Thursday, June 4, 2015

Jacksonville's Norman Studio Screens Louise Brooks Film on June 7

Norman Studios’s next Silent Sunday showcases German silent film director Georg Wilhelm Pabst’s 1929 drama, Diary of a Lost Girl, on Sunday, June 7th at Hotel Indigo at 9840 Tapestry Park Circle in Jacksonville, Florida. Doors open at 3pm, program begins at 4pm.


"In this 1929 silent drama, Brooks plays Thymiane, a teenage girl living a life of comfort that suddenly is thrown into a spiral of death, deception and despair. Pregnant by rape, young Thymiane is thrown out of her home to fend for herself, leading to a series of heartbreaking turns. But in a twist of fate, she finds herself in a position to change the destiny of another troubled young woman, proving that 'a little more love and no one would be lost in this world'." The films include live musical accompaniment by Tony Steve and the Silver Synchro Sounds.

Tickets are $5 per person and include popcorn. Silent Sundays proceeds support the Norman Studios Silent Film Museum, a non-profit dedicated to enhancing public knowledge of Northeast Florida’s early film industry and the restoration of Jacksonville’s only remaining silent film studio. For information, go to www.normanstudios.org.

Louise Brooks remembers the time she spent
filming in Ocala, Florida.
Founded in 1920 Jacksonville, Florida’s Norman Studios was among the nation’s first to produce films starring African American characters in positive, non-stereotypical roles, contrasting the derogatory roles offered by the era’s mainstream filmmakers. It was run by Richard E. Norman, a forward-thinking gentleman who sought to help break the racial barriers in his industry. Norman’s five-building studio complex survives in Jacksonville’s historic Old Arlington neighborhood and is the city’s last surviving vestige from the River City’s heyday as a wintertime film production hub. 

Tuesday, June 2, 2015

Henri Langlois Centennial Tribute includes Louise Brooks

Henri Langlois, one of the founders of the La Cinémathèque française, famously said Louise Brooks, "There is no Garbo, there is no Dietrich, there is only Louise Brooks."

Fittingly, a Henri Langlois centennial tribute at the Pacific Film Archive in Berkeley, California includes a Louise Brooks film. On Saturday, July 11, 2015 the PFA will screening the La Cinémathèque française's copy of Prix de beauté (1930), starring Louise Brooks. More about that particular screening can be found HERE. The line-up for the centennial tribute follows.



The French film archivist and cinephile Henri Langlois (1914–1977) is a heroic and colorful figure in the history of cinema. As the cofounder of La Cinémathèque française in Paris and as a champion of film culture, he inspired the international cinematheque movement. Indeed, Langlois’s visits to Berkeley in the 1960s and 1970s greatly informed the vision of the Pacific Film Archive, particularly the way our institution exhibits, collects, and makes information about film history available to the public. Today, BAM/PFA’s film department remains true to that original model inspired by Henri Langlois, over forty years ago.

Summer 2015 brings a period of change for our film programs at BAM/PFA. This is our final season in the temporary PFA Theater, which we have occupied since 2000. What could be a more fitting tribute at this time of transition than this series, which celebrates aesthetic achievements in cinema, featuring many films that Langlois helped save for future generations of viewers? This eclectic series presents works that contributed to the development of French silent cinema as well as some by Langlois’s favorite auteurs (Tod Browning, Ernst Lubitsch, Jean Renoir, Erich von Stroheim). Langlois advocated for a cinema that explores the aesthetic possibility of film language and the use of cinema as a means of resistance, principles that we continue to champion as we move ahead into our future.

Susan Oxtoby, Senior Film Curator

Thursday, June 11, 2015
7:30 p.m. Henri Langlois Centennial Tribute: Opening Program
Introduced by Tom Luddy. Judith Rosenberg on piano. A collection of shorts on the legendary Langlois, as well as the 1918 Italian short La Tosca, a lost film found by Langlois in the BAM/PFA Collection. Titles include Langlois (1970), Chit Chat with Henri Langlois (1975), and La Cinémathèque française (1962). (94 mins)

Friday, June 12, 2015
7:00 p.m. Dimitri Kirsanoff & Nadia Sibirskaïa Collaborations
Dmitri Kirsanoff (France, 1924/1928). Imported Prints! Judith Rosenberg on piano. Two rare works from the great silent-era director Dimitri Kirsanoff: the evocative portrait of two young sisters, Ménilmontant, and Autumn Mists, a short about a melancholy soul. (54 mins)

Saturday, June 13, 2015
6:30 p.m. Forbidden Paradise
Ernst Lubitsch (US, 1924). Imported Print! Judith Rosenberg on piano. Lubitsch teams with his favorite muse, the great actress Pola Negri, for this comedy inspired by the amorous intrigue surrounding Catherine the Great of Russia. Adolphe Menjou costars. (78 mins)

Wednesday, June 17, 2015
7:30 p.m. Lumière d'été
Jean Grémillon (France, 1943). Imported Print! A remote mountain inn is the setting for a class-crossed love affair split between working class and idle rich. Coscripted by Jacques Prévert, it is acclaimed as one of the greatest French films made during the German Occupation. Followed by excerpts from Parlons cinema—à propos du cinéma dans la résistance. (120 mins)

Friday, June 19, 2015
7:00 p.m. The Steel Beast
Willy Otto Zielke (Germany, 1935). Imported Print! Commissioned to celebrate the anniversary of a rail line in 1935, this film by great German photographer Willy Otto Zielke is a daring collage of abstractions, rhythms, and historical commentary, and was immediately banned by the Nazis. (75 mins)

Friday, June 26, 2015
7:00 p.m. Early Films by Abel Gance
Abel Gance (France, 1915/1916). 35mm Restored Prints! Judith Rosenberg on piano. Two early and rare shorts, The Madness of Doctor Tube and The Deadly Gases, that demonstrate the fledgling skills of the director who would later make one of the silent era’s greatest epics, Napoleon. (83 mins)

Friday, July 3, 2015
7:00 p.m. The Unknown
Tod Browning (US, 1927). Judith Rosenberg on piano. A circus performer has his arms amputated to satisfy his lover’s strange desires in Tod Browning’s shocking tale of madness and love, starring Lon Chaney and Joan Crawford. (66 mins)

Wednesday, July 8, 2015
7:30 p.m. Nana
Jean Renoir (France, 1926). Imported Print! Judith Rosenberg on piano. An actress turns courtesan to make ends meet during Europe’s decadent Second Empire in Renoir’s first full-length vehicle for his wife, Catherine Hessling. Renoir: “My first film worth talking about.” (150 mins)

Saturday, July 11, 2015
6:30 p.m. Prix de beauté
Augusto Genina (France, 1930). Imported Print! Judith Rosenberg on piano. The last major role for silent-era beauty Louise Brooks (Pandora’s Box) was as a Parisian typist who wins a beauty contest and a movie contract, only to face the violent disapproval of her husband. (108 mins)

Saturday, July 18, 2015
6:30 p.m. La chienne
Jean Renoir (France, 1931). Imported Print! Michel Simon is an unhappily married middle-aged bank clerk whose only passion in life is painting, until he becomes obsessed with a prostitute. Remade by Fritz Lang as Scarlet Street, Renoir’s original is infused with a sadomasochistic sexuality that is both heightened and tempered by Renoir's camera. (100 mins)

Wednesday, July 22, 2015
7:30 p.m. Foolish Wives
Erich von Stroheim (US, 1922) Judith Rosenberg on piano. Monte Carlo provides the suitably decadent setting for von Stroheim’s look at money, temptation, and marriage. “Never was a film more revolutionary” (Langlois). (108 mins)

Friday, July 24, 2015
8:50 p.m. Queen Kelly
Erich von Stroheim (US, 1931) In a debauched Central European kingdom, a mad queen must wed a notorious libertine, who instead falls for a young nun (Gloria Swanson). One of the most infamous unfinished film maudits in history, and praised as Erich von Stroheim’s masterpiece. (74 mins)

Sunday, July 26, 2015
5:00 p.m. Georges Méliès Shorts
Georges Méliès (France, 1897–1906). Digital Restorations! Judith Rosenberg on piano. The genius shorts of the father of cinema, many hand-painted and restored by La Cinémathèque française in 2013 with the Éclair Group. (58 mins)


Based on Grâce à Henri Langlois, a touring exhibition originated by La Cinémathèque française (Paris), curated by Samantha Leroy. Our deepest thanks to Director General Serge Toubiana and the staff of La Cinémathèque française, who have made available many archival prints and digital restorations for this centennial tribute. BAM/PFA also wishes to thank the French Cultural Services San Francisco, Les Films du Jeudi, SNC, and Kathy Brew.

Monday, June 1, 2015

New Louise Brooks Society website in the works


To celebrate 20 years online as the leading source for all things Lulu, a new Louise Brooks Society website is in the works! Until its launch, the domain www.pandorasbox.com is under construction. Please check back as a new and improved website is made ready. Contact info is pictured here.






Sunday, May 31, 2015

Reminder, Beggars of Life screens at UCLA


A reminder that two early films directed by William Wellman will be shown at the Billy Wilder Theater on the campus of UCLA. The special double bill features Beggars of Life (with Louise Brooks) and Wild Boys of the Road and is set to start at 7 p.m. More information HERE.

This event, part of an ongoing Wellman series, features an in-person appearance by William Wellman Jr., son of the legendary, Academy Award winning director. Wellman Jr. will sign copies of his excellent new book, Wild Bill Wellman: Hollywood Rebel (Pantheon) beginning at 6 p.m. Live musical accompaniment will be provided by the one and only Cliff Retallick, who has accompanied other Louise Brooks' films on earlier occasions.


Saturday, May 30, 2015

Here! HEAR! Great new Paramount Pictures in Sound! (including Beggars of Life)

Beggars of Life, with Louise Brooks, is among the Paramount films featured in this 1928 newspaper advertisement.

Friday, May 29, 2015

Beggars of Life with Louise Brooks screens at UCLA on May 31

Two early films directed by William Wellman - each about the down and out and life on the road and both featuring a "cross-dressing" female lead - will be shown at the Billy Wilder Theater on the campus of UCLA.

The special double bill with Beggars of Life - starring Louise Brooks, and Wild Boys of the Road, is set to take place on May 31 at 7 p.m. More information HERE.

This special event, part of an ongoing Wellman series, features an in-person appearance by William Wellman Jr., son of the legendary, Academy Award winning director. Wellman Jr. will sign copies of his excellent new book, Wild Bill Wellman: Hollywood Rebel (Pantheon) beginning at 6 p.m. (Wild Boys of the Road is depicted on the cover of the book.)

Live musical accompaniment will be provided by the one and only Cliff Retallick, who has accompanied other Louise Brooks' films on earlier occasions.



Beggars of Life  (1928)

For a director who was also a decorated pilot in World War I, William A. Wellman’s films burn through a lot of shoe leather, from the Depression-driven tramping of the 1930s (Wild Boys of the Road, Heroes for Sale, Midnight Mary) to the weary marching of American soldiers in WWII, (G.I. Joe, Battleground). Beggars of Life inaugurates Wellman’s fascination with and facility for the rough lives and environs of the trudging downtrodden. After killing her foster father in self-defense, Nancy (the ever spellbinding Louise Brooks) flees to the open road with the help of Jim (Richard Arlen), a young hobo who happened on the scene. Wallace Beery, whose singing on the now lost Vitaphone soundtrack of the sound version was billed as major attraction by Paramount, plays Oklahoma Red, a magnetic and menacing tramp who comes through for the couple in the end.

Paramount Famous Lasky Corp.  Director: William A. Wellman.  (Scenario): Benjamin Glazer, Jim Tully.  Cinematography: Henry Gerrard.  Editor: Alyson Shaffer.  Cast: Wallace Beery, Louise Brooks, Richard Arlen, Edgar Washington Blue, H.A. Morgan.  35mm, b/w, silent, 81 min.




Wild Boys of the Road  (1933)

William A. Wellman directed two topical films about the Depression for Warner Bros., both semi-documentary in tone.  This stark narrative follows boys from impoverished families (and a girl, played by dancer Dorothy Coonan, Wellman's fourth and final wife) on their hungry journey.  Wonderful photography and sincere acting make this film enjoyable despite the grim subject matter.  The optimistic ending resounds with hopeful New Deal rhetoric.

First National Pictures, Inc.  Director: William A. Wellman.  Screenwriter: Earl Baldwin.  Cinematography: Arthur L. Todd.  Editor: Thomas Pratt.  With: Frankie Darro, Edwin Phillips, Rochelle Hudson, Dorothy Coonan, Sterling Holloway, Arthur Hohl.  35mm, b/w, 69 min.

Thursday, May 28, 2015

San Francisco's Silent Film Festival 20 years on

There are plenty of film festivals scattered across North America, including a number devoted to silent film. The Denver Silent Film Festival, Kansas Silent Film Festival, and Toronto Silent Film Festival have all made their mark in recent years. None, however, is as eclectic, long lasting, and well attended as the San Francisco Silent Film Festival. The event, which now stretches over five days and draws tens-of-thousands of people from all over the world, is regarded as the largest silent film festival in the Western Hemisphere.

If you have any interest in Sherlock Holmes or Dr. Who, Jazz Age flappers, world's fairs, or meeting an unique Academy Award winner--then you won't want to miss this year's Silent Film Festival. There is a little something for everyone, including fans of Louise Brooks. The annual event, which celebrates its 20th anniversary, is set to take place May 28th through June 1st. To celebrate 20 years of showcasing silent film--often times rare or restored prints and almost always with live musical accompaniment, here are 20 reasons to attend the 2015 event.

1) SHERLOCK HOLMES: By the time Sherlock Holmes (1916) was made, its star William Gillette was long established as the world's foremost stage interpreter of Arthur Conan Doyle's famous character. Gillette visually defined Holmes' methods, manner, and look, especially his signature attire, and his performances were widely praised, even by Doyle himself. This film, long thought lost, was recently found and restored and here makes its North American debut. See where the future Holmeses--John Barrymore, Basil Rathbone, Jeremy Brett, Benedict Cumberbatch and the rest--come from. [Reportedly, fans are flying in from all over for this special screening, which is being underwritten by a major Holmes collector. If you can't make the event, Flicker Alley announced that they will be releasing the film on DVD in the fall.]

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Tinted scenes from Sherlock Holmes, courtesy San Francisco Silent Film Festival

2) DR. WHO: It's no surprise the popular time-travelling British television character enjoys silent cinema, as he likely experienced its glories during his many adventures in space and time.... Real life British actor Paul McGann, the actual 8th Doctor and himself a devotee of silent film and Louise Brooks, live narrates a couple of presentations, including The Ghost Train (1927), a decidedly Whovian film which tells the story of eccentric travelers stranded at a dubiously haunted station.

3) COLLEEN MOORE: She was as popular as Clara Bow, and had pulchritude not unlike that of Louise Brooks. Yet, how many can claim to have seen one of her pictures? Colleen Moore is perfect in Why Be Good? (1929), where she plays the aptly-named Pert Kelly, shop girl by day, flapper by night. F. Scott Fitzgerald wrote: "I was the spark that lit up Flaming Youth, Colleen Moore was the torch."

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Why Be Good?, courtesy San Francisco Silent Film Festival

4) LOCAL HISTORY: The Festival screens When the Earth Trembled (1913), a newly restored film that's likely the first feature about the 1906 earthquake. It contains some nifty special effects and rare footage shot in San Francisco in the days following the disaster. And, to mark the 100th anniversary of the Panama Pacific International Exhibition (a world's fair that celebrated The City's recovery), the Festival will also screen short films shot at that historic event.

5) KEVIN BROWNLOW: Arguably, the above mentioned festivals might not exist without Kevin Brownlow: author, archivist, documentarian, champion of the silent cinema, and Louise Brooks' friend--Brownlow's importance to film history cannot be emphasized enough. His 1968 book, The Parade's Gone By, inspired a generation of enthusiasts. It's a must read. His 1979 TV series, Hollywood, set the standard for just about every documentary that followed. In 2010, in recognition for all he has done, Brownlow received an Academy Honorary Award, the first time an Oscar was awarded to a film historian! The British film preservationist will be in conversation prior to the screening of his restoration of the Festival's closing film, Ben Hur (1925).

6) FAN FAVORITES: This year's films star legendary names like John Gilbert and Greta Garbo, Ramon Novarro, and Harold Lloyd. But look a little deeper into the credits and you'll find up-and-comers whose reputations were made in later years, like Boris Karloff in The Deadlier Sex (1920), and Neil Hamilton (Commissioner Gordon in TV's Batman, and one of the stars of Brooks' first film, The Street of Forgotten Men) in Why Be Good? 

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Gilbert and Garbo in love, courtesy San Francisco Silent Film Festival

7) LEGACY: With the passage of time, the children and grandchildren of silent film personalities are as close as we may come to their work. In attendance will be actor William Wellman Jr., son of the Academy Award winning director William Wellman (whose credits include the 1928 Brooks' film  Beggars of Life) and author of the just released biography Wild Bill Wellman: Hollywood Rebel. Also presenting or signing books are Suzanne Lloyd, granddaughter of Harold Lloyd, and Jessica Niblo, daughter of Why Be Good? director William Seiter.

8) SPECIAL GUESTS: Well known critics Leonard Maltin and David Thomson will also be on hand, as will authors and film historians John Bengtson, Cari Beauchamp (My First Time in Hollywood), Jeff Codori (Colleen Moore: A Biography of the Silent Film Star), David Pierce (The Dawn of Technicolor), Weihong Bao (Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945), and others, including Thomas Gladysz, editor of the Louise Brooks' edition of The Diary of a Lost Girl.

9) SPOKEN DIALOGUE: The Donovan Affair (1929) was Frank Capra's first "100% all-Dialogue Picture." Its soundtrack, however, has been lost. For this special screening, the soundtrack will be recreated with live dialogue by Allen Lewis Rickman (Boardwalk Empire), Yelena Shmulenson (A Serious Man, The Good Shepherd), veteran actor, writer, director Frank Buxton (who similarly voiced a part in Woody Allen's What's Up, Tiger Lily?) and others. Not to be missed.

10) MUSIC: Most every film, from the shortest short to the longest epic, is presented with live musical accompaniment. Making their Festival debut are the Berklee Silent Film Orchestra from Massachusetts, and returning are the Mont Alto Motion Picture Orchestra, Matti Bye Ensemble (winners of the Golden Beetle, Sweden's Oscar), and musicians Donald Sosin, Stephen Horne, Frank Bockius, Guenter Buchwald, and others.

11) ASIAN CINEMA: The Asian Cinema did not start with Kurosawa, martial arts films, or Bollywood. For a number of years, the Silent Film Festival has included a stellar example of early movie making from Japan , China or India. This year's film is Cave of the Spider Women (1927), a rare example of a magic-spirit film, a popular genre in the 1920s. The film set box-office records in China in 1927, but was considered lost until its discovery in Europe.

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Cave of the Spider Women, courtesy San Francisco Silent Film Festival
12) LOST LANDMARK: In 1913, a group of African-American performers led by famed entertainer Bert Williams gathered in New York to make a motion picture. After shooting more than an hour worth of film, the project was abandoned by its producers and left forgotten. Its unassembled footage, notably, represents the earliest known surviving feature with a cast of black actors. The Festival will present an hour-long assemblage of material that includes a two-minute dance sequence and a cutting-edge display of on-screen affection.

13) THE LAST LAUGH (1924): In his greatest role, Oscar winner Emil Jannings plays the chief porter at a prestigious hotel, a position affording him respect and dignity. His uniform is the emblem of his stature¬--and a source of great personal pride; thus, his subsequent demotion to washroom attendant is devastating. The film's pathos is bolstered by its technical innovation--F.W. Murnau's fluid camera is as beautifully expressive as Jannings's performance. So much so, the story flows without the need for intertitles. The Last Laugh is one of the great films of the Weimar era. Expect to shed a tear, or two, or three.

The Last Laugh, courtesy San Francisco Silent Film Festival
14) FOREIGN FILMS: Along with The Last Laugh (a German production) and The Ghost Train (an English/German co-production directed by a Hungarian), the Festival will also screen French classics Visages d'enfants (1925) and The Swallow and the Titmouse (1920), as well as the avant-garde Ménilmontant (1926), which Pauline Kael named her favorite film. There is also a very modern Swedish work, Norrtullsligan (1923), and a singular Norwegian effort, Pan (1922), an adaptation of Nobel Prize-winning author Knut Hamsun's famous novel.

15) ALL QUIET ON THE WESTERN FRONT (1930): We've all read the book or seen the movie. The Festival will screen the long lost silent version of the sound film, which some scholars think superior to the more familiar early talkie; that's a big claim considering Lewis Milestone's anti-war drama was the first to win Academy Awards for both Outstanding Production and Best Director. This opening night presentation features a new score and live sound effects created especially for the silent version.

16) FREE PROGRAMS: Every year, the Festival sponsors a free public program on film preservation. It's pretty interesting, and a sure bet you'll see things your film-buff friends wish they had seen. Rare, fragile, and once thought lost films are screened, and noted individuals working in the field speak: Bryony Dixon, senior curator of silent film at the British Film Institute, is bringing a treasure trove of footage about the Lusitania; Serge Bromberg of Lobster Films in Paris will show Maurice Tourneur's House of Wax (1914); and local preservationist Rob Byrne will describe reconstructing Sherlock Holmes.

17) AMAZING CHARLIE BOWERS: Mix a little slapstick with a little Rube Goldberg and a little Buster Keaton with a little anything-goes-fantasy and you end up with Charlie Bowers, a long-forgotten, idiosyncratic, Iowa-born filmmaker once championed by the French Surrealists, who loved Bower's inventive mix of live action and puppet animation. Only recently rediscovered, Bower's surviving shorts have now been beautifully restored. You haven't lived until you've seen Now You Tell One (1926), with its scene of elephants marching into the U.S. Capitol.

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Charlie Bowers, courtesy San Francisco Silent Film Festival
18) YOU'LL BE TESTED: Bruce Goldstein, director of repertory programming at New York's Film Forum, will host a trivia contest called "So You Think You Know Silents." Test your knowledge of the era in what promises to be a spirited quiz. Prizes will be awarded. And what's more, its free.

19) CASTRO THEATER: The Festival takes place within the confines of the historic Castro. Built in 1922, this grand neighborhood movie theater is one of the last standing picture palaces in the San Francisco Bay Area. Early on, Oscar winner Janet Gaynor was an usherette there.

20) AN ANNIVERSARY CELEBRATION: This year's event marks 20 years of properly presented 35mm film with live musical accompaniment, a Festival hallmark. Following the opening night presentation, experience a festive Weimar-era nightclub--the Kit Kat Klub, the Festival's version of a 1920s Berlin cabaret. There will be a chanteuse, music, dancing , food, drink, "relaxed social attitudes", and a special cocktail--the Voluptuous Panic. Period attire suggested.

The Silent Film Festival takes place May 28th through June 1st at the Castro Theater in San Francisco. More information, including a complete program of films and special guests, can be found at www.silentfilm.org
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