A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Monday, July 27, 2015
The era's attitudes toward bobbed hair
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, July 26, 2015
Wurlitza plays live soundtrack to Louise Brooks' film Diary of a Lost Girl
Wurlitza, a five piece band from South East Cornwall in England who have been specializing in adding live soundtracks to silent films since 2006, will be playing their live soundtrack to the Louise Brooks' film Diary of a Lost Girl in Yelverton Village Hall, Devon, England on Sunday, July 26th.
The group will also be performing their live soundtrack on other dates later in the year including Thursday, July 30th at the Port Eliot Festival and possibly on Friday, November 6th at the Newnham on Severn Film Club. More about the band and their music can be found on their website at www.wurlitza.co.uk/
From the Wurlitza website: "Two years in the making is Wurlitza’s soundtrack for GW Pabst’s 1929 movie Diary of a Lost Girl. Fast moving and at times shocking, Diary of a Lost Girl traces the story of Thymian, played by the mesmerising screen idol Louise Brooks, as her life yoyos between episodes of lightness and innocence, darkness and despair. Moments of great comedy involve life in a reform school for fallen girls headed by a villainous nun, and a modern dance lesson with an incompetent buffoon. This gripping film defies convention, confounding expectations as joy and compassion are found in the most unlikely places. Repertoire for the soundtrack of Diary of a Lost Girl includes music by Jango Reinhardt, Fun Boy Three, Portishead, Wire, Chopin, Leonard Cohen, Madonna and Grace Jones. "
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Saturday, July 25, 2015
Lulu, by Alban Berg performed in Oakland, California
West Edge Opera is presenting Alban Berg's opera Lulu in the abandoned 16th Street Train Station in Oakland, California. A very blonde un-Louise Brooks like Emma McNairy takes the role of Lulu. More information HERE.
Lulu, by Alban Berg
The summit of German Expressionism in opera
SATURDAY JULY 25, 8PM
SUNDAY AUGUST 2, 2PM
SATURDAY AUGUST 8, 8PM
Lulu, the second and final opera of composer Alban Berg (1885 - 1935), is considered one of the masterpieces of 20th-century composition. Berg, a pupil of Arnold Schoenberg, adapted the libretto himself from two plays by Frank Wedekind.
The central character Lulu is the embodiment of sex appeal - Lulu is married to three men successively in the opera. They worship her, but her untamed sensuality spells their ruin, with Lulu even killing the third, the wealthy Dr. Schoen. Jailed for this murder, she escapes, but she descends into poverty and ultimately prostitution. She is killed by a client, Jack the Ripper.
Lulu, by Alban Berg
The summit of German Expressionism in opera
SATURDAY JULY 25, 8PM
SUNDAY AUGUST 2, 2PM
SATURDAY AUGUST 8, 8PM
Lulu, the second and final opera of composer Alban Berg (1885 - 1935), is considered one of the masterpieces of 20th-century composition. Berg, a pupil of Arnold Schoenberg, adapted the libretto himself from two plays by Frank Wedekind.
The central character Lulu is the embodiment of sex appeal - Lulu is married to three men successively in the opera. They worship her, but her untamed sensuality spells their ruin, with Lulu even killing the third, the wealthy Dr. Schoen. Jailed for this murder, she escapes, but she descends into poverty and ultimately prostitution. She is killed by a client, Jack the Ripper.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Friday, July 24, 2015
Louise Brooks & Frankie Trumbauer - Bye Bye Blues, 1930
Here is a delightful vintage recording by Frankie Trumbauer paired with a contemporary video of images of Louise Brooks. The song is "Bye Bye Blues", from 1930.
I have seen this recording on a newish CD suggesting it is sung by Louise Brooks. It ain't.
I have seen this recording on a newish CD suggesting it is sung by Louise Brooks. It ain't.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Wednesday, July 22, 2015
Amazing letter from Theodor Adorno to Alban Berg
There is an amazing letter from Theodor Adorno to Alban Berg contained in Correspondence 1925-1935, edited by Henri Lonitz, published by Polity in 2005.
Adorno was a German sociologist, philosopher and musicologist known for his critical theory of society. He was also friends with Alban Berg, an Austrian remembered as one of the most important composers of the 20th century. Most importantly, Berg wrote Lulu (1937), an opera based on Frank Wedekind's Lulu plays. Though unfinished at the time of Berg's death, Lulu is considered one of the great opera's of the 20th century.
Adorno was twenty-one years old when he traveled to Vienna in March 1925 to study musical composition with Berg. And over the years, they would exchange many letters.
The letter I noticed in Correspondence 1925-1935 was sent from Frankfurt, Germany and is dated September 8, 1933. In it Adorno wrote that he had just seen Pandora's Box, the G.W. Pabst film starring Louise Brooks as Lulu.
What is amazing is that Adorno's viewing of Pandora's Box came four years after the silent film's release at the beginning of the sound era, and in Frankfurt am Main - a center of Nazi activity. Pabst was known to be left of center, so its surprising the extreme right, meaning the Nazis, allowed it to be show. And were was it shown? A second run theater, or cine-club of some sort?
I have tried to find an online Frankfurt newspaper archive in order to comb through the newspaper to find a listing for this screening, but have had not luck in finding an available digitized archive.
Adorno was a German sociologist, philosopher and musicologist known for his critical theory of society. He was also friends with Alban Berg, an Austrian remembered as one of the most important composers of the 20th century. Most importantly, Berg wrote Lulu (1937), an opera based on Frank Wedekind's Lulu plays. Though unfinished at the time of Berg's death, Lulu is considered one of the great opera's of the 20th century.
Adorno was twenty-one years old when he traveled to Vienna in March 1925 to study musical composition with Berg. And over the years, they would exchange many letters.
The letter I noticed in Correspondence 1925-1935 was sent from Frankfurt, Germany and is dated September 8, 1933. In it Adorno wrote that he had just seen Pandora's Box, the G.W. Pabst film starring Louise Brooks as Lulu.
What is amazing is that Adorno's viewing of Pandora's Box came four years after the silent film's release at the beginning of the sound era, and in Frankfurt am Main - a center of Nazi activity. Pabst was known to be left of center, so its surprising the extreme right, meaning the Nazis, allowed it to be show. And were was it shown? A second run theater, or cine-club of some sort?
I have tried to find an online Frankfurt newspaper archive in order to comb through the newspaper to find a listing for this screening, but have had not luck in finding an available digitized archive.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, July 20, 2015
1920's American Slang via Show Girl and Dixie Dugan
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, July 19, 2015
Coca-Cola and Crackerjacks and Louise Brooks
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
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