Stolen Moments

Stolen Moments is a swell silent film / Rudolph Valentino themed podcast available on the internet. I've just finished listening to the newest installment, which features a chat with Kevin Brownlow. (I've listened to each of the podcasts, and each is good.) Stolen Moments is put together and hosted by Donna Hill (aka Rudyfan), who runs an excellent website devoted to Valentino. Check it out.

William K. Everson Archive

Well worth checking out is the William K. Everson Collection, a website which archives publicity material, photographs and most importantly the film notes (short essays) of the film historian, author, critic, teacher, archivist, and collector. [ Everson knew Louise Brooks, and wrote highly of her in his terrific 1978 book, American Silent Film. And some years ago before his death, I had the pleasure of seeing Everson's 16 mm print of Beggars of Life. ] Film buffs will enjoy exploring this site.

Louise Brooks in Literature

As any reader of this blog knows, I like organizing information. It a compulsion of mine. I guess that's why I like doing research. And sometimes, I make lists. It gives me something to do. It's a kind of therapy. It keeps me off the streets.... I recently made a list at amazon.com (part of their Listmania function)  called "Homage to Lulu: Louise Brooks in Literature." It's a survey  of homages, tributes, name checks, references, etc... to the one and only Louise Brooks. It includes the likes of Neil Gaiman, Paul Auster, Frank O'Hara, Angela Carter, Salman Rushdie, Clive Barker, Lemony Snicket, John Updike and others. Another list I recently created is "Louise Brooks in Song (and Other Musical Tributes."

Speaking of literary tributes, today the popular blog known as Bookslut wrote up one of the earliest literary tributes to Brooks, The Invention of Morel (1940), by Adolpho Bioy Casares. The blogger noted

The Invention of Morel, by Adolfo Bioy Casares: An Argentinean writer much less known than his brilliant friend and collaborator, Jorge Luis Borges, “Bioy” was also less consistent in the quality of his work. But he did write at least one great book, a dreamy novella inspired by movies and the flapper actress Louise Brooks. Published in 1940, it’s also one of the earliest books which uses virtual reality as a central conceit, long before the digital age.

It begins like a Latin American version of a story by Wells or Stevenson (both favourites of Casares and of Borges, too). A mysterious island, rumours of a terrible disease, a refugee from justice, and all-too-real ghosts who keep on repeating the same actions… Tinged by post-modern ideas without losing its emotional heart, fantastic without ever seeming preposterous, this is a weird and exciting book. The Louise Brooks photo NYRB use on the cover is great, too -- the white-swathed actress with her famous bangs, surrounded by piles of books. Just like the book, it’s haunting, sexy and literary.

Elegy: London's derelict cinemas

Here's a gallery of derelict London cinemas, some of them empty hulks, some converted to discount stores, meat storage facilities, banana warehouses, or snooker and social clubs. I wonder if any of Louise Brooks' films played in any of these theaters?

Nov. 14, 1906 - Aug. 8, 1985

Mary Louise Brooks, Nov. 14, 1906 - Aug. 8, 1985. Find a Grave has a webpage where you can visit the actress' gravestite, leave a comment, or even leave virtual flowers.

Buster Keaton song

Would anyone happen to have a vintage recording of "Meine Schwester liebt den Buster Keaton," which was composed by Friedrich Hollaender around 1928. I just received the massive Hollaender box set from Bear Family Records (in Germany) - and I thought it was included on that set, but it is not!

I can't find any listings for any CD's which have the a vintage recording. I would like to obtain an mp3 of this song, if possible. Please email me if you can help, or point me in the right direction.

On the Beach

What a lovely day it is - what a lovely day to visit the beach and enjoy the warm weather.

Louise Brooks retrospective

I just received word that the Filmmuseum in Munich, Germany will be mounting a major Louise Brooks retrospective in November and December. The retrospective celebrates the Louise Brooks centenary. More info can be found on this illustrated, six page pdf document. The schedule of films is:

November 17 at 18:30h: THE STREET OF FORGOTTEN MEN (5 min. excerpt)  /  THE AMERICAN VENUS (Trailer)  /  IT’S THE OLD ARMY GAME

November 18 at 18:30h: THE SHOW OFF

November 19 at 18:30h: LOOKING FOR LULU  /  LOVE ’EM AND LEAVE ’EM

November 26 at 18:30h: LULU IN BERLIN  /  A GIRL In EVERY PORT

December 1, at 18:30h: BEGGARS OF LIFE

December 2, at 18:30h: DIE BÜCHSE DER PANDORA (with Aljoscha Zimmermann on piano)

December 3, at 18:30h: DAS TAGEBUCH EINER VERLORENEN (with Aljoscha Zimmermann on piano)

December 8, at 18:30h: THE CANARY MURDER CASE

December 9, at 18:30h: PRIX DE BEAUTÉ (Italian silent version, with Aljoscha Zimmermann on piano)

December 12, at 21:00h: DAS TAGEBUCH EINER VERLORENEN

December 13, at 21:00h: DIE BÜCHSE DER PANDORA

December 15, at 18:30h: WINDY RILEY GOES HOLLYWOOD / GOD’S GIFT TO WOMEN

December 16, at 18:30h: EMPTY SADDLES / OVERLAND STAGE RAIDERS

Louise Brooks - Denishawn project

One of my projects is to gather material on each of the performances given by Denishawn during the two seasons Louise Brooks was a member of this modern American dance company. Much material has already been gathered, but some has proven difficult to find. If you live near any of the cities listed hear, perhaps you could help. Please email me. I would like to obtain local newspaper coverage (articles, advertisements, or reviews) on any of the following engagements:

November 24, 1922 - Lyric Theatre - Memphis, Tennessee
(need News Scimitar; and Memphis Press clippings)

November 25, 1922 - Marlowe Theatre - Jackson, Tennessee
(need Jackson Sun; and Jacksonian clippings)

November 30, 1922 - High School Auditorium - Oklahoma City, Oklahoma (see also 2-9-1924)
(need Oklahoma News clippings)

December 9, 1922 - Majestic Theatre - Peoria, Illinois (see also 2-23-24)
(need Peoria Evening Star clippings)

December 28, 1922 - Burns Theatre - Colorado Springs, Colorado
(need Colorado Springs Evening & Sunday Telegraph clippings)

January 9, 1923 - Lyceum - New London, Conneticut
(need New London Daily Globe clippings)

January 10, 1923 - Memorial Auditorium - Lowell, Massachusetts (see also 10-23-1923)
(need Lowell Sun; Lowell Evening Leader; and Courier-Citizen clippings)

January 11, 1923 - Worcester Theatre - Worcester, Massachusetts (see also 4-8-1924)
(need Worcester Evening Post; Worcester Telegram; and Evening Gazette clippings)

January 22, 1923 - Winthrop College Auditorium - Rock Hill, South Carolina
(need The Johnsonian (student newspaper) clippings?)

January 23, 1923 - Columbia Theatre - Columbia, South Carolina
(need Columbia Record clippings)

January 26, 1923 - Grand Theatre - Macon, Georgia
(need Macon News clippings)

January 27, 1923 - Lucerne Theatre - Orlando, Florida
(need Orlando Morning Sentinel clippings)

February 2, 1923 - Kyle Theatre - Beaumont, Texas
(need Beaumont Enterprise clippings)

February 4, 1923 - City Auditorium - Houston, Texas (see also 4-8-1924)
(need Houston Press clippings)

February 10, 1923 - Brenan Auditorium - Gainesville, Georgia
(need Gainesville Eagle; Gainesville News; and Gainesville Daily Times clippings)

February 13, 1923 - Academy of Music - Charleston, South Carolina
(need Charleston American clippings)

February 14, 1923 - Garden Theatre - Bennettsville, South Carolina
(need Pee Dee Advocate clippings)

February 20, 1923 - Strand Theatre - Salisbury, North Carolina
(need Salisbury Evening Post clippings)

March 8, 1923 - Marvin Theatre - Findlay, Ohio
(need Findlay Daily Courier clippings)

March 29, 1923 - Waterloo Theatre - Waterloo, Iowa
(need Waterloo Tribune clippings)

April 21, 1923 - Montclair Theatre - Montclair, New Jersey
(need Montclarion clippings)

October 15-20, 1923 - Apollo Theatre - Atlantic City, New Jersey
(need Atlantic City Evening Union; Atlantic City Press; and Atlantic City Gazette-Review clippings)

October 23, 1923 - Memorial Auditorium - Lowell, Massachusetts (see also 1-10-1923)
(need Lowell Sun; Lowell Evening Leader; and Courier-Citizen clippings)

November 6, 1923 - Academy Theatre - Hagerstown, Maryland
(need Daily Mail clippings)

December 10, 1923 - Moore's Opera House - Clarksburg, West Virginia
(need Daily Telegram clippings)

December 11, 1923 - Camden Theatre - Parkersburg, West Virginia
(need Parkersburg News clippings)

December 15, 1923 - Auditorium - Hopkinsville, Kentucky
(need Daily Kentuckian; and Daily Kentucky New Era clippings)

January 10, 1924 - Kyle Theatre - Beaumont, Texas
(need Beaumont Enterprise clippings)

January 11, 1924 - Grand Theatre - Galveston, Texas
(need Galveston Daily News and Galveston Tribune clippings)

January 12, 1924 - Auditorium - Houston, Texas
(need Houston Dispatch clippings)

January 14, 1924 - Colombia Theatre - Baton Rouge, Louisiana
(need Baton Rouge News clippings)

February 9, 1924 - High School Auditorium - Oklahoma City, Oklahoma (see also 11-30-1922)
(need Oklahoma News clippings)

February 22, 1924 - Waterloo Theatre - Waterloo, Iowa
(need Waterloo Tribune clippings)

February 23, 1924 - Majestic Theatre - Peoria, Illinois (see also 12-9-22)
(need Peoria Evening Star clippings)

February 27, 1924 - Grand Opera House - Ottumwa, Iowa
(need Ottumwa Daily Courier clippings)

April 8, 1924 - Worcester Theatre - Worcester, Massachusetts (see also 1-11-1923)
(need Worcester Evening Post; Worcester Telegram; and Evening Gazette clippings)

April 10, 1924 - Stamford Theatre - Stamford, Connecticut
(need Stamford Sentinel clippings)

More bibliographic notes

Today's trip to the library was brief. I dug up a few film reviews from the Memphis Press Scimitar (from Memphis, Tennessee) and Waterbury Republican (from Waterbury, Connecticut), as well as Denishawn and film reviews from the Eau Claire Leader(from Eau Claire, Wisconsin). I also had the opportunity to go through the two major newspapers from Charleston, West Virginia - the Charleston Gazette and Charleston Daily Mail - where I obtained a number of articles and advertisements for Louise Brooks' films.

I also spent a few hours assessing my research strategy. I have been doing inter-library loans for five years. The first ILL was submitted November 1, 2001.  I know because I have a 48-page log detailing what I've requested, what I've received, and where it came from. I must have submitted hundreds of requests, and only a few times have I mistakenly requested material I've already looked at. I have amassed a ton of material. Some of that material will soon see the light of day. I promise.

While assessing my research strategy, I mapped out what I have left to do. There are still many more requests to be made - the bulk of which come from Pennslyvannia, New York, Kansas, Canada and a clump of "elsewhere." The search goes on.

More centenary events

Additional events have been added to the Louise Brooks Centerary page. New DVD's, books, museum exhibits, screenings and other happenings - it's amazing how much is taking place around the world!

August 4: The Stanford Theater will screen Diary of a Lost Girl in Palo Alto, California.  (more info)

August 12, 13, 22, 23, 26: The Silent Theater company of Chicago will stage their version of Lulu in New York City as part of the city-wide Fringe Festival.  (more info)

September 7-10 and 14-17: The Silent Theater company of Chicago will stage their version of Lulu at the Victoria Theater in San Francisco.

September 8: The Mechanics' Institute in San Francisco will show Pandora's Box. Program begins at 6:30 pm. A salon style discussion follows the film.

Late 2006: A Louise Brooks film retrospective will take place in Vienna, Austria.

Alternative cover

This past week, an alternative cover for the new Peter Cowie book, Louise Brooks: Forever Lulu, briefly appaeared on amazon.com. Now, the current display image for this title has reverted to the previously "announced" cover. Here is a scan of that alt cover (the fourth for the book - including the German edition - I've seen). I kinda like it. What do you think?

First review

The first review of Louise Brooks: Lulu Forever appeared in today's issue of Publisher's Weekly. The review can be found here.

The Gaze of Admiration

Here's another interesting clipping which I came across this week at the library. It is an advertisement from Havana, Cuba from 1926. The figure in the ad is a Louise Brooks look-alike. I especially like the text - "the gaze of admiration always lingers on that which is beautiful and distinctive . . . ."

Pandora's Box DVD

This week, I received an email from Criterion, the company which will release Pandora's Box on DVD here in the United States. I had emailed them asking when the disc would arrive, and whether or not there would be any bonus material. The fellow who wrote to me stated that he could only say that Criterion was working on it, and couldn't say when it might be released (because they were still working on it) nor if any bonus material would be included (because they were still working on it). So, that's the non-news!

Decent Girls Plea for Chance Against Flappers

Came across this clipping while looking through microfilm and thought everyone might enjoy it. The article dates from 1924.

Nice and expensive

A rather nice, though expensive, coming attraction glass slide for the 1928 Louise Brooks film, Beggars of Life, is for sale oneBay. Such slides were shown in theaters during the teens, twenties, and thirties to attraction attention to forthcoming films. I'm not sure where this one came from, but one can tell that Beggars was going to be shown on Saturday, March 16th (most likely 1929).

Pandora at Pordenone . . . And Vienna too

Word has just arrived that the Le Giornate del Cinema Muto in Sacile, Italy will show G.W. Pabst's Pandora's Box, with a newly commissioned orchestral score. The festival takes place October 7 - 14th. Who wants to go ?

----------

I have also heard that some sort of Louise Brooks retrospective will be taking place in Vienna, Austria later this year. Details to come . . . . Don't forget to check the Louise Brooks centenary page for the latest info. The page can be found at www.pandorasbox.com/features/centenary.html

Kylie

According to the British website metro.co.uk, the Australian-born singer Kylie will be changing her look. "Great news for fans of Kylie ' her UK dates may have sold out in minutes but fans are in for a treat as I reveal she is planning various stage and theatrical looks for her latest stage show, including a nod to the 1920s via Louise Brooks & Jean Harlow."

Movie Made America

Recently finished reading Movie Made America, by Robert Sklar. Its a "cultural history of American movies." Its also one of the best, and most interesting histories of film I have ever read. Highly recommended!

More in Film of the Golden Age

The previous issue of Films of the Golden Age contained an illustrated article on Louise Brooks (by the acclaimed children's book author Jan Wahl). I hope everyone got a copy. It's a swell article.

The current issue, dated Summer 2006, contains three references to the actress, or her films. The first is a letter to the editor by author Dan Navarro commenting on Wahl's piece. The second is an article on Hollywood's Geraghty family. Thomas Geraghty co-wrote the screenplay for the 1926 Brooks' film It's the Old Army Game, and Brooks was acquianted with his wife, actress Carmelita (though that is not mentioned). The third reference comes in an interview with author Richard Lamparski, author of the well known Whatever Became of . . . ? series of books. In the interview, Lamparski comments, "I couldn't have used any of them in the old series. People didn't want to know the things in these stories about their stars. Louise Brooks told me that people don't want the truth about the stars." Lamparski had profiled Brooks in the third book in the series.

[ The magazine also contains an advertisement for a new book on Ford Sterling, who appeared in two films with Brooks. I am looking forward to that book. ]

Incomparable song styles of Louise Brooks

The incomparable song styles of Louise Brooks - cocktail lounge singer in the Chicago area circa 1968. Distinctly different. Who knew?

Bibliographic notes

A few inter-library loans have come in recently - though just as many were "declined" as there were no libraries or archives who had the material I requested. The publications I looked at included two small-town newspapers from Missouri, the St. Joseph News-Press and the Cape Girardeau Southeast Missourian - each of which yielded Denishawn articles and reviews. The Cape Girardeau was especially rich in material - there was even a large front page article on the Denishawn dancers on the day of their performance, and an even larger front page review the day after. I also got some Denishawn articles and reviews from the Niagra Falls Gazette. I also found reviews for a few films in this New York newspaper. I also looked through Nyugat, a publication from Budapest, Hungary - but found nothing. And, my request for the Ottumwa Daily Courier was declined. Does anyone who read this blog live near that Iowa town?

Lately, I have spent a bit of time adding to and updating the bibliographies for The Street of Forgotten Men and Just Another Blonde, as I have acquired a number of scattered articles, reviews and advertisements from other sources.

Anti-Chaplin cartoon

And here's yet another interesting item I ran across at the library last week, and anti-Chaplin cartoon from 1927.

Pandoras Box at the SFSFF

I've finally recovered from an exhausting and exhilirating weekend at the San Francisco Silent Film Festival. It was great fun, and it was great to meet or say hello to some of you. . . . My friend lullaberry took this picture of the Castro Theater marquee. Thanx Kasia!

Pandora's Box sold out before the Festival began. It was my great pleasure to introduce the film before a packed house - more than 1400 people. And there was only one heckler! I was also honored to introduce artist / filmmaker / Louise Brooks admirer Bruce Conner, who spoke before the film. (I came across a blog about his introduction which contains a very brief video clip.) A couple of days later, a local columnist ran this bit in theSan Francisco Chronicle.

A sellout crowd at Saturday night's screening of "Pandora's Box'' at the San Francisco Silent Film Festival was tantalized and seduced by Louise Brooks, whose sexiness 77 years ago makes Jennifer Lopez look like Marge Simpson. Artist Bruce Conner, who hails from Brooks' hometown, Wichita, Kan., talked before the showing about how after Brooks' short movie career, she'd returned to Kansas, where she not only turned down his father's invitation to dance but later on took a swing at him and "walloped him hard.'' (Don't feel so smug about the exciting nightlife here; hot times in Wichita, too.)
Organist Clark Wilson's music was meticulously cued to dramatic highlights, in keeping with the emotions, historically respectful and tuneful all at once. He also shared a principle of his craft that could be useful in all sorts of situations: When in doubt, trill. 

Besides a number of Brooks fans, I had the chance to meet  the head of the George Eastman House in Rochester, New York - who was on hand to introduce a couple of movies and speak about film preservation. We spoke about the Eastman House's Louise Brooks plans. I also met Sam Gill, the legendary archivist. And Hugh Munro Neely, director of the outstanding Louise Brooks documentary, Louise Brooks: Looking for Lulu, was also on hand. We had not seen each other in a number of years. Hugh's latest project is a documentary about Theda Bara.

I should mention that the Festival published a rather nice program with Louise Brooks on the cover. There was also a poster which featured the actress, as well as a really nifty t-shirt. The image on both the poster and the black t-shirt can be found on the festival homepage. I understand that the t-shirts were very popular. I bought two! For those wanting to read more about the Festival, a local news website, the San Francisco Sentinel , ran a long review. Check it out.

Updates

The Louise Brooks Centenary page - listing Louise Brooks events happening around the world - has been updated. I've added a a few new happenings, as well as dates and details regarding other events which I have just learned.

I will be at San Francisco Silent Film Festival (one of the very few ALL SILENT film festivals in the world!) pretty much all weekend, and thus may not have time to post any entries to this live journal. Hope to see some of you there.

I noticed this piece as well

I noticed this piece as well because it also mentions "Beggars of Life."

German edition of Louise Brooks: Lulu Forever

I just came across this webpage, which announces the German edition of Louise Brooks: Lulu Forever, by Peter Cowie. The cover varies slightly from the American edition. And the descriptive text - copied below - reads with an interest. The book will retail in Germany for 49,80 euros and according to this page, will be available on September 15 (before the title is available in the United States).

Silent movie star and femme fatale Louise Brooks, who made 24 films between 1925 and 1938, is best known for her role as Lulu in the 1929 German classic Pandora’s Box. Lulu Forever is the opulently illustrated chronique scandaleuse of this seductive, rebellious nymphet with bob. Too intelligent for Hollywood, she was rediscovered in the 1970s and has become a 20th-century icon. German edition.

Schirmer/Mosel. With introductions by Dan Brooks and Jack Garner. 240 pages, 169 duotone plates. Size: 21,5 x 31,7 cm, hardcover. ISBN-13: 978-3-8296-0257-0.

A cartoon history of James Cagney

Here is something else I came across recently, a cartoon history of James Cagney. I noticed it because it mentions Beggars of Life. (Cagney starred in the stage production of Jim Tully's book which played in New York City in 1925.)

Berkeley Daily Planet article

An article on the upcoming San Francisco Silent Film Festival appeared in the Berkeley Daily Planet. The festival is screening Pandora's Box, and thus the article mentions the film and pictures Louise Brooks. Unfortunately, the article repeats the suggestions that Louise Brooks is largely remembered today because she slept with the right film historians - a rather stupid spin on the notion of the casting couch.

Saturday night will see a screening of Pandora’s Box, a German film directed by G.W. Pabst and starring the iconic American actress Louise Brooks. Brooks was not a great success in American films and she eventually made her way to Germany where she made three films in an effort to resuscitate her career. It is those films upon which her reputation rests today. Returning to America, she found herself blacklisted and never again had much success.

But later her talent for self-promotion, including at least one romantic relationship with a film historian, led to rekindled interest in her career and helped to retroactively establish Brooks as a great and important figure of the silent era. Her credentials as a great actress may be debatable, but her charisma, beauty and sexual appeal are undeniable, and Pandora’s Box presents her in her signature role as a seductive and dangerous woman who brings ruin to those she encounters.

I would suggest that the author was only repeating things he read elsewhere.

A cartoon history of Lillian Gish

Here is something I came across recently, a cartoon history of Lillian Gish from 1931.

Kansas City screening

The Diary of a Lost Girl, starring Louise Brooks, will be shown in the Film Vault of the Kansas City Public Library on July 24 at 6:30 p.m. (A DVD of the film will be screened.) The library, which has a regular program of classic films, is located at 14 West 10th Street in Kansas City, Missouri. For more information, see this library webpage.

SFSFF article

There is a good article detailing the San Francisco Silent Film Festival in tomorrow's San Francisco Chronicle. The article can be found here.

Lulu in Boston

There is an article about Pandora's Box in today's Boston Globe. The article, by Wesley Morris, is titled "Decades later, 'Pandora's Box' is still enticing."

"No offense to the cast of Superman Returns, but you'd have your work cut out for you trying to find a more heroic star at a movie theater this weekend than Louise Brooks, who in 1929 showed up as Lulu, the free-spirited single woman inPandora's Box, G.W. Pabst's vital and timeless silent tragedy. It wasn't merely that Brooks, with her short, dark, razor-sharp haircut, had screen presence. She had her own gravitational pull, which even today defies resistance. And, in so many ways, that's the force powering this movie, which runs at the Brattle today through Monday in a pristine new print."

The article can be read in full here. Do check it out.

-----------------

From Boston's WeeklyDig.com (which can be found online here)

Pandora’s Box  //  July 7, 2006 - July 10, 2006

Helen of Troy’s face may have launched a thousand ships, but Louise Brooks’s Lulu made men buy expensive love nests, commit suicide, break off engagements, gamble their money away, commit brutal murders and even join the Salvation Army. And that’s just the first half hour. The Brattle is unveiling a new 35mm print of this 1929 German masterpiece, which includes a scene where Lulu encounters cinema’s very first lesbian.   $9.00

Brattle Theatre
40 Brattle St.
Harvard Sq.
Cambridge, MA 02138
http://www.brattlefilm.org
(617) 876 - 6837

National Film Registry

Librarian of Congress James H. Billington seeks nominations for the  2006 National Film Registry. To be eligible for the Registry, a film  must be at least 10 years old and be "culturally, historically, or  aesthetically significant." The number of public votes a film receives is a significant factor weighed by the Librarian and members of the National Film Preservation Board during the selection process.

Congress first established the National Film Registry in the 1988  National Film Preservation Act, and most recently extended the Registry  with passage of the National Film Preservation Act of 2005 (part of the  Family Entertainment and Copyright Act of 2005, Public Law 109-9).  Along with mandating continuing implementation of a plan to save the  American film heritage, this law authorizes the Librarian of Congress  (after reviewing public suggestions and consulting extensively with  film experts and the 44 members and alternates of the National Film  Preservation Board) to select up to 25 films each year for inclusion in  the Registry.

The 425 films chosen during the first seventeen years illustrate the  vibrant diversity of American film-making, and range from well-known classics (Casablanca, The General, Sunrise, and A Night at the Opera)  to landmark independent, documentary and avant-garde masterpieces  (Nothing But a Man, Louisiana Story, and Meshes of the Afternoon).  More information can be found at: http://www.loc.gov/film/filmnfr.html

To be considered for the 2006 National Film Registry, votes should be  submitted on or before September 1, 2006.  For consideration, please  forward recommendations (limit 50 titles per year) via email to:  s...@loc.gov.    Email is strongly preferred given security issues on Capitol Hill and  resulting extensive delays in postal delivery. To submit via regular mail:

National Film Registry
Attn: Steve Leggett
Library of Congress, MBRS Division
Washington, D.C. 20540

----------------------------------------------------------------------

I am going to recommend Beggars of Life and The Show Off.

SFSFF update

Good news for those of you planning on attending the San Francisco Silent Film Festival next weekend. Just added to Saturday night's program are rare two-strip Technicolor trailers from Louise Brooks' lost film The American Venus, which will be shown prior to Pandora's Box.

Naked Tango

The Tallahassee Film Society will be screening Naked Tango on July 14 - 15. Set in the 1920's, the film features Mathilda May as a Louise Brooks inspired character named Alba. The event is sponsored by the Tallahassee Film Society and Argentine Tango Society of Tallahassee. (There will be Tango dancing as well.) TFS will also be screening Something Wild - another film with a Louise Brooks inspired character. That screening takes place in August. For more info, check out the TFS website.

Pandora's Box screens in San Francisco

The 11th annual San Francisco Silent Film festival will take place July 14-16, 2006 at the historic Castro Theater in San Francisco. They have a great line-up of films and special guests (see www.silentfilm.org for more info). Among the films they will be showing is Pandora's Box, starring Louise Brooks. Bruce Conner, the celebrated film maker and artist, will introduce the film. Conner grew up in Wichita, Kansas - and has a story to tell about almost taking dancing lessons from the actress. (Any fans of Bruce Conner's work out there?) I will also be introducing the film, and will try to say something intelligent. (Pandora's Box will show on Saturday night.)

Louise Brooks’ fans will want to attend this event for a number of reasons. The festival will be screening a brand new 35mm print of Pandora's Box. If you've never seen it on the big screen, this is a great opportunity to do so. And, as well, there will be a special selection of Brooks-related music played in the theater prior to the screening. I will be programming the music, and can promise some rarities including the theme songs from Beggars of Life and Prix de Beaute. I believe there will also be some sort of informational slide show about Brooks prior to the screening. And that’s not all…. There will also be a very cool Festival t-shirt for sale featuring Louise Brooks. I can’t wait to get one. (For those keeping track, the glossy fliers for the event open up into a mini-poster featuring the actress.) The program for the festival should have some neat stuff inside as well.

If you want to say “hey” (please do), I will generally be positioned at the book table in the lobby throughout the festival. I am sure the table will have some LB stuff for sale – books, buttons, postcards, etc…. I have also heard from Hugh Neely, who directed the excellent documentary Louise Brooks: Looking for Lulu. He will be at the festival. The table will have a few of his DVD’s for sale at reasonable prices. (I understand the Louise Brooks documentary sells for big bucks online.) Neely also directed the Clara Bow, Marion Davies and Mary Pickford films – all of which aired on TCM. The Festival is also showing Davies and Pickford films.

On Revivals

Film critic Jeffrey M. Anderson just published an article about revivals - older films currently being shown around the country. His thoughts appeared on Cinematical - a film blog. Anderson had this to say.

I'd like to take a moment, if I may, to talk about revivals. It's a dirty word to most critics, and an even greater number of editors. "Why should we bother reviewing an old movie?" they ask. You'd think it would be a prerequisite for the job, but the sad truth is that most critics have very little notion of film history; they're out there flying blind. . . .

There are four older movies currently on the charts: Carol Reed's The Fallen Idol (1948) is on 2 screens with a $104,000 gross after 20 weeks. Jean-Pierre Melville's Army of Shadows (1969) is on 6 screens with a gross of $330,000 after 9 weeks. Claude Sautet's Classe tous risques (1960) is hanging on after 30 weeks with $91,000, and G.W. Pabst's Pandora's Box (1928) just opened on 1 screen. . . . 

Right now, I can't think of a better current release than Melville's Army of Shadows (except maybe Hou Hsiao-hsien's Three Times). It's an exciting, if grim and unflagging portrait of war and the ultimate fruitlessness of it all. Its more brave and clever than nearly any war movie made since. Similarly, Pandora's Box is one of the most vivid, luminous pictures from the silent era, thanks mostly to the presence of Ms. Louise Brooks. Each time I see the film, I find it difficult to suppress a gasp when she appears on screen. She's still more striking than many of today's stars. . . .

BFI tribute?

Vochi, a Louise Brooks fan in the UK, wrote to me to say he had emailed the British Film Institute to enquire about their plans for the Louise Brooks centenary. Their response was "We are planning a Louise Brooks programme at the NFT for December this year and there maybe a new print  of one of her best known films screening across the UK. Watch the BFI site for further details."

More bibliographic updates

Yesterday, I went through microfilm of the Reading Eagle (from Reading, Pennsylvania) and Atlanta Georgian (from Atlanta, Georgia). I found a bunch of Denishawn clippings and a few film reviews in these publications. I also went through some reels of the Denver Express (from Denver, Colorado), but strangley found nothing. It was a pretty slight paper. A few other interlibrary loan requests came back "negative" - meaning I won't receive them because the institutions which were supposed to have them will not lend them (for whatever reason). This happens sometimes. . . . I was also able to go through issues of the Olean Evening Times (from Olean, New York) and Lincoln Star (from Lincoln, Nebraska) - each of which yielded Denishawn articles and reviews. Citations have been added to the bibliographies for all of the material I found.

LB letter for sale

A letter from Louise Brooks is for sale on eBay. The sellers are asking alot. . . .  too much for me! Nevertheless, do visit the auction page to read the letter.

Diary of a Lost Girl shows in Palo Alto, CA

Diary of a Lost Girl will be shown at the historic Stanford Theater in Palo Alto, California on August 4th. For more info, visit the theater's website.

Louise Brooks: Lulu Forever

Yesterday, I finished reading Louise Brooks: Lulu Forever, the new book by Peter Cowie. I had been sent the page proofs, because I will be writing something about the book prior to publication. (The book is due in stores October 31st - a couple of weeks prior to the 100th anniversary of Louise Brooks' birth. BTW: want to get a signed copy? Contact the Booksmith in San Francisco. They will be hosting an event with the author in early November.)

This new book is heavily illustrated (it is a coffee table book), though it contains a long essay on Brooks, her life, and her films. (I think Cowie distills the myth of Louise Brooks = the myth of Lulu - in a satisfactory way.) Most fascinating to me are the anecdotes about Brooks (Cowie visited with her in Rochester) and the excerpts from the correspondence that Cowie and Brooks had over the course of a number of years. Page proofs are a little "rough" - I can't wait to see a finished copy. I think Louise Brooks fans will like this book.

ILL findings

Only a few inter-library loans have arrived lately, and during my last couple of trips to the library, I looked at only a few newspapers and magazines on microfilm. These included the San Antonio Express and Minneapolis Daily Star, as well as the Motion Picture Herald. I found some interesting material on Brooks' later films (from the 1930's) in the Motion Picture Herald - a trade journal.

I just found out about this series in the Westwood Village area of Los Angeles at the Armand Hammer museum.

The Female of the Species

Friday, Jul 7  at 8pm

Pandora's Box
Pandora's Box is the tragedy of Lulu, an irresistible femme fatale whose sexuality entices and eventually destroys the men around her. The film made Louise Brooks an icon of the Jazz Age.

Friday, Jul 14  at 8pm

Siren of the Tropics
Josephine Baker makes her debut in this silent film as Papitou, a young native girl from the tropics who follows her love interest to Paris and becomes a music hall performer.

Friday, Jul 21  at 8pm

Piccadilly
Anna May Wong mesmerizes as Shosho, the scullery maid who becomes an overnight dance sensation in London, in this simple tale of ambition, desire, and jealousy.

Friday, Jul 28 at 8pm

Salome
After Russian actress Alla Nazimova rose to stardom, she began producing scandalous and experimental films, like Salome, that were tapped as monumental failures at the time, but are seen today as artistic achievements.

Friday, Aug 4  at 8pm

It
Clara Bow stars as a shop girl whose romantic relationship goes awry when local rumors pin her as an unwed mother. Influential in redefining the mores of sexuality on screen, Bow became the 'It' girl and one of the most famous flappers of the '20s.

Friday, Aug 11 at 8pm

Metropolis
A science fiction classic, Metropolis is set in a futurist urban dystopia where humans are divided into the thinkers and the workers. When the leader of the workers falls for the son of the thinkers, order unfolds into chaos and revolution begins.

Aldeburgh Festival

I just found out - the Aldeburgh Festival in England will be mounting a program called "Lulu and Louise" on June 22nd - that's tomorrow! The festival will be showing Pandora's Box and Louise Brooks: Looking for Lulu. The festival was begun by composer Benjamin Britten shortly after World War II. This year marks the 59th annual event. For more info see the festival website at www.aldeburgh.co.uk/

New Yorker illustration

FYI: There is a very nifty illustration of Louise Brooks (in a scene from Pandora's Box) in the June 19 isue of the New Yorker. See page 24.

Box Office coverage from indieWIRE

According to an article by Steven Rosen on indieWIRE, the Pandora's Box screening at the Film Forum in NYC is doing well.

The second-place film on this week's iWBOT did $9,950 at New York's Film Forum -- which frequently is a launch pad for movies that rank well on this chart. But that figure is especially good for Kino Releasing's "Pandora's Box," since it's a 77-year-old silent film. This re-release, a newly struck print from a negative at the George Eastman House, is part of the centennial celebration of the birth of "Pandora" star Louise Brooks, whose role as the Jazz Age free-spirit and prostitute Lulu in G.W. Pabst's film has come to be regarded as one of the most important in cinema. Her bobbed hairstyle has been equally influential.

"It was a chance to see Brooks at her most dazzling that turned out the crowd," said Gary Palmucci, Kino's general manager for theatrical sales. "It's really about her," he said. "She's just jumping off the screen with her effervescence and sexuality. She's so bubbly and so voracious at the same time."

Palmucci traces the revival of interest in Brooks to a New Yorker article by the late critic Kenneth Tynan from 1979, "The Girl With the Black Helmet." In 1983, Kino first re-released "Pandora" on a double bill with Brooks' "Diary of a Lost Girl" at Manhattan's old Regency Theatre. Now this new print of "Pandora" -- on its own -- will play at Cambridge's Brattle Theatre, Hartford's Cinestudio, San Francisco's Castro Theatre and the Los Angeles County Museum of Art. A DVD release also is slated for later this year.

I hope all those who not yet seen Pandora's Box on the big screen take the opportunity to view one of  these screenings.

Musical

On Saturday July 15th, a new 35mm print of Pandora's Box will be shown at the Castro Theater in San Francisco, as part of the annual San Francisco Silent Film Festival. (See www.silentfilm.org for details). Also showing earlier that day is a French film, Au Bonheur Des Dames (1930). I haven't seen that film - but it looks very promising.

I will be introducing Pandora's Box. I have also been asked to program a short musical selection to be played in the theater prior to Pandora's Box and Au Bonheur Des Dames. I plan to put together a Louise Brooks-themed set and a French musical set (featuring Parisian music of the 20's and early 30's) - each lasting about 25 minutes. There will be some musical rarities to be heard, and some selections from RadioLulu. If you are there, it will be a treat for the ears. I promise.