Monday, March 16, 2009

Fat Man

A new chapter of The Fat Man is now online at http://www.myebook.com/ebook_viewer.php?ebookId=2367 It introduces Louise Brooks as a character.

The Fat Man is the latest in a ever growing list of appearances / homages to Louise Brooks in comics, graphic novels, and comix. This list begins with Dixie Dugan and "Show Girl" in the late 1920's and continues through Guido Crepax's Valentina in the 1960's through to today.

Catch up with the entire Fat Man story from the beginning at http://www.myebook.com/ebook_viewer.php?ebookId=2170

Saturday, March 14, 2009

Guido Crepax in mostra - Oltremoda

Check out this fabulous Italian video clip (on youtube) about Guido Crepax and his graphic novel heroine Valentina. I don't speak Italian and don't really know what they are talking about, but I do know that Louise Brooks is featured throughout! There even seems to have been an exhibit in Italy about Crepax that also featured the comix silent film star muse.



Thank you Gianluca Chiovelli for forwarding this clip.

Friday, March 13, 2009

Nameographie

While doing research, I found this item in an Austrian newspaper dating from 1928. As may be noticed, portraits of each individual are composed of the letters of their name. 



Can anyone come up with a similar Louise Brooks name-o-graph?

Sunday, March 8, 2009

This Time The Dream's On Me

Speaking of things I have only now come across . . .  I just discovered this somewhat interesting 2008 youtube video featuring "This Time The Dream's On Me" (Harold Arlen & Johnny Mercer) and  "Dream" (Johnny Mercer) as sung by Susanna McCorkle. The clips are mostly of Louise Brooks, though Clara Bow, Colleen Moore and a couple of others also feature in this video. I kinda like it.

Saturday, March 7, 2009

Lulu in Abu Dhabi

An article about fashion in today's The National, an English-language newspaper from Abu Dhabi, mentions Louise Brooks. Is there no limit to Brooks' reputation as an international icon?

Fur did indeed make an appearance on John Galliano’s catwalk for Dior, but it was just one part of a beautiful Far Eastern fantasy harking back to the 1920s, with exquisite hats by Stephen Jones, that mimicked Louise Brooks-style bobs, and lavish brocades, draping and beading. This was by far the most luxurious show of the week so far, with designers elsewhere concentrating on harsh power-dressing in black, black and more black. At Gareth Pugh and Anne Valérie Hash on Wednesday, Balmain, Nina Ricci and Balenciaga on Thursday and in Lanvin’s outstanding show on Friday, the palettes were almost entirely limited to charcoal, black, oyster, grey and stone, with the occasional blast of bright colour.
Heels soared, models stalked, shoulders were extended and waists cinched in a series of collections that drew on the 1940s and the 1980s for their silhouettes and their look-but-don’t-touch attitude.

Friday, March 6, 2009

A couple of bits

Just yesterday, I received word that a reprint of Beggars of Life is in the works. The book by Jim Tully, a celebrated bestseller in 1925, served as the basis of the 1928 Louise Brooks film of the same name. A reprint is expected in 2010. Kent State University Press will reissue the book, with a new introduction by speculative fiction writer Harlan Ellison. The press plans to reissue other Tully books as well. Scheduled for release this summer is Circus Parade, Tully's gritty novel of circus life, with a foreword by American Splendor author Harvey Pekar. As well as Shanty Irish, a memoir, with a foreword by independent film director John Sayles.

Recently, the university press took on the job of reviving interest in Tully, an Ohio-born writer who came to fame as a hobo-author and publicist for Charlie Chaplin. Along with reprints of Tully's own books, the press will also publish a long awaited biography of the author. I can't wait to read it. No date has been set on the release of the biography, which is nearing completion.

Speaking of things retro and cool . . . 

I came across a nifty website called www.hairarchives.com. And what caught my attention on this nice looking site was an extensive page devoted to the bob hairstyle. There is some good historical information, and lots of little seen illustrations. And of course, Louise Brooks is included. Check it out here.

Thursday, March 5, 2009

Sydney Chaplin dies at age 82

I have just heard that Sydney Chaplin, son of silent film legend Charlie Chaplin, has died. He was 82, and had lived in Southern California. He was the second son born to Charlie Chaplin and his second wife, Lita Grey. Their other son, Charles Chaplin Jr., died in 1968. From the Associated Press article
Sydney was named for his father's older half-brother, who helped young Charlie launch his theater career in England. After Charlie became a superstar in the movies, he returned the favor by bringing Syd Chaplin into the business.
Lita Grey was 16 when she married the 35-year-old Chaplin in 1924. Sydney was born two years later and his parents divorced a year after that in a court battle that brought sensational headlines.
He spent much of his boyhood in boarding schools — "I had been thrown out of three schools by the time I was 16," he recalled — with occasional weekends at his father's house. He recalled playing tennis with Greta Garbo and turning the music pages for the violin-playing Einstein.
Sydney Chaplin was an accomplished actor in his own right, and scored big on the New York stage. He was a Tony-winning actor who starred on Broadway opposite Judy Holliday in Bells Are Ringing (1957) and Barbra Streisand in Funny Girl (1964). He also appeared in two of his father's later films, Limelight (1952) and The Countess from Hong Kong (1967).

I had a chance to meet this gracious man a few years back. In 2003, author Jeffrey Vance convinced the elderly Sydney Chaplin to make a special appearance at the Castro Theater in San Francisco (as part of the San Francisco Silent Film Festival) to help promote Vance's then new book, Chaplin: Genius of the Cinema, which had just been released. Chaplin spoke about his father after a screening of The Circus, and then graciously signed books and autographs for many fans. I still treasure my signed books. I think I will dip into them in memory of Sydney.
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