Monday, October 24, 2005

On this day in 1929

On this day in 1929, Das Tagebuch Einer Verlorenen (or The Diary of a Lost Girl), starring Louise Brooks, Fritz Rasp and Valeska Gert (an actress and avant garde dancer), premiered at the UFA Kurfurstendamn Theater in Berlin. The LBS would appreciate hearing from any readers who were there on opening night  . . . .

Thursday, October 20, 2005

I got some good Denishawn material

Some inter-library loans arrived. I got some good Denishawn material from the curiously named Evening Day (from New London, Connecticut) as well as the Lewiston Sentinel (from Lewistown, Pennsylvania). What is notable about the Lewiston performance is that it was the first of the 1922-1923 season, and the first in which Louise Brooks was a member. Brooks, in fact, was referenced in the front page review which appeared the day following their appearance. I looked through some later months of each paper, and in each I found some material on The American Venus (1926). I also found some clipping on Beggars of Life (1928) in the Lewiston Sentinel dating from March, 1929. The William Wellman directed story of hoboes, tramping, and railroads would be one of the last silent films shown at the Rialto Theater in Lewiston. A week or so later, newly arrived sound equipment would be installed.

Wednesday, October 19, 2005

Some smart new pics of Chantal

Earlier, I had blogged about Chantal Kury, a gifted make-up artist and Louise Brooks' fan from Switzerland. Yesterday, I received a letter and some pictures of Chantal which I wanted to share. I like them, and think you will too.

      

For those who read German, here is a link to an illustrated article (pdf format) about Chantal and "Retro Styling."

Monday, October 17, 2005

Tagebuch einer Verlorenen

For sale through eBay, the program for Das Tagebuch einer Verlorenen, or The Diary of a Lost Girl (1929). So sad.

Sunday, October 16, 2005

On this day in 1927

On this day in 1927, the Kansas City Star ran an article on Now We're in the Air and stated 'This film is said to have an increased love interest. It will at least have our interest since Louise Brooks is the heroine. We gather from the pictures we have seen of the production that Miss Brooks is some sort of circus performer, as she is shown succumbing to the temptation of abbreviated skirts. That is Miss Brooks's old weakness." Newspaper reporters certainly had a way with words back then.

Saturday, October 15, 2005

Live365 stations that I like and listen to

Along with RadioLulu, here are some other Live365.com stations that I like and listen to:

Radio Dismuke - 1920s & 1930s Pop & JazzAbsinthe Radio - The Greatest Hits of the 1920s and 1930sSweet & Lovely - Sweet & Lovely, Hot & Sassy ! Songs from the 20's & 30's (Jazz Age 20s, Songbird 30s)Weimar Rundfunk - Jazz-Swing / European Hot Dance Bands, European Dance Orchestras

Thursday, October 13, 2005

Denishawn articles and reviews


Another on-going project is the gathering of reviews of each of the performances given by Denishawn during the two seasons Louise Brooks was a member of the dance company. Many reviews have already been gathered, but some have proven difficult to track down. The LBS would like to obtain local newspaper coverage (articles, advertisements, or reviews) of the following engagements:
November 25, 1922 - Marlowe Theatre - Jackson, Tennessee
(need Jacksonian clippings)

January 10, 1923 - Memorial Auditorium - Lowell, Massachusetts
(need Lowell SunLowell Evening Leader; and Courier-Citizen clippings)

January 11, 1923 - Worcester Theatre - Worcester, Massachusetts
(need Worcester Evening PostWorcester Telegram; and Evening Gazette clippings)

January 26, 1923 - Grand Theatre - Macon, Georgia
(need Macon News clippings)

January 27, 1923 - Lucerne Theatre - Orlando, Florida
(need Orlando Morning Sentinel clippings)

February 10, 1923 - Brenan Auditorium - Gainesville, Georgia
(need Gainesville EagleGainesville News; and Gainesville Daily Times clippings)

February 13, 1923 - Academy of Music - Charleston, South Carolina
(need Charleston American clippings)

February 14, 1923 - Garden Theatre - Bennettsville, South Carolina
(need Pee Dee Advocate clippings)

March 9, 1923 - Marvin Theatre - Findlay, Ohio
(need Findlay Daily Courier clippings)

October 15-20, 1923 - Apollo Theatre - Atlantic City, New Jersey
(need Atlantic City Evening UnionAtlantic City Press; and Atlantic City Gazette-Review clippings)

October 23, 1923 - Memorial Auditorium - Lowell, Massachusetts
(need Lowell SunLowell Evening Leader; and Courier-Citizen clippings)

November 6, 1923 - Academy Theatre - Hagerstown, Maryland
(need Daily Mail clippings)

December 10, 1923 - Moore’s Opera House - Clarksburg, West Virginia
(need Daily Telegram clippings)

December 11, 1923 - Camden Theatre - Parkersburg, West Virginia
(need Parkersburg News clippings)

December 15, 1923 - Auditorium - Hopkinsville, Kentucky
(need Daily Kentuckian; and Daily Kentucky New Era clippings)

January 11, 1924 - Grand Theatre - Galveston, Texas
(need Galveston Daily News clippings)

April 8, 1924 - Worcester Theatre - Worcester, Massachusett
(need Worcester Evening PostWorcester Telegram; and Evening Gazette clippings)


Wednesday, October 12, 2005

Alfred Cheney Johnston portrait of Louise Brooks

A rather nice Alfred Cheney Johnston portrait of Louise Brooks has shown up on eBay. Check it out here.

Tuesday, October 11, 2005

Henri Langlois: Phantom of the Cinematheque

From today's Newsday: "Blockbuster probably won't stock it, but the subject of Henri Langlois: Phantom of the Cinemathequeis the reason Blockbuster and its ilk exist at all. When the bearish Langlois founded the Cinematheque Francaise in Paris in 1936, cinema was considered by its founders and creators to be a disposable diversion. Langlois called it art and saved everything he could. Langlois is the reason why certain masters and masterpieces of early cinema can still be seen at all today. (He rescued the 1919 German Expressionist classic The Cabinet of Dr. Caligari, and liberated 1920s screen star Louise Brooks from oblivion). . . . "  Here is a link to the online version of this article. Has anyone seen this film?
Powered By Blogger