Brussels Philharmonic – Christian Schumann director
Pandora's Box (1928/29) Georg Wilhelm Pabst
Music : Peer Raben, adapt. Frank Strobel
Pandora’s Box,
G.W. Pabst’s controversial film which made actress Louise Brooks
instantly world famous, transcends its time. The film tells the story of
Dr. Schoen and his eventful affair with the sensuous Lulu, who, after
she has shot him, takes to her heels towards London, where she will meet
her fate in the hands of Jack the Ripper.
A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Wednesday, September 30, 2015
Louise Brooks, world wide celebrity, in a kimono
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Tuesday, September 29, 2015
Louise Brooks - The Fatal Woman type in 1953 British advert
Louise Brooks listed among "The Fatal Woman" types in this 1953 advertisement for the season of films at the British Film Institute. This inclusion in a film series, just eight years after the end of the second World War, shows that the actress was not forgotten -- and is incredibly early in the historical timeline of Brooks' rediscovery.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, September 28, 2015
Louise Brooks, product placement, soap, and the 1931 film It Pays to Advertise #3
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, September 27, 2015
Louise Brooks, product placement, soap, and the 1931 film It Pays to Advertise #2
Yesterday's blog post discussed the 1931 Louise Brooks' film It Pays to Advertise and the controversy stirred up by the film's prolific product placement. The post also discussed the campaign against product placement initiated by Harrison's Reports, a motion picture industry trade journal. Reproduced below is one newspaper editorial about the issue, from an Oregon newspaper.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Saturday, September 26, 2015
Louise Brooks, product placement, soap, and the 1931 film It Pays to Advertise #1
The 1931 film It Pays to Advertise is a farce about rival
soap companies, an advertising agency, and a ne’er do-well playboy who
attempts to make good. Louise Brooks plays Thelma Temple, a dancer
appearing in a musical entitled Girlies Don’t Tell.
It Pays to Advertise was based on a popular stage play of the same name from 1914. Updated and set in the advertising and business worlds, the film referenced a number of actual products and their slogans. As a result, one trade journal took exception.
Harrison’s Reports, which billed itself “a reviewing service free from the influence of film advertising,” objected to product placement in film — be it verbal or visual. Over the course of four months (in articles titled “The Facts About Concealed Advertisements in Paramount Pictures,” “This Paper’s Further Efforts Against ‘Sponsored’ Screen Advertisements,” and “Other Papers That Have Joined the Harrison Crusade Against Unlabelled Screen Advertising”) editor P. S. Harrison railed against this business world farce in particular and product placement in films in general.
Harrison wrote, “The Paramount picture, It Pays to Advertise, is nothing but a billboard of immense size. I have not been able to count all of the nationally advertised articles that are spoken of by the characters.” In the next issue, Harrison stated “In last week’s issue the disclosure was made that in It Pays to Advertise there are more than fifteen advertisements in addition to the main advertisement, '13 Soap Unlucky for Dirt,' which Paramount is accused of having created as a brand for the purpose of selling it.”
Taking the high moral ground, Harrison’s Reports spurred a campaign against “sponsored moving pictures – meaning pictures which contain concealed or open advertising of some one’s product.” Harrison wrote to the studios – and Harrison’s Reports noted that a handful responded with pledges to not include verbal or visual product placement. The crusading editor also wrote to more than 2,000 newspapers, and a number published articles and editorials decrying the practice.
Among those papers that joined Harrison’s cause were four of the New York dailies, the Gannett chain, scores of small town papers, as well as the Denver Post, Detroit Free Press, St. Louis Globe-Democrat, and Tulsa Tribune. The Christian Science Monitor added to the chorus of complaint when it remarked, “Paramount should have been well paid for the large slices of publicity for trade-marked products that are spread all through this artificial story.”
Because of tepid reviews and negative publicity, It Pays to Advertise did poorly at the box office. At best, most exhibitors reported only fair business. In Los Angeles, according to one report, the film “set a new low.”
And what of "13 Soap -- Unlucky for Dirt"? The name of this fictional brand originated with the original story. I don't know that such a brand actually existed at the time the 1931 film was released, but according to news reports from the time (and this could be ballyhoo -- see tomorrow's blog post), an offer of $250,000 was made to secure the trademark for "13 Soap -- Unlucky for Dirt".
Sometime in the last number of years, a company called LUSH manufactured a hand-made soap called "13 Soap -- Unlucky for Dirt". (Unfortunately, this product has since been discontinued.) According to the company's website, the soap was named for the fictitious product in the 1931 film, It Pays to Advertise, starring Carole Lombard, Norman Foster, Skeets Gallagher, and featuring Louise Brooks. Here is a picture of that product, followed by the company description.
Ingredients: Oregano and Rose Petal Infusion (Origanum vulgare and Rosa centifolia), Propylene Glycol, Rapeseed Oil & Sunflower Oil & Coconut Oil (Brassica napus, Helianthus annuus, Cocos nucifera), Water (Aqua), Sodium Lauryl Sulfate, Honey, Perfume, Sodum Hydroxide, Manuka Honey, Sodium Stearate, Oregano Oil (Origanum vulgare), Rose Absolute (Rosa damascena), Geranium Oil (Pelargonium graveolens), Sodium Chloride, Geraniol, *Limonene, Colour 18050.
Lush Times: Our beautiful rose and oregano soap gets its name from a 1931 Hollywood film about a soap company; the son advertised a soap that didn’t exist and demand was so high, the dad had to make it. Sounds like typical Lush, except for the advertising part. Sue from Chelmsford and Dawn from Cambridge had been asked by nurses for an oregano soap because they'd heard that oregano kills MRSA bacteria. (University of the West of England 2008.) This lovely soap has been like gold dust; we adore its translucent loveliness, its scent and its very effective cleansing properties.
It Pays to Advertise was based on a popular stage play of the same name from 1914. Updated and set in the advertising and business worlds, the film referenced a number of actual products and their slogans. As a result, one trade journal took exception.
Harrison’s Reports, which billed itself “a reviewing service free from the influence of film advertising,” objected to product placement in film — be it verbal or visual. Over the course of four months (in articles titled “The Facts About Concealed Advertisements in Paramount Pictures,” “This Paper’s Further Efforts Against ‘Sponsored’ Screen Advertisements,” and “Other Papers That Have Joined the Harrison Crusade Against Unlabelled Screen Advertising”) editor P. S. Harrison railed against this business world farce in particular and product placement in films in general.
Harrison wrote, “The Paramount picture, It Pays to Advertise, is nothing but a billboard of immense size. I have not been able to count all of the nationally advertised articles that are spoken of by the characters.” In the next issue, Harrison stated “In last week’s issue the disclosure was made that in It Pays to Advertise there are more than fifteen advertisements in addition to the main advertisement, '13 Soap Unlucky for Dirt,' which Paramount is accused of having created as a brand for the purpose of selling it.”
Taking the high moral ground, Harrison’s Reports spurred a campaign against “sponsored moving pictures – meaning pictures which contain concealed or open advertising of some one’s product.” Harrison wrote to the studios – and Harrison’s Reports noted that a handful responded with pledges to not include verbal or visual product placement. The crusading editor also wrote to more than 2,000 newspapers, and a number published articles and editorials decrying the practice.
Among those papers that joined Harrison’s cause were four of the New York dailies, the Gannett chain, scores of small town papers, as well as the Denver Post, Detroit Free Press, St. Louis Globe-Democrat, and Tulsa Tribune. The Christian Science Monitor added to the chorus of complaint when it remarked, “Paramount should have been well paid for the large slices of publicity for trade-marked products that are spread all through this artificial story.”
Because of tepid reviews and negative publicity, It Pays to Advertise did poorly at the box office. At best, most exhibitors reported only fair business. In Los Angeles, according to one report, the film “set a new low.”
And what of "13 Soap -- Unlucky for Dirt"? The name of this fictional brand originated with the original story. I don't know that such a brand actually existed at the time the 1931 film was released, but according to news reports from the time (and this could be ballyhoo -- see tomorrow's blog post), an offer of $250,000 was made to secure the trademark for "13 Soap -- Unlucky for Dirt".
Sometime in the last number of years, a company called LUSH manufactured a hand-made soap called "13 Soap -- Unlucky for Dirt". (Unfortunately, this product has since been discontinued.) According to the company's website, the soap was named for the fictitious product in the 1931 film, It Pays to Advertise, starring Carole Lombard, Norman Foster, Skeets Gallagher, and featuring Louise Brooks. Here is a picture of that product, followed by the company description.
Ingredients: Oregano and Rose Petal Infusion (Origanum vulgare and Rosa centifolia), Propylene Glycol, Rapeseed Oil & Sunflower Oil & Coconut Oil (Brassica napus, Helianthus annuus, Cocos nucifera), Water (Aqua), Sodium Lauryl Sulfate, Honey, Perfume, Sodum Hydroxide, Manuka Honey, Sodium Stearate, Oregano Oil (Origanum vulgare), Rose Absolute (Rosa damascena), Geranium Oil (Pelargonium graveolens), Sodium Chloride, Geraniol, *Limonene, Colour 18050.
Lush Times: Our beautiful rose and oregano soap gets its name from a 1931 Hollywood film about a soap company; the son advertised a soap that didn’t exist and demand was so high, the dad had to make it. Sounds like typical Lush, except for the advertising part. Sue from Chelmsford and Dawn from Cambridge had been asked by nurses for an oregano soap because they'd heard that oregano kills MRSA bacteria. (University of the West of England 2008.) This lovely soap has been like gold dust; we adore its translucent loveliness, its scent and its very effective cleansing properties.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Friday, September 25, 2015
It Pays to Advertise
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Thursday, September 24, 2015
UFA Film nights in Brussels present Pandora's Box starring Louise Brooks
Pandora's Box (1929) starring Louise Brooks will be shown in Brussels later today, Thursday September 24, 2015 @ 20h. The screening is part of the UFA nights series. Music to accompany the film will be provided by the Brussels Philharmonic. More information at http://bit.ly/ UFApandorasbox
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Tuesday, September 22, 2015
How did you first come across Louise Brooks?
To celebrate its 20th anniversary, the Louise Brooks Society
is soliciting short essays from the actresses' many fans asking them to
describe how and when they first came across Louise Brooks, and what
the actress means to them. The length of the piece is up to the writer,
with the only requirement being that it be detailed and individualized.
Pieces that range from short anecdotes to full fledged compositions are
welcome.
Selected submissions will be run here on the Louise Brooks Society blog, and the best piece (in the eyes of the LBS) will be awarded some Louise Brooks swag - like the forthcoming KINO Diary of a Lost Girl Blu-ray bundled together with a signed copy of the Louise Brooks edition of The Diary of a Lost Girl (PandorasBox Press). The deadline for submissions is December 1, 2015 with the prize awarded later that month (before Christmas).
Sharpen your pencils, start your engines. Send submissions to LouiseBrooksSociety@gmail.com
Selected submissions will be run here on the Louise Brooks Society blog, and the best piece (in the eyes of the LBS) will be awarded some Louise Brooks swag - like the forthcoming KINO Diary of a Lost Girl Blu-ray bundled together with a signed copy of the Louise Brooks edition of The Diary of a Lost Girl (PandorasBox Press). The deadline for submissions is December 1, 2015 with the prize awarded later that month (before Christmas).
Sharpen your pencils, start your engines. Send submissions to LouiseBrooksSociety@gmail.com
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, September 21, 2015
Can you find Louise Brooks?
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
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