Thursday, November 23, 2023

Louise Brooks books from the Louise Brooks Society

Looking for something good to read? Want to learn more about Louise Brooks and her films? Looking for the perfect gift for the silent film buff or Louise Brooks fan on your holiday list? Check out one or more of these Louise Brooks Society publications.

*******************************************
 
The Street of Forgotten Men: From Story to Screen and Beyond (softcover 1st edition)
by Thomas Gladysz

-- The Street of Forgotten Men: From Story to Screen and Beyond is a 380 page deep dive into the history of one film, the 1925 silent, The Street of Forgotten Men. A popular and critical success at the time of its release, the film is based on a story by a noted writer, made by a significant director, shot by one of a greatest cinematographers, and features a fine cast which includes a future screen legend at the beginning of her career (Louise Brooks)  The story of the film is told in rich, historical detail — not only the film’s making, critical reception, and exhibition history but also its surprising legacy. Along with dozens of rare images and vintage clippings, this new book contains all manner of documents from the story on which the film was based to censorship records to a French fictionalization of the film to detailed credits and trivia, and even a review by a candidate for sainthood.

The Street of Forgotten Men: From Story to Screen and Beyond features forewords by Robert Byrne, whose restoration of The Street of Forgotten Men saved it from an undeserving obscurity, and film historian and Oscar honoree Kevin Brownlow, who revealed little known details about the film drawn from his correspondence with Louise Brooks.

AUTOGRAPHED copies available direct from the author @ $35.00 (includes shipping & handling within the USA). To place an order via PayPal, please send an email to louisebrookssociety AT gmailDOTcom 
 
 
****************************

Louise Brooks, the Persistent Star
(softcover 1st edition)
by Thomas Gladysz

-- This 296 page book brings together 15 years work by the Director of the Louise Brooks Society. Gathered here are the author's best articles, essays, and blogs about the silent film star and her films—Beggars of Life, Pandora’s Box, and Diary of a Lost Girl—each are discussed, as are many other little known aspects of Brooks’ legendary career. With many rare illustrations.

“Historian Thomas Gladysz has put together a number of his articles and essays from the past 15 years for the book Louise Brooks: The Persistent Star. Gladysz is the director of the Louise Brooks Society, and his detailed essays will be fascinating reading for any fan of the iconic actress.” — Lea Stans, Silentology

“… this (fully illustrated) book proves that ‘the persistent star’ is a perfect accolade.” — Tara Hanks, author of The Mmm Girl and Wicked Baby

AUTOGRAPHED copies available direct from the author @ $22.50 (includes shipping & handling within the USA). To place an order via PayPal, please send an email to louisebrookssociety AT gmailDOTcom
 
 
Or, buy the English-language edition from Amazon Australia | Brazil | Canada | France | Germany | India | Italy | Japan | Mexico | Netherlands | Poland | Singapore | Spain | Turkey | United Arab Emirates | United Kingdom
 
The English-language edition is also available from Saxo (Denmark) | Open Trolley (Indonesia) | MightyApe (New Zealand) | Bol.com (Netherlands) | Archiwum (Poland) 

****************************

Beggars of Life: A Companion to the 1928 Film
(softcover 1st edition)
by Thomas Gladysz 

-- This first ever study of Beggars of Life looks at the film Oscar-winning director William Wellman thought his finest silent movie. With more than 50 little seen images, tons of information, detailed credits, trivia, and a foreword by William Wellman, Jr. A must read for every fan. 

“I can say (with head bowed modestly) that I know more about the career of director William A. Wellman than pretty much anybody … but there are things in Thomas Gladysz’s new book on Wellman’s Beggars of Life that I didn’t know. More important, the writing is so good and the research so deep that even when I was reading about facts that were familiar to me, I was enjoying myself hugely.” — Frank Thompson, author of Nothing Sacred: The Cinema of William Wellman

“This highly readable book will deepen your enjoyment and understanding of a silent Hollywood classic.” — Pamela Hutchinson, author of Pandora’s Box (BFI Film Classics)

AUTOGRAPHED copies available direct from the author @ $13.50 (includes shipping & handling within the USA) / A very few copies signed by both Gladysz and William Wellman Jr. are also available @ $75.00 (includes shipping & handling within the USA). To place an order via PayPal, please send an email to louisebrookssociety AT gmailDOTcom
 
Or buy NEW from Amazon (USA) | Bookshop.org | Powells | Barnes & Noble | Books-a-Million
 
Or, buy the English-language edition from Amazon Australia | Brazil | Canada | France | Germany | India | Italy | Japan | Mexico | Netherlands | Poland | Singapore | Spain | Turkey | United Arab Emirates | United Kingdom
 
The English-language edition is also available from Saxo (Denmark) | Open Trolley (Indonesia) | MightyApe (New Zealand) | Bol.com (Netherlands) | Archiwum (Poland)  | Waterstones (UK)
 
****************************

Now We're in the Air
(softcover 1st edition)
by Thomas Gladysz

-- This companion to the once "lost" 1927 film tells the story of the film’s making, its reception, and its discovery by film preservationist Robert Byrne. With two rare fictionalizations of the movie story, more than 75 little seen images, detailed credits, trivia, and a foreword by Byrne. A must read for the discriminating fan. Your purchase helps support the LBS.
 
The absolute final word on the film from the world’s foremost expert on Louise Brooks. Thoroughly researched and expertly written, oh, and did I mention lavishly illustrated? If you love silent film and if you love Louise Brooks (and who doesn’t) you really should pick up a copy for your library.” — amazon.com review

AUTOGRAPHED copies available direct from the author @ $18.50 (includes shipping & handling within the USA)
 
Or buy NEW from Amazon (USA) | Bookshop.org | Powells | Barnes & Noble | Books-a-Million
 
Or, buy the English-language edition from Amazon Australia | Brazil | Canada | France | Germany | India | Italy | Japan | Mexico | Netherlands | Poland | Singapore | Spain | Turkey | United Arab Emirates | United Kingdom
 
The English-language edition is also available from Saxo (Denmark) | Open Trolley (Indonesia) | MightyApe (New Zealand) | Bol.com (Netherlands) | Archiwum (Poland) 

****************************
 
The Diary of a Lost Girl (Louise Brooks edition)
by Margarete Bohme (author) and Thomas Gladysz (editor)

-- The 1929 film, Diary of a Lost Girl, is based on a controversial and bestselling book first published in Germany in 1905. Though little known today, it was a literary sensation at the beginning of the 20th century. By the end of the 1920s, it had been translated into 14 languages and sold more than 1,200,000 copies - ranking it among the bestselling books of its time. Was it - as many believed - the real-life diary of a young woman forced by circumstance into a life of prostitution? Or a sensational and clever fake, one of the first novels of its kind? This contested work - a work of unusual historical significance as well as literary sophistication - inspired a sequel, a play, a parody, a score of imitators, and two silent films. The best remembered of these is the oft revived G.W. Pabst film starring Louise Brooks.

This corrected and annotated edition of the original English language translation brings this important book back into print after more than 100 years. It includes an introduction by Thomas Gladysz, Director of the Louise Brooks Society, detailing the book's remarkable history and relationship to the 1929 silent film. This special "Louise Brooks Edition" also includes more than three dozen vintage illustrations.

“In today’s parlance this would be called a movie tie-in edition, but that seems a rather glib way to describe yet another privately published work that reveals an enormous amount of research and passion.” — Leonard Maltin

“Gladysz makes an important contribution to film history, literature, and, in as much as Böhme told her tale with much detail and background contemporary to the day, sociology and history. This reissue is long overdue, and a volume of uncommon merit.” — Richard Buller, author of A Beautiful Fairy Tale: The Life of Actress Lois Moran

NEW from Amazon (USA) | Bookshop.org | Powells | Barnes & Noble | Books-a-Million | or in person at George Eastman Museum (Rochester, NY) | Larry Edmunds (Hollywood, CA)
 
Or, buy the English-language edition from Amazon Australia | Brazil | Canada | France | Germany | India | Italy | Japan | Mexico | Netherlands | Poland | Singapore | Spain | Turkey | United Arab Emirates | United Kingdom
 
The English-language edition is also available from Saxo (Denmark)
| Open Trolley (Indonesia) | MightyApe (New Zealand) | Bol.com (Netherlands) | Archiwum (Poland)

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Thursday, November 16, 2023

It has taken me 24 years to get ahold of this clipping

Just recently, I was updating the history of the Louise Brooks Society. The ABOUT page on the Louise Brooks Society website contains the story behind its launch in 1995, how I chose its name, its mission statement, and some of the things the LBS has achieved over the years. I was doing so because there are people on the interweb who suggest the Louise Brooks Society doesn't really exist, and that I am not its founding Director. Sounds ridiculous, I know. (BTW, I call myself its director because "director" is a movie term. It's not a grandiose moniker, and certainly more fitting than anything else I could come up with.)

While working on what I could remember of the history of the LBS, I was going through some old clippings about or mentioning my website. The Louise Brooks Society website was launched in August, 1995. The first media mention and its earliest print reference dates to May 23, 1996, when it was named a USA Today “Hot Site” and mentioned in the newspaper’s syndicated “Net: New and notable” column. Sam Vincent Meddis wrote in USA Today, "Silent-film buffs can get a taste of how a fan club from yesteryear plays on the Web. The Louise Brooks Society site includes interview, trivia and photos. It also draws an international audience."

Some of the other early mentions appeared in the Noe Valley Voice (September 1997), Wired magazine (April 10, 1998), Melbourne Age (April 16, 1998), San Francisco Chronicle (May 3, 1998), and Atlanta Journal-Constitution (May 5, 1998). I have print or digital copies of each.

One of the other early clippings appeared in the February - March 1999 issue of bLink, a magazine published by EarthLink. I knew this piece existed, because I had been contacted by the person who wrote it for a quote. However, I never got a copy of the magazine, and more or less forgot about it. Time passed.... until recently, when I was going through some old clippings about or mentioning my website. I wondered what ever happened to that magazine, and if they had an archive online. They don't. But my search turned up an eBay listing for the very copy I needed. Wowza. I put in a bid, and won!

And so, after 24 years, I am glad to have this nifty clipping, which appears on page 20 of this issue. Like the Wired magazine and San Francisco Chronicle pieces, it acknowledges the role the LBS played in inspiring TCM to go ahead with the Emmy-nominated documentary, Louise Brooks: Looking for Lulu. But more importantly, this clipping is another bit of proof that the Louise Brooks Society does in fact exist (and did so in 1999), and that I am its founding Director.

It was cool to see this piece, especially since it includes a screen grab of the old look of the Louise Brooks Society website.

BTW, for the record, the earliest Wayback Machine capture of the Louise Brooks Society at it’s current domain, www.pandorasbox.com, dates to April 11, 1997. But before that, the earliest archived newsgroup post mentioning the LBS, from October 27, 1995, announces the website. Another, a query from the LBS asking about a screening of Pandora’s Box in Poland, dates to January 29, 1996. Another, from December 31, 1996, announces the move to its new domain at pandorasbox.com, where it has resided since. Each of these posts are part of the Google groups / Usenet Archive.

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Tuesday, November 14, 2023

Happy birthday Louise Brooks (1906-1985)

Happy birthday to Louise Brooks, who was born on this day, November 14th, in Cherryvale, Kansas in 1906.

To celebrate Brooks' birth, I thought I would share a scan of my newest treasure, a tinted arcade card. The front and back of the card are shown below. In all likelihood, this card was obtained from a vending machine located in an amusement park, a store, or some similar venue where one might find other vending machines. And in all likelihood, it cost a penny, one cent.

Like the cherry red tinted Street of Forgotten Men arcade card, which has been shown previously on this blog and is depicted in my new book, The Street of Forgotten Men: From Story to Screen and Beyond, this golden yellow tinted card was issued by the Exhibit Supply Company of Chicago, Illinois. The Street of Forgotten Men card was intended as a promotional item which could also be used as a postcard.

This newest acquisition had a different use, as is shown on its reverse. This card was a kind of coupon. Acquire 50 such coupon cards, clip the corner, and one could redeem a prize, such as an Imp bottle, trick pencil, 7" x 10" Tom Mix photo, or a Babe Ruth or Charles Lindbergh Lucky Pocket Piece. By sending in 100 coupons, one could obtain a Rubber Dagger, Referee's Whistle, or a Charlie Chaplin Squirter, among other valuable prizes. Wowza!

Here is the scan of my arcade card, showing the front and back. The card, obviously, has been clipped. I wonder what the original owner obtained in return? 


This item, which I acquired through eBay, was part of a grouping of other movie star arcade cards which included major or established stars like Pola Negri, Marie Dressler, Vilma Banky, Constance Talmadge,  Marguerite De La Motte, Lila Lee and Gertrude Astor.

There were also cards for up and coming actresses like Carole Lombard, Joan and Constance Bennett, and Ruth Chatterton. Since Lombard's image was printed on one of the cards, and since she didn't have credited roles in films until 1928 and 1929, I am going to guess and say these cards date from around 1929, perhaps 1930 - by which time Brooks fame in the United States was beginning to fade. 

Here is an informational page about the Exhibit Supply Company from the Made in Chicago Museum. And here are examples of a whole bunch of cards from the collection of the Metropolitan Museum of Art in New York.

If anyone knows more about these specific cards, I would love to here from you. Also, I would be happy to sell any of these cards, either individually or as a group, except for the Louise Brooks card. Make me an offer. My other cards are shown below. Except for the Pola Negri card, each is in very good, though clipped, condition. A few have pencil markings on the reverse.


 

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Saturday, November 11, 2023

John Wayne & Louise Brooks Night in Russiaville, Indiana

The Kokomo-Howard County Public Library has announced it will screen the 1938 Louise Brooks film, Overland Stage Raiders, on Sunday, November 12 at 6:00 pm. This rare public screening of Brooks last film will take place at the Kokomo-Howard County Public Library (315 Mesa Dr) in Russiaville, Indiana. More information about this free event can be found HERE.

The announcement on a local TV website, WISHTV.COM (Channel 8), states: 

"Join us for a showing of 1938 release "Overland Stage Raiders," starring John Wayne and Louise Brooks. (Republic Pictures). In honor of Howard County Reads book, "The Chaperone" by Laura Moriarty, we will be showing the movie "Overland Stage Raiders." To honor the two movie stars, dress in your western duds or dress like a roarin' twenties flapper!"


That is an unusual pairing! If you can't attend this event and would like to view this little seen film, please note that it is available on DVD and Blu-ray on amazon.com and other shopping sites.

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Saturday, November 4, 2023

What Notable Women Are Wearing, including Louise Brooks

I am always researching Louise Brooks, and just recently, I came across a newspaper series titled "What Notable Women Are Wearing." From what I could gleam, this nationally syndicated series was authored by Marie Munneux, who was described as an International Illustrated News Fashion Authority. (Her name was not on every piece.) Typically, individual pieces include a feature photo of a well known woman wearing fashionable clothes of the time. 

These notable women might include actresses - like Norma Shearer, Edna Purviance, Yola d'Avril, or Jeanne Eagels, or other famous or well known individuals like Lady Astor, Mrs. Cornelius Vanderbilt Whitney, or Belle Bart, a noted astrologist. A paragraph or two of text might tell who the celebrity is, where the picture might have been taken, and describe the clothes they are wearing. 

I found two entries in the series which featured Louise Brooks. Below, I've included two pieces which, although they feature the same content, have a slightly different layout. 

For fun, here are a few of the other entries in the series which I came across, including Joan Crawford, Aileen Pringle, Gertrude Olmstead and the great Pearl White.

I sure wish these late 1920s newspaper fashion pictures reproduced better, but what can you do.... Still, they offer a snapshot into the Jazz Age. The second paragraph in the clipping that follows
pokes fun at the era's fashions, which some thought too revealing.

THE LEGAL STUFF: The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society  (www.pandorasbox.com). Original contents copyright © 2023. Further unauthorized use prohibited. As an Amazon Associate, I earn from qualifying purchases.

Thursday, November 2, 2023

Day of Silents Announced for Saturday, December 2

The San Francisco Silent Film Festival has announced its annual "Day of Silents" will take place one month from today, on Saturday, December 2 at the Castro Theater in San Francisco. More information may be found HERE.


Star turns by Anna May Wong, Rudolph Valentino, and Pola Negri! Centennial celebration of Harold Lloyd's Safety Last! A brilliant collection of animated shorts by Dave and Max Fleischer, Walt Disney, and other geniuses of the form! And a proto-noir featuring pre-Thin Man William Powell! All in our holiday-season live-cinema event A DAY OF SILENTS, coming to the Castro Theatre, San Francisco on Saturday, December 2. Like SFSFF's annual festival, A Day of Silents showcases a variety of superb titles from the silent era, all set to superb live musical accompaniment by the likes of Wayne Barker and Nicholas White, Mont Alto Motion Picture Orchestra, and the Sascha Jacobsen Ensemble!


Tickets and Passes are on sale now at silentfilm.org

 

THE PROGRAM:

Saturday, December 2, Castro Theatre

More information, tickets and passes at silentfilm.org


10:00 AM

OF MICE AND MEN (AND CATS AND CLOWNS)

A collection of animated shorts, 1908–1928

Some of the most creative films from the silent era came out of an inkwell! Our collection includes animated shorts from 1908–1928, films that outshine much of what followed. For sheer audacity and pure joy, these films by cartoon masters Including the Fleischer brothers, Pat Sullivan, and Walt Disney, can’t be beat!

Fantasmagorie (1908, d. Émile Cohl)

How a Mosquito Operates (1912, d. Winsor McKay)

Adam Raises Cain (1922, d. Tony Sarg)

Amateur Night on the Ark (1923, d. Paul Terry)

Bed Time (1923, d. Dave and Max Fleischer)

Felix Grabs His Grub (1923, d. Pat Sullivan)

A Trip to Mars (1924, d. Dave and Max Fleischer)

Vacation (1924, d. Dave and Max Fleisher)

Alice’s Balloon Race (1926, d. Walt Disney)

Felix the Cat in Sure Locked Homes (1928, d. Pat Sullivan)

Live music by WAYNE BARKER and NICHOLAS WHITE


12:00 NOON

THE WILDCAT (Die Bergkatze)

1921, d. Ernst Lubitsch

Pola Negri, Victor Janson, Paul Heidemann

Before director Ernst Lubitsch left Germany to ply his famous ‘Touch’ in Hollywood, he made a series of comedies that gave hints at what was to come. The Wildcat is his last German comedy and his most riotously zany. Subtitled ‘A Grotesque in Four Acts,’ Wildcat makes use of extravagant set design and eccentric frame shapes that lend a surrealistic edge to its antic energy. Pola Negri’s Rischka leads a gang of mountain bandits who ambush Lieutenant Alexis (Paul Heidemann) on his way to the local fortress, leaving him pant-less (and smitten) on the ice. Film writer John Gillett called the film “both an anti-militarist satire and a wonderful fairy tale.”

Live music by MONT ALTO MOTION PICTURE ORCHESTRA


2:15 PM

THE EAGLE

1925, d. Clarence Brown

Rudolph Valentino, Vilma Banky, Louise Dresser

Clarence Brown's rousing film displays a perfect blend of elements—romance, swashbuckling, a modicum of humor, and the great Rudolph Valentino! Not to mention the splendid production design by William Cameron Menzies and gorgeous camerawork by George Barnes. After Valentino's Russian lieutenant rejects the amorous attentions of Catherine the Great (Louise Dresser), she orders him arrested. Instead, he flees and becomes a masked avenger intent on righting the wrongs visited upon his father and his countrymen by loutish nobleman Kryilla Trouekouroff (James A. Marcus). But the nobleman has a beautiful daughter (Vilma Banky)...

Live music by WAYNE BARKER


4:15 PM

PAVEMENT BUTTERFLY (Großstadtshmetterling)

Germany/Great Britain, 1928/1929, d. Richard Eichberg

Gaston Jacquet, Anna May Wong

Luminous Anna May Wong goes from a fan-dancing carnival act to an artist garret and finally to the French Riviera where she accompanies a wealthy art patron around Monte Carlo, draped in haute couture. Wong left Hollywood in search of roles more fitting her talents than the racially-circumscribed ones at home. This Weimar title showcases her magnetism—when Wong is onscreen, you can't look away.

Live music by the SASCHA JACOBSEN ENSEMBLE


7:00 PM

SAFETY LAST!

1923, d. Fred C. Newmeyer, Sam Taylor

Harold Lloyd, Mildred Davis

Harold Lloyd's bumpkin salesclerk comes up with a publicity stunt that will bring attention to his department store and earn him the money to marry his sweetheart—scale the 12-story building like a human fly! Shot in downtown Los Angeles, the stunt has given us one of the most iconic images of the silent era—Lloyd precariously hanging over the city street, dangling from a broken clock. James Agee wrote: "Each new floor is like a new stanza in a poem; and the higher and more horrifying it gets, the funnier it gets."

Live music by MONT ALTO MOTION PICTURE ORCHESTRA


9:00 PM

FORGOTTEN FACES

1928, d. Victor Schwertzinger

Clive Brook, William Powell, Olga Baclanova

Heliotrope Harry (Clive Brook) and Froggy (William Powell) are partners in crime—genteel armed robbery—at least until the cuckolded Harry commits an even bigger offense. Before Harry goes to prison, he leaves his baby girl on the doorstep of a wealthy couple to keep her out of the clutches of his no-good wife Lilly (Olga Baclanova) and tasks Froggy with keeping close tabs. But Froggy is no match for Lilly...

Live music by the SASCHA JACOBSEN ENSEMBLE

Powered By Blogger