Tuesday, September 22, 2015

How did you first come across Louise Brooks?

To celebrate its 20th anniversary, the Louise Brooks Society is soliciting short essays from the actresses' many fans asking them to describe how and when they first came across Louise Brooks, and what the actress means to them. The length of the piece is up to the writer, with the only requirement being that it be detailed and individualized. Pieces that range from short anecdotes to full fledged compositions are welcome.

Selected submissions will be run here on the Louise Brooks Society blog, and the best piece (in the eyes of the LBS) will be awarded some Louise Brooks swag - like the forthcoming KINO Diary of a Lost Girl Blu-ray bundled together with a signed copy of the Louise Brooks edition of The Diary of a Lost Girl (PandorasBox Press). The deadline for submissions is December 1, 2015 with the prize awarded later that month (before Christmas).

Sharpen your pencils, start your engines. Send submissions to LouiseBrooksSociety@gmail.com

Monday, September 21, 2015

Can you find Louise Brooks?


Pick them out if you can.  That is, if you can find Louise Brooks.


Sunday, September 20, 2015

Louise Brooks' Diary of a Lost Girl on Blu-ray one month from today

One month from today, KINO will release Diary of a Lost Girl on Blu-ray and DVD! Be sure and pre-order your copy today. Here are some details.


"The second and final collaboration of actress Louise Brooks and director G.W. Pabst (Pandora's Box), DIARY OF A LOST GIRL is a provocative adaptation of Margarethe Böhme's notorious novel, in which the naive daughter of a middle class pharmacist is seduced by her father's assistant, only to be disowned and sent to a repressive home for wayward girls. She escapes, searches for her child, and ends up in a high-class brothel, only to turn the tables on the society which had abused her. It's another tour-de-force performance by Brooks, whom silent film historian Kevin Brownlow calls an 'actress of brilliance, a luminescent personality and a beauty unparalleled in screen history'."

Special Features: Mastered in HD from archival 35mm elements, and digitally restored; Audio commentary by Thomas Gladysz, Director, Louise Brooks Society; includes the short Windy Riley Goes Hollywood (1931, 18 Min., featuring Louise Brooks).
  • Actors: Louise Brooks, Fritz Rasp, Valeska Gert
  • Directors: Georg Wilhelm Pabst
  • Format: Multiple Formats, Blu-ray, NTSC, Subtitled
  • Language: German
  • Subtitles: English
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Kino Lorber
  • DVD Release Date: Tuesday, October 20, 2015
  • Run Time: 112 minutes

Saturday, September 19, 2015

Louise Brooks Society celebrates 20 years on the web #2

This Fall, the Louise Brooks Society celebrates 20 years on the web. Launched in 1995, the LBS was a pioneer among silent film websites, and it remains today the #1 source for all things Lulu. Here are a few links to some of the many articles about and mentioning the LBS.

Meddis, Sam Vincent. “Net: New and notable.” USA Today, May 23, 1996.
— “Silent-film buffs can get a taste of how a fan club from yesteryear plays on the Web. The Louise Brooks Society site includes interview, trivia and photos. It also draws an international audience.”

Roberson, Fontaine. “Flapper Has ‘Virtual’ Fan Club in Noe Valley.” Noe Valley Voice, September, 1997.
— article in San Francisco, California monthly

Silberman, Steve. “Fan Site Sparks Biopic.” Wired, April 10, 1998.
— article on Wired magazine website (additionally referenced online by Roger Ebert)


O’Connell, Pamela Licalzi. “Dreaming Celebrities and the Earth’s Eye Candy.” New York Times, August 29, 2002.
— “The Louise Brooks Society (www.pandorasbox.com) is an excellent homage to the art of the silent film as well as one of its most luminous stars.” – mention in New York newspaper

Dufour, Nicolas. “Louise Brooks, l’adoration perpétuelle.” Le Temps, December 23, 2004.
— referenced in French newspaper

Caloudas, Constantine. “Louise Bobs Her Hair.” Washington City Paper, July 22, 2005.
— referenced in Washington, D.C. weekly

Maltin, Leonard. “Links We Like: Louise Brooks Society.” Leonard Maltin’s Movie Crazy, August 1, 2005.
— “Not many sites of any kind can claim to be celebrating a tenth anniversary online, but that’s true of the Louise Brooks Society, devoted to the life and times of the magnetic silent-film star and latter-day memoirist. Thomas Gladysz has assembled a formidable amount of material on the actress and her era; there’s not only a lot to read and enjoy, but there’s a gift shop and even a ‘Radio Lulu’ function that allows you to listen to music of the 1920s. Wow!”


Matheson, Whitney. “Happy birthday, Louise!USA Today, November 14, 2006.
— “My favorite Louise Brooks site belongs to the Louise Brooks Society, a devoted group of fans that even keeps a blog. There, you can find just about everything about the actress: articles, filmography, photos, links and more.”

SiouxWire. “Interview: THOMAS GLADYSZ, founder of the LOUISE BROOKS Society.” SiouxWire, April 5, 2007.
— interview on website

Blackburn, Gavin. “Forgotten book by Margarete Boehme to be revived in US.” Deutsche Welle, November 3, 2010.
— mention in article on English-language German news site

K., A. “Stoletni dnevnik prostitutke, oče avtobiografskih izmišljotin?RTV Slovenia, November 4, 2010.
— mention in article on Slovenian news site

LaSalle, Mick. “Diary of a Lost Girl to be screened at main library.” San Francisco Chronicle, November 12, 2010.
— referenced in California newspaper

Rombeck, Terry. “A cut above: Local author’s novel generates national buzz.” Lawrence News-Tribune, June 10, 2012.
— referenced in Kansas newspaper

Toole, Michael T. “Reopening Pandora’s Box in San Francisco.” Film International, August 22, 2012.
— interview in film journal


Smurthwaite, Nick. “The Archive: Louise Brooks – something of an enigma.” The Stage, September 1, 2015.
— “One of the most luminous stars of the silent era, Louise Brooks has been all but erased from cinema history. Only a handful of movie buffs keep her memory alive, mostly through the 20-year-old Louise Brooks Society, whose aim is to honour the charismatic actor and stimulate interest in her life and work.” – mentioned in UK theater publication


To celebrate its 20th anniversary, the Louise Brooks Society is soliciting short essays from the actresses' many fans asking them to describe how and when they first came across Louise Brooks, and what the actress means to them. The length of the piece is up to the writer, with the only requirement being that it be detailed and individualized. Pieces that range from short anecdotes to full fledged compositions are welcome.

Selected submissions will be run here on the Louise Brooks Society blog, and the best piece (in the eyes of the LBS) will be awarded some Louise Brooks swag - like the just released KINO Diary of a Lost Girl Blu-ray bundled together with a signed copy of the Louise Brooks edition of The Diary of a Lost Girl (PandorasBox Press). The deadline for submissions is December 1, 2015 with the prize awarded later that month (before Christmas). Send submissions to LouiseBrooksSociety@gmail.com

Friday, September 18, 2015

Excerpt from the Louise Brooks inspired Roaring Road novels by Johann M.C. Laesecke

What follows is a brief excerpt from chapter 26 of the Louise Brooks-inspired novel The Roaring Road: Book 2 The Road East. According to author Johann M.C. Laesecke, "There are things not evident in this excerpt, including a description of how Louise transfers the derringer to Laure. Too much of a spoiler. But the excerpt is a good example of one of Louise's actions in The Roaring Road."

For more on this work of historical fiction, check out the interview with the author on the Louise Brooks Society blog from September 8th.

------ 

“Who do we have watching the Crawford Theater tonight in case any of Pádraigh or any of his people show up?”

“We have not assigned that. Although it’s unlikely they show, we should have someone there who can think fast and call for backup. Someone that Laure, Frank and Buster would recognize, but who is not known to Pádraigh” Dawn said.

“I’ll watch the Crawford” and we all turned in surprise to Louise Brooks. She was in the meeting because she wanted to make sure we would get Buster out soon.

Bill said “Everyone would recognize you Louise, even some of Pádraigh’s gunmen.”

“And what if they do? You guys haven’t let me outside except when I go in disguise. And they don’t know I’m with you guys. My father moved us to Wichita and I went to high school here. I’m well known in Wichita so tonight I can play Louise Brooks, lost little girl from Kansas, an ex-Denishawn, ex-George White’s Scandals and ex-Ziegfeld Follies dancer and now one of Paramount’s new Junior Stars. I danced at the Crawford Theater when I was with Denishawn so it would be natural for me to attend their performance. I can move about the place and no one would be suspicious. I know all the back rooms and hallways and even the basement hidey-hole. It was put there by one of the builders who was also a rumrunner. Montgomery County was dry a long time before Prohibition and I dated guys who knew how to move contraband here.”

“I would like to see the latest Denishawn players and dance routines and the Pádraigh guys probably won’t show up, but if they do I can sneak out to the drugstore around the corner where they have public telephone booths and call you. The best case would be if Buster or Laure or Frank show up so I could pass a message or something.” Louise looked at me and I could tell she was serious. While she was not an experienced operative she was very smart, not a coward, could think on her toes and she was a natural actress. After a short discussion everyone agreed and I asked Louise if she would agree to try to pass Laure’s derringer to her if she was there. It would be dangerous and have to be done with the utmost subtlety so when she agreed I told her to talk to Dawn and Meghan before she went to the Crawford Theater.

After the meeting Louise stopped by to see Dawn and Meghan, who gave Louise a small cloth bag. It was heavy, as if it had a metal object in it. “It’s a derringer, a very small handgun that Laure requested.”

“I’ve shot guns and I know what a derringer is. How do I give it to Laure?” asked Louise.

“There’s no way to plan that because we don’t know if she is really going to be there and how many men will be watching her if she is. You must get it to her without anyone knowing, without any suspicion. If nothing else, try to give it to Buster or Frank. If they are there but if it doesn’t look possible to transfer the gun, call Meghan at this telephone number. Memorize the telephone number so if you’re caught they won’t find it on you. If you call Meghan, just say something like ‘I forgot to feed the dog, can you do it?’ and Meghan will be there as quick as she can. And don’t feel bad about asking for help – even the best and most seasoned operators know that calling for backup is better than forcing the issue and getting caught or blowing the game. When Meghan arrives she will assess the situation. One of the things she might do would be to create a diversion to draw everyone’s attention away from you, to give you a chance to pass the gun to Laure.”

“Is Laure going to shoot the gangster?” Louise asked.

“She will if the opportunity presents itself. She is very courageous and resourceful” said Dawn.

“Like her sister?” Louise asked with a beautiful, rare smile.

“Yes, just like her sister. You OK with this? You don’t have to do this, you know. It’s not your business and it could turn dangerous” said Dawn.

“I’m OK doing this. I love Dan and Laure, they are so wonderful together and they treat me like a loved sister instead of a dumb bunny like some others do. I’ve made a mess of their relationship so maybe I’m feeling a little bit guilty. If Laure is being held against her will I want to help get her out. I also need to get Buster out for my own carnal needs. Since I can be expected to know my way around the theater and talk to lots of people, I will blend into the audience.”

Dawn said “Thank you Louise. You have a good heart. If you call Meghan, I will be somewhere in the background too and I’ll watch for you if there’s any trouble.”

“Me? Have a good heart? Don’t let that get around. I have to keep up my reputation for enraging people” Louise said. Dawn laughed. She was beginning to like Louise.

Laure wanted to be at the theater early to get good seats but Buster called ahead and talked to the theater manager and requested three seats together be held for an important person who would arrive just a few minutes before the show started. The manager reluctantly agreed when Buster promised to pass something along when they shook hands.

They arrived at the theater four minutes before show time and Buster sought out the manager, shook hands with him and the manager found a sawbuck in his hand. The manager was disappointed because the usual tip for these seats was twenty bucks each. Frank, Laure and Buster were seated just six rows back and near the middle of the row, a perfect sight line for the show. Frank and Laure had become very good at talking to each other without moving their lips much and he told Laure that he was sure someone from Dan’s crew would be here too, but not to acknowledge anyone, which could jeopardize any transfer of materials or messages. Frank knew Laure was hoping to get her derringer. Frank told Laure who then passed it on to Buster that he had spotted Tony in the audience a few rows back and that there might be others that he had not seen, so they had to be extra careful. Frank and Buster would have to act like tough bodyguards if she talked to anyone in the theater.

The show began with a short vaudeville act that wasn’t very funny or interesting. Laure wished that W.C. Fields was there. Now he was a man who got the audience to laugh. The dance show began on time and although Laure only knew ballroom and jazz dancing, she thought the Denishawn Dancers were very elegant and graceful, with each dance telling a story. She could see why Louise had enjoyed dancing with Denishawn, even if they did throw her out for being too bold when it came to her relationships with men. At intermission time the lights were turned up and Laure wanted to get up and move around but Frank pushed her back down, a little roughly Laure thought, but then she remembered that the ugly thug Tony was watching.

Seemingly from out of nowhere Louise Brooks came rushing down the row of seats and pulled Laure up from her seat to hug her. She had moved quickly and no one had seen her coming, not even Tony, who stood up and put his hand inside his coat and rested it on his gun. Tony noticed Frank did the same and Buster took Louise by the shoulders and moved her away roughly. Louise had only been able to hug Laure and her hands were visible and empty the entire time so she could not have given anything to Laure. Buster took Louise by the arm and moved her down the row toward the aisle. When they reached the end of the row, Louise turned and slapped Buster’s face hard, then again. She loudly told him to keep his hands off her or she would call her friends in the police department and have him arrested.

Louise turned with an arrogant flounce and stormed her way to the exit. Tony saw the entire incident and did not see how Louise could have given anything to Laure. His only concern was that Laure should be frisked to make sure. From the rear of the auditorium, Dawn had observed everything. She was a Pinkerton-trained observer and saw what Tony did not see, that Laure had received the derringer. Louise had played her part perfectly. But then, Dawn thought, Louise was one of the best movie actresses in the business, she could hardly have done any less. Dawn spotted Tony watching and went to the drugstore’s public telephone to call Meghan and tell her what disguises she should bring for each of them. There was now another part for them to play.

Thursday, September 17, 2015

September 18th (that's tomorrow) special London Silent Film Meetup to see new Louise Brooks-inspired play

On Friday, September 18th (that's tomorrow), there is a special London Silent Film Meetup to see the new Louise Brooks-inspired play American Venus. The meet-up will take place at the 6 Frederick's Place, off the Old Jewry, London EC2R 8AB, London (map). More about the "Meetup" meetup organized by Amran V. can be found HERE.

More about the new play can be found on the September 2nd Louise Brooks Society blog entry HERE. How can you resist?

Wednesday, September 16, 2015

Another new Lulu production

If you are near the Oper Halle (Saale), Germany on December 4, 2015 you might want to check out the premiere of Lulu, a ballet enacted by Jochen Ulrich & the Tanzfonds Erbe, based on Frank  Wedekind's Büchse der Pandora and Erdgeist.

There are performances on Dec. 30th 2015; Jan. 23rd & 31st, Feb. 26th, March 4th and June 25th 2016. For more information see http://buehnen-halle.de/lulu


Gefördert von TANZFONDS ERBE – eine Initiative der Kulturstiftung des Bundes
Mit der Premiere des Balletts »Lulu« des 2012 verstorbenen Choreografen Jochen Ulrich, einem der entscheidendsten Wegbereiter des Modernen Tanzes in Deutschland, knüpft das Ballett Rossa an die erfolgreiche Vertanzung von dessen »Anna Karenina« an. Auch bei diesem Handlungsballett nach der gesellschaftskritischen Doppeltragödie »Erdgeist« und »Die Büchse der Pandora« des deutschen Schriftstellers und Dramatikers Frank Wedekind steht eine der faszinierendsten Frauenfiguren der Weltliteratur im Mittelpunkt. Als musikalische Grundlage dienen Kompositionen des Italieners Nino Rota zu den zwischen 1952 und 1970 entstandenen Filmen »Rocco und seine Brüder« und »Der Leopard« von Visconti sowie »Der weiße Scheich«, »La Strada«, »8 ½« und »Die Clowns« von Fellini, die sowohl groteske als auch dekadent neo-roman- tische Züge tragen. Hierzu erzählt Jochen Ulrich seine »Lulu« mit seinem unverwechselbaren ausdrucksstarken Tanzstil als Geschichte einer selbstbewusst mit ihrer erotischen Anziehungskraft spielenden Frau aus einfachsten Verhältnissen. Alle Männer, die ihr begegnen, erliegen ihren Verführungs- künsten. Indem Lulu deren Fantasien befriedigt, bringt sie ihre Liebhaber um den Verstand und treibt sie in den Tod. Auf der Flucht vor der Polizei landet sie in London, wo sie sich – inzwischen selbst emotional ausgebeutet – im finstersten Milieu prostituiert und die Begegnung mit dem Freier Jack the Ripper tragisch endet.

Musikalische Leitung Hilary Griffiths

Musikalische Leitung Robbert van Steijn

Inszenierung und Choreografie Jochen Ulrich †

Inszenierung und Choroegrafie Darie Cardyn

Bühne Katrin Kegler-Fritsch

Kostüme Marie-Therese Cramer

Dramaturgie Manfred Weber

Dr. Schön Michal Sedláček

Eduard Schwarz Johan Plaitano

Lulu Yuliya Gerbyna

Dr. Goll Martin Zanotti

Schigolch Dalier Burchanow

Ballett Rossa

Statisterie der Oper Halle

Staatskapelle Halle

Tuesday, September 15, 2015

Seeking your Louise Brooks story of discovery


To celebrate its 20th anniversary, the Louise Brooks Society is soliciting short essays from the actresses' many fans asking them to describe how and when they first came across Louise Brooks, and what the actress means to them. The length of the piece is up to the writer, with the only requirement being that it be detailed and individualized. Pieces that range from short anecdotes to full fledged compositions are welcome.

Selected submissions will be run here on the Louise Brooks Society blog, and the best piece (in the eyes of the LBS) will be awarded some Louise Brooks swag - like the forthcoming KINO Diary of a Lost Girl Blu-ray bundled together with a signed copy of the Louise Brooks edition of The Diary of a Lost Girl (PandorasBox Press). The deadline for submissions is December 1, 2015 with the prize awarded later that month (before Christmas).

Sharpen your pencils, start your engines. Send submissions to LouiseBrooksSociety@gmail.com


Monday, September 14, 2015

New book - Sally Phipps: Silent Film Star

There is a new book out that silent film fans will want to know about. It's Sally Phipps: Silent Film Star by Robert L. Harned. It is a self-published work, issued under the CreateSpace Independent Publishing Platform imprint (Amazon). Don't let the fact that it is self-published stop you from checking out this book. It is a worthwhile subject, and a labor of love. I purchased a copy recently, and liked it.

Here is the publisher description: "Sally Phipps was only three years old and the veteran winner of several beautiful baby contests when she appeared as the Baby in the film Broncho Billy And The Baby. It was made at the Niles California Essanay Studio in late 1914. This book follows her amazing life and a career that culminated in her receiving the Rosemary (for remembrance) Award shortly before her death in 1978. Her memories of the early years at Essanay include sitting on Charlie Chaplin’s lap and enduring a frightening stage coach accident. In her teens, she was a Fox Studio star appearing in 20 films, including a cameo in the classic Sunrise. There were bad times also. She was on the set of her Fox two-reel comedy Gentlemen Preferred Scotch in 1927 when word reached her of the scandalous death of her father, a state senator. But in that same year, she was selected as one of the 13 Wampas Baby Stars, starlets that were considered destined for future success. Despite her popularity in Hollywood, she left for New York where she became the darling of gossip columnists, particularly Walter Winchell. She appeared in two Broadway shows, made a Vitaphone comedy short, and married and divorced one of the Gimbel department store moguls before she darted off for India and around the world travel. Back in New York, there was another marriage, two children, and later a stay in Hawaii. Earl Wilson wrote about her in 1938 when she was working for the Federal Theatre Project during the WPA period -- headlining his column “Wampas Ex-Baby Lives On WPA $23 – And Likes It.” Her images – especially her pinup photographs – have become highly collectible. The book features 150 pictures from Sally’s personal and professional life, including glamorous portraits and pinups."


Robert L. Harned was born in Des Moines, Iowa, but grew up in Honolulu, Hawaii. He is a professional research librarian and has worked at the Library of Congress in Washington, DC, the University of Pennsylvania in Philadelphia, and in several universities and law firms in New York City. He now resides in Park Slope, Brooklyn, New York, with his partner, food journalist, cookbook author, and broadcaster Arthur Schwartz. Robert’s interests are film history, Greek and Roman archaeology, and singing. He has recorded four CD albums. And is also the son of Sally Phipps.

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