Louise Brooks to be featured in exhibit

At least one vintage book featuring Louise Brooks will be featured in "Reading the Stars," an exhibit of books, magazines and other vintage reading material published during silent film era which will be on display at the San Francisco Public Library. All of the material - published during the Teens, Twenties, and early Thirties - pertain to the movies.

"Reading the Stars" is part of a small constellation of exhibits and programs titled "Shhhhhhh! Silents in the Library." The exhibits run June 25 through August 28 in the Main branch of the SFPL, on the Fourth Floor and Sixth Floor History Center Exhibit Space. 

If you plan on coming to town to attend to the San Francisco Silent Film Festival, don't miss this chance to take a look at these library exhibits. I curated "Reading the Stars," and it is the fourth exhibit in about 12 years which I have helped put on. Additional details to follow. More info at http://sfpl.org/index.php?pg=1006779101

Requesting Louise Brooks

A few bits of encouraging news.... yesterday, I received a request from a commentator for Michigan Public Radio who asked for a review copy of my Louise Brooks edition of The Diary of a Lost Girl. I realize a review copy request is not the same as a review, but here's hoping. And today, I exchanged emails with a Spanish-born writer living in Mexico who is working on a novel about Louise Brooks. This novelist was asking about certain historical details pertaining to the actress. The body of literature around the actress continues to grow.

The GREAT comics historian Bill Blackbeard has died

The GREAT comics historian Bill Blackbeard has died. The New York Times has an article on his passing at http://www.nytimes.com/2011/05/01/arts/design/bill-blackbeard-comic-strip-champion-dies-at-84.html

"An author, editor, anthologist and ardent accumulator who died in March at 84, Mr. Blackbeard is widely credited with helping save the American newspaper comic strip from the scrap heap, amassing a collection considered the most comprehensive ever assembled." His collection included Dixie Dugan, Windy Riley and other strips associated with actress Louise Brooks. 

Art Spiegelman,the RadioLulu listener who created the Pulitzer Prize-winning graphic narrative Maus, said in a telephone interview with the New York Times, “A filmmaker like Martin Scorsese couldn’t make what he makes if he had never heard of D. W. Griffith and Orson Welles." "Similarly, as my art form develops, it’s clear that the future of comics is in the past. And Blackbeard was the granddaddy that gave us all access to it.”

"It Girls" article discusses Louise Brooks

"It Girls," an article on Lapham's Quarterly by Academy Award winning documentary film maker Peter Foges, discusses Louise Brooks and Greta Garbo and the years they both lived in New York City. It is an interesting piece, and worth reading. I might even speculate myself and guess that someone, someday, might turn this bit into a short story.

[A small correction. Foges writes " Louise had worked at Saks for years selling gloves—and when she needed to, turning tricks." I beg to differ. Brooks only worked briefly at Sacks, and didn't turn tricks (as anyone can tell) in the sense she was a prostitute. She may have received cash or gifts for favors, though.] The article can be found at http://www.laphamsquarterly.org/roundtable/roundtable/it-girls.php

Flappers' Dictionary: How To Talk The 1920s Talk

Check out "Flappers' Dictionary: How To Talk The 1920s Talk" at the Huffington Pos, featuring you know who.

Call me

Talking with The Dodge Brothers

The Dodge Brothers are known around England for their robust approach to  American music. Described as "wonderful stuff" on British radio, this UK-based group plays an exuberant hybrid of American country blues, jug band, skiffle and rock-a-billy. In the current lingo, they could easily be described as a “roots music” outfit - with a strong rural feel.

The Dodge Brothers are also know around England for their accompaniment to the 1928 Louise Brooks film, Beggars of Life. They have performed their original score to this acclaimed silent film twice within the last year - and each time to great acclaim. They will be doing it again on Sunday, April 10th,when the British Film Institute screens Beggars of Life as part of the 14th annual British Silent Film Festival at the BFI Southbank in London. Accompanying the film will be The Dodge Brothers, who will be joined on-stage by the acclaimed silent film accompanist Neil Brand.

The movie, and the 1924 bestselling book it was based on, are fast becoming classic works of Americana. The Dodge Brothers accompaniment is a natural fit. Beggars of Life was directed by future Academy Award winner William Wellman and was based on the acclaimed book by “hobo-author” Jim Tully. The film stars future Academy Award winner Wallace Beery and silent film stars Richard Arlen and Louise Brooks. Edgar "Blue" Washington, a noted African-American actor, also has a small part. The film tells the gritty story of a girl who dresses as a boy and goes on the run and rides the rails in pre-Depression America.

Mike Hammond - the group's singer (and silent film expert) took time out to answer a few questions about their score, their music, Louise Brooks, and silent film.

Thomas Gladysz: The Dodge Brothers will accompany Beggars of Life on April 10th. For those not familiar with the Dodge Brothers, what can you tell us about the group?

Dodge Brothers: Well here is the short version. The Dodge Brothers are a four-piece band modeled on the skiffle and jug bands of the 20s and 30s. Each of us plays more than one instrument, Aly plays acoustic guitar and mandolin, Alex plays washboard, snare and wine bottle, I play guitar, banjo, piano and tap dance while Mark plays double bass, harmonicas, accordion and is soon to unveil his prowess on the bag pipes.

We started from a love of the music that leads up to Elvis, which ranges widely from railroad songs, murder ballads to ragged street blues. We got going learning ten songs (‘Frankie and Johnny’ and ‘Stagger Lee’ among others) and over the years we have amassed about 150 songs. A couple of years ago we started to write our own songs that resulted in our album Louisa and the Devil. Mark started this by bringing in ‘Church House Blues’ and saying it was by an old jug band. We still do that; if it fools the rest of us into believing its authentic then we play it. (Did I say short version?)

Thomas Gladysz: With that said, what can one expect  - musically speaking, from your score?

Dodge Brothers: The score for the film will draw from those old songs from the period. I am a silent film scholar and I know that Paramount had the most film theatres in the rural areas so it was not uncommon for them to release different versions of films, one for the big cities and one for the rural towns. I have kept this in mind when thinking about the score. The lovely Troubadors version of ‘Beggars of Life’ was meant as a theme for the film and we will be incorporating a version of that but combining it with motifs which call up railroad songs that were popular during the period, particularly those by Jimmie Rogers. Lots of those songs are really about hobos riding the rails and they have a wonderful wistfulness about them, a mixture of loneliness and humor that both fits the film and the way we play.

Thomas Gladysz: Beggars of Life is unlike any of Brooks' earlier American films. Had you seen it before? And what were your impressions?

Dodge Brothers: You’re so right about it being an exceptional Brooks film. Most people associate her with the Jazz Age flapper-type but in this film she plays a girl on the run, dressed as a boy! None of us had seen the film before and it was our fifth member, the fabulous pianist and silent film composer Neil Brand, who drew it to our attention. Brooks really ‘pops’ out of the screen and holds her own with Wallace Beery, which is no mean feat. The tension that is generated by her masquerade as a boy amongst a lot of rough hobos is tight as a drum. There is a real sense of menace and danger from the beginning where ‘The Girl’ (Louise) takes matters into her own hands with a firearm. She reminds me of Louisa in our song ‘The Ballad of Frank Harris’. Maybe that’s what I really like about this film, she is self-sufficient and an equal partner with Arlen. And she can shoot a gun!

Thomas Gladysz: Are you a fan of Louise Brooks?

Dodge Brothers: Oh yes and not only because of the fact that she is the most compelling of screen stars. She is intuitive as an actress and gives the sense that she is being rather than acting. I do think Pabst understood that best. However, I am as big a fan of her writing. She is incisive and brutal in her analysis of Hollywood and, perhaps most touching, of herself.

Thomas Gladysz: When did you first come across the actress?

Dodge Brothers: I can’t speak for the rest of the guys. I first saw her in an undergraduate film class in the 80s. It was Pandora’s Box. I remember thinking; of course these guys are giving away everything for her, who wouldn’t?

Thomas Gladysz:  Louise Brooks has been getting the musical treatment of late. Rufus Wainwright recently released a musical tribute to Louise Brooks titled All Days Are Nights: Songs For Lulu. And of course, it was preceded by earlier rock and pop musical tributes by the likes of Orchestral Manuevers in the Dark (OMD), the prog-rock group Marillion, Australian Jen Anderson, Mike Doughty's Soul Coughing, and others - even the cartoonist Robert Crumb. Where might your score fit into this history?

Dodge Brothers: Well all of these tributes are really great and it’s nice to be in their company. I haven’t heard Rufus Wainwright’s but I guess in this history we will probably be closer to R. Crumb’s. We are trying to bring a flavour of the kind of music that might have been played in the rural areas of the US to this film. Remember that the orchestras in most of those theatres at the time would have been as small as a quartet. They also played to their audience who would have known the railroad songs as well as the popular tunes of the day so they would mix them up. We’ll be doing something similar and hopefully support the wide-ranging emotions in this film, from lonesome and sad, to tender, to fast action and gunplay. Louise does it all here and, come to think of it, that’s a good description of The Dodge Brothers’ music too.

For more info: The 1928 Louise Brooks film Beggars of Life will be shown at the BFI Southbank (Belvedere Road, South Bank, London, SE1 8XT). Start time is 18:15. More info at this page. The Dodge Brothers have released two albums to date. The group is made up of  Mike Hammond (lead guitar, lead vocals), Mark Kermode (bass, harmonica, vocals), Aly Hirji (rhythm guitar, mandolin, vocals) and Alex Hammond (washboard, snare drum, percussion). More about the Dodge Brothers can be found at http://www.dodgebrothers.co.uk as well as http://www.facebook.com/dodgebrothers and http://www.myspace.com/dodgebrothers. A few video clips can be seen at  http://www.youtube.com/dodgebrothersuk

Statue luminaire représentant Louise Brooks

This art deco sculpture is said to represent Louise Brooks. I have my doubts. At best, it is an approximate look alike. This piece, which looks like bronze but is described as plaster, is for sale on eBay. The seller lives in France.

Does anyone know anything about this piece? Or the artist? I would be interested to find out more.

On it's eBay page, there is a photo of the base of the sculpture which shows the artist's signature. I can't quite make it out.

Louise Brooks films screen in London and Dublin Sunday

Sunday is the day to catch a Louise Brooks' silent film if you live in either London or Dublin. My new article on examiner.com covers the events.

On Sunday, April 10th, the British Film Institute is showing Beggars of Life, a1928 American silent film. This special screening, part of the 14th annual British Silent Film Festival, takes place at the BFI Southbank in London. Accompanying the film will be The Dodge Brothers, who will be joined on-stage by the acclaimed silent film accompanist Neil Brand.

And over in Dublin, the Irish instrumental group 3epkano will be performing their soundtrack to the 1929 German classic Diary Of A Lost Girl. This special screening will take place at a popular Dublin venue known as The Button Factory.

Louise Brooks film shows in Toronto on April 6

It’s the Old Army Game will be shown on Wednesday April 6 at 8:30 pm at the Fox Theater, 236 Queen Street East, in Toronto, Canada.

My short history of Toronto's long love affair with Louise Brooks can be found at "Louise Brooks film featured at Toronto Silent Film Festival" on examiner.com. Be sure and check it out, including the accompanying photo gallery, links and video.

I would love to hear from anyone who attends this historic event. Please post your observations in the comments field.

Who Is the Exotic Black Orchid?

Be sure and check out Andi Brooks' rockin' Louise Brooks inspired song "Who Is the Exotic Black Orchid" at http://www.myspace.com/564763002/music/playlists/andi-brooks-s-playlist-202705

Might a couple of the other songs on this playlist also be inspire by our Miss Brooks? Listen and you be the judge.

Documentary filmmaker Richard Leacock dead at age 89

Acclaimed documentary filmmaker Richard Leacock has died. He was 89 years old. Leacock, along with fellow directors D.A. Pennebaker, Robert Drew and the Maysles Brothers, helped pioneer the nonfiction format known as “direct cinema,” or Cinéma Vérité. His film-making carer spanned the years 1935 to 1996.

In 1984, he released Lulu in Berlin, a 50 minute filmed interview with Louise Brooks (intercut with film clips)  shot in the 1970's. It is remarkable and rare document, and has often been incorporated into other documentaries and television programs. I had a chance to meet and speak with Leacock a few years back, when Lulu in Berlin and another of his documentaries was shown here in San Francisco. You can read more about the man and his work at www.richardleacock.com

The entirety of Lulu in Berlin can be found on YouTube. Part one is embeded below.

Diary of a Lost Girl now at Southern Utah University

I am pleased to report that Southern Utah University in Cedar City, Utah now has The Diary of a Lost Girl (Louise Brooks edition) on their shelves. Southern Utah University is the 16 WorldCat reporting library to acquire the book.

Don't forget to ask your local or university library to get a copy. More info about the book at http://www.pandorasbox.com/diary.html

A portrait of Louise Brooks, by M.I. Boris

A portrait of Louise Brooks, by M.I. Boris

Another Louise Brooks postcard

I think this is one of the loveliest images of Louise Brooks....it stands apart from so many other portraits of the actress in that she is not wearing her trademark bob.

Louise Brooks postcard

Louise Brooks peers over Hemingway's shoulder

Louise Brooks, or at least a very good likeness of the actress, appears on the cover of a new book, peering over the shoulder of novelist Ernest Hemingway. The book, One True Sentence by Craig McDonald, was released just last week.

Set in Paris in 1924, One True Sentence is a historical and literary pastiche. The publisher describes it thus: "A Moveable Feast meets The Dante Club in this ­­­­exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons."

The story centers on one "Hector Lassiter, crime novelist and best friend of Ernest Hemingway, [who] is crossing the Pont Neuf when he hears a body fall into the Seine, the first in a string of brutal murders that befall literary magazine editors on both banks of the City of Lights. Eager to solve the mystery, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark and intriguing mystery novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets but in a web of murders, each more grisly than the next, and Hemingway, Hector, and Brinke have to scramble to find the killer before they become the next victims."

I think the cover is attractive, and the book sounds like a fun read. The author, Craig McDonald, is a journalist, editor, and fiction writer. In 2008, his debut novel, Head Games, was nominated for an Edgar and was also a finalist for the Anthony, Gumshoe, and Crimespree awards for best first novel. His previous book is Print the Legend. I've emailed McDonald asking for comment.

And by the way, doesn't the woman to the right of the Eiffel Tower look like actess Lya De Putti ? I think so.

UPDATE 2/23/2011: I heard back from author Craig McDonald. He wrote, "The woman depicted on the cover of the book is an artist's conception of a character in the book who is a mystery writer named Brinke Devlin. Louise is not a character in the book (although I am an admitted fan of Ms. Brooks')."

Louise Brooks in latest Vanity Fair

I haven't seen it yet, but I'm told there is a photo of Louise Brooks on page 211 of the March (Hollywood) issue of Vanity Fair, in a story about femmes fatales. It is the latest appearance in the magazine by the actress, who first graced its pages in the 1920's,

Francis Lederer candid photo

Here's one that gives pause. 

Currently for sale on eBay is a candid photograph of the Austrian-born actor Francis Lederer. He, of course, co-starred in the G.W. Pabst-directed Pandora's Box (1929), with Louise Brooks. In the film, Lederer played Brooks' eventual lover, Alwa.

According to the seller, this candid image was taken in Hollywood in 1940 by a fan named Mary Louise (coincidentally Brooks' actual first and last name). 

It's known that Louise Brooks was in Hollywood at the time. She left in 1940 and returned to Kansas.

I am not saying that this photo was taken by Louise Brooks. It wasn't. But the string of coincidences sure does give one pause. (Insert Twilight Zone theme here.)

-----

I've done a fair amount of research on this period of Brooks' life - the time she was living and working in Los Angeles in the late 1930s. Lederer lived there, as did many of her  co-stars from her American films. Ruth St. Denis also came to town for performances. However, I never came across any evidence or printed record which indicated that Brooks reached out or associated with individuals from her past. Aside from a small circle of new friends, she really seemed to be a loner.

A little bit of Louise Brooks

Though no Louise Brooks films were shown at yesterday's San Francisco Silent Film Festival winter event, the actress, I'm happy to report, was well represented just about everywhere.

Yesterday, I did my last formal book signing for the "Louise Brooks edition" of The Diary of a Lost Girl. To promote the my booksigning and others, an image of the book (with Brooks on the cover) was shown on the big screen of the historic Castro Theater. And afterwords, more than a few fans, as well as old friends like Bob Wilkins (pictured below), lined up to get a copy of the book. I was also pleased as well to have sold one of the rare hardback limited edition copies of this recently published book (a copy can be spotted on the table in front of me).

Sitting next to me was Karie Bible (pictured left, above), co-author of Location Filming in Los Angeles (Arcadia). Though we've emailed and are Facebook friends, this was the first time Karie and I really met. She is also the official tour guide for Hollywood Forever Cemetery and the creator of FilmRadar.com, a website dedicated to Los Angeles repertory and revival films. Karie has also spoken about film at various venues including the RMS Queen Mary, and has appeared on Turner Classic Movies. Location Filming in Los Angeles is an outgrowth of her interest in film.

Also among those at the event was documentary filmmaker Hugh Neely, whose Louise Brooks: Looking for Lulu, should be well known to all fans of Louise Brooks. If you haven't seen this stylish, Barry Paris-penned documentary - go out and find a copy NOW. It is splendid.

I first met Hugh (pictured above with yours truly) at the Cinecon film convention in Hollywood some years ago, before the Emmy-nominated Louise Brooks: Looking for Lulu first aired on Turner Classic Movies (TCM) in 1998. Hugh, like many of you, is a big fan of the actress. Thus, I was pleased to be able to present him with a copy of my book. I also told him about cartoonist Rick Geary, whose rubber stamp depiction of Louise Brooks I use while signing books. As the steward of TimeLine films, Hugh Neely has also made an number of other outstanding documentaries, including films on Clara Bow, Olive Thomas, Theda Bara, Mary Pickford, Cecil B. DeMille, Marion Davies and others. Each are exceptional.

The two vendors at the San Francisco Silent Film Festival winter event, Books Inc and the Niles Essanay Silent Film Museum, each carried a few Louise Brooks items, such as books, DVDs, postcards and art. I spotted a few festival patrons, some sporting Louise Brooks' bobs, purchasing some of each. All in all, it was a good day for silent film and Louise Brooks.

Rick Geary draws Louise Brooks

Writer & acclaimed comix artist Rick Geary draws a portrait of silent film actress Louise Brooks, to whom he is related. Geary is shown here in timelapse video.

I've been in touch with Geary in the past. Over on examiner.com, I had written about his graphic novel, Famous Players, the Mysterious Death of William Desmond Taylor (NBM Publishing). Geary is also the author of a graphic novel about the Bloody Benders of Kansas, whose crimes took place not so far in time and place from Cherryvale.

I first became aware of Geary (and his connection to Brooks) through Barry Paris. When I put on an event with Barry in San Francisco for the reissue of his biography of Louise Brooks, Barry signed books and then rubber stamped them using a rubber stamp design created by Geary. I carry on the tradition. At past events for The Diary of a Lost Girl, and at today's booksigning at the Castro Theater, I will be stamping copies of books with the Rick Geary design. It's similar, but not the same, as the image depicted in the video above.

Louise Brooks featured star

Louise Brooks is the featured star of the month on the Silent Hollywood website. Check it out at www.silenthollywood.com.

More on Lulu and Mlle. God

There has been a good deal in the press lately about Mlle. God, the Nicholas Kazan adaption of Frank Wedekind's Lulu plays. The Ensemble Studio Theatre/LA premiere of Mlle. God runs through March 6.

Earlier, referring to Louise Brooks' role as Lulu in the 1929 film, Pandora's Box, Kazan stated "I was inspired by Wedekind, by Pabst, and most of all by Louise Brooks’ luminous comic performance.” And today, in an interview with Los Angeles Times, the Oscar-nominated director was asked what inspired him to reconsider the Lulu plays and character? Kazan's answered, "Watching Louise Brooks in “Pandora’s Box,” G.W. Pabst’s 1929 film adaptation of Wedekind’s plays. Wedekind saw his story as a tragedy; Louise Brooks sees it as a triumph."

Check out the entire interview with Kazan at http://latimesblogs.latimes.com/culturemonster/2011/02/the-spotlight-nicholas-kazan-on-mlle-god-at-atwater-village-theatre.html

LA Times Magazine names the 50 most beautiful women in film

The LA Times Magazine has published a list of the 50 most beautiful women in film - and Louise Brooks is number six. Of her near contemporaries, only Greta Garbo (#16) and Hedy Lamarr (#27) made the list. The complete list can be found at 

http://www.latimesmagazine.com/2011/02/50-most-beautiful-women-in-film.html

Lulu character featured in new play

The latest adaption of Frank Wedekind's Lulu’s is Mlle. God, a new play loosely adapted by Nicholas Kazan from the original Wedekind texts. Naturally, many of the reviews have mentioned Louise Brooks, who played Lulu in G.W. Pabst's 1929 film adaption.

Kazan is an Oscar-nominated writer and director and the son of acclaimed director Elia Kazan, as well as the father of Zoe Kazan (who played the role of Lulu in a production at Yale University.) The Ensemble Studio Theatre/LA premiere of Mlle. God runs through March 6. Read more at http://www.examiner.com/louise-brooks-in-national/lulu-character-featured-new-play-mlle-god#ixzz1DEKc9VYd

In Mlle. God, Kazan has re-invented Wedekind’s Lulu, creating a muscular and outrageous dark comedy that is a paean to sex, art, and living in the millisecond. “I was inspired by Wedekind, by Pabst, and most of all by Louise Brooks’ luminous comic performance,” says Kazan. “Sex is, in a way, so simple...the means by which we reproduce. But the experience itself can be so powerful that it overwhelms us...as Lulu does.  This is why the character, with her playful joy, still feels so dangerous and shocking: she refuses to assign a moral weight to what is, after all, a biological necessity."

The Diary of a Lost Girl (Louise Brooks edition) booksigning

I will be signing copies of The Diary of a Lost Girl (Louise Brooks edition) at the Castro Theater during the upcoming San Francisco Silent Film Festival winter event on February 12. 

Though I will be hanging around throughout the day, the set time for me and others to sign books is after the conclusion of Charlie Chaplin shorts program, around 2:15 pm. [Also signing are Karie Bible, co-author of Location Filming in Los Angeles, and Julie Lindow, editor and co-author of Left in the Dark: Portraits of San Francisco Movie Theatres.] I and the other authors may also be signing for a brief time around 6:00 pm, after L'Argent. This book signing is likely the last event for the book. 

Additional information about this book signing can be found on the San Francisco Chronicle website. Additional information on the book itself can be found here. Hope to see some of you there.

Peter Bogdanovich singles out two Louise Brooks films

Acclaimed director and author Peter Bogdanovich wrote a long blog about film in the year 1928, which is headlined "The Last and Greatest Year of the Original Motion Picture Art, B.S. (Before Sound)." His blog can be found at http://blogs.indiewire.com/peterbogdanovich/archives/1928_the_last_and_greatest_year_of_the_original_motion_picture_art_b.s._bef/

Bogdanovich begins his blog with the familiar claim that 1939 was the single greatest year in film history. Perhaps so. When considering the silent era, Bogdanovich thinks 1928 the single best year. In building his argument, Bogdanovich mentions some of the many outstanding films released that year - the last year before sound took over. Among the films mentioned are two starring Louise Brooks. Bogdanovich writes

Howard Hawks, only in his third year as a director, makes his first really Hawksian comedy-drama, A Girl in Every Port, featuring Louise Brooks in the role and haircut that defined her and caught German director G.W. Pabst’s eye, leading to this very American gal being cast in one of Germany’s most famous roles, Lulu in Pandora’s Box (1929).  In the Hawks film, Brooks comes between the two male leads whose camaraderie outlasts all rivals.  (Hawks’ first flying film, The Air Circus, is lost, but Fazil, a totally uncharacteristic novelty in his canon, has survived.)

In 1928, Louise Brooks also appears memorably in what is generally considered director William A. Wellman’s best and most personal film, Beggars of Life (only one of three films he put out that year).... 

It's a long, thoughtful blog well worth reading. And whether you agree or not (perhaps you think 1925 or 1927 the best year for film during the silent era), Bogdanovich's blog is full of excellent recommendations.

New Facebook fan page for the Louise Brooks Society

I've set up a new Facebook fan page for the Louise Brooks Society. It can be found at http://www.facebook.com/pages/Louise-Brooks-Society/117328855002736

Fan pages are more robust, and have more functionality than the old group pages on Facebook. Eventually, this new fan page should replace the longstanding LBS group page. Please check it out.

I've set up this new page as part of my long planned rebuild of the Louise Brooks Society website. Part of the rebuild includes integrating web 2.0 functionality - as well as lots of new content!

And don't forget, Pandora's Box airs tonight on Turner Classic Movies (TCM). Check your local listings.

Democrat & Chronicle article on Louise Brooks

Jack Garner, film critic for the Rochester Democrat and Chronicle in Rochester, New York - and an old friend of Louise Brooks, has published an article about the actress and Turner Classic Movies' upcoming showing of Pandora's Box. The article, "TCM celebrates Louise Brooks, Oscars," can be found at http://www.democratandchronicle.com/article/20110128/LIVING0107/101280305/-1/rochesterarts/TCM-celebrates-Louise-Brooks--Oscars

The Democrat and Chronicle doesn't archive their articles online for very long, so be sure and check it out soon.

Lulu's reputation

Pandora's Box (1929), which airs this Sunday on Turner Classic Movies, is now considered a classic of the silent film era - one of the last great films released before the talkies took over. However, its reputation has not always been so well regarded; as fans are aware, both the film and Louise Brooks role in it were once harshly criticized.

The fluctuating fortunes of Pandora's Box and Lulu are considered in my new column on examiner.com. Please check it out.

Also, please be aware that the long and otherwise informative article on the TCM website about Pandora's Box does contain a handful of errors. Here are a few: Brooks made 24 films between 1925 and 1938, not "1928." The director of the French Cinematheque was Henri Langlois, not "Andre Langlois." And wasn't it Brooks who wrote that "Dietrich would have been all wrong for Lulu," not director G.W. Pabst ?

Nevertheless, its great that TCM is playing Pandora's Box. I would also like to see them show Diary of a Lost Girl and the silent version of Prix de Beaute.

New song video includes Louise Brooks

"Hang onto yourself" is the new single from Silent Pictures, a San Francisco Bay Area band with a special affection for early film and Louise Brooks. The new video which accompanies the single, available on youtube and elsewhere, features a few scenes from Diary of a Lost Girl among its various layers of imagery. I like it.

"Hang onto yourself" won't be officially released by Green Fuse Records until February 1st, but here is a sneak peak at the video.

Pandora's Box airs on TCM Jan 30

On Sunday, January 30th, Turner Classic Movies will air the 1929 Louise Brooks film, Pandora's Box. An extensive essay on the film can be found at http://www.tcm.com/thismonth/article.jsp?cid=354711&mainArticleId=355239

Journal d'une Fille Perdue

Tonight, in Paris - Journal d'une Fille Perdue
at the Village Voice bookshop and Action Christine.

SF360 write-up

Thursday's event at the Village Voice bookshop got a write-up on SF360, the newsletter of the San Francisco Film Society. In "Notes from the Underground," Michael Fox wrote "Thomas Gladysz, director of S.F.’s Louise Brooks Society, appears at the Village Voice Bookshop in Paris on January 13 to talk about The Diary of a Lost Girl. Gladysz penned a lengthy introduction to the new edition of Margaret Boheme’s 1905 novel. …"

At Village Voice Bookshop

This snapshot was taken outside the Village Voice bookshop in Paris. I will be speaking there on Thursday, and you can spot a small poster for the event in the shop window, as well as a collection of Louise Brooks books in the lower right hand corner of the window.

My wife and I came across the shop while wandering the streets on our first day here in the City of Lights. After introducing myself, we were told that the famous French writer Roland Jaccard had been in earlier and had purchased a copy of The Diary of a Lost Girl. I believe he will be attending the Thursday event, along with a few others associated in some way with the actress and her legacy.

Jaccard, of course, is the author of the very first book on the actress, Louise Brooks: Portrait of a Anti-Star (1977). He also authored a not yet translated book, Portrait d'une flapper (2007). [Someday, we should start an American publishing company to publish it and the handful of other LB related books French-language books in English translation. I can think of a half-dozen titles right off.] If you don't already have a copy of Anti-Star, second hand copies can still be found online and on eBay on occasion. (I am proud of the fact that during my past tenure as a bookseller, I was able to sell more than 800 copies of that book.)

Louise Brooks

Louise Brooks, 20th century icon

Polish film mag cover

For sale on eBay is this 1993 Polish film magazine featuring Louise Brooks on the cover. And according to the seller description, there is also a 2 page article inside on the actress. The name of the magazine is ILUZJON. As someone of Polish descent, I enjoy coming across stuff like this.

There is also an article on Harrison Ford - not the silent film star Harrison Ford, but rather the contemporary film star of the same name. (If Harrison Ford were to appear in a bio-pic about the first Harrison Ford, would he then be playing himself?)

OK, enough kidding around. There are also articles on Federico Fellini and Jack Nicholson and others. The seller emphasizes these latter stars - but I would be willing to wager that it is the lovely picture of Louise Brooks on the cover which causes it to sell. Here is a scan of the back and front covers: the exotic and the erotic look across at one another through time.

Action Christine Cinema

On January 13th, the Action Christine Cinema in Paris (France) will screen the 1929 Louise Brooks film, Diary of a Lost Girl. Here is the theater page listing for the event. And below is the press release announcing the event. [please note: The 8:30 event at the Action Christine will be preceded by a 7:00 author talk at the nearby Village Voice bookshop.]

Cinémathèque Française article

France Today ran an article on the Cinémathèque Française which mentions Louise Brooks. The famous French film museum, founded by Henri Langlois, has at least a few items related to the actress on display, including " Louise Brooks's spangled silver flapper dress."

The article can be found at http://francetoday.com/articles/2011/01/01/the-cinematheque-francaise.html

I plan on visiting the Cinémathèque Française when I visit Paris in the coming weeks, in conjunction with an author event for The Diary of a Lost Girl at the Village Voice Bookshop / Action Christine Cinema on January 13.

A Girl in Every Port: a review of reviews

As part of its month long tribute to director Howard Hawks, the British Film Institute will twice screen the 1928 Louise Brooks film, A Girl in Every Port. The film, by consensus the best of Hawks' early efforts, is set to play on January 2 and January 7, 2011.

Following its February 18, 1928 world premiere at the Roxy Theater in New York City (where on February 22 of that year it set a record for the highest ever single day gross), the Fox film received glowing reviews in New York's many daily newspapers. Read more on this story on examiner.com

The film also received positive reviews in newspapers elsewhere around the country. 

Mae Tinee, writing in the Chicago Tribune, stated "A Girl in Every Port is a good little yarn that suits Mr. McLaglen better than other things he has had since What Price Glory? . . . Various damsels rage through the action, but to Louise Brooks falls, as should, the plum feminine characterization. She pulls it off in her customary deft fashion - and the enchanting bob in which she first appeared before the movie camera."

Arthur Sheekman, in the cross-town Chicago Daily Journal, echoed those sentiments.  “Your correspondent, partial to all the McLaglen performances, had a grand time watching A Girl in Every Port, in which so much loveliness is contributed by that dark young venus, Miss Brooks.”

The critic for the Philadelphia Inquirer noted, “The picture fairly overflows with feminine near-stars. The outstanding feminine role is played very well, indeed, by Louise Brooks.”

The most extravagant praise Brooks received came from the critic for the Washington Times, who went so far as to state, “The girl is Louise Brooks, who could supply half the so-called stars of Hollywood with ‘IT’ and still have enough left to outclass Clara Bow.”