Thursday, November 24, 2022

The Unlikely Louise Brooks, number 3 in an occasional series

This post is the third in an occasional series focusing on unusual finds, unusual material, and unusual connections all related to Louise Brooks - even if only tangentially. I run across these sorts of things regularly... and this is one way to share them with my readers. Scroll through the preceding blog posts to read the first two entries in this series.

I suppose I could have titled this blog post, "The time that Louise Brooks partied with Louise Brooks." The Washington D.C. newspaper clipping shown below appeared in the Washington Times on Monday, April 7, 1930. It documents a day in the life of the silent film star, and the time she encountered another (lesser known) celebrity of the time with whom she shared a name.


Remarkably, our Louise Brooks (who was the guest of sometime paramour George Marshall), is described as an "erstwhile Movie star," suggesting her career was thought to be over. In fact, it was slowly grinding to a halt, though within a year, Brooks would be cast in three more films.

The other Louise Brooks (1912-1965) was born Evalyn Louise Brooks; as mentioned in the article, she was the daughter Mrs. Cromwell MacArthur, an American socialite whose four marriages included seven years as the first wife of General of the Army and future WWII legend Douglas MacArthur. (There is no indication that the General was in attendance.) Mrs. Cromwell MacArthur was at one time "considered one of Washington's most beautiful and attractive young women".

After her father's death, her mother married prominent investment banker Edward T. Stotesbury.If that name sounds familiar, it should, as his Palm Beach villa, El Mirasol, was the estate that was trashed by W.C. Fields and company (including Louise Brooks) in the 1926 film, It's the Old Army Game! Read more about that location shoot on John Bengtson's superb blog, Chaplin-Keaton-Lloyd film locations (and more).

And here they all are, together. How unlikely!

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Monday, November 21, 2022

A French Street Named after Louise Brooks

Is there a resident of Paris or the surrounding area that might be able to take a picture of a local street sign? I would like to get a clear straight on photograph of Impasse Louise Brooks, which is located in Bois-d'Arcy, a commune in the Yvelines department in north-central France. (Bois-d'Arcy is located about an hour, or some 37 kilometers outside Paris.)

Other streets in this subdivision are named after Greta Garbo, Erich von Stroheim, Charlie Chaplin, Orson Welles, Jean Vigo, Joan Crawford, Georges Méliès, Jacques Tati, Fritz Lang and others. Notably, Impasse Louise Brooks intersects with Allèe Marlene Dietrich, and Rue Voltaire.

From what I can tell, Impasse Louise Brooks is actually two dead end streets which meet-up (but don't actually connect, or pass through). And consequently, there are two street different signs at the entrance to each dead end. The images shown here are from Google street view. Unfortunately, part of one street sign is blurred. That is the kind of image I would like to get. 


If anyone can take a few nice photo of the Impasse Louise Brooks street sign, on its pole, and close-up, that would be swunderfull!

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Wednesday, November 16, 2022

Louise Brooks Society now on Mastadon

I launched the Louise Brooks Society website way back in the summer of 1995. I was a pioneer. The LBS was one of the first websites devoted to silent film and/or a silent film actor. Today, my website is certainly one of the longest lasting. 

Along the way, I branched out. There was a Louise Brooks Society MySpace page at one point, as well as a TribeNet page, and a streaming music channel (RadioLulu) on Live365. Things come and go. This blog dates back to 2002, when I first started writing about Louise Brooks on LiveJournal. In 2009, I transitioned the LBS blog to Blogger, where it has been ever since. (Some of the other Louise Brooks Society social media accounts can be found in the right hand column. Or, check out the LBS on LinkTree.)

The LBS has been on Twitter since 2009. (See https://twitter.com/LB_Society) To date, I have tweeted more than 6,150 times and gained some 5,200 followers. Not bad considering this is a niche interest.

With all the changes and uncertainty around Twitter these days (I think you know what I mean, as some are predicting its demise), I figure it is best to have a back-up, twitter-like account - an alternative app. I plan to stay with Twitter for the time being, but have recently set up an account on Mastadon. That account can be found at https://sfba.social/@LouiseBrooksSociety.

I would encourage anyone interested in exploring the brave new world of Mastadon to check it out. The Louise Brooks Society already has 10 followers, and a few of its three posts have been favored and boosted. Hooray! Come on and join the smart set.

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Monday, November 14, 2022

Happy birthday to Louise Brooks BOTD in 1906

Happy birthday to the dancer, silent film star and 20th century icon Louise Brooks, who was born on this day in 1906 in Cherryvale, Kansas. Not surprisingly, little (Mary) Louise Brooks started getting press from the day she was born. The first image shown below, a clipping dated November 14, 1906, comes from the Cherryvale Daily Republican. It is followed by another clipping, from the Cherryvale Daily News, which appeared that same day on the newspaper's front page.

 

And a few years later ....



The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Thursday, November 10, 2022

A good brainduster for fans of silent film

Here is something I ran across the other day, a picture puzzle in a 1926 issue of Exhibitor's Herald. The challenge is to identify the silent film stars hiding behind their masks. I think I can identify at least a few right off, and one of them is a famous actor who twice worked with Louise Brooks. Another, number two, is given away by his headgear. How many of the 24 can you identify? It is a good brainduster.

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Wednesday, November 9, 2022

Movies are Murder CMBA Blogathon - The Canary Murder Case (1929) part 2

  

 As the theme of this year's CMBA (Classic Movie Blog Association) blogathon is "Movies are Murder," the Louise Brooks Society join's in with a post devoted to the celebrated 1929 film,
The Canary Murder Case.


Things you may or may not have known about 1929 film, The Canary Murder Case, starring William Powell, Jean Arthur, Louise Brooks, James Hall, Eugene Pallette and Gustav von Seyffertitz. Production on the film took place between September 11 and October 12, 1928 at Paramount’s studio in Hollywood. Sound retakes took place on December 19, 1928.

The film was initially shot as a silent, and shortly thereafter reworked for sound. The film's credited director is Malcolm St. Clair – although retakes for the sound version were directed by Frank Tuttle. (Both had worked with Louise Brooks in the past.) The sound version was listed at 7 reels (7,171 feet) or 80 minutes – while the silent version was listed at 7 reels (reported as 5,843 feet). Both versions are extant. (The silent version, so far unreleased on home video, is said to be the better film.)

Look-alike actress Margaret Livingston, who would marry bandleader Paul Whiteman in 1931, was the uncredited, body and voice double for Louise Brooks in sound version.


 S.S. Van Dine, the author of the novel on which the film was based, is the pseudonym used by art critic Willard Huntington Wright (1888 – 1939) when he wrote detective novels. Wright was an important figure in avant-garde cultural circles in pre-WWI New York, and under the pseudonym (which he originally used to conceal his identity) he created the once immensely popular fictional detective Philo Vance, a sleuth and aesthete who first appeared in books in the 1920s, then in movies and on the radio in the following decades.

— Willard Huntington Wright’s brother was the American avant-garde painter Stanton Macdonald-Wright. Willard’s portrait, painted by his brother in 1914, hangs in the permanent collection of the National Portrait Gallery in Washington, D.C. (link to portrait)

Wright was one of the best-selling authors in the United States. The Canary Murder Case was the second book in a popular series featuring Vance — though the film made from it was the first in a series to feature the character. William Powell revived his role as Vance in four additional films, including The Greene Murder Case, released later in 1929. Other actors who played Vance include Basil Rathbone and Edmund Lowe.

— S.S. van Dine’s novel was loosely inspired by / based on the real-life murder of showgirl Dot King, which was never solved. King was among those nicknamed “Broadway Butterflies.” (George Kibbe Turner, who wrote the story "The Street of the Forgotten Men," the basis for Brooks' first film, also wrote a series of stories about Broadway Butterflies.)

— Glenn Wilson, a Federal investigator attached to the bureau of criminal investigation for Los Angeles county, reportedly served as an adviser on the film.

— Louise Brooks was especially popular in Japan in the late 1920s. And those films in which she played a modan gāru, or modern girl, proved to be a success. Not suprisingly, The Canary Murder Case was a HUGE hit in Japan, where it opened in April 1929 at the Hogaku-Za Paramount Theatre in Toyko as part of a double bill with the UFA film, Metropolis. (Imagine that!)


— In a 1931 article on the cinema in Singapore, the New York Times notes that “Asiatics love the gangster film, but very few are shown, owing to the censorship regulations which bar gun battles and will not tolerate an actual ‘kill’ on the screen. The first cuts made before they decide to ban all films of this type were very clumsy and made a mystery story a bigger mystery than ever. For instance, in the Canary Murder Case.”

Under its American title, documented screenings of the film took place in Australia (including Tasmania), Bermuda, British Malaysia (Singapore), Canada, China, Dutch East Indies (Indonesia), India, Ireland, Jamaica, Japan, New Zealand, Trinidad, and the United Kingdom (England, Isle of Man, Northern Ireland, Scotland, and Wales).

Elsewhere, The Canary Murder Case was shown under the title Die Stimme aus dem Jenseits (Austria); O drama de uma noite (Brazil); El Crimen de la Canaria (Cuba); Die Stimme aus dem Jenseits and Kanárkový vražedný prípad (Czechoslovakia) and Hlas Ze Záhrobí (Slovakia); Die Stimme Aus Dem Jensits (Danzig); Hvem dræbte Margaret O’Dell? (Denmark); De Kanarie Moordzaak (Dutch East Indies – Indonesia); Hääl teisest maailmast and Hääl teisest ilmast (Estonia); Salaperainen Rikos and Ett hemlighetsfullt brott and Det hemlighetsfulla brottet (Finland); Le meurtre du Canari (France); Die Stimme Aus Dem Jensits (Germany); Kandari Gyilkosság and Gyilkossag a szailoban (Hungary); La canarina assassinata and Il caso della canarina assassinata (Italy); カナリヤ殺人事件 (Japan); 카나리아 머더 케이스 (Korea); De Kanarie Moordzaak (The Netherlands); I Kanarifuglens Garn and I fristerinnens garn (Norway); Kryyk z za Swlatow (Poland); Die stimme aus dem Jenseits (Poland, German language publication); O Drama duma Noite (Portugal); Kdo je morilec? (Slovenia); ¿Quién la mató? (Spain, including The Canary Islands); Midnattsmysteriet (Sweden); and Дело об убийстве канарейки (U.S.S.R.).


A previous post, Movies are Murder CMBA Blogathon - The Canary Murder Case (1929) part 1, had appeared on November 7 at  9:29 am.

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.
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