Another Louise Brooks-related mystery

In 1927, Louise Brooks' mother went on tour. Myra Brooks joined the Chautauqua circuit, an adult education / social movement that brought culture to small towns and communities across the United States with speakers, musicians and entertainers of all kinds. As such, Myra Brooks spoke in Michigan, Wisconsin, Indiana, Kentucky, and Tennessee on the topic "The Girl of Today." (I will detail her tour in a later post.) 

Not surprisingly, local newspapers often referred to Myra as the Mother of the film star / "screen favorite" / young actress Louise Brooks. Once, in a slip of purple prose, Myra was even referred to as the Mother of "the charming queen of filmland." However Myra's daughter was referred to, certainly the highlight of Myra Brooks' Summer long tour was likely Benton Harbor, Michigan. The local newspaper, the News Palladium, even profiled the visiting speaker.

This article was the most significant coverage Myra Brooks received for her Chautauqua activities. It is also typical of what was written about her. It repeats many of the same talking points found in other articles published around the Midwest.

However, what stands out is the articles reference to Myra Brooks being the author of a "widely read" book, Health, Beauty, and Psychology. The article also mentions that Myra Brooks is an associate editor of The Golden Rule, a publication based in Chicago, and that she writes a regular column and weekly article. The mystery here is that no copy of Health, Beauty, and Psychology has ever been found. And what's more, I have never been able to find any of Myra Brooks articles, let alone issues of The Golden Rule. Other articles about Myra Brooks from the Summer of 1927 also mention the Golden Rule magazine, and the fact that she was a writer, but no others mention the book. In one instance, an article mentions that Myra Brooks is "a contributor to Golden Rule and Psychology of Health Magazines." Unless it is a mistake, this line suggests there were two magazines!

In his biography of Louise Brooks, Barry Paris also mentions that no copy of Health, Beauty, and Psychology is known to exist. My guess is that if it exists, it wasn't so much a book (of which there would likely be at least a record somewhere), but some sort of self-published booklet, like Louise's own The Fundamentals of Good Ballroom Dancing. Neither titles are listed on World-Cat, nor the Library of Congress online listings.

I think I was able to find out a little something about The Golden Rule, but could not lay my hands on any issues in order to read any of Myra Brooks reported contributions. If this is the same magazine, then The Golden Rule to which Myra contributed was first printed in 1919 by George Williams in Chicago. It was overseen by Napoleon Hill, the famous self-help author whose books include Think and Grow Rich (1937), one of the biggest selling books of the 20th century.

If anyone can access issues of The Golden Rule (from 1927, or 1926) and locate any of Myra Brooks' writings, that would be GREAT! And if anyone can located a copy of Health, Beauty, and Psychology, that would be even better. I am curious to know if they reference Louise Brooks. 

[Making matters more difficult, there was a populist poet of the time named Myra Brooks or Myra Brooks Welch who authored uplifting verse like "The Touch of the Master's Hand." Try searching for Myra Brooks and you will likely encounter the other Myra Brooks. Which explains why our Myra Brooks often had her name listed as Myra M. Brooks while on tour.]

A few weeks after Myra Brooks' August 1927 lecture in Benton Harbor, the 1927 Louise Brooks' film, Evening Clothes, opened at the local Liberty Picture theater. And in what was a first and only occurrence, the article about the film led with a reference to the actress' Mother!

A follow-up to Louise Brooks and the mystery of missing time

In my last post, I wrote about two little documented periods in the life of Louise Brooks. One of them was the couple three weeks Brooks spent in Paris, France in the Fall of 1924. She had gone there with Barbara Bennett, and not long after their arrival, Bennett decided to return to the United States. Suddenly on her own, and with little money, the 18 year old Brooks was at loose ends.

According to Brooks, she was sitting in the lobby of the Hotel Edouard VII (39 Av. de l'Opéra) in Paris when Archie Selwyn encountered her. The well connected American producer persuaded her to go with him to London, where he got her a job dancing at the Cafe de Paris in London. According to the International Herald Tribune, Selwyn was reported to be in Paris as of October 14; he was in Paris with his wife and staying at the Hotel Claridge (37 Rue François), working to secure a contract with the Spanish singing star Raquel Meller, who is performing in Paris to great acclaim at the Palace.

So, now we know how Brooks got to London (where she lived at 49A Pall Mall) and how she got a job at the Cafe de Paris (3-4 Coventry St.), at which she began dancing on October 20. On October 21, 1924, Variety reports that Brooks was "cordially received upon opening last night at the Cafe de Paris cabaret," and that Layton & Johnstone have returned to the establishment for an extended engagement.

From January 1925, the first depiction of Louise Brooks in a European publication. As this early portrait doesn't show up in American publications, I am going to assume it was taken in London.

News sometimes travels slow, especially in small-town Kansas. On November 6th, the Burden Times from Burden, Kansas reported that the Cherryvale Republican reports that the Wichita press reports that Brooks was in Paris, France. The Burden paper notes, "Her departure from France was sudden and her parents have not received a letter from her since her arrival in Paris." Unfortunately, the Cherryvale Republican is not available for 1924, and I am not sure it is even extant. Thus, I cannot trace the lineage of the reportage mentioned in the article pictured here.

Louise Brooks and the mystery of missing time

In researching the life and career of Louise Brooks, there are two brief intervals which remain something of a mystery. The first was Brooks' first visit to Paris in 1924. The second were the months following Brooks' marriage to Deering Davis when the couple was traveling and living in the American Southwest. I have wondered where she was exactly, and/or what might she have been doing? 

In compiling a chronology of her day-by-day activities, which can be found at Louise Brooks: Day by Day 1906-1939 and Louise Brooks: Day by Day 1940-1985, I have been frustrated in my attempts to locate any online records (i.e. newspapers articles, etc....) which might shed even a little light on Brooks' activities during these time periods. Until now....

1924 passport photo

On September 18, 1924, Brooks applied for and was given an emergency passport. On September 20, she left the United States aboard the RMS Homeric bound for Europe. The trip took a week. Brooks was traveling with friend Barbara Bennett (of the famous Bennett family), and we know they went to Paris. But we know little else, except that the boat landed in Cherbourg, France on the 27th. 

the RMS Homeric

Here is the clipping from the International Herald Tribune (the European edition of The Chicago Tribune and the New York Daily News), an English-language newspaper located in Paris, which mentions Brooks' arrival. This is the earliest mention of Brooks in an European publication.

Just recently, I came across a brief mention of the trip in the Wichita Eagle. On October 12, 1924, the newspaper reported Brooks is in Paris, France, noting, "Her departure was sudden and her parents have not received a letter from her since her arrival in Paris. She went abroad as a member of a company expecting to appear in the French capital." 

A comment and an observation. First, how did the Wichita Eagle know Brooks was traveling to Europe? My guess is that one of her parents likely told the paper - this being a time when locals traveling abroad or even just visiting the next town over made the news. And if her parents did alert the paper, they likely did so because they were worried about Brooks and had not heard from her; this might have been their way to find out something, anything, via the newspapers of the day. Secondly, Brooks did not travel to Europe with a company of performers, as the Wichita Eagle says. She went on a "vacation" with a wealthy friend. The Wichita paper was likely misinformed, or told something that wasn't exactly true. Perhaps Louise herself told or suggested to her parents that she was traveling to Europe to work, when in fact that wasn't her intention. I wonder what Brooks did in Paris for the couple three week she was there. I have searched the Parisian newspaper of the time, but have never found any mention of the budding performer.

By October 19, 1924, Brooks was in London, England living at 49A Pall Mall. And on October 20, she began dancing at the famous Cafe de Paris nightclub in the heart of the English capital.

= = =  = 

Here is another mystery. Why did Louise Brooks marry Deering Davis, a decidedly unglamorous looking Chicago playboy?

The other brief period of time that is something of a mystery is interval following her more-or-less sudden marriage Davis in October 1933. As Barry Paris writes in his thoroughly researched biography, "The Associated Press reported that, for a honeymoon, the Davies would go by car to a ranch in Tucson, via Colorado Springs. Davis liked the Southwest and wanted to settle there, but it was too close to Kansas for Louise's comfort. Nothing is known of their three months traveling, except that Davis and Louise - with the aid of a Victrola and the odd nightclub here and there - had plenty of time of time to work up their dance act." The underline is mine for emphasis.

What we know is this: on October 10, 1933, Brooks (age 26) married wealthy Chicago playboy Deering Davis (age 36) at City Hall in Chicago, Illinois. The ceremony was read by Judge Francis J. Wilson, and witnessed by Davis' brother and sister-in-law, Dr. and Mrs. Nathan S. Davis III. After a few days, the couple left for a three month honeymoon in Tucson, Arizona, where they were expected to "live on a ranch." The marriage made news across the country. On October 11, the two newspapers in Tucson carry stories reporting Brooks would soon come to reside on a ranch near the Arizona town. I recently came across those two Tuscon clippings. Here is one of them - they are both very similar.

News of the Deering Davis - Louise Brooks wedding ran in newspapers across the country for the next few days. All of these stories, which were mostly captioned photos on the picture page, said pretty much the same thing.

And then that's it until February of 1934, when the couple reemerges in Chicago and perform as dancers on a few occasions. I know they were on their honeymoon, but I have wondered why they otherwise dropped off the radar. Too me, it doesn't make sense. Certainly, a celebrity couple driving around the Southwest would have made the news in local papers in Colorado or Arizona. Did they pass through Kansas? Did they in fact live on a ranch in Tucson, Arizona? I wonder if something else was going on.

If they did live on a ranch, which ranch was it? What kind of ranch was it? Was it a "dude ranch"? Or was the ranch the kind individuals with a drinking problem spent time at in order to dry out or pull themselves together? I think we know Brooks was unhappy at this time in her life. In 1932, she declared bankruptcy, and couldn't get work in films. And the United States was in the grips of the Depression. This stretch of three to four months was about the longest I have found (for the 1920s and 1930s) for Brooks not to have had her name in the papers. There was always something, a mention in a gossip column, an appearance at a restaurant or nightclub or theater. But for three or four months, they was nothing. Who knows? Perhaps Brooks and Davis were just practicing their dance routine.

An account of Louise Brooks 1940s Wichita interlude

This post is the third in a series highlighting newly available material uncovered as more issues of the various Wichita newspapers have come online. As mentioned, I have been systematically plowing through them, gleaming bits of new information, some of which I have been adding to my extensive three part chronology on the Louise Brooks Society website beginning at Louise Brooks: Day by Day 1906-1939. This material focuses on the early 1940s, when Louise Brooks returned to Wichita after giving up o Hollywood. For more on this period in Brooks' life, see Louise Brooks: Day by Day 1940-1985.

In early 1940, Louise Brooks was a resident of Los Angeles. She was living in a modest apartment, and trying to eek out a living. She and her business partner Barrett O'Shea ran a dance studio, which at best was only moderately successful. She and O'Shea also did occasional exhibition dancing, as when on April 20 they danced at the Arrowhead Spring Hotel in nearby San Bernadino. Things came crashing down when in June Los Angeles newspapers reported that Brooks and other "Hollywood folk" had been the victim of a con-man / swindler. Brooks lost $2,000, then a considerable amount of money.

With little seemingly to keep her (Brooks' acting career had come to a halt), the one time silent film actress left Hollywood and returned home to Wichita in August. By September, the Wichita papers were carrying stories about the Brooks new career, as a dancer and dance instructor. 

To Brooks, who had toured the United States as a Denishawn dancer and had been celebrated as an actress and screen beauty around the world, Wichita must have seemed a comedown. But still, she carried on. She also had to earn a living. 

The Wichita newspapers reported that Brooks and a new partner, Hal McCoy, had opened a dance studio. They also reported on their various engagements. On September 23, 1940, Brooks and Hal McCoy dance at the Crestview Country Club in Wichita, Kansas during a program sponsored by the College Hill Business association. On October 21, Brooks and Hal McCoy dance at the Young Republican meeting at the state's Central Republican headquarters. Hundreds turned out according to local press reports. The event celebrated National Young Voters for Wilkie Day, which was being observed throughout the nation. A broadcast speech by Wendell Wilkie was heard. On October 27, the Wichita Eagle reports that Brooks was enlisted by the Wichita Country Club to instruct locals on new dances including the Conga and Rumba, with the first such instruction taking place October 29.

On November 7, local newspapers report that Brooks is among the local talent participating in a benefit musical for crippled children for Wesley Hospital. On November 14 (her 34th birthday), Brooks speaks about and demonstrates new dances (the tango, rhumba, conga, etc...) at the Wichita Little Theater as part of its workshop program. And on November 24, a classified advertisement for Brooks' self-published booklet, The Fundamental of Good Ballroom Dancing, begins running in the Wichita Eagle. The ad runs nearly every day for a month.

All this activity likely didn't add up to much. We can't be sure how many dance engagements the Brooks - McCoy team had, but it wasn't likely very many. In January of 1941, Brooks ran an advertisement for what today may be called a life coach. The advertisement in the Wichita Eagle promotes private Tuesday morning classes in which Brooks offers "a rare opportunity to reap the benefits of her career among the most fascinating women of the theatre, screen, and society. Learn the way to grace and dominant sureness...." The depression was still on, and Brooks, likely in need of money, was trading on her onetime fame.

Brooks continued on continuing on. The second world war had begun in Europe. On March 28, Brooks participates in a benefit for Greek war relief at the Miller theater in Wichita. Brooks originated a comedy jitterbug number performed by locals Jim Kefner and Jack Walker. Advertisements for the event credit the Louise Brooks Dancing School. And on April 29, Brooks demonstrated ballroom and South American dances at Jubilesta, a fundraiser for the local P.T.A. and student council of the Wichita high school East. According to press reports, Brooks directed a student conga chain. Funds raised by the event went toward the purchase of a movie screen for the school.

For Brooks, the sky fell in again on May 21, 1941. According to Wichita press reports, Brooks was involved in an automobile accident when the car she is traveling in overturned after encountering an oil slick on South Hillside, just outside Wichita city limits. The car was badly damaged, and Brooks was treated at St. Francis Hospital. "Hospital attendants said that she suffered a three -inch laceration on the scalp and numerous bruises. Miss Brooks said attending physicians shaved a portion of her head to stitch the wound. 'I hate to lose my hair worse than to suffer the hurts,' Miss Brooks said." 

Reporting by then old news in her nationally syndicated gossip column, Dorothy Kilgallen wrote in June: "Louise Brooks, the silent screen star, suffered severe burns recently. Had all her hair singed off." In November, Kilgallen again gave a shout-out to Brooks, writing the actress was "stranded in Wichita, Kan. and s-o-s-ing friends for any kind of job."

Evidently, Brooks attempt to establish a career as a dancer & dance instructor in Wichita had fizzled. In August of 1942, Brooks was hired as a sales girl at Garfields, a department store in Wichita. Brooks works the accessories counter. By the middle of September, Brooks employment at Garfields had come to an end. That Fall, there was also a press report that Brooks helped students at Wichita University stage a skit for their forthcoming Spring Celebration. Brooks was once again at loose ends. 

In January of 1943, wealthy New York investment banker Albert Archer calls Brooks in Wichita, and she asks him to wire her the money to get to New York. Some four days later, Brooks departs Wichita by train, with a stop in Chicago. On January 15, she arrived in New York City. Her Wichita interlude had come to an end.

Buffalo Film Seminars to screen Pandoras Box online

The Buffalo Film Seminars, the popular film series connected with the University of Buffalo, have decided to continue their screening of classic and contemporary films online, for the time being (due to the pandemic). This year's opening film is Pandora's Box, starring Louise Brooks, which will screen August 31. From the UBNow website:

Aug. 31: “Pandora’s Box,” 1929, directed by Georg Wilhelm Pabst, C (Kanopy). The semester usually begins with a classic film from the pre-sound era, and the series opener this semester is no exception. This silent film chronicles the rise and inevitable fall of an amoral but naive young woman, played by Louise Brooks, “whose insouciant eroticism inspires lust and violence in those around her,” according to IMDb.

Other films in this year's series include The Grand Illusion (1937), Chinatown (1974), Barry Lyndon (1975), and The Princess Bride (1987), among others. More information about the series, including access, can be found HERE (UBNow article) and/or HERE (Buffalo Film Seminars).

Though online, these screenings are generally only open  to University of Buffalo student and faculty.

This year's screening of Pandora's Box (1929) is not the first time Buffalo Film Seminars has screened the film. Earlier, in person screenings took place in the Fall of 2001, Spring of 2007 (with Philip Carli on electronic piano), Spring of 2013, and Spring of 2016. Apparently, someone in Buffalo likes Louise Brooks as Lulu! What's more, the film series prepares extensive film notes for the films it screens. While similar, the BFS notes for each screening in the past do differ a little. Here are links to a pdf of the previous film note screenings, which were prepared by Diane Christian and Bruce Jackson.

Fall of 2001

Spring of 2007 

Spring of 2013

Spring of 2016

The series has, as well, screened another Louise Brooks film, Diary of a Lost Girl (1929). It was shown in the Fall of 2015. Its film notes can be found HERE. Please note: the pdf notes for Diary include an image of a naked women who is not Louise Brooks.

Another newly uncovered interview you will want to read

Speaking of newly uncovered interviews . . . . The last post featured a newly uncovered 1931 interview with Louise Brooks which which appeared in the Wichita Eagle in May of that year. The article pictured Brooks and her sister June, and also spoke briefly about June's aspirations regarding an acting career and Hollywood. An acting career didn't seem to be in the cards, so June started college at the University of Wichita (now Wichita State University).

During that same research binge, I also uncovered another little known interview. This piece was with June Brooks, and it appeared in an October 1931 issue of The Sunflower, a school publication. And as with the earlier piece, new information about the Brooks' sisters comes to light. The article states that June was a house guest for ten days at William Randolph Hurst's (sic) ranch (presumably the Hearst Castle) over the 1930 Christmas holidays. I presume that Louise was there as well. While a guest, June encountered not only Marion Davies but also Adolphe Menjou, Lawrence Grey, "Skeets" Gallagher and Jean Arthur - all of the latter either past or future film co-stars.  

The most amusing paragraph was this: "'Are movie people interesting? Not particularly.' answers June. 'They talk shop too much. Good looking? Well, they're better looking on the screen'."

One other intriguing bit were the paragraphs at the end where June says she almost appeared in a motion picture, once in a supporting role in a film with Gloria Swanson! Who knew?

Stay tuned or subscribe to this blog for more remarkable clippings in the coming weeks.