A very cool web thingy

AmazType uses Amazon Web Services to render an authors' names in type that's composed of collages of their book covers, which are pulled from Amazon's databases. The collages can be based on either a title or author. I created a "Louise Brooks" collage (with the search terms in quotes). Clara Bow and Buster Keaton title collage results are especially nifty. All together, a very cool web thingy - check it out.

A bit of trivia

A bit of trivia: San Francisco has three bookstores whose names are taken from the titles of films by Charlie Chaplin, 1) City Lights, 2) Modern Times, and 3) Limelight.  //// City Lights is the world famous home to the Beats. (Store owner / poet Lawrence Ferlinghetti once remarked to me how much he like Louise Brooks!) Modern Times is a progressive bookstore whose logo features gears, just like the Chaplin film. Limelight is a theater and film bookstore. I have shopped there many times.

On this day in 1927

ON THIS DAY IN 1927: The Cedar Rapids Republican notes in an article, ''Louise Brooks, who is said to be Clara Bow's only rival as cinema's most ravishing flapper, is a convincing argument in favor ofmodernism.''

Popular Front Paris

I've received an advance copy of Popular Front Paris and the Poetics of Culture, by Dudley Andrew and Steven Ungar. I've only skimmed the book so-far, but this interesting academic work (published by Harvard University Press) seems quite promising. From the publisher . . . .

"The story of Paris in the 1930's seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a leftist coalition government. The socialist victory, which resulted in fundamental improvements in the lives of workers, was then derailed in a precipitous descent that culminated in France's capitulation before the Nazis in June 1940. In this book, Dudley Andrew and Steven Ungar apply an evocative 'poetics of culture' to capture the complex atmospherics of Paris in the 1930's. They highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers (Gide, Malraux, Celine), artists (Renoir, Dali), and other intellectuals (Mounier, de Rougemont, Leiris) to respond to the decade's crises. Their analysis takes them to expositions and music halls, to upscale architecture and fashion sites, to traditional neighborhoods, and to overseas territories, the latter portrayed in metropolitan exhibits and colonial cinema. Rather than a straight story of the Popular Front, they have produced something closer to the format of an illustrated newspaper whose multiple columns represent the breadth of urban life during this critical decade at the end of the Third French Republic."

Film in general, and Prix de Beaute (1930) in particular, are discussed. Louise Brooks is pictured (page 268), and is described as "the sensational Art Deco film idol who changed styles of hair, couture, and behavior in France and around the world." Anyone interested in the cultural history of this time and place might want to check out this new book.

Doors of Perception

There's a story in the news today about a previously unknown film by Jim Morrison having surfaced. One article stated "Before The Doors' Jim Morrison made it as a rock singer, he wanted to make films. Now, 34 years after his death, the state of Florida has found and restored what it believes to be the earliest film of Morrison, shot in the early 60s when he attended Florida State University. It was discovered when the Department of State went through 1,000 films in its archive . . . . " The article went on to reference the Department of State website where one can view the Morrison film. That picqued my interest. I visited the website, and began exploring its photographic archives in hopes of finding something about you know who. It's the Old Army Game (1926), which starred W.C. Fields and Louise Brooks, was filmed in part in Ocala, Florida. (This Florida town, as it turns out, was also the setting for The Creature from the Black Lagoon.) A few scenes of  The American Venus (1926) were also filmed in the state.

Sadly, my search through the Florida Photographic Collection didn't turn-up any Brooks material. However, I did find a few images of movie stars (such as Evelyn Nesbit and Lupe Valez), and a few images of film companies on location in the state during the silent film era. The image below depicts Theda Bara shooting a scene on a beach in Florida.



A keyword search under "motion pictures" will lead you to relevant categories under which to browse or search for images. I will continue to poke around the website in hopes of finding other related material. Perhaps something related to Brooks' time in Florida as a nightclub dancer will turn up.

Louise Brooks: Portrait of an Anti-Star

I saw a copy of Louise Brooks: Portrait of an Anti-Star for sale on eBay. No one has placed a bid on this item, which has a very modest opening price of $9.99. I am not the seller (and don't know the seller), but wanted to bring this item to the attention of anyone who might be looking for a copy of this increasingly scarce book.

Strange days

I like to listen to music while I am blogging, crawling the web, or working on the LBS website. Today, I played  The Best of Dave Edmunds and Basher: The Best of Nick Lowe. Hadn't listened to either in long time. The Nick Lowe CD contains such great songs as "Cracking Up" and "Cruel to Be Kind" - as well as "Marie Provost." I hadn't really realized that song is actually about Marie Prevost (though Nick Lowe misspells her name). It's lyrics read in part: "Marie Provost was a movie queen / mysterious angel of the silent screen / And run like the wind the nation's young men steamed / When Marie crossed the silent screen." Lowe's lyrics also recount the rather morbid circumstances around Prevost's premature death. Don't know why this English pop musican wrote a song about a long forgotten movie actress, but he did. . . . And then a few hours later, reading while riding the bus to work, I once again come across the rather morbid circumstances surrounding Prevost's death in Gavin Lambert's excellent biography of Norma Shearer. Strange days are here . . . .