Thursday, May 3, 2007

Etch-a-Sketchist Draws Louise Brooks

This blog entry by the Etch-a-Sketchist featuring Louise Brooks drawn on a Etch-a-Sketch just popped up. Isn't it kinda nifty? I could never manage more than a stick figure or two on those things.

Wednesday, May 2, 2007

Kevin Brownlow's SF visit

John Bengtson - a friend and the author of two excellent books, "Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton" and "Silent Traces: Discovering Early Hollywood through the Films of Charlie Chaplin" - posted a detailed account of Kevin Brownlow's visit to San Francisco. John posted it to the alt.movies.silent newsgroup. It can be read here.

Along with hosting the Brownlow booksigning at the Castro Theater on Saturday, I also attended the two events described by John in his post. And, I had a chance to speak with Kevin Brownlow at a small gathering on Sunday. Of course, we spoke about Louise Brooks - among other subjects. I told Kevin about the Louise Brooks Society and the various projects I have been working on. . . . We also spoke about Louise Brooks' inspired literature. Kevin had seen Smoking with Lulu when it played in London, and recommended I read Jack Finney's novel Marion's Wall. (I've just started the book. It is about a a young couple who move into an old San Francisco house possessed by a screen queen of the twenties who takes over the wife's body.)

It was a thrill to spend time with Kevin Brownlow. And just as you would expect, he "showed himself to be articulate, kind, modest, humorous, and generous. It was a delight to spend some moments in his company."

I took a few snapshots which I hope to post later. . . . My camera is at work awaiting tomorrow night's event with film biographer Steven Bach.

Tuesday, May 1, 2007

Lulu in Manilla

Louise Brooks is mentioned in an article which appeared in The Philippine Star. Admittedly, the author drops lots of names - but its neat to see Brooks mentioned in an Asian newspaper. The article - which discusses a number of things including the Ziegfeld Follies - reads in part

The Ziegfeld Follies was a series of elaborate theatrical productions inspired by the Folies Bergères of Paris. The Ziegfeld Follies was conceived and mounted by Florenz Ziegfeld, at the suggestion of his then-wife, the entertainer Anna Held. Top entertainers of the period like Eddie Cantor, Fanny Brice, Ann Pennington, Bert Williams, Will Rogers, Ruth Etting, Helen Morgan, Marilyn Miller, W.C. Fields, Ed Wynn and Nora Bayes, appeared in the shows. Fanny Brice was one of the most celebrated Ziegfeld Girls whose life story was made into a movie entitled Funny Girl that starred Barbra Streisand.
Ziegfeld Follies was such a big hit that many future movie stars of the era once enlisted themselves as Ziegfeld Girls. The list includes Marilyn Miller, Marion Davies, Mae Murray, Paulette Goddard, Joan Blondell, Nita Naldi, Dorothy Mackaill, Eve Arden, Billie Dove, Gilda Gray, Barbara Stanwyck and Louise Brooks. Norma Shearer who became a Hollywood superstar was turned down by Ziegfeld for being "not up to standards." Ziegfeld Girls were usually decked in the most elaborate costumes. Ziegfeld hired the best designers like Erte, Lady Duff and Ali Ben Hagan.
So popular were the Ziegfeld Follies that several movies were inspired by the revue. The Great Ziegfeld, starring William Powell as the master showman, Myrna Loy as Ziegfeld’s second wife Billie Burke, Luise Rainer as Anna Held, (which won her an Academy Award for Best Actress), and Frank Morgan (as a rival showman) won the 1936 Oscar Best Picture. The 1946 feature motion picture entitled Ziegfeld Follies starred Fred Astaire, Judy Garland, Lena Horne, William Powell, Gene Kelly, Fanny Brice, Red Skelton, Esther Williams, Cyd Charisse, Lucille Ball and Kathryn Grayson.

Monday, April 30, 2007

Lulu in Göttingen

Pandora's Box will be screened on May 3rd, with live music performed by "Ensemble Werner Küspert," as part of the 2nd Göttingen Silent Film Festival. For more information, please visitwww.stummfilm.info/festival/goettingen/2007/index.html

Saturday, April 28, 2007

RadioLulu in danger

For the last few years, I have paid to have RadioLulu broadcast over the internet. I figured it was a great way for fans of Louise Brooks and the silent film era to hear related music - most of which is rarely broadcast anywhere else. Where else, for example, can one hear the theme song to such Louise Brooks films as Beggars of Life or Prix de Beaute ? To broadcast over the internet via Live365.com, it costs me more than $100.00 per year. Some of that money goes to pay artist royalties. Now, things might change. . . . 

Recently, a ruling by the Copyright Royalty Board (CRB) - which governs broadcast and internet radio - announced catastrophically high new royalty rates (higher for internet broadcasters than over-the-air broadcasters) as well as a $500 / year minimum per station. Despite the outcry of nearly all webcasters, the CRB denied the request for a rehearing and has proceeded with their ruling.

In response to these new and unfair fees, Representative Jay Inslee (D-WA) introduced the Internet Radio Equality Act (HR 2060). This bill will provide immediate relief from the proposed new rates and can save thousands of Internet radio stations from going off the air, including RadioLulu!

RadioLulu, Live365, and the other members of the SaveNetRadio Coalition fully support this proposal and are working diligently to see it turned into law. The next step is to line up cosponsors for HR 2060, but time is running short.

We ask that you IMMEDIATELY:

CALL your Representative and ask them to cosponsor HR 2060 -- the Internet Radio Equality Act. Click here to find your Representative's number. And, notify others and have them call THEIR Representatives with the same request to cosponsor HR 2060. Without your help, RadioLulu and other stations that play music of the 1920's and 1930's over the internet may cease to exist.

Thank you for your support! And let's keep the music playing.

Friday, April 27, 2007

Speaking of Evolution

Evolution was a controversial topic back in the 1920's - as it still is today (sadly enough). This amusing editorial cartoon plays off to controversy to comment on changes in social behavior.



I came across this cartoon while researching and though I would share it with my hotsy totsy readers.

Wednesday, April 25, 2007

Quick, quick

Attention New York City fans of Louise Brooks, go see Louise Brooks and the 'New Woman' in Weimar Cinema at the International Center of Photography before it closes on Sunday.
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