A Jean Paul Gaultier designed scarf (dimensions 63 X 81 cm) for sale on eBay is said to depict Louise Brooks, but IMHO, it does not. Perhaps there is vague resemblance, but to me, that don't look like her. What do you think?
A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Monday, August 3, 2015
Jean Paul Gaultier designed scarf said to depict Louise Brooks
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Saturday, August 1, 2015
Louise Brooks film Diary of a Lost Girl coming on Blu-ray
I
am pleased to let everyone know that KINO will be releasing the 1929
Louise Brooks film, Diary of a Lost Girl, on Blu-ray in the Fall. And
that this new release will feature audio commentary by yours truly, Thomas Gladysz.
Below is a sneak peak at the cover art. The print on the Blu-ray is the Murnau Stiftung restoration (the best we are likely to ever get). My commentary will reveal a number of previously unknown bits about the cast and film - like the fact that the actor who plays the elder Count Osdorff was a friend of James Joyce and had a role in the original stage production of Pandora's Box alongside author Frank Wedekind! And then there is the Cabinet of Doctor Caligari connection....
Below is a sneak peak at the cover art. The print on the Blu-ray is the Murnau Stiftung restoration (the best we are likely to ever get). My commentary will reveal a number of previously unknown bits about the cast and film - like the fact that the actor who plays the elder Count Osdorff was a friend of James Joyce and had a role in the original stage production of Pandora's Box alongside author Frank Wedekind! And then there is the Cabinet of Doctor Caligari connection....
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Friday, July 31, 2015
Louise Brooks film and blues moaner Clara Smith
Over the years, I've come across newspaper advertisements for one or another of Louise Brooks' films which have included musical acts on the bill. That's because back in the 1920's, many theaters programmed musical or vaudeville acts to accompany films.
For example, I have found advertisements which had a Brooks' film and performances by Paul Ash and Vincent Lopez (each a noted band leader of the time), as well as another with a Brooks' film and the great jazz pianist Art Tatum!
And here is another I just came across, proclaiming an appearance by the great Clara Smith (c. 1894 – February 2, 1935), an African America blues singer billed as the "Queen of the Moaners". Also showing was the 1926 Louise Brooks' film Love Em and Leave Em.
This particular ad promotes the Royal Theater, one of Baltimore finest and one of a circuit of five such theaters for Black entertainment in big cities. (Its sister theaters were the Apollo in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, and the Earl Theater in Philadelphia.) The biggest stars in Black entertainment, including jazz and blues singers aand musicians, performed at the Royal. Ethel Waters debuted there, as did Pearl Bailey, who sang in a chorus line. Louis Armstrong and Fats Waller worked as accompanists, while Louis Jordan, Duke Ellington and others performed at The Royal.
For example, I have found advertisements which had a Brooks' film and performances by Paul Ash and Vincent Lopez (each a noted band leader of the time), as well as another with a Brooks' film and the great jazz pianist Art Tatum!
And here is another I just came across, proclaiming an appearance by the great Clara Smith (c. 1894 – February 2, 1935), an African America blues singer billed as the "Queen of the Moaners". Also showing was the 1926 Louise Brooks' film Love Em and Leave Em.
This particular ad promotes the Royal Theater, one of Baltimore finest and one of a circuit of five such theaters for Black entertainment in big cities. (Its sister theaters were the Apollo in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, and the Earl Theater in Philadelphia.) The biggest stars in Black entertainment, including jazz and blues singers aand musicians, performed at the Royal. Ethel Waters debuted there, as did Pearl Bailey, who sang in a chorus line. Louis Armstrong and Fats Waller worked as accompanists, while Louis Jordan, Duke Ellington and others performed at The Royal.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Thursday, July 30, 2015
Sacred Space: Louise Brooks in India
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Wednesday, July 29, 2015
Lulu in Bollywood - Louise Brooks in India
In search of all things Louise Brooks... I had the chance to look through past issues of the Times of India, the English-language daily newspaper. Today, it is the largest selling English-language daily in the world.
Back in the 1920s and 1930's, the Times of India covered the Bombay (now Mumbai) and New Delhi entertainment scenes. That included films, and of special interest, the films of Louise Brooks.
As far as I could find, at least eight of the actress' films were shown in India. I found editorial coverage and / or advertisements for The American Venus (1-26 / 9-27), Just Another Blonde (12-26 / 7-27), Evening Clothes (3-27 / 5-29), Now We're in the Air (10-27 / 9-29), Beggars of Life (10-28 / 3-29), The Canary Murder Case (2-29 / 5-30), and as well, When You're in Love (2-37 / 9-37), and King of Gamblers (5-37 / 11-37). The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in either Bombay or New Delhi, India.
In terms of editorial, both Beggars of Life and The Canary Murder Case received a fair amount of coverage, as did When You're in Love. In terms of newspaper advertisements, many of the ads were something like the one pictured to the left for Now We're in the Air. Cool, but somewhat modest. However, I did find a couple of rather large advertisements for both The American Venus and Beggars of Life. Each took-up nearly 1/5th of the page! Wow!!
Back in the 1920s and 1930's, the Times of India covered the Bombay (now Mumbai) and New Delhi entertainment scenes. That included films, and of special interest, the films of Louise Brooks.
As far as I could find, at least eight of the actress' films were shown in India. I found editorial coverage and / or advertisements for The American Venus (1-26 / 9-27), Just Another Blonde (12-26 / 7-27), Evening Clothes (3-27 / 5-29), Now We're in the Air (10-27 / 9-29), Beggars of Life (10-28 / 3-29), The Canary Murder Case (2-29 / 5-30), and as well, When You're in Love (2-37 / 9-37), and King of Gamblers (5-37 / 11-37). The dates in parenthesis represent the month of the film's American release / followed by the month of the film's showing in either Bombay or New Delhi, India.
In terms of editorial, both Beggars of Life and The Canary Murder Case received a fair amount of coverage, as did When You're in Love. In terms of newspaper advertisements, many of the ads were something like the one pictured to the left for Now We're in the Air. Cool, but somewhat modest. However, I did find a couple of rather large advertisements for both The American Venus and Beggars of Life. Each took-up nearly 1/5th of the page! Wow!!
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, July 27, 2015
The era's attitudes toward bobbed hair
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, July 26, 2015
Wurlitza plays live soundtrack to Louise Brooks' film Diary of a Lost Girl
Wurlitza, a five piece band from South East Cornwall in England who have been specializing in adding live soundtracks to silent films since 2006, will be playing their live soundtrack to the Louise Brooks' film Diary of a Lost Girl in Yelverton Village Hall, Devon, England on Sunday, July 26th.
The group will also be performing their live soundtrack on other dates later in the year including Thursday, July 30th at the Port Eliot Festival and possibly on Friday, November 6th at the Newnham on Severn Film Club. More about the band and their music can be found on their website at www.wurlitza.co.uk/
From the Wurlitza website: "Two years in the making is Wurlitza’s soundtrack for GW Pabst’s 1929 movie Diary of a Lost Girl. Fast moving and at times shocking, Diary of a Lost Girl traces the story of Thymian, played by the mesmerising screen idol Louise Brooks, as her life yoyos between episodes of lightness and innocence, darkness and despair. Moments of great comedy involve life in a reform school for fallen girls headed by a villainous nun, and a modern dance lesson with an incompetent buffoon. This gripping film defies convention, confounding expectations as joy and compassion are found in the most unlikely places. Repertoire for the soundtrack of Diary of a Lost Girl includes music by Jango Reinhardt, Fun Boy Three, Portishead, Wire, Chopin, Leonard Cohen, Madonna and Grace Jones. "
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
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