I, for one, am pleased that there is thaw in relations between the United States and Cuba. I am especially looking forward to increasing cultural and scholarly exchange between the two countries. This opening up in relations should be a boon to silent film studies (who knows what "lost films" might be found there), as well as Louise Brooks studies. In the past, I have been able to look at microfilm of one English-language newspaper from Havana, and I found plenty. I can't wait to be able to search through some of the Spanish-language Cuban newspapers and magazines of the 1920's and 1930s. (Cross your fingers that they be digitized and put online.)
From my early search, I know that many of Brooks films showed in Cuba; we also know the actress herself visited the country on one or two occasions. Certainly there are articles and reviews and advertisements and other documents still to be found which would help paint a portrait of the actress' presence on the island.
All this is to say that there is still a good deal of materiel to discover about Louise Brooks and Cuba . . . . Like the fact that Pandora's Box played in Cuba under the strange title Lulu La Pecadora (Lulu the Sinful).
Please contact me if anyone has access or knowledge of any digitized Cuban newspapers or film magazines dating from the 1920s and 1930's.
From my early search, I know that many of Brooks films showed in Cuba; we also know the actress herself visited the country on one or two occasions. Certainly there are articles and reviews and advertisements and other documents still to be found which would help paint a portrait of the actress' presence on the island.
All this is to say that there is still a good deal of materiel to discover about Louise Brooks and Cuba . . . . Like the fact that Pandora's Box played in Cuba under the strange title Lulu La Pecadora (Lulu the Sinful).
Please contact me if anyone has access or knowledge of any digitized Cuban newspapers or film magazines dating from the 1920s and 1930's.
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