Louise Brooks double reminder Louise Brooks

A couple of reminders regarding Louise Brooks and books....

FIRST UP: Two weeks from today, on Saturday February 29th between 7:00 and 8:00 pm I will be signing books at the Egyptian Theater in Hollywood before the American Cinematheque's screening of the 1929 classic, Pandora's Box, starring the one and only Louise Brooks. This special leap day event is co-presented by the LA Philharmonic and the Art Deco Society of Los Angeles. More information HERE.

I will be signing books in the lobby of the historic Egyptian Theater (6712 Hollywood Blvd, Los Angeles), with book sales handled by Larry Edmunds Bookshop. I will have a limited number of FREE mini Lulu pin-back buttons to give away to those who purchase two or more books and ask for an autograph. Please join us! Not only will I be there, but so will musicians from the LA Philharmonic -- composer and jazz pianist Cathlene Pineda, trumpeter Stephanie Richards, and guitarist Jeff Parker -- who will be providing live musical accompaniment to Pandora's Box.

SECONDLY: Author Tom Graves has asked me to let everyone know that only ten copies are left of his limited edition book, My Afternoon with Louise Brooks, the telling of the time he spent with Louise Brooks in 1982. Only 100 copies were printed and each one is signed and numbered. I have a copy, and you should too! To place an order via email send a message to pullers2004@yahoo.com, or contact the Facebook page "Fans of Author Tom Graves".

Upcoming Kansas Silent Film Festival

As readers of this blog know, Louise Brooks was born in Cherryvale, Kansas and grew up in Wichita, Kansas. That state hosts a notable, and long running silent film festival which this year takes place February 28 and February 29. Admission is FREE to the event, which is held on the campus of Washburn University in Topeka. More information HERE.

Underworld (1927), a film akin to Brooks' lost The City Gone Wild (1927) which features Love Em and Leave Em co-star Evelyn Brent, is among the festival highlights. Tracey Goessel, author of The First King of Hollywood: The Life of Douglas Fairbanks, is the banquet dinner speaker. And the Mont Alto Motion Picture Orchestra, who have recorded their score for the Kino Lorber DVD release of Beggars of Life (1928), will be providing live musical accompaniment.

Louise Brooks inspired film The Chaperone shows in Australia

The Louise Brooks inspired film The Chaperone will be shown on Tuesday, February 25 at the Stanton Library in North Sydney, New South Wales. More information about this event can be found HERE.

The library announcement reads, "Join us @Stanton_Library for our Books to Movies screening of 'The Chaperone' based on the 2012 novel by Laura Moriarty about teenage Louise Brooks, who dreams of fame and fortune in New York City in the company of a watchful chaperone. All welcome!" Additionally, the library notes, "This friendly group meets to screen films based on both classic and popular books. And it is not necessary to have read the book! Filmic appreciation mixed with lively debate makes this event all the more interesting."

The Chaperone, produced as a film by PBS in the United States, is based on the bestselling 2012 book of the same name by Laura Moriarty, a Kansas novelist. Curiously, The Chaperone has received a lot of "love" in Australia, perhaps as much as the film received in the United States. The titular star of the film, Elizabeth McGovern, flew to Sydney were she introduced it at the Australian premiere. An earlier LBS blog on the Australian opening can be found HERE.

 via Facebook

Though Academy Award nominee Elizabeth McGovern, famous for her role in Downton Abbey, was the star of The Chaperone, many including myself felt actress Haley Lu Richardson stole the show. Richardson plays Louise Brooks in what I would describe as a bravura performance, one worthy of at least an Oscar nomination as best supporting actress. Regrettably, she did not receive a nomination. Here is a slightly different, more briskly edited Australian trailer for the film.

I think it is wonderful that Australia has embraced The Chaperone and Louise Brooks' story. (A major retrospective of the actress' film was held late last year at the Melbourne Cinémathèque. Read more about it HERE. ) I hope a bunch of people turn out for the Stanton screening, and a bunch of people check out a copy of Laura Moriarty's fine novel. The Louise Brooks Society recommends both!

Diary of a Lost Girl, starring Louise Brooks, screens in Tulsa, Oklahoma

The once controversial 1929 Louise Brooks film, Diary of a Lost Girl, will be shown in Tulsa, Oklahoma on Saturday, February 8th. My apologizes for the last minute notice, but I was just made aware of this screening. More information about the event can be found HERE.

The Kansas-born Louise Brooks plays the title role — the “lost girl” — in Das Tagebuch einer Verlorenen, or Diary of a Lost Girl. The film is a sensational story of a young woman who is seduced and conceives a child, only to be sent to a home for wayward women before escaping to a brothel. Beneath its melodramatic surface, the film is a pointed social critique aimed at society at large. It is notable that this film screening is co-sponsored by Tulsa Kids.

Diary of a Lost Girl is the second film Brooks made under the direction of G.W. Pabst. The first, Pandora’s Box, was also released in 1929. Like Pandora’s Box, this second collaboration was also based on a famous work of literature. Diary of a Lost Girl was based on the bestselling book of the same name by Margarete Böhme. At the time of its publication, one critic called the book “the poignant story of a great-hearted girl who kept her soul alive amidst all the mire that surrounded her poor body.” That summation applies to the film as well. And like the book, the film was the subject of attack - criticized by various groups and ultimately censored.

Though Brooks' American films were shown in Tulsa in the 1920s and 1930s, I wonder if the German-made Diary of a Lost Girl was shown there earlier  - sometime during the last few decades? (Diary was not shown anywhere in the United States until the late 1950s, and not in 1930 as the Circle Cinema website suggests. In fact, the film was first shown in New York state, and didn't debut elsewhere until the 1970s and 1980s.)

According to a notice in the Tulsa World, “The Circle’s 'Second Saturday Silents' series of monthly silent films continues with an 11 a.m. Saturday, Feb. 8, screening of this 1929 drama starring Louise Brooks. Live theater pipe organ accompaniment will be provided by the Sooner State Chapter of the American Theatre Organ Society."

The Circle theater (located at 10 S Lewis Ave) bills itself as Tulsa’s Connection to Film History Experience. The Circle Cinema is Tulsa’s oldest-standing movie theatre. It originally opened in 1928 and now operates as the only nonprofit cinema in the area. As such, it celebrates creativity, the arts and filmmakers from around the corner and the world. Their regular series of silent films are shown with musical accompaniment played on a restored 1928 Robert Morton theatre pipe organ.

New G.W. Pabst DVD Blu-ray set features Louise Brooks

A new 16 disc set featuring the films of the Austrian-born German director G.W. Pabst has been released in France. And what's more, this gorgeous looking box set features Louise Brooks on the cover.

The set, released by Tamasa Diffusion and titled G.W. Pabst-Le Mystère d'une Âme, features 12 of the acclaimed director's best films, including Joyless Street (1925) and The Loves of Jeanne Ney (1927) as well as The White Hell of Pitz Palu (1929), The Three Penny Opera (1931), and Kameradschaft (1931). And of course, there is also Pandora's Box (1929) and The Diary of a Lost Girl (1929). The set, which runs 1289 minutes, focuses on Pabst's early efforts, but regrettably omits Secrets of a Soul (1926). Likewise, it includes Don Quixote (1933), but omits L'Atlantide (1932).

The set proclaims: "witnesses of his mastery of staging and his permanent inventiveness." The more than three and one-half hours of bonus material scattered over the various discs includes short documentary presentations, alternative versions, archival material and more. A bonus disc includes the 60 minute documentary Looking for Lulu. Also included is a 132 page book, Imaginary correspondence with Georg Wilhelm Pabst, written by Pierre Eisenreich.

I haven't yet seen this recently released set, but hope to acquire a copy soon. I need to save up my Euros! As of now, G.W. Pabst-Le Mystère d'une Âme seems only to be available via amazon France or directly (and at a better price) from its distributor, Tamasa.

Louise Brooks Frank Martin signed etching for sale

Besides Herbert Bayer's photomontage "Profil en Face" (1929), one of the most significant works of fine art to depict Louise Brooks is Frank Martin's 1974 etching of the actress. A copy has just come up for sale HERE.

Frank Martin (1921-2005) created this limited edition signed etching on copper in the early 1970s (which is somewhat early in the timeline of Brooks' post WWII rediscovery). It was published by Christie's Contemporary Art in 1974. 

According to the sellers' website, "Frank Martin was a printmaker, illustrator and teacher, born in Dulwich, southeast London. He read history at Oxford University and then studied at St Martin’s School of Art. After army service in World War 2 he gradually established himself as a freelance artist, although he taught at Camberwell School of Arts and Crafts from 1953-1980. He illustrated many books, including Charles Lamb’s Essays, 1963 and William Hazlitt’s Essays, 1964. From 1966 he turned his attention to a long series of prints of Hollywood actresses of the silent film era.

Originally a Ziegfeld Follies Girl, Louise Brooks made films in Hollywood in the late 1920s. Her high reputation as an actress rests on her performance as Lulu in Pandora's Box, made in Germany in 1928."

This print, which originates from an antique dealer in Yorkshire, is number 26 of 110. Antique's Atlas is asking $2161.50 or £1650.00, or €1958.55. I am not sure if the latter price is still current as the UK has left the European Union. (The Louise Brooks Society does not own a copy of this work of art: if anyone wanted to purchase it and donate it to the author of this blog, that would be splendid.) 

Personally, I very much like the artist's rendering of Brooks almost somber face, as well as the Cubist-like background, the latter of which suggests Brooks' modernity. My only criticism is the artist's handling of Brooks' breasts, which I think are too full, somewhat evoking the curved lines of the background.