Addendum to Roland Jaccard (1941-2021), French author of Louise Brooks: Portrait of an Anti-Star

I wanted to add a bit more to my prior post regarding the passing of the French writer Roland Jaccard, who took his own life last September. Jaccard is best known to fans of Louise Brooks as the editor of the first ever book about the actress, Louise Brooks : portrait d'une anti-star. Jaccard's book was first published in France in 1977, and then translated into English and published in the United States in 1986 (and then in the UK in 1988). Here is a scan of the front and back covers of the American edition.

Jaccard's book made a bit of a splash in France, where it got some reviews and was eventually republished in 1985. The English language pieces in the book, namely those by Louise Brooks, were translated into French by Alain Meylan. When the book was published in English, the French pieces were translated into English by Gideon Y. Schein, who also contributed a brief forward to the book.

The book didn't catch on like it had in France, and only received a smattering of press. One syndicated piece that ran in a handful of newspapers stated: "More than a year after her death, silent screen star Louise Brooks continues to be a hot item in the publishing world. New York Zoetrope recently published Louise Brooks: Portrait of an Anti-Star, an English translation of a 1982 German book edited by Roland Jaccard. The $19.95 paperback includes essays and letters - including several by Brooks - as well as 90 photos, many borrowed from Brooks' personal collection." The author of this piece got a couple of things wrong, like the fact the book came from France, not Germany, and was first published in 1977, not 1982. 

Along with a filmography and list of Brooks' published articles, the English language edition includes:

The touch of a glance, by Tahar Ben Jelloun (poetry)
"Thank God, I'm alone", by Roland Jaccard
A certain kind of freedom, by Louise Brooks
The passion, death, and transfiguration of Lulu, by Jean-Michel Palmier
Pabst and Lulu, by Louise Brooks
The other side of the camera, by Louise Brooks
A witness speaks, by Lotte H. Eisner
The origin of a myth, by Roland Jaccard
An answer to an admirer: a letter from Louise Brooks to Guido Crepax
Song of Lulu, by Andre Laude (poetry)

During the pandemic lock-down in 2020, I found myself rereading Louise Brooks: Portrait of an Anti-Star, and wondering about the book's translator, Gideon Y. Schein. I wondered who he was, and decided to try and track him down, if possible. I was able to do so, and wrote him asking how it was he came to translate the French text 

Gideon wrote back: "A friend of mine who was working for the publisher of the book knew that I had met Louise Brooks in Rochester NY several times and when they needed a translator/editor they came to me. I was a big time fan long before that. I was a lunchtime guest in her home, which she never left.  At that time I was the Producing Director of the GeVa Theater in Rochester. . . . One day, out of the blue she called me and invited me for lunch. She must have followed me in the two local papers and was curious about my opera career in Europe, as well as my theater in Rochester. . . . She really was an extraordinary woman, but in her own way very humble. She turned down a star career for artistic principles."

Roland Jaccard's Louise Brooks: Portrait of an Anti-Star is a book every fan of the actress should own, and read. There are many second hand copies floating around the internet at very affordable prices.

 * * * * *

I want to add one more bit about Jaccard's book. Anyone who has read this blog for a whiule will likely know that I used to work as a bookseller at the Booksmith in San Francisco. For a long time, I ran the store's events program, and as a Louise Brooks obsessive, I tried to secure events with anyone connected with early film. Over the years, I put on events with Barry Paris, Peter Cowie, Frederica Sagor Maas (of Rolled Stockings fame) and others. Check out this earlier blog about some of the events I put on, part 1 is HERE, and part 2 is HERE.

Before I ran the events program, I was a section buyer, purchasing stock for the film section, art section, poetry, and the sale table. One day in 1998, while going through list of sale books, I noticed Louise Brooks: Portrait of an Anti-Star. Wow. I ordered a box full, and placed them on the sale table and offered them on-line. I knew there was interest, and they sold quickly. I ordered another box and they sold. I ordered two more boxes, and three more boxes, and four more boxes, and they all sold. I remember being a bit giddy at how fast these books were flying out the door. 

I am not sure how many copies of Louise Brooks: Portrait of an Anti-Star I sold, but it was a lot. Perhaps as many as 800 or 900 books. In fact, the store sold so many copies that the book made a local bestseller list. The SF Weekly, an alternative weekly in San Francisco, carried bestseller lists from local bookstores, and when they carried the Booksmith list, the then two-year old Louise Brooks: Portrait of an Anti-Star became a bestseller in 1998. Here is a scan of the clipping I have kept since then.

Roland Jaccard (1941-2021), French author of Louise Brooks: Portrait of an Anti-Star

Only recently I became aware of the passing of the French writer and critic Roland Jaccard (1941-2021), who is best known to fans of Louise Brooks as the author / editor of the first ever book about the actress, Louise Brooks : portrait d'une anti-star (1977). That heavily illustrated work, which included pieces by and about the silent film star, was translated into English and published in the United States as Louise Brooks: Portrait of an Anti-Star (1986). It helped advance the Brooks' revival in the 1980s.

Jaccard was the author of a number of other books, most notably Portrait d’une flapper (2007), which depicts Brooks on the cover, and another, Lou (1982), a fictional autobiography of Lou Andreas Salomé, the German-Russian woman of letters and pioneering psychoanalyst known for her relationships with Friedrich Nietzsche, Rainer Maria Rilke, Sigmund Freud and significantly Frank Wedekind. (There are some, including Jaccard, who have speculated that Wedekind based his Lulu character on Lou Andreas-Salome.)

Besides his writings on film (he also authored a book on John Wayne in 2019), Jaccard was also involved in the making of a few films. Here is his IMDb page. Jaccard was also a novelist, essayist, journalist, publisher and a specialist in psychoanalysis, having published several essays on Freud. Despite his many activities, he was little known in the United States, excepting for Louise Brooks: Portrait of an Anti-Star, which received a small number of reviews in America in the 1980s.

According to his French Wikipedia page, Jaccard believed in assisted suicide. In 1992, he wrote Manifeste pour une mort douce (Manifesto for a Gentle Death) with Michel Thévoz, the director of the Collection de l'art brut in Lausanne, Switzerland. In Jaccard's last autobiographical book, One never recovers from a happy childhood, released in 2021 a few weeks before his death, he announced that he would commit suicide “after the summer,” declaring old age horrified him. Jaccard died, apparently by his own hand, on September 20, 2021, two days before what would have been his 80th birthday. Notably, both his grandfather and father had also committed suicide around the same time in their lives.

I met Roland Jaccard in Paris back in January 2011. I was in the French capital to give a talk at the Village Voice bookshop (the now defunct English-language bookshop) and to introduce a screening of a Brooks' film at the Action Cinema. Both events were meant to promote my 2010 publication, the "Louise Brooks edition" of Margarete Böhme's The Diary of a Lost Girl. Some 50 plus people turned-out for the bookstore event (a good turn-out considering I am an unknown in Paris), including a few noted devotees of Brooks. Among them was Roland Jaccard. Pictured below is a snapshot from the event. On the left holding my "Louise Brooks edition" of The Diary of a Lost Girl is the French translator of the Barry Paris biography, Aline Weill - I am in the middle, and on the right is Jaccard holding a copy of his Louise Brooks: Portrait of an Anti-Star.

Not only did Jaccard attend my event, he also agreed to meet for dinner a couple of days later. Jaccard was well known for his love of Japanese food, and we met at one of his favorite Japanese restaurants, where he answered my questions about Brooks. (They were correspondents in the 1970s.) Jaccard also gifted me with a cache of rare Louise Brooks documents - including a vintage postcard, photographs, six handwritten letters, and other material. Eleven years later, I still can't believe his generosity.

During our dinner, the French actress Marie-Josee Croze arrived, and we were introduced. We spoke with her a bit (she knew of Brooks), and I gifted her with one of my mini-Lulu pins, which she immediately put on. It was a lovely evening, the kind that could only happen in Paris. Below is a snapshot of Jaccard chatting with Croze, who can be seen wearing my Lulu pin-back button.

Jaccard also generously autographed three different copies of  Louise Brooks: Portrait of an Anti-Star which I had carried with me on the airplane in hopes of meeting the author. (Being a completest, I own both the English and French editions of the book.) I also signed a book for Jaccard, which he had bought at the Village Voice bookstore before my event!

For those interested in learning more about Jaccard, here is a link to an article, "Death of essayist and columnist Roland Jaccard" in The Canadian. And here is another piece, “The elegance of Roland Jaccard”, by Frédéric Schiffter, a friend of the writer.

Jaccard's French Wikipedia page has a number of links to other recent articles, including this one by the noted novelist Tahar Ben Jelloun, who was also a contributor to Louise Brooks: Portrait of an Anti-Star. A small number of videos featuring Jaccard can be found on YouTube, including this, episode #4 of Cinephiles.

Diary of a Lost Girl starring Louise Brooks screens in UK on March 19

Diary of a Lost Girl (1929), starring Louise Brooks, will be shown in Devon, England on Saturday March 19, 2022 with live musical accompaniment by the stellar musical group, Wurlitza. More information about this event can be found HERE.

From the venue website: 

Director: G W Pabst | Cast: Edith Meinhard, Fritz Rasp, Josef Rovensky, Louise Brooks, Franziska Kinz, Vera Pawlowa

1h 56m | 1929  | Silent Film | *Please note the film was originally certified ‘A’ due to adult themes.

£12. Pricing and concessions information 

The Barn Cinema (Dartington, Totnes, Devon, TQ9 6EL) offers a truly unique experience: a wide-ranging film programme, including independent arthouse, world and mainstream cinema, all within a truly beautiful, renovated 15th century barn. The Barn Cinema are taking over The Great Hall for a night to invite Cornish band Wurlitza to perform their magical musical accompaniment to one of silent cinema’s classics: ‘Diary of a Lost Girl’.

After two years in the making, Wurlitza’s present their soundtrack for GW Pabst’s 1929 movie Diary of a Lost Girl.

Diary of a Lost Girl was made in Germany at a time of great artistic freedom. Fast moving and at times shocking, the film traces the story of Thymian, played by the mesmerising screen idol Louise Brookes, as her life yoyos between episodes of lightness and innocence, darkness and despair. Moments of great comedy involve life in a reform school for fallen girls headed by a villainous nun, and a modern dance lesson with an incompetent buffoon.

This gripping film defies convention, confounding expectations, as joy and compassion are found in the most unlikely places.

Repertoire for the live soundtrack includes music by Django Reinhardt, Fun Boy Three, Portishead, Wire, Chopin and Leonard Cohen.

Diary of a Lost Girl has been very well received in venues throughout Cornwall and Devon. They’ve celebrated the film by making a soundtrack which can be enjoyed on Soundcloud and Spotify.

"The music was expertly chosen to run seamlessly with the film. It enhanced the experience. It reflected mood and added nuance. The musicianship was excellent. The performance fitted superbly with the images...Why does Wurlitza work? Because they bring magic. And that is never a bad thing." - Ian Craft ‐ Calstock Arts

%%%%%

Want to learn more about Diary of a Lost Girl and the book that was the basis for the film? Check out the 2010  Louise Brooks Society publication, the Louise Brooks edition of Margarete Bohme's The Diary of a Lost Girl, edited and with an informative introduction by Thomas Gladysz.

The 1929 Louise Brooks film, Diary of a Lost Girl, is based on a controversial and bestselling book first published in Germany in 1905. Though little known today, it was a literary sensation at the beginning of the 20th century. By the end of the 1920s, it had been translated into 14 languages and sold more than 1,200,000 copies - ranking it among the bestselling books of its time.

Was it - as many believed - the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first novels of its kind? This contested work - a work of unusual historical significance as well as literary sophistication - inspired a sequel, a play, a parody, a score of imitators, and two silent films. The best remembered of these is the oft revived G.W. Pabst film starring Louise Brooks.

This corrected and annotated edition of the original English language translation brings this important book back into print after more than 100 years. It includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history and relationship to the 1929 silent film. This special "Louise Brooks Edition" also includes more than three dozen vintage illustrations.

The Louise Brooks edition of Diary of a Lost Girl is available at Amazon Canada and Amazon USA and elsewhere around the world. 

"Long relegated to the shadows, Margarete Böhme's 1905 novel, The Diary of a Lost Girl has at last made a triumphant return. In reissuing the rare 1907 English translation of Böhme's German text, Thomas Gladysz makes an important contribution to film history, literature, and, in as much as Böhme told her tale with much detail and background contemporary to the day, sociology and history. He gives us the original novel, his informative introduction, and many beautiful and rare illustrations. This reissue is long overdue, and in all ways it is a volume of uncommon merit." - Richard Buller, author of A Beautiful Fairy Tale: The Life of Actress Lois Moran 

Read today, it's a fascinating time-trip back to another age, and yet remains compelling. As a bonus, Gladysz richly illustrates the text with stills of Brooks from the famous film. - Jack Garner, Rochester Democrat and Chronicle

In today's parlance this would be called a movie tie-in edition, but that seems a rather glib way to describe yet another privately published work that reveals an enormous amount of research and passion. - Leonard Maltin

Thomas Gladysz is the leading authority on all matters pertaining to the legendary Louise Brooks. We owe him a debt of gratitude for bringing the groundbreaking novel, The Diary of a Lost Girl, back from obscurity. --Lon Davis, author of Silent Lives

It was such a pleasure to come upon your well documented and beautifully presented edition. -- Elizabeth Boa, University of Nottingham (UK)

Ukraine and Louise Brooks

In the course of my ongoing research into the world-wide presentation of Brooks' films, I have found that that they were shown in what is now Ukraine, which in the silent and early sound era was unwillingly part of Russia (aka the former Soviet Union dba the U.S.S.R.) The results of my research will be published in Around the World with Louise Brooks, which hopefully will be released later this year.

One archive that I have been able to explore is LIBRARIA, the Ukrainian Online Periodicals Archive. The archive remains online for the time being. But with a threaten Russian takeover, who knows for how long? For more on the silent and early sound era in Ukraine, see my earlier post on The Glories of Ukraine's KINO and Chwila film magazines.

I have written about my newspaper searches in the past, and was able to access one 1929 page from a newspaper in Chernivtsi. As a document, as a record of a place and time, this page has a remarkable history behind it. This city is located in what is now Ukraine, but in the 1920s was part of Romania. With its half-page, German-language spread on Die Buchse der Pandora, this is a notable find which shows just how wide-spread silent film culture once was.

I also found one other clipping which details when and where the actress' films were shown in what is now Ukraine. Below is an advertisement for a showing of Pandora's Box (known as Puszka Pandory or Dzieje Kokoty Lulu) which was published in May, 1929 in Chwila, a Polish-language Zionist daily from Lwów (or Lviv), a city in what is now western Ukraine, around 70 kilometers from the border with Poland. In the 1920s, Lviv was part of Poland.

I also did a search for Louise Brooks' name in Ukrainian, Луїза Брукс, and found this thumbnail image, which I was unable to access in a larger format.

Certainly, there is more to be found ....I say this because I do have a number of clippings from nearby nations such as Latvia, Lithuania, and Estonia. For me, Ukrainian newspaper and magazine archives  are difficult to access. For more on the silent and early sound era in Ukraine, see my earlier post on The Glories of Ukraine's KINO and Chwila film magazines. 

I posted this blog because I support a free and independent Ukraine, whose existence is being threatened by Vladimir Putin and his Russian gang. Hey Putin, the Soviet Union is gone. Get over it.

Louise Brooks film Diary of a Lost Girl set to screen in Toronto, Canada

The 1929 Louise Brooks' film, Diary of a Lost Girl, will be shown in Toronto, Canada on February 27 at the recently reopened Revue Cinema, Ontario's favourite independent cinema. And what's more, the film will be shown on the big screen with love musical accompaniment by Marilyn Lerner. More information about this special event, along with ticket availability, can be found HERE.

Diary of A Lost Girl

GERMANY | 1929 | 112 mins | NR

“Louise Brooks is the only woman who had the ability to transfigure no matter what filmi nto a masterpiece…She is much more than a myth, she is a magical presence, a real phantom, the magnetism of the cinema.” – Ado Kyrou, Amour-eroticisme et cinema

Based on Margarethe Böhme’s scandalous novel, DIARY OF A LOST GIRL is Louise Brooks and director G.W. Pabst’s follow-up to the iconic PANDORA’S BOX. No less sensuous, controversial, or provocative, DIARY showcases Brooks at her most transfixing.

The story of an innocent young girl disowned and sent away by her family after she is seduced and abandoned by her father’s assistant, Pabst’s film never succumbs to melodrama, but rather turns the table on the tormentors of women.

With showers of champagne set in the high-class brothels of Berlin, DIARY is Weimar at its most powerful. DIARY is a silent masterwork released at the era’s death knell and a film that further reinforced Brooks’ status as an icon, even if it ended up being her last major work and final silent film. – ALICIA FLETCHER

Digital Restoration Courtesy of Kino Lorber

---

Director: G.W. Pabst
Cast: Louise Brooks; Fritz Rasp; Valeska Gert

---

---

DETAILS

Doors Open 30 minutes before showtime.

---

PRICING

General Admission: $17
Bronze/Loyalty Members, Students & Seniors: $14
Silver Members: $13
Gold/Individual/Family Members: FREE

For INDIVIDUAL MEMBERSHIPS ($350) and FAMILY MEMBERSHIPS, please email us at info@revuecinema.ca to get your ticket!

Prices include taxes. All membership benefits are available.

 

Want to learn more about Diary of a Lost Girl and the book that was the basis for the film? Check out the 2010  Louise Brooks Society publication, the Louise Brooks edition of Margarete Bohme's The Diary of a Lost Girl, edited and with a long introduction by Thomas Gladysz.

 

The 1929 Louise Brooks film, Diary of a Lost Girl, is based on a controversial and bestselling book first published in Germany in 1905. Though little known today, it was a literary sensation at the beginning of the 20th century. By the end of the 1920s, it had been translated into 14 languages and sold more than 1,200,000 copies - ranking it among the bestselling books of its time.

Was it - as many believed - the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first novels of its kind? This contested work - a work of unusual historical significance as well as literary sophistication - inspired a sequel, a play, a parody, a score of imitators, and two silent films. The best remembered of these is the oft revived G.W. Pabst film starring Louise Brooks.

This corrected and annotated edition of the original English language translation brings this important book back into print after more than 100 years. It includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history and relationship to the 1929 silent film. This special "Louise Brooks Edition" also includes more than three dozen vintage illustrations.

 

The Louise Brooks edition of Diary of a Lost Girl is available at Amazon Canada and Amazon USA and elsewhere around the world.

 

"Long relegated to the shadows, Margarete Böhme's 1905 novel, The Diary of a Lost Girl has at last made a triumphant return. In reissuing the rare 1907 English translation of Böhme's German text, Thomas Gladysz makes an important contribution to film history, literature, and, in as much as Böhme told her tale with much detail and background contemporary to the day, sociology and history. He gives us the original novel, his informative introduction, and many beautiful and rare illustrations. This reissue is long overdue, and in all ways it is a volume of uncommon merit." - Richard Buller, author of A Beautiful Fairy Tale: The Life of Actress Lois Moran 

Read today, it's a fascinating time-trip back to another age, and yet remains compelling. As a bonus, Gladysz richly illustrates the text with stills of Brooks from the famous film. - Jack Garner, Rochester Democrat and Chronicle

In today's parlance this would be called a movie tie-in edition, but that seems a rather glib way to describe yet another privately published work that reveals an enormous amount of research and passion. - Leonard Maltin

Thomas Gladysz is the leading authority on all matters pertaining to the legendary Louise Brooks. We owe him a debt of gratitude for bringing the groundbreaking novel, The Diary of a Lost Girl, back from obscurity. --Lon Davis, author of Silent Lives

It was such a pleasure to come upon your well documented and beautifully presented edition. -- Elizabeth Boa, University of Nottingham (UK)

 

The Glories of Ukraine's KINO and Chwila film magazines

When we think of the silent era in Europe, films from countries like France, Germany, Italy or the Soviet Union might come to mind. Each produced great actors and directors and landmark motion pictures. However, there were also vital film industries emerging elsewhere - in Poland, Czechoslovakia, Hungary, etc... This blog's recent series of posts highlighting Poland's KINO magazine suggest there is much to discover in other European nations - not only in their interest in American film stars, but in their own stars and emerging film industries. If you haven't already done so, be sure and check out 

The Glories of Poland's KINO Magazine, part one

The Glories of Poland's KINO Magazine, part two

The Glories of Poland's KINO Magazine, part three

Ukraine's Online Periodical Archive, The Libraria, contains a number of periodicals for those who like me enjoy surfing the internet and browsing old newspapers and magazines, even though I can't read a word (but I can "read" and appreciate the visuals). I wish to follow-up on those three Polish posts with a similar post highlighting Ukraine's KINO and Chwila  magazines, which I was able to survey. (The Chwila covers continue after the break = "Read more.")

Let's begin with KINO magazine, which was dominated, seemingly, by Soviet actors and films? Unfortunately, because of the way this database is controlled, I wasn't able to look into the magazines themselves - just their 109 covers.  But still, there are some great covers to be seen featuring the likes of Buster Keaton, Anna May Wong and others. Unfortunately, I didn't notice any featuring Louise Brooks. I have included a few other covers simply for their design, which is similarly interesting.

Buster Keaton, 1929

Anna May Wong, 1929

Ramon Novarro ? 1929

Adolphe Menjou? Douglas Fairbanks? 1928

a great design, 1926

another great design, 1928

Louise Brooks, Clara Bow and Peggy Joyce are part of the Smart Set

Smart Set was one of the leading literary magazines during the Jazz Age. Founded in 1900 by Civil War veteran William d'Alton Mann, the magazine published a veritable who's who of American writers - everyone from Jazz Age stars F. Scott Fitzgerald, Dorothy Parker and Anita Loos (each of whom Louise Brooks met or knew) to Frank Wedekind (author of Pandora's Box) and Jim Tully (author of Beggars of Life). The celebrated magazine also published mystery writer S. S. van Dine (author of The Canary Murder Case), Ben Hecht (contributor to The City Gone Wild) and Dashiell Hammett (author of The Maltese Falcon, who Brooks once met). Read more about Smart Set on its Wikipedia page, which contains links to old back issues.

Though serious minded (the magazine was once edited by H.L. Mencken), it hoped to appeal to the sometimes frivolous youth of the Jazz Age, as seen in this 1928 advertisement featuring Velva Darling. Be sure and check out the Jezebel article, "Forever 23: The Rapid Rise and Sudden Disappearance of Velva Darling, Modern Girl Philosopher."

Well anyways, this is all prelude to mentioning that Smart Set also hoped to lure young female viewers by utilizing the likes of  actresses Louise Brooks, Clara Bow and Peggy Joyce.

Louise Brooks - a 1969 letter to a student journalist

On this day in 1969, the Blue Banner (the monthly student newspaper at Onondaga Community College near Syracuse, New York) published a letter Louise Brooks sent to student journalist James Rolick. The letter was a sort of explanation as to why Brooks cancelled her agreed to interview with the young journalist. The letter was published alongside a long profile of the actress by Rolick which included a couple of pictures sent by Brooks. This is amazing in that this took place relatively early in Brooks' "rediscovery."

 to be continued . . . ?