Scott R. Howe is a longtime fan of Louise Brooks, and a longtime supporter of the Louise Brooks Society. His novel, The Haunting of Emily Pierson, has just been published. The book is a revised and retitled version of his 2022 Louise Brooks-inspired thriller Pandora's Box. Scott is a good writer, and I am looking forward to checking out this new edition of what promises to be a terrorific novel.
The Haunting of Emily Pierson marks Scott R. Howe’s
debut into the world of psychological horror. This gripping first novel
blends psychological tension with supernatural dread, while promising to keep
readers on the edge of their seats. And what's more, Louise Brooks is a central "character".
The book's description:
"Emily thought she was running toward a fresh start when she
left behind her job, her two-year relationship, and her old life,
settling in a quiet apartment in Rochester, New York. But what was
supposed to be a refuge quickly turns into something far more
unsettling. The previous tenant, an elderly recluse and once silent film
icon, died in this same apartment—and she hasn’t truly left.
Emily
finds ever more disturbing connections with the woman. They seem to
share a secret and she feels compelled to uncover it. The deeper she
digs, the more the apartment’s chilling presence tightens its grip,
making her question what is real and what lies hidden in the shadows.
In
order to regain her peace, Emily must confront the unsettling truth
that connects her to this haunting presence. However, there are certain
secrets that are better left buried, and facing them may not only harm
her and those she holds close, but also have far-reaching consequences.
A spine-tingling tale of psychological horror and the supernatural, The Haunting of Emily Pierson, will make you question what lingers in the spaces we call home."
An excerpt from the novel:
After a pause, Hazel said, “I’m so sorry, dear. I just realized that I haven’t told you who I’m talking about.”
Emily shook her head, smiling politely.
“Well, if you were as old as I am, you’d probably know her by name or at the very least by that hair style she had when she was young.”
Hazel paused again. “Can you believe I used to care for a world-famous Hollywood film actress?”
Emily perked up a bit. Hazel’s reference to a once-famous person provided an intriguing twist to the mystery.
“Please tell me you’ve heard of Charlie Chaplin or Greta Garbo, dear,” Hazel teased.
“Yes, of course, I’ve heard of them.”
“Well, the woman I’m referring to had affairs with both of ’em!”
Emily grabbed her laptop and pulled it closer.
"Who was it that used to live here?” asked Emily, opening her browser with her fingers poised, ready to type.
“Louise Brooks,” responded Hazel as she watched Emily type the search terms into the search bar.
“Louise Brooks,” 1920s film actress…
Emily’s screen became filled with references and images, causing her to be transfixed. A black-and-white image of a woman from a bygone era stared back. She was incredibly beautiful, and her appearance seemed quite contemporary. The woman in the photos wore her jet-black hair in a bob, cut short, at her ears, with the dark pointed tips cutting into her alabaster cheeks, perfectly framing her dark, sultry eyes. The straight lines of her blunt bangs were the ideal accent to her stick-straight brows, and her perfect lips curved in just enough of a pout to seem sad yet inviting.
Emily had no clue that women in the 1920s could look like this. The flappers she had seen in photographs from that era looked nothing like this woman. They wore their hair in curls, and they looked almost comical — like Betty Boop.
For Emily, the woman’s appearance was completely hypnotic. One image struck Emily’s eye. The faded picture of a little girl standing outside, next to a chair. Emily focused her concentration even more and clicked on the image, enlarging it to fill her laptop screen. Emily’s mind swirled. The little girl in the photograph looked like the young girl she had seen on Halloween night. Emily’s eyes moved down to the caption below the photo.
Louise Brooks, age 9, on the front porch of her family’s home in Cherryvale, Kansas, 1915.
“As I told you, dear, Louise Brooks hasn’t lived in this building for a very long time, and she died before you were even born.” Hazel surveyed the room, then added, “She lived here, in your apartment.”
# # #
Scott
R. Howe grew up in Sacramento, California, where he still resides. He
spent his formative years watching horror and Sci-fi movies which
eventually grew into a general interest in film history, early Hollywood
— and a life-long obsession with the silent film actress, Louise
Brooks. In addition, Scott has had an interest in the paranormal. Scott
is also a graphic artist, painter, filmmaker and musician. More about the author and his new book can be found on his website at https://scottrhowe.com/
Back in 2022, the Louise Brooks Society spoke with Howe about his original novel.
LOUISE BROOKS SOCIETY: When and how did you first come across Louise Brooks?
SCOTT HOWE:
My earliest recollection is that I had purchased a sort of coffee table
book on early, silent-era film making in Hollywood. It was filled with
images from the turn of the century, up through the 1920s. When I was
flipping through the pages, I stopped at a photo of this woman I had
never come across before. She was striking to me, initially, because her
look didn't seem to match anyone else in the entire photobook; in my
eyes, she was a complete anachronism. I was in my mid-twenties at the
time (this was like 1985 or '86) and she just really stood out as being
uniquely attractive, even by 1980s standards. That was enough to
intrigue me and I was off on a quest to find out as much as I could
about her. That was before the internet so I found myself driving to
Berkeley to make use of their libraries, etc. It became a fun side-hobby
to sort of try and sleuth out information about her throughout the
years.
LOUISE BROOKS SOCIETY: What is it about her that draws you?
SCOTT HOWE: I
sort of answered this in the first question. At first, it was that she
appeared out of place in her own time. She seemed completely modern to
me. The first book I found was her own book, the compilation of some of
her essays that had appeared previously in other journals, "Lulu In
Hollywood." Her writing felt as if I was reading the thoughts of a young
twenty-year-old girl. That made her even more attractive. It was almost
like I was falling in love with this "young" woman, and I guess I
ignored the fact that she had actually passed, perhaps only a year
earlier. (I hope this is making sense). Later, I found the Kenneth Tynan
article on her, "The Girl in the Black Helmet." It felt good to know
that I wasn't the only one who found himself falling in love with her.
LOUISE BROOKS SOCIETY: You have written a paranormal historical thriller. What are some of your favorite books or authors in that field?
SCOTT HOWE: One of the earliest books on the paranormal that I read as a teen was The Amityville Horror.
The idea that this series of events may have actually happened
completely fascinated me. I remember asking my mom to take me to the
library so I could look for news stories, on microfiche, from the time
of the original Defeo family murders; since the book mentioned that
George Lutz, who moved into the house shortly after the murders with his
family, held a striking resemblance to Ronald Defeo Jr., the one who
killed his entire family, I wanted to see, for myself, if they did have a
similar appearance — and they did. It was also around this time, in
the mid-seventies, that my older brother brought back a souvenir book
he'd bought for me, from his visit to Washington D.C.. It was called Ghosts: Washington's Most Famous Ghost Stories by John Alexander. Reading that book, as a kid, led to my love for history in general.
LOUISE BROOKS SOCIETY: Do other early film stars or early films interest you? Or the Jazz Age?
SCOTT HOWE: I
grew up on the Our Gang/Little Rascals shorts and Laurel and Hardy.
They were a Saturday morning staple here in Sacramento when I was
growing up. I found myself strangely mesmerized by the music in those
Hal Roach comedies. For years, I tried to find information on that
music. Eventually, in the late eighties, while I was working as an
artist at Tower Records, I was able to discover the music of Beau Hunks
where they recreated all of that old music from the Hal Roach films. I
knew of Chaplin too, but did not grow to truly appreciate his genius
until I got into college and took some film history courses. It wasn't
until later that I discovered Chaplin's connection with Louise. I was
also excited to learn that Buster Keaton shot Steamboat Bill, Jr. here in Sacramento right along the river, near what is now West Sacramento.
LOUISE BROOKS SOCIETY: How was it that you had the idea to blend your two interests - gothic thrillers and a certain silent film star?
SCOTT HOWE: I'm
not sure if you can relate, but I've felt for a long time that I had an
itch that needed to be scratched when it came to Louise Brooks. In
college, I began my interest in film making and in film history. After
my daughter was grown, I took up film making again and had the
ridiculous idea to try and make a short film about Louise. I failed
miserably, of course. All the while, I kept hoping someone else would do
something. Anything. I still hope that someone, someday, will finally
produce a biopic about her. But I digress… Over the pandemic, I had to
have quadruple bypass surgery. While recovering from that, I started
thinking about coming up with an idea for a novel that might use Louise
as a framework. Initially, it felt too daunting a task. After all,
people way more qualified — people like you — have already written so
much about her; what could I possibly add to that? But my mind kept
coming back to something about Louise that had always affected me. It
was the fact that she was sexually abused as a child. I found it both
heart-wrenching and chilling that this had happened to her at all — and
that it was as common, then, as it is today — seemed unthinkable. One
could see how much it changed the trajectory of her life forever after
that experience. Barry Paris wrote in his famous biography on her that
Mr. Flowers was her "Rosebud." It finally hit me that one way I could
talk about all of that was to couch it within a ghost story. Good ghost
stories, after all, are just mysteries wrapped up in a nice, scary
package. Writing scary short films was always in my wheelhouse, so why
not try writing something longer-form and see if I could manage it. As
it turned out, this was the spark I needed to finally scratch that
Louise Brooks itch that I'd had ever since I first discovered her for
myself. I think it's natural for creative people to get inspiration from
their muses. Louise has been that for me. I've drawn her, painted her,
tried to make a short film about her... and now, I've finally found a
way to express some of my thoughts about something that truly hurt me
when I first learned of Louise’s sexual abuse as a child.
LOUISE BROOKS SOCIETY: What might you want readers of your book to know?
SCOTT HOWE: I
hope people will understand that I wrote this book with a deep
admiration and affection for Louise Brooks. Those who have done their
own research on Louise will no doubt recognize some familiar
acknowledgements to her in the form of small factoids about her life
that I sprinkled throughout this book. Finally, I hope that by delving
deeper into the issue of sexual abuse, readers will gain a better
understanding of the strength of will required to survive such trauma.
I'm left to wonder how much more Louise would have achieved had she not
had to carry such a burden with her over her lifetime.
I have to apologize for my lengthy responses. Once I get going, I can't stop. :)
# # #
THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas
Gladysz, Director of the Louise Brooks Society (www.pandorasbox.com).
Original contents copyright © 2024. Further unauthorized use
prohibited. As an Amazon Associate, I earn from qualifying purchases.
