There is an article in today's St. Louis Post Dispatch about bobs - the history and "meaning" of the hairstyle. The article was written because a touring version of Thoroughly Modern Millie is showing in town. (I remember seeing a portrait of Louise Brooks on the set of the play's New York production some years back.) If anyone sees the St. Louis production, please let me know.
A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Saturday, June 7, 2008
What About Bob's
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Thursday, June 5, 2008
Anna May Wong
Did anyone see the documentary about Anna May Wong on TCM ? Did anyone notice a portrait of Louise Brooks on the wall behind Philip Leibfried as Leibfried spoke and the credits rolled? Was it Brooks, or Wong ?
Wong was incredibly beautiful. It too bad her acting talent was wasted in so many dismal films. I do like Piccadilly, and Shanghai Express, though.
Wong was incredibly beautiful. It too bad her acting talent was wasted in so many dismal films. I do like Piccadilly, and Shanghai Express, though.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Tuesday, June 3, 2008
A Lulu in Ottawa
The Ottawa Citizen reports that a new play, based on Frank Wedekind's Lulu plays, is now playing at the National Arts Centre in the Canadian capital. The play, titled "Ce qui meurt en dernier," was written by Normand Chaurette. According to the Ottawa Citizen
Now Normand Chaurette has revived Wedekind's characters for Ce qui meurt en dernier (That which dies last), his first new play since 2001. Last year, Chaurette's friend and longtime collaborator Denis Marleau suggested that Chaurette write something for the actress Christiane Pasquier. The author was inspired by Pasquier's electrifying performance as Countess Martha von Geschwitz in a Lulu staging Marleau had directed a dozen years ago. The result is essentially a one-hour, virtuoso monologue for one of Canada's greatest stage actresses.A passing reference to Louise Brooks is made in the article. I would be interested to know if any reader of this blog has seen the production. [More on the play can be found here and here.]
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, June 2, 2008
Chance favors the prepared mind
There is a saying, "Chance favors the prepared mind."
The other day I was organizing my past and future interlibrary loan requests. I am nearly through with my research, and would say that I have requested about 98% of the material I had hoped to examine. Among the items I was planning to look at was Shinko eiga, a Japanese film journal dating from the late 1920's. [I have looked at a few years worth of Movie Times, another Japanese movie magazine dating from the silent film era. It was a mostly Japanese language fan type publication, which included bits of English-language text and lots of pictures. The University of Chicago library has a long run of the publication. And the University of California, Davis has a shorter run. I have been to each library to examine copies.]
I figured I had better do a little research about Shinko eiga, to find out exactly when it started, what it covered, and most importantly, who might have copies which I might be able to borrow. And so, I googled the title. And came to a page on the University of Michigan's website devoted to the school's Center for Japanese Studies and it's prewar proletarian film movements collection. It is an amazing page, full of scans of Japanese film magazines dating from the late 1920's and early 1930's. I downloaded a few issues in order to check them out - to get a feel for what these publications were like.
I don't read the language, and can't tell what they are about. But I do understand pictures. And while skimming through the April 1930 issue of Shinko eiga I came across this page. I downloaded this particular issue because the web page synopsis stated the issue contained a "Special section on women, with several essays written by women. Opinions of filmmakers whose work was cut by the censors." That sounded intrigueing!
The other day I was organizing my past and future interlibrary loan requests. I am nearly through with my research, and would say that I have requested about 98% of the material I had hoped to examine. Among the items I was planning to look at was Shinko eiga, a Japanese film journal dating from the late 1920's. [I have looked at a few years worth of Movie Times, another Japanese movie magazine dating from the silent film era. It was a mostly Japanese language fan type publication, which included bits of English-language text and lots of pictures. The University of Chicago library has a long run of the publication. And the University of California, Davis has a shorter run. I have been to each library to examine copies.]
I figured I had better do a little research about Shinko eiga, to find out exactly when it started, what it covered, and most importantly, who might have copies which I might be able to borrow. And so, I googled the title. And came to a page on the University of Michigan's website devoted to the school's Center for Japanese Studies and it's prewar proletarian film movements collection. It is an amazing page, full of scans of Japanese film magazines dating from the late 1920's and early 1930's. I downloaded a few issues in order to check them out - to get a feel for what these publications were like.
I don't read the language, and can't tell what they are about. But I do understand pictures. And while skimming through the April 1930 issue of Shinko eiga I came across this page. I downloaded this particular issue because the web page synopsis stated the issue contained a "Special section on women, with several essays written by women. Opinions of filmmakers whose work was cut by the censors." That sounded intrigueing!
The picture of Louise Brooks - which I was so delighted to find (chance favors the prepared mind) - is from Pandora's Box. Perhaps this is some sort of review or article about the film, which was released in Europe just a years before ? Or perhaps it is about Brooks' role in the film? I just don't know. What also intrigued me was the fact that this publication was founded by the Proletarian Film League of Japan, a decidedly left leaning group. And the director of Pandora's Box, G.W. Pabst, was a known to have left leaning sympathies. [I once came across an article about Pabst in a similar German publication from the period.]
If anyone can tell me what this page is about, I would be very grateful. The image included above can be found on page 58 of the pdf of Shinko Eiga 2.4 (April 1930). Interested individuals or translators can check out the entire article. Whatever it turns out to be, it's a nice find.
[Individuals interested in world film history will want to check out the University of Michigan web page noted above. There is an issue of Eiga No Eiga (January 1928) which is devoted to Charlie Chaplin! Other issues and articles can be found devoted to Eisenstein and Pudovkin, etc....]
If anyone can tell me what this page is about, I would be very grateful. The image included above can be found on page 58 of the pdf of Shinko Eiga 2.4 (April 1930). Interested individuals or translators can check out the entire article. Whatever it turns out to be, it's a nice find.
[Individuals interested in world film history will want to check out the University of Michigan web page noted above. There is an issue of Eiga No Eiga (January 1928) which is devoted to Charlie Chaplin! Other issues and articles can be found devoted to Eisenstein and Pudovkin, etc....]
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Tuesday, May 27, 2008
The glance
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, May 26, 2008
A reason for the bob
About every review of Indiana Jones and the Crystal Skull has mentioned the haircut worn by Cate Blanchett's character - a severe bob a la Louise Brooks. (Similarly, many reviews of Christina Ricci's role in the recent Speedracer also mentioned her Brooks-like bob.) Well, those references to Brooks and her famous haircut are just that, references. No big deal - they show up on my "Louise Brooks news alert."
Well, it turns out there is a reason after all for Blanchett's (aka CB) hairstyle. In a recent interview with Cinematical, director George Lucas (aka GL) revealed his regard for Louise Brooks.
Well, it turns out there is a reason after all for Blanchett's (aka CB) hairstyle. In a recent interview with Cinematical, director George Lucas (aka GL) revealed his regard for Louise Brooks.
Was that hairdo an homage to somebody specifically in the fifties?I wish I had known. I once went to the Skywalker Ranch north of San Francisco. And I was impressed by the silent film movie memorabilia on display. None of it was Brooks related, but there was stuff belonging to Rudolph Valentino, the Keystone cops, etc..... George Lucas wasn't there at the time. But had I known of his interest in Brooks, I would have left him a LBS button. George, write to me . . . . I have an idea for a film.
CB: Well, Vidal Sassoon. ...
GL: I'm a big fan of Louise Brooks, a big fan of the bob, and I couldn't resist. I just had to get that in a movie.
CB: I didn't resist.
GL: Just something that had to happen.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, May 25, 2008
Gather ye rosebuds while ye may
Microsoft announced Friday that it was ending a project to scan millions of books and scholarly articles and make them available on the Web. It's expected that it's book search site will be taken down sometime this week. So far, Microsoft said it had digitized 750,000 books and indexed 80 million journal articles. Gather ye rosebuds while ye may . . . .
Both Microsoft and Google have been scanning older books that have fallen into the public domain, as well as copyright-protected books under agreements with some publishers. I have used both sites in researching Louise Brooks, Frank Wedekind, silent film, and Jazz Age topics. And, I have found a bunch of stuff - including vintage reviews of Brooks' films in obscure trade journals like Educational Screen. I was also able to download a whole lot of early books on film. It's a pleasure to have Movies and Conduct, a book from 1933 about the effect of the movies on youth. (Louise Brooks is mentioned.)
Admittedly, I am an information junkie. Microsoft's discontinuation of this project is a sad thing.
Both Microsoft and Google have been scanning older books that have fallen into the public domain, as well as copyright-protected books under agreements with some publishers. I have used both sites in researching Louise Brooks, Frank Wedekind, silent film, and Jazz Age topics. And, I have found a bunch of stuff - including vintage reviews of Brooks' films in obscure trade journals like Educational Screen. I was also able to download a whole lot of early books on film. It's a pleasure to have Movies and Conduct, a book from 1933 about the effect of the movies on youth. (Louise Brooks is mentioned.)
Admittedly, I am an information junkie. Microsoft's discontinuation of this project is a sad thing.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
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