A special offer from the SF Silent Film Festival

Holiday Specials from the San Francisco Silent Film Festival

Here is the perfect stocking stuffer for the holiday season! Give heavily discounted SFSFF 2012 all-program Festival Passes to the film lovers you love. Until January 6, all Festival Passes are being offered at a very special holiday rate - lower than our early bird rates! We're planning at least 17 programs at our July 2012 Festival-wonderful films with extraordinary musical accompaniment by musicians from around the world, so don't miss out!

For each pass you purchase, you'll receive a gift voucher card suitable for giving during the holiday season. At the SF Silent Film Festival in July, you or your recipient can present the voucher card at the Will Call table at the Castro Theatre in exchange for the Festival Pass.

 Members $150  |  General $165

Members take their discount at checkout.

For questions, please email concierge@silentfilm.org 

or call 415-777-4908 x 1

Pandora's Box with Louise Brooks to screen in Dubai

Pandora's Box, the film in which Louise Brooks famously played Lulu, is considered one of the great works of world cinema. As such, it has been shown in many countries on at least five continents. Now, the silent era masterpiece is coming to Dubai, a city and emirate in the United Arab Emirates (UAE) located on the Arabian peninsula.

The Dubai International Film Festival has announced that six films representing contemporary and classic German filmmaking will make up “In Focus: Germany,” a segment of the eighth annual festival to be held December 7 to 14, 2011. Among them, representing the classic period, is Pandora's Box (1929). “In Focus Germany” is organized in cooperation with German Films and Goethe-Institut Gulf-Region.

The late silent melodrama, directed by G.W. Pabst, is based on Frank Wedekind’s Lulu plays. According to an article in a UAE newspaper Gulf Today, the film "stars Louise Brooks as a thoughtless young woman who brings ruin to herself and those who love her. Brooks’ intense and timeless performance as Lulu made her one of the icons of cinema."

It's not known if the Dubai International Film Festival showing of Pandora's Box marks its debut in Dubai (which is possible), or even more generally in the Arab Middle East. According to the Louise Brooks Society bibliography of articles about the film, Pandora's Box was shown in Jerusalem in 2002.

Records also show that Brooks' American and European silent films were screened in some of the larger cities in the region in the 1920's and 1930's. For example, it is known that Brooks' 1929 American film The Canary Murder Case was screened in Cairo in the early 1930's, and that her 1930 French film, Prix de Beaute, was shown in what is now Algeria, a former French colony.

Pandora's Box was not a success when it premiered in Berlin on February of 1929. It only became famous with the re-emergence of its star in the 1960's through the efforts of ardent admirers such as Henri Langlois of the Cinémathèque Française in Paris and James Card of the George Eastman House in Rochester, New York. In the 1950's, 1960's and 1970's it was revived at art houses and festivals in Europe and North America.

The print to be screened at the Dubai International Film Festival has been restored by Martin Koerber of the Deutsche Kinemathek, a project which took over 12 years. The print was shown late last year at the National Film Theater in London as part of the BFI London Film Festival. The new restoration is listed at 143 minutes, ten minutes longer than a “restored version” released by Criterion on DVD in 2008.

In cooperation with the Goethe-Institut Gulf Region, Pandora's Box will be screened for free at The Walk at JBR, the Festival’s outdoor venue, and will be accompanied by the UAE Philharmonic Orchestra (UAEPO) conducted by Philipp Maier.

A bit more about this event on Examiner.com at Pandora's Box to screen in Dubai - National Louise Brooks | Examiner.com http://www.examiner.com/louise-brooks-in-national/pandora-s-box-to-screen-dubai#ixzz1fD5Y4zcM

Save 25% off the Louise Brooks Edition of DIARY OF A LOST GIRL

Thru December 15th - save 25% off the Louise Brooks Edition of The Diary of a Lost Girl, by Margarete Böhme. This is the book which served as the basis for the 1929 Louise Brooks film of the same name. This sensational bestseller has long been unavailable in English, and only came back into print through the efforts of the Louise Brooks Society. Get a copy today!
 

Visit http://www.lulu.com/spotlight/LBS1 to purchase the book, and to save, use coupon code BUYMYBOOK305 at check-out.

The 1929 Louise Brooks film, Diary of a Lost Girl, is based on a bestselling book first published in Germany in 1905. Though little known today, the book was a sensation at the beginning of the 20th century. Controversy, spirited debate, and even lawsuits followed its publication. By the end of the Twenties, it had sold more than 1,200,000 copies – ranking it among the bestselling books of its time.

Was it – as many believed – the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first fake novels of its kind? This contested work – a work of unusual historical significance as well as literary sophistication – inspired a sequel, a play, a parody, a score of imitators, and two silent films. The best remembered of these is the often revived G.W. Pabst film starring Louise Brooks.

This new edition of the original English language translation brings this notable work back into print after more than 100 years. And what's more, this special "Louise Brooks Edition" includes three dozen illustrations and a 20 page introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history and relationship to the acclaimed silent film. Find out more at http://www.pandorasbox.com/diary.html 

Praise for the Louise Brooks Edition of THE DIARY OF A LOST GIRL

"Gladysz provides an authoritative series of essays that tell us about the author, the notoriety of her work (which was first published in 1905), and its translation to the screen. Production stills, advertisements, and other ephemera illustrate these introductory chapters. In today’s parlance this would be called a 'movie tie-in edition,' but that seems a rather glib way to describe yet another privately published work that reveals an enormous amount of research — and passion." -- Leonard Maltin

"Read today, it's a fascinating time-trip back to another age, and yet remains compelling. As a bonus, Gladysz richly illustrates the text with stills of Brooks from the famous film." -- Jack Garner, Rochester Democrat and Chronicle

"Thomas Gladysz is the leading authority on all matters pertaining to the legendary Louise Brooks. We owe him a debt of gratitude for bringing the groundbreaking novel, The Diary of a Lost Girl - the basis of Miss Brooks's classic 1929 film - back from obscurity. It remains a fascinating work." -- Lon Davis, author of Silent Lives

 

"Long relegated to the shadows, Margarete Böhme's 1905 novel, The Diary of a Lost Girl has at last made a triumphant return. In reissuing the rare 1907 English translation of Böhme's German text, Thomas Gladysz makes an important contribution to film history, literature, and, in as much as Böhme told her tale with much detail and background contemporary to the day, sociology and history. He gives us the original novel, his informative introduction, and many beautiful and rare illustrations. This reissue is long overdue, and in all ways it is a volume of uncommon merit." -- Richard Buller, author of A Beautiful Fairy Tale: The Life of Actress Lois Moran

"Most certainly a book for all you Louise Brooks fans out there!! And silent cinema fans in general as well." -- Bristol Silents (UK) newsletter

Kevin Brownlow visits the States

Kevin Brownlow first befriended Louise Brooks back in the late 1960's. He visited her in Rochester, they exchanged hundreds of letters, and Brownlow filmed an interview with the actress on at least one occasion. Louise was always very interested in Brownlow's work as a film historian, and, his seminal 1968 book, The Parade's Gone By, acknowledges her help and is in effect "dedicated" to her.

This week, Brownlow is in the United States to give three presentations. If you have never seen him speak, do so. I have seen him speak at least a half-dozen times - and have always found him to be a fascinating speaker. [Pictured right is a snapshot of Kevin and I taken last year in San Francisco.]

On Friday, November 25th, Brownlow will speak at the National Gallery of Art in Washington D.C. about his decades long effort to restore Abel Gance's epic Napoleon (1927). On Saturday, November 26th, Brownlow will give a talk at the Library of Congress about his life as a film historian. This latter presentation, which will include clips from early movies, is set to take place at the LOC Packard Campus Theater in Culpeper, Virginia. And, on December 1st, Brownlow will be speaking at Emory University in Atlanta, Georgia. Follow the above links for more information about each event.

More on Brownlow and his work as a film historian and these upcoming events can be found on my column on examiner.com And more about Brownlow and his work can be found on Brownlow's own website, Photoplay Productions.

Happy Birthday Louise Brooks

Happy Birthday to Louise Brooks, who was born on this day in 1906 in Cherryvale, Kansas. Celebrate, and give RadioLulu a listen!

Louise Brooks in the current issue of New Yorker

Louise Brooks appears on page 16 of the current, October 31st, issue of the New Yorker. The image (pictured here) is captioned and references an exhibit at the Danziger Projects gallery in New York City.

The gallery had been hosting an exhibit, "Edward Steichen - The Last Printing" (September 15 through October 29, 2011).

Danziger Gallery opened their fall 2011 schedule with a show of 80 Edward Steichen photographs printed by the renowned photographer George Tice. Tice was the last person to print for Steichen in his lifetime. These prints remind us not only of Steichen's genius - and his remarkable talent for portraiture - but also highlight the formidable quality of printing that George Tice has been known for throughout his career.  What follows are a few snippets from the gallery press release.

"By the mid-1920s Steichen was the highest-paid photographer in America. In 1923 he was hired as chief photographer for Condé Nast Publications, and at one point in the 1920s he earned $100,000 a year from his advertising work alone. "

"Steichen's portraits have survived the test of time. He had an uncanny intuition for how to distill the public personae of the famous and make them at once familiar and iconic. It was this that makes him the founding father of our present-day cult of celebrity. His portraits have a extraordinary place in our visual memory – his startling depiction of J.P. Morgan as the archetypical robber baron, clutching the chair arm that resembles a gleaming dagger; his close-up of a feline Gloria Swanson, glowering behind black-lace foliage; his restrained observation of an impossibly handsome and debonair Gary Cooper."

"Steichen's ingenuity in portraiture was coaxing his sitters into heightened expressions of their innermost character. He once considered going into the movies, and there was indeed a cinematic quality in much of his work. As Greta Garbo told him after one shoot: "You should be a motion-picture director. You understand." Sometimes performing artists even made his ideas their own. Steichen's portrait of Fred Astaire silhouetted against his own larger-than-life shadow was the inspiration for similar setups in the dancer's later films."

More information at http://www.danzigerprojects.com/exhibitions/2011_9_edward-steichen-the-last-pri/

LOUISE BROOKS & ZIYO: Puszka Pandory / Die Büchse der Pandora / Pandora's Box

LOUISE BROOKS & ZIYO: Puszka Pandory / Die Büchse der Pandora / Pandora's Box

louise brooks ~ girlfriend in a coma

louise brooks ~ girlfriend in a coma

Lulu Pandora's Box ❤ Lovefool ❤

Lulu Pandora's Box ❤Lovefool❤

Harvest Rain ~ "Drowsy Stare"

Harvest Rain ~ "Drowsy Stare"

Louise Brooks vs Pictureplane's "Goth Star"

Louise Brooks vs Pictureplane's "Goth Star"

OMD "Pandora's Box" (2010 Video Remix)

OMD "Pandora's Box" (2010 Video Remix)

Silent film star Baby Peggy

By the time Baby Peggy's film career was coming to an end, Louise Brooks' film career was just getting started. Today, Diana Serra Cary (who in the 1920's was known as Baby Peggy), is considered the last surviving major silent film star.

On Sunday, August 7th at 2 pm, Cary will be speaking at the San Francisco Public Library. "An Afternoon with Silent Film Star 'Baby Peggy" will feature a Baby Peggy short film (courtesy of the actress), an on-stage conversation, and a book signing. A little more info about the event can be found on the SFPL website and on its Facebook page.

The library is expecting a good crowd. If you plan on attending, be sure and check out the various silent film exhibits on display around the library. More info on these exhibits can also be found at on the SFPL website. The exhibits run through August 28.

Earlier that same day, at 1 pm, there will be a 30 minute informal guided tour of one of the exhibits, "Reading the Stars," with exhibit organizers Thomas Gladysz, Christy Pascoe and Donna Hill. A little more info at the tour can be had at http://events.sfgate.com/san-francisco-ca/events/show/196140225-guided-tour-of-reading-the-stars-exhibit

"Reading the Stars" features rare vintage books relating to silent films stars such as Louise Brooks, Rudolph Valentino, Douglas Fairbanks,  Buster Keaton, Mary Pickford, Eric von Stroheim, William S. Hart, Sessue Hayakawa and of course Baby Peggy.

Mocny Czlowiek (1929)

Lately, I have been smitten by a 1929 silent Polish film called Mocny Czlowiek (A Strong Man). Like Poland itself, which was situated between two dominating powers, Germany and Russia, this extraordinary Polish production shows both German and Russian influence - but remains an especially fine cinematic production. Embedded below is a 3 minute "run through" of the film to a contemporary Polish musical soundtrack.

If you like what you see, and I think you will, follow this YouTube link to watch the entire 78 minute film on YouTube. It is available there in nine parts.

Amy Winehouse, in memorium

UPDATE: In its July 27th article, "A Bad Girl With a Touch of Genius," the New York Times wrote "Like much else about her, the visual persona Ms. Winehouse concocted over her brief career fused instinct with cunning. She was a 5-foot-3 almanac of visual reference. . . . a lineage of bad girls extending from Cleopatra to Louise Brooks’s Lulu to Salt-n-Pepa, irresistible man traps who always seem to come to the same unfortunate end."

Most treasured book

"Louise Brooks," by Barry Paris has
been published around the world

For a short while now, the San Francisco Chronicle has been running a short feature in its book review called "Special edition: Most treasured book." Earlier contributors have included novelist Isabel Allende, actor Peter Coyote, science writer Mary Roach, linguist and NPR radio commentator Geoffrey Nunberg and other luminaries mostly local to the Bay Area.

Each contributor is given approximately 100 words to talk about their most treasured book. Because of these constraints, it is a difficult assignment; what can one say in only 100 words? However, because of the very specific nature of this topic, it is also an easy assignment. This is the book we value the most, and we want to tell the world about it.

I recently had the honor of being asked to contribute. My most treasured book is Louise Brooks, by Barry Paris. First published by Knopf in hardcover 1989, it has proved to be an enduring work. Because she is something of an icon, and there have been other books both by and about this singular silent film star. This is the place to start.

Because of the 100 word limit, it was difficult for me to fully express how much this book means to me, and how it "changed my life." My contribution appeared in the print version of the newspaper on Sunday, July 10, 2011 and showed up on-line a few days later.

I hope others read this outstanding biography. It is the best book I have ever read. It is the best book I ever will read. My San Francisco Chronicle piece can be found at http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/08/RV731K43B3.DTL#ixzz1RuZPn6nK

Diary of a Lost Girl to show in Ireland on Sunday

3epkano will accompany a showing of the 1929 Louise Brooks film, The Diary of a Lost Girl, at the Kinsale Arts Festival in Ireland on Sunday, July 17. For further details on this special event, please visit http://www.kinsaleartsweek.com/event/Music/3epkano/21

3epkano will accompany a showing of the 1929 Louise Brooks film, The Diary of a Lost Girl, at the Kinsale Arts Festival in Ireland on Sunday, July 17. For further details on this special event, please visit http://www.kinsaleartsweek.com/event/Music/3epkano/21

My most treasured book

I wrote a small piece on "My most treasured" book for the San Francisco Chronicle. It appeared in the print version of the newspaper on Sunday, and showed up on-line today. 

My most treasured book is Louise Brooks, by Barry Paris. It was difficult to express how much this book means to me, and how it changed my life, as I was given a 100 word limit. (Its a short format feature.) Nevertheless, I was flattered to be asked. Earlier contributors include novelist Isabel Allende, actor Peter Coyote, writer Mary Roach, linguist Geoffrey Nunberg and others. I hope reads check out this outstanding biography. It is the best book I have ever read. It is the best book I ever will read. 

Read more at http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/07/08/RV731K43B3.DTL#ixzz1RuZPn6nK

Remembering Theodore Roszak

Theodore Roszak, the writer who coined the term "counter culture," has died. He was 77. Roszak (1933-2011) was a social critic, cultural historian, teacher and author who first came to  prominence in the 1960s with the publication of The Making of a Counter Culture. That bestselling 1968 book chronicled the youth-movements of the time.

Roszak was also a novelist, and a fan of Louise Brooks. His singular 1991 novel, Flicker, was described by Publisher Weekly as a "magical mystery tour of the history of cinema" and "an acid satire on Hollywood." Kirkus Reviews called it a "Huge, deep-delving movie-lover's delight - and as rich a novel about the metaphysics of moviemaking as has ever been." While Booklist said Flicker was "An irresistible book . . . the perfect film buff's novel."

The publisher's description of Flicker goes like this:

"Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth—the sexy sirens, the screwball comedies, the high romance—take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment."

Later reviews were glowing. USA Today called Flicker "A novel of great force and originality, nearly every page of which crackles with lust for film," while Los Angeles City Beat, in reference to film critic David Thomson's book,said it was "The boldest novel about film since Suspects." 

Roszak loved movies and movie stars, especially the films and actors of his youth. He also mentioned to me that he was a fan of Louise Brooks, and had seen her surviving films including Pandora's Box. The silent film star, or at least a character modeled after the actress, plays a part in Flicker.

If Flicker sounds like it would make a good movie, you're right. At one point, Darren Aronofsky (Black Swan) was backing a production of a movie version of the book with screen adaptation written by Jim Uhls (Fight Club). However, like so many worthwhile projects, this one seems to have come to a halt. Read more here.

Theodore Roszak dies at age 77

Theodore Roszak, a writer who coined the term "counter-culture," has died at age 77. Roszak was a multi-genre author best known for his seminal 1968 book, The Making of a Counter-Culture. He taught at Stanford University, the University of British Columbia, and San Francisco State University before joining CalState Hayward

Roszak first came to public prominence in 1968, with the publication of The Making of a Counter Culture which chronicled and gave explanation to the European and North American counterculture of the 1960s. His other books include include The Cult of Information, The Gendered Atom: Reflections on the Sexual Psychology of Science, The Voice of the Earth, and Ecopsychology: Healing the Mind, Restoring the Earth. Roszak was twice nominated for the National Book Award.

His fiction includes Flicker and the Tiptree award-winning Memoirs of Elizabeth Frankenstein. His most recent novel, published in 2003, is The Devil and Daniel Silverman.

Roszak described Flicker to me as "a secret history of the movies." Louise Brooks plays a part in the story. Roszak also told me he was a big fan of the actress, and had seen many of her movies. At one point, Darren Aronofsky was backing a production of a movie version of the book.

Rolled Stockings writer turns 111

The woman whose story was the basis for the 1927 Louise Brooks’ film, Rolled Stockings, has turned 111 years old.

Today, Frederica Sagor Maas had a birthday. The La Mesa, California resident is one of the last surviving personalities from the silent film era, and perhaps the last living individual associated with one of Louise Brooks’ silent films. Maas is also thought to be the second oldest person in California. Read more about this remarkable woman on SFGate.

Louise Brooks news at paper.li

Paper.li is a "custom newspaper" aggregation utility which builds webpages from articles, blog posts, videos and photos shared on Twitter or Facebook. What results are are not curated, but rather the function of automatic functions like rss feeds and content streams.

It's kinda neat. And kinda not. Actually, its kinda random. Nevertheless, the Louise Brooks Society set up its own paper.li at http://paper.li/LB_Society/1309372490. Check it out. Or not.

In the meantime, here is a charming Louise Brooks tribute video via YouTube.

Dryden Theater in Rochester turns 60

The Dryden Theater, where Louise Brooks spent many an hour watching films, turns 60 years old. The theater is part of the George Eastman House in Rochester, New York.

Jack Garner, the noted film critic for the Rochester Democrat and Chronicle and a friend of the actress, penned an article about the anniversary. Garner wrote:

The Dryden opened in March 1951, thanks to the vision of James Card, the museum's first curator of motion pictures. After Eastman House opened in 1948 as a museum for photography and motion pictures, Card saw the need for an exhibition space to show off the substantial film collection. Card got George Eastman's niece, Ellen, and her husband, George Dryden, behind the project as donors and supporters of a fundraising campaign.

I had a chance to take a peek inside the Dryden Theater when I visited the George Eastman House in 2006 (as pictured right). It was thrilling to think Brooks (and many other early film stars honored at Eastman House) entered the Dryden right where I was standing. More info about the Dryden Theater and the George Eastman House can be found at http://www.eastmanhouse.org/ and on my column at examiner.com.

A Girl in Every Port to show in Chicago

The seldom screened 1928 Louise Brooks film, A Girl in Every Port, will be shown in Chicago, Illinois on Friday, July 22. This special screening, with live organ accompaniment by Jay Warren, is being put on by the Silent Film Society of Chicago. More info on the event can be found at my Louise Brooks column on examiner.com

When the film first showed in the Windy City in February, 1928 the local newspapers praised both the film and Brooks' role in it. Arthur Sheekman, writing in the Chicago Daily Journal, declared, "Your correspondent, partial to all the McLaglen performances, had a grand time watching A Girl in Every Port, in which so much loveliness is contributed by that dark young venus, Miss Brooks." While the curiously named Mae Tinee, writing in the Chicago Tribune said, "Various damsels rage through the action, but to Louise Brooks falls, as should, the plum feminine characterization. She pulls it off in her customary deft fashion - and the enchanting bob in which she first appeared before the movie camera."

I wish I lived in Chicago. I would be there in a heartbeat!

The Silent Film Society of Chicago's "Silent Summer" Film Festival runs Fridays from July 22 through August 26 at the Portage Theater (4050 N. Milwaukee Ave.) in Chicago. More on the festival and the Silent Film Society of Chicago can be found at www.silentfilmchicago.com/

Tickets can be purchased in advance from the Portage Theater box office during event box office hours, or by calling 773.736.4050. Tickets are also on sale at City Newsstand, (4018 N. Cicero Ave.). Tickets are $12 on the day of show (excepting $17 for the special August 12 screening of Sunrise). Advance prices and student / senior discounts are also available.

YouTube tribute to Louise Brooks

Here is a rather swell YouTube tribute to the one and only Louise Brooks. The music is by Phil Harris. The song is called "Vamp."

Two new ebooks about Louise Brooks

Two new e-books about Louise Brooks have been published for Kindle, the amazon e-reader. I've written short reviews of each on the amazon.com website. Here are my reviews, with links to each book. 

=======================================================

My Afternoon With Louise Brooks
by Tom Graves
Publisher: Rhythm Oil Publications (June 10, 2011)

I can't get enough of Louise Brooks, the legendary silent film star. That's why I was excited when I came across this new e-pub by a professional writer with articles in major newspapers and magazines as well as a couple of earlier books to his credit. (Author Tom Graves is legit, and his 1982 meeting with the actress is mentioned in Barry Paris' definitive 1989 biography, Louise Brooks.) However, I found myself disappointed by this rather slight account of a now long ago encounter with the reclusive actress. More an anecdotal essay than a book (which can be read in under 10 minutes), "My Afternoon With Louise Brooks" largely fails to deliver. It is short on detail and perspective, and except for the striking cover image, there are no illustrations. The author mentions research and interviews he conducted with Brooks' family and friends - as well as the first chapters he wrote for a planned biography - but they are nowhere to be seen. I would like to read more.  [More info here.]

=======================================================

Louise Brooks: Her men, affairs, scandals and persona
by Maximillien de Lafayette
Publisher: Times Square Press (May 23, 2011)

This "book" is terrible. It is poorly written, poorly laid out, padded with extraneous material (and lots and lots of white space) and otherwise riddled with innuendo, half-truths and errors. For example, I spotted one image of a Brooks look-alike who isn't Louise Brooks! There is no bibliography or list of sources to support the author's many outrageous claims regarding the actress, but there are numerous images seemingly gleamed from the internet. Where does the author get this stuff from? Or does he make it up? To call this rather slight cut-and-paste e-pub a "hack job" would be to give it too much credit. It's not worth the paper its not printed on.  [More info here.]

======================================================= 

Crazy Rhythm
by Daniel Vian
Publisher: Spectrum Beacon (May 31, 2010)

There is third book out, a work of fiction, which I have purchased but haven't had time to read. It is called Crazy Rhythm: A Novel of Hollywood, by Daniel Vian. Has anyone read it?  [More info here.]

One other recently released ebook - a work of erotic fiction,  Nymph: The Singularity by J.E. Lansing, features a character based on Louise Brooks. 'Nuf said. [More info here.]

Louise Brooks to be featured in exhibit

At least one vintage book featuring Louise Brooks will be featured in "Reading the Stars," an exhibit of books, magazines and other vintage reading material published during silent film era which will be on display at the San Francisco Public Library. All of the material - published during the Teens, Twenties, and early Thirties - pertain to the movies.

"Reading the Stars" is part of a small constellation of exhibits and programs titled "Shhhhhhh! Silents in the Library." The exhibits run June 25 through August 28 in the Main branch of the SFPL, on the Fourth Floor and Sixth Floor History Center Exhibit Space. 

If you plan on coming to town to attend to the San Francisco Silent Film Festival, don't miss this chance to take a look at these library exhibits. I curated "Reading the Stars," and it is the fourth exhibit in about 12 years which I have helped put on. Additional details to follow. More info at http://sfpl.org/index.php?pg=1006779101

Requesting Louise Brooks

A few bits of encouraging news.... yesterday, I received a request from a commentator for Michigan Public Radio who asked for a review copy of my Louise Brooks edition of The Diary of a Lost Girl. I realize a review copy request is not the same as a review, but here's hoping. And today, I exchanged emails with a Spanish-born writer living in Mexico who is working on a novel about Louise Brooks. This novelist was asking about certain historical details pertaining to the actress. The body of literature around the actress continues to grow.

The GREAT comics historian Bill Blackbeard has died

The GREAT comics historian Bill Blackbeard has died. The New York Times has an article on his passing at http://www.nytimes.com/2011/05/01/arts/design/bill-blackbeard-comic-strip-champion-dies-at-84.html

"An author, editor, anthologist and ardent accumulator who died in March at 84, Mr. Blackbeard is widely credited with helping save the American newspaper comic strip from the scrap heap, amassing a collection considered the most comprehensive ever assembled." His collection included Dixie Dugan, Windy Riley and other strips associated with actress Louise Brooks. 

Art Spiegelman,the RadioLulu listener who created the Pulitzer Prize-winning graphic narrative Maus, said in a telephone interview with the New York Times, “A filmmaker like Martin Scorsese couldn’t make what he makes if he had never heard of D. W. Griffith and Orson Welles." "Similarly, as my art form develops, it’s clear that the future of comics is in the past. And Blackbeard was the granddaddy that gave us all access to it.”

"It Girls" article discusses Louise Brooks

"It Girls," an article on Lapham's Quarterly by Academy Award winning documentary film maker Peter Foges, discusses Louise Brooks and Greta Garbo and the years they both lived in New York City. It is an interesting piece, and worth reading. I might even speculate myself and guess that someone, someday, might turn this bit into a short story.

[A small correction. Foges writes " Louise had worked at Saks for years selling gloves—and when she needed to, turning tricks." I beg to differ. Brooks only worked briefly at Sacks, and didn't turn tricks (as anyone can tell) in the sense she was a prostitute. She may have received cash or gifts for favors, though.] The article can be found at http://www.laphamsquarterly.org/roundtable/roundtable/it-girls.php

Flappers' Dictionary: How To Talk The 1920s Talk

Check out "Flappers' Dictionary: How To Talk The 1920s Talk" at the Huffington Pos, featuring you know who.

Call me

Talking with The Dodge Brothers

The Dodge Brothers are known around England for their robust approach to  American music. Described as "wonderful stuff" on British radio, this UK-based group plays an exuberant hybrid of American country blues, jug band, skiffle and rock-a-billy. In the current lingo, they could easily be described as a “roots music” outfit - with a strong rural feel.

The Dodge Brothers are also know around England for their accompaniment to the 1928 Louise Brooks film, Beggars of Life. They have performed their original score to this acclaimed silent film twice within the last year - and each time to great acclaim. They will be doing it again on Sunday, April 10th,when the British Film Institute screens Beggars of Life as part of the 14th annual British Silent Film Festival at the BFI Southbank in London. Accompanying the film will be The Dodge Brothers, who will be joined on-stage by the acclaimed silent film accompanist Neil Brand.

The movie, and the 1924 bestselling book it was based on, are fast becoming classic works of Americana. The Dodge Brothers accompaniment is a natural fit. Beggars of Life was directed by future Academy Award winner William Wellman and was based on the acclaimed book by “hobo-author” Jim Tully. The film stars future Academy Award winner Wallace Beery and silent film stars Richard Arlen and Louise Brooks. Edgar "Blue" Washington, a noted African-American actor, also has a small part. The film tells the gritty story of a girl who dresses as a boy and goes on the run and rides the rails in pre-Depression America.

Mike Hammond - the group's singer (and silent film expert) took time out to answer a few questions about their score, their music, Louise Brooks, and silent film.

Thomas Gladysz: The Dodge Brothers will accompany Beggars of Life on April 10th. For those not familiar with the Dodge Brothers, what can you tell us about the group?

Dodge Brothers: Well here is the short version. The Dodge Brothers are a four-piece band modeled on the skiffle and jug bands of the 20s and 30s. Each of us plays more than one instrument, Aly plays acoustic guitar and mandolin, Alex plays washboard, snare and wine bottle, I play guitar, banjo, piano and tap dance while Mark plays double bass, harmonicas, accordion and is soon to unveil his prowess on the bag pipes.

We started from a love of the music that leads up to Elvis, which ranges widely from railroad songs, murder ballads to ragged street blues. We got going learning ten songs (‘Frankie and Johnny’ and ‘Stagger Lee’ among others) and over the years we have amassed about 150 songs. A couple of years ago we started to write our own songs that resulted in our album Louisa and the Devil. Mark started this by bringing in ‘Church House Blues’ and saying it was by an old jug band. We still do that; if it fools the rest of us into believing its authentic then we play it. (Did I say short version?)

Thomas Gladysz: With that said, what can one expect  - musically speaking, from your score?

Dodge Brothers: The score for the film will draw from those old songs from the period. I am a silent film scholar and I know that Paramount had the most film theatres in the rural areas so it was not uncommon for them to release different versions of films, one for the big cities and one for the rural towns. I have kept this in mind when thinking about the score. The lovely Troubadors version of ‘Beggars of Life’ was meant as a theme for the film and we will be incorporating a version of that but combining it with motifs which call up railroad songs that were popular during the period, particularly those by Jimmie Rogers. Lots of those songs are really about hobos riding the rails and they have a wonderful wistfulness about them, a mixture of loneliness and humor that both fits the film and the way we play.

Thomas Gladysz: Beggars of Life is unlike any of Brooks' earlier American films. Had you seen it before? And what were your impressions?

Dodge Brothers: You’re so right about it being an exceptional Brooks film. Most people associate her with the Jazz Age flapper-type but in this film she plays a girl on the run, dressed as a boy! None of us had seen the film before and it was our fifth member, the fabulous pianist and silent film composer Neil Brand, who drew it to our attention. Brooks really ‘pops’ out of the screen and holds her own with Wallace Beery, which is no mean feat. The tension that is generated by her masquerade as a boy amongst a lot of rough hobos is tight as a drum. There is a real sense of menace and danger from the beginning where ‘The Girl’ (Louise) takes matters into her own hands with a firearm. She reminds me of Louisa in our song ‘The Ballad of Frank Harris’. Maybe that’s what I really like about this film, she is self-sufficient and an equal partner with Arlen. And she can shoot a gun!

Thomas Gladysz: Are you a fan of Louise Brooks?

Dodge Brothers: Oh yes and not only because of the fact that she is the most compelling of screen stars. She is intuitive as an actress and gives the sense that she is being rather than acting. I do think Pabst understood that best. However, I am as big a fan of her writing. She is incisive and brutal in her analysis of Hollywood and, perhaps most touching, of herself.

Thomas Gladysz: When did you first come across the actress?

Dodge Brothers: I can’t speak for the rest of the guys. I first saw her in an undergraduate film class in the 80s. It was Pandora’s Box. I remember thinking; of course these guys are giving away everything for her, who wouldn’t?

Thomas Gladysz:  Louise Brooks has been getting the musical treatment of late. Rufus Wainwright recently released a musical tribute to Louise Brooks titled All Days Are Nights: Songs For Lulu. And of course, it was preceded by earlier rock and pop musical tributes by the likes of Orchestral Manuevers in the Dark (OMD), the prog-rock group Marillion, Australian Jen Anderson, Mike Doughty's Soul Coughing, and others - even the cartoonist Robert Crumb. Where might your score fit into this history?

Dodge Brothers: Well all of these tributes are really great and it’s nice to be in their company. I haven’t heard Rufus Wainwright’s but I guess in this history we will probably be closer to R. Crumb’s. We are trying to bring a flavour of the kind of music that might have been played in the rural areas of the US to this film. Remember that the orchestras in most of those theatres at the time would have been as small as a quartet. They also played to their audience who would have known the railroad songs as well as the popular tunes of the day so they would mix them up. We’ll be doing something similar and hopefully support the wide-ranging emotions in this film, from lonesome and sad, to tender, to fast action and gunplay. Louise does it all here and, come to think of it, that’s a good description of The Dodge Brothers’ music too.

For more info: The 1928 Louise Brooks film Beggars of Life will be shown at the BFI Southbank (Belvedere Road, South Bank, London, SE1 8XT). Start time is 18:15. More info at this page. The Dodge Brothers have released two albums to date. The group is made up of  Mike Hammond (lead guitar, lead vocals), Mark Kermode (bass, harmonica, vocals), Aly Hirji (rhythm guitar, mandolin, vocals) and Alex Hammond (washboard, snare drum, percussion). More about the Dodge Brothers can be found at http://www.dodgebrothers.co.uk as well as http://www.facebook.com/dodgebrothers and http://www.myspace.com/dodgebrothers. A few video clips can be seen at  http://www.youtube.com/dodgebrothersuk

Statue luminaire représentant Louise Brooks

This art deco sculpture is said to represent Louise Brooks. I have my doubts. At best, it is an approximate look alike. This piece, which looks like bronze but is described as plaster, is for sale on eBay. The seller lives in France.

Does anyone know anything about this piece? Or the artist? I would be interested to find out more.

On it's eBay page, there is a photo of the base of the sculpture which shows the artist's signature. I can't quite make it out.

Louise Brooks films screen in London and Dublin Sunday

Sunday is the day to catch a Louise Brooks' silent film if you live in either London or Dublin. My new article on examiner.com covers the events.

On Sunday, April 10th, the British Film Institute is showing Beggars of Life, a1928 American silent film. This special screening, part of the 14th annual British Silent Film Festival, takes place at the BFI Southbank in London. Accompanying the film will be The Dodge Brothers, who will be joined on-stage by the acclaimed silent film accompanist Neil Brand.

And over in Dublin, the Irish instrumental group 3epkano will be performing their soundtrack to the 1929 German classic Diary Of A Lost Girl. This special screening will take place at a popular Dublin venue known as The Button Factory.

Louise Brooks film shows in Toronto on April 6

It’s the Old Army Game will be shown on Wednesday April 6 at 8:30 pm at the Fox Theater, 236 Queen Street East, in Toronto, Canada.

My short history of Toronto's long love affair with Louise Brooks can be found at "Louise Brooks film featured at Toronto Silent Film Festival" on examiner.com. Be sure and check it out, including the accompanying photo gallery, links and video.

I would love to hear from anyone who attends this historic event. Please post your observations in the comments field.

Who Is the Exotic Black Orchid?

Be sure and check out Andi Brooks' rockin' Louise Brooks inspired song "Who Is the Exotic Black Orchid" at http://www.myspace.com/564763002/music/playlists/andi-brooks-s-playlist-202705

Might a couple of the other songs on this playlist also be inspire by our Miss Brooks? Listen and you be the judge.

Documentary filmmaker Richard Leacock dead at age 89

Acclaimed documentary filmmaker Richard Leacock has died. He was 89 years old. Leacock, along with fellow directors D.A. Pennebaker, Robert Drew and the Maysles Brothers, helped pioneer the nonfiction format known as “direct cinema,” or Cinéma Vérité. His film-making carer spanned the years 1935 to 1996.

In 1984, he released Lulu in Berlin, a 50 minute filmed interview with Louise Brooks (intercut with film clips)  shot in the 1970's. It is remarkable and rare document, and has often been incorporated into other documentaries and television programs. I had a chance to meet and speak with Leacock a few years back, when Lulu in Berlin and another of his documentaries was shown here in San Francisco. You can read more about the man and his work at www.richardleacock.com

The entirety of Lulu in Berlin can be found on YouTube. Part one is embeded below.

Diary of a Lost Girl now at Southern Utah University

I am pleased to report that Southern Utah University in Cedar City, Utah now has The Diary of a Lost Girl (Louise Brooks edition) on their shelves. Southern Utah University is the 16 WorldCat reporting library to acquire the book.

Don't forget to ask your local or university library to get a copy. More info about the book at http://www.pandorasbox.com/diary.html

A portrait of Louise Brooks, by M.I. Boris

A portrait of Louise Brooks, by M.I. Boris

Another Louise Brooks postcard

I think this is one of the loveliest images of Louise Brooks....it stands apart from so many other portraits of the actress in that she is not wearing her trademark bob.

Louise Brooks postcard

Louise Brooks peers over Hemingway's shoulder

Louise Brooks, or at least a very good likeness of the actress, appears on the cover of a new book, peering over the shoulder of novelist Ernest Hemingway. The book, One True Sentence by Craig McDonald, was released just last week.

Set in Paris in 1924, One True Sentence is a historical and literary pastiche. The publisher describes it thus: "A Moveable Feast meets The Dante Club in this ­­­­exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons."

The story centers on one "Hector Lassiter, crime novelist and best friend of Ernest Hemingway, [who] is crossing the Pont Neuf when he hears a body fall into the Seine, the first in a string of brutal murders that befall literary magazine editors on both banks of the City of Lights. Eager to solve the mystery, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark and intriguing mystery novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets but in a web of murders, each more grisly than the next, and Hemingway, Hector, and Brinke have to scramble to find the killer before they become the next victims."

I think the cover is attractive, and the book sounds like a fun read. The author, Craig McDonald, is a journalist, editor, and fiction writer. In 2008, his debut novel, Head Games, was nominated for an Edgar and was also a finalist for the Anthony, Gumshoe, and Crimespree awards for best first novel. His previous book is Print the Legend. I've emailed McDonald asking for comment.

And by the way, doesn't the woman to the right of the Eiffel Tower look like actess Lya De Putti ? I think so.

UPDATE 2/23/2011: I heard back from author Craig McDonald. He wrote, "The woman depicted on the cover of the book is an artist's conception of a character in the book who is a mystery writer named Brinke Devlin. Louise is not a character in the book (although I am an admitted fan of Ms. Brooks')."

Louise Brooks in latest Vanity Fair

I haven't seen it yet, but I'm told there is a photo of Louise Brooks on page 211 of the March (Hollywood) issue of Vanity Fair, in a story about femmes fatales. It is the latest appearance in the magazine by the actress, who first graced its pages in the 1920's,

Francis Lederer candid photo

Here's one that gives pause. 

Currently for sale on eBay is a candid photograph of the Austrian-born actor Francis Lederer. He, of course, co-starred in the G.W. Pabst-directed Pandora's Box (1929), with Louise Brooks. In the film, Lederer played Brooks' eventual lover, Alwa.

According to the seller, this candid image was taken in Hollywood in 1940 by a fan named Mary Louise (coincidentally Brooks' actual first and last name). 

It's known that Louise Brooks was in Hollywood at the time. She left in 1940 and returned to Kansas.

I am not saying that this photo was taken by Louise Brooks. It wasn't. But the string of coincidences sure does give one pause. (Insert Twilight Zone theme here.)

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I've done a fair amount of research on this period of Brooks' life - the time she was living and working in Los Angeles in the late 1930s. Lederer lived there, as did many of her  co-stars from her American films. Ruth St. Denis also came to town for performances. However, I never came across any evidence or printed record which indicated that Brooks reached out or associated with individuals from her past. Aside from a small circle of new friends, she really seemed to be a loner.

A little bit of Louise Brooks

Though no Louise Brooks films were shown at yesterday's San Francisco Silent Film Festival winter event, the actress, I'm happy to report, was well represented just about everywhere.

Yesterday, I did my last formal book signing for the "Louise Brooks edition" of The Diary of a Lost Girl. To promote the my booksigning and others, an image of the book (with Brooks on the cover) was shown on the big screen of the historic Castro Theater. And afterwords, more than a few fans, as well as old friends like Bob Wilkins (pictured below), lined up to get a copy of the book. I was also pleased as well to have sold one of the rare hardback limited edition copies of this recently published book (a copy can be spotted on the table in front of me).

Sitting next to me was Karie Bible (pictured left, above), co-author of Location Filming in Los Angeles (Arcadia). Though we've emailed and are Facebook friends, this was the first time Karie and I really met. She is also the official tour guide for Hollywood Forever Cemetery and the creator of FilmRadar.com, a website dedicated to Los Angeles repertory and revival films. Karie has also spoken about film at various venues including the RMS Queen Mary, and has appeared on Turner Classic Movies. Location Filming in Los Angeles is an outgrowth of her interest in film.

Also among those at the event was documentary filmmaker Hugh Neely, whose Louise Brooks: Looking for Lulu, should be well known to all fans of Louise Brooks. If you haven't seen this stylish, Barry Paris-penned documentary - go out and find a copy NOW. It is splendid.

I first met Hugh (pictured above with yours truly) at the Cinecon film convention in Hollywood some years ago, before the Emmy-nominated Louise Brooks: Looking for Lulu first aired on Turner Classic Movies (TCM) in 1998. Hugh, like many of you, is a big fan of the actress. Thus, I was pleased to be able to present him with a copy of my book. I also told him about cartoonist Rick Geary, whose rubber stamp depiction of Louise Brooks I use while signing books. As the steward of TimeLine films, Hugh Neely has also made an number of other outstanding documentaries, including films on Clara Bow, Olive Thomas, Theda Bara, Mary Pickford, Cecil B. DeMille, Marion Davies and others. Each are exceptional.

The two vendors at the San Francisco Silent Film Festival winter event, Books Inc and the Niles Essanay Silent Film Museum, each carried a few Louise Brooks items, such as books, DVDs, postcards and art. I spotted a few festival patrons, some sporting Louise Brooks' bobs, purchasing some of each. All in all, it was a good day for silent film and Louise Brooks.

Rick Geary draws Louise Brooks

Writer & acclaimed comix artist Rick Geary draws a portrait of silent film actress Louise Brooks, to whom he is related. Geary is shown here in timelapse video.

I've been in touch with Geary in the past. Over on examiner.com, I had written about his graphic novel, Famous Players, the Mysterious Death of William Desmond Taylor (NBM Publishing). Geary is also the author of a graphic novel about the Bloody Benders of Kansas, whose crimes took place not so far in time and place from Cherryvale.

I first became aware of Geary (and his connection to Brooks) through Barry Paris. When I put on an event with Barry in San Francisco for the reissue of his biography of Louise Brooks, Barry signed books and then rubber stamped them using a rubber stamp design created by Geary. I carry on the tradition. At past events for The Diary of a Lost Girl, and at today's booksigning at the Castro Theater, I will be stamping copies of books with the Rick Geary design. It's similar, but not the same, as the image depicted in the video above.