meaning regarding what is stated about Brooks?
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