Louise Brooks, Clara Bow and Peggy Joyce are part of the Smart Set

Smart Set was one of the leading literary magazines during the Jazz Age. Founded in 1900 by Civil War veteran William d'Alton Mann, the magazine published a veritable who's who of American writers - everyone from Jazz Age stars F. Scott Fitzgerald, Dorothy Parker and Anita Loos (each of whom Louise Brooks met or knew) to Frank Wedekind (author of Pandora's Box) and Jim Tully (author of Beggars of Life). The celebrated magazine also published mystery writer S. S. van Dine (author of The Canary Murder Case), Ben Hecht (contributor to The City Gone Wild) and Dashiell Hammett (author of The Maltese Falcon, who Brooks once met). Read more about Smart Set on its Wikipedia page, which contains links to old back issues.

Though serious minded (the magazine was once edited by H.L. Mencken), it hoped to appeal to the sometimes frivolous youth of the Jazz Age, as seen in this 1928 advertisement featuring Velva Darling. Be sure and check out the Jezebel article, "Forever 23: The Rapid Rise and Sudden Disappearance of Velva Darling, Modern Girl Philosopher."

Well anyways, this is all prelude to mentioning that Smart Set also hoped to lure young female viewers by utilizing the likes of  actresses Louise Brooks, Clara Bow and Peggy Joyce.

Louise Brooks - a 1969 letter to a student journalist

On this day in 1969, the Blue Banner (the monthly student newspaper at Onondaga Community College near Syracuse, New York) published a letter Louise Brooks sent to student journalist James Rolick. The letter was a sort of explanation as to why Brooks cancelled her agreed to interview with the young journalist. The letter was published alongside a long profile of the actress by Rolick which included a couple of pictures sent by Brooks. This is amazing in that this took place relatively early in Brooks' "rediscovery."

 to be continued . . . ?

WINGS screens in Cleveland, Ohio at Cleveland Silent Film Festival

The inaugural Cleveland Silent Film Festival and Colloquium, which kicks off this weekend, will screen Wings, one of the great films of the silent era. Along with Wings, the Festival is also set to screen Steamboat Bill, Jr. (1928), starring Buster Keaton, The Wedding March (1929), starring Erich von Stroheim, and Sunrise (1927), starring Janet Gaynor. Click to access the Festival's Facebook Page which contains information on the various screenings and concerts as well as ticket information.

I was honored that the Cleveland Silent Film Festival published my essay on Wings in their festival program. I also penned a piece for the local Cleveland, Ohio patch entitled "WINGS to screen at Cleveland Silent Film Festival: First Oscar winner was the most popular film in the city in the 1920s".

On Friday, February 18, the newly launched Cleveland Silent Film Festival will screen Wings, a film which holds two unique distinctions; it was the first film to win an Academy Award for Best Picture. And secondly, Wings can rightly claim to have been the most popular film shown in Cleveland in the 1920s. 

If that isn't enough to pique your interest, this blockbuster film will be shown with a newly recorded reconstruction of the lavish musical score first heard at the film's 1927 premiere. That score was composed by J.S. Zamecnik, a Cleveland-born composer widely regarded as one of the leading film composers of his time.

 

Dates and films set for first ever Cleveland Silent Film Festival

The dates and line-up of films have been announced for the first ever Cleveland Silent Film Festival and Colloquium. The multi-film, multi-day series of events begins February 13 and runs through February 20. It looks to be an impressive event. A complete listing of festival and colloquium events is below. Ticketing information is listed with each event. Consult with each venue about its COVID-19 safety policies and admission requirements. More information HERE.

A consortium of five area institutions has come together to put on the week-long Cleveland Silent Film Festival and Colloquium. The 2022 Cleveland Silent Film Festival is a new venture planning exciting programs of silent era classics accompanied by top silent film music specialists as well as workshops for area musicians interested in learning to play for silent films. 

 The newly formed Festival will screen four feature films, and a few shorts. However, the main attraction or "star" of the Festival is not a film or actor or director, but rather the Cleveland-born film score composer, J.S. Zamecnik, whose music will be featured and performed by the Mont Alto Motion Picture Orchestra. I have seen them accompany a number of silent films at the San Francisco Silent Film Festival, and they really are outstanding. I also own the CD pictured at the bottom of this post. If there name sounds familiar, it is likely because they provided the musical accompaniment to the KINO Lorber release of the 1928 Louise Brooks film, Beggars of Life.

FILM FESTIVAL AND COLLOQUIUM SCHEDULE

3 p.m. Sunday, Feb. 13
Hermit Club (1629 Dodge Ct., Cleveland)
“From Hermit Club to Hollywood: A Concert of Music by J.S. Zamecnik and Dvorak”
Featuring members of the Cleveland Orchestra, led by violinist Isabel Trautwein. Rodney Sauer, director of the Mont Alto Motion Picture Orchestra, will be sitting in on piano for the Zamecnik Piano Trio.
Tickets, $40, at eventbrite.com.

7:30 p.m. Tuesday, Feb. 15
Birenbaum Innovation and Performance Space (10 E. College St., Oberlin)
Short silent films accompanied live by Oberlin Conservatory of Music students
Free admission.

8 p.m. Wednesday, Feb. 16
Apollo Theater (19 E. College St., Oberlin)
Film: “Steamboat Bill, Jr.”
Free admission.

 4 p.m. Friday, Feb. 18
Harkness Chapel (11200 Bellflower Road, Cleveland)
“Silent Film Scoring for Working Musicians,” with Rodney Sauer, director of the Mont Alto Motion Picture Orchestra, and Daniel Goldmark, director of the Center for Popular Music Studies at CWRU
Free admission.

7 p.m. Friday, Feb. 18
Cleveland Institute of Art Cinematheque (11610 Euclid Ave., Cleveland)
Film: “Wings” (1927), with a newly recorded soundtrack of the score heard at the film's NYC premiere in 1927
Tickets, $12, at cia.edu/cinematheque

7:30 p.m. Saturday, Feb. 19
Cleveland Institute of Art Cinematheque
Film concert: “The Wedding March” (1929), with live accompaniment by the Mont Alto Motion Picture Orchestra
Tickets, $15, at cia.edu/cinematheque

3:30 p.m. Sunday, Feb. 20
Cleveland Institute of Art Cinematheque
Film concert: “Sunrise” (1927), with an original score inspired by Zamecnik’s music, performed by the Mont Alto Motion Picture Orchestra
Tickets, $15, at cia.edu/cinematheque

The Glories of Poland's KINO Magazine, part three

If you are anything like me (and I realize most people aren't), then you may enjoy surfing the internet and browsing old newspapers and magazines, especially international publications. I like doing so on occasion. In particular, I enjoy looking at old film magazines. They depict a world gone by. A time and place no longer. But what's more, you never know what you will find - rare and unusual images, little known interviews with favorite stars, and more. 

I am drawn to publications from Eastern Europe, especially publications from Poland. (I am of Polish heritage.) One of my favorite magazines to look through is KINO, a Polish film magazines. A small archive of the magazine, dating from the 1930s, can be found online HERE. (Warning, this archive can be problematic to navigate.)

What is especially notable about this magazine (especially in the early 1930s) is its striking, sometimes avante-garde cover art, which utilizes a muted palette and employs portrait photography and illustration, as well as moderne and art deco designs, collage, coloring, patterns, layers, geometric forms, abstraction, "exoticism" and a varied layout (i.e. title placement). It is also worth noticing the predominance of angles over curves. (As the decade progressed, KINO covers were less bold, and began to resemble the covers found on other magazines of the time.)

I found a bit of material about Louise Brooks, of course, as well as many attractive magazine covers which I wanted to share - both because they depict favorite movie stars, but also for their swell graphic design. There are so many interesting images that I need divide this post into a few parts. 

This is part three. (See the previous blog post for part two.) I will start with a couple of Louise Brooks related covers and go from there. This first cover depicts William Powell from around the time he starred in The Canary Murder Case, which in Poland was titled Kryyk z za Swlatow. (See the end of the previous post for stunning image of Brooks as the Canary, which was published in KINO.) The second cover depicts Louise Brooks two-time co-star, Adolphe Menjou.

William Powell 1930

Adolphe Menjou 1930

Anna May Wong 1930

Nina Mae McKinney 1935

Lya di Putti 1931

Gloria Stuart 1937

Mae West 1935

Myrna Loy 1936

The Glories of Poland's KINO Magazine, part two

If you are anything like me (and I realize most people aren't), then you may enjoy surfing the internet and browsing old newspapers and magazines, especially international publications. I like doing so on occasion. In particular, I enjoy looking at old film magazines. They depict a world gone by. A time and place no longer. But what's more, you never know what you will find - rare and unusual images, little known interviews with favorite stars, and more. 

I am drawn to publications from Eastern Europe, especially publications from Poland. (I am of Polish heritage.) One of my favorite magazines to look through is KINO, a Polish film magazines. A small archive of the magazine, dating from the 1930s, can be found online HERE. (Warning, this archive can be problematic to navigate.)

What is especially notable about this magazine (especially in the early 1930s) is its striking, sometimes avante-garde cover art, which utilizes a muted palette and employs portrait photography and illustration, as well as moderne and art deco designs, collage, coloring, patterns, layers, geometric forms, abstraction, "exoticism" and a varied layout (i.e. title placement). It is also worth noticing the predominance of angles over curves. (As the decade progressed, KINO covers were less bold, and began to resemble the covers found on other magazines of the time.)

I found a bit of material about Louise Brooks, of course, as well as many attractive magazine covers which I wanted to share - both because they depict favorite movie stars, but also for their swell graphic design. There are so many interesting images that I need divide this post into a few parts. 

This is part two. (See the previous blog post for part one.) I will start with a Louise Brooks related cover and go from there. This first cover depicts Wallace Beery in an image taken from the 1927 film, Now We're in the Air.

Wallace Beery 1930

Colleen Moore 1930

Brigitte Helm 1932

Gary Cooper 1930

Buster Keaton 1931

Pola Negri 1935

Pola Negri 1933

Krystyna Ankwicz 1932

Krystyna Ankwicz 1936

a Polish actress 1933