A Wedekind revival ?

Might there be a Frank Wedekind revival brewing? There is an article which speculates as much on Broadwayworld.com The article, "Mark Lamos Directs Wedekind's LULU at Yale Rep," notes the forthcoming production in New Haven. Not Surprisingly, the article mentions Louise Brooks, the most famous Lulu (and the most famous Wedekind character) of them all.

According to Lamos, “When James Bundy suggested Wedekind's Lulu as a possibility for my return to Yale Rep, I hadn’t read it for many years. What struck me most was how different the play was from G.W. Pabst’s silkily sensual silent film starring the legendary Louise Brooks. It also bore only passing resemblance to Alban Berg’s operatic incarnation. Wedekind worked from a tradition of cabaret, vaudeville, and the political club scene of his time. The original Lulu is much more absurdist, more knockabout than the famous film and the lushly atonal operatic masterpiece. His work inspired artists in all mediums, including Bert Brecht, whose experimental mixing of styles and tones became a staple of the 20th century avant-garde.”

The article then goes on to note, "With the recent Criterion DVD release of Pabst’s Pandora’s Box (1929) and the hit Broadway musical adaptation of Wedekind’s Spring Awakening, now is the time to rediscover this highly influential playwright." [ And not to forget the Silent Theater production of Lulu which played in Chicago, NYC and San Francisco.]

p.s. I wonder why the producers chose Carl R. Mueller translation of Wedekind's play, and not one of the many others by Stephen Spender, Eric Bently, Samuel Eliot, etc....

Would you whisper ?

A reproduction of this nifty magazine cover is for sale on eBay. It is the a tabloid of the time, the Police Gazette - dating from  December 13, 1924. The photo on the cover is by Alfred Cheney Johnston. The title below the picture (as best I can tell) reads "If you met her on a farm would you whisper, 'chick, chick.'"

Blog on Blog

Larry Doe, who recently was involved with the transcription of vintage Denishawn instruction piano rolls, has blogged about the the LBS. Check out Larry's earlier blog entries. Imagine being able to hear music recorded for Denishawn way back in the 1920's.

Silent Film Still Archive

Bruce Calvert has moved his Silent Film Still Archive to a new URL. Check it out at www.silentfilmstillarchive.com  

Also worth checking out is an online article on Christianity and the origins of the film industry. It makes for somewhat interesting reading. Check it out at www.spcm.org/Journal/spip.php?article7228  

Inter-library loans: Intrigue and Comedy Abound

Some of the inter-library loan material I have looked at lately includes microfilm of the Salina Evening Journal (from Kansas) andPottsville Republican (from Pennsylvannia), from which I gathered material on Louise Brooks' 1922 Denishawn performances in each of those locales. I found a few articles and advertisements, as well as a review. I also looked at a number of months of theOregon Statesman (from Salem, Oregon) and Tacoma Daily Ledger (from Washington), but only found a couple of film related articles.

One of the curious items I ran across were a couple of incorrectly captioned photographs. This one - pictured below - confuses Louise Brooks and Colleen Moore and their respective co-stars. As it happened, films starring each actress were playing at the same time in Tacoma, Washington.

This is not the first time I have come across a Louise Brooks-Colleen Moore mix-up: I think, because the two actresses wore their hair in a similar fashion (and perhaps resembled one another slightly), and because at times they played the same sorts of roles, newspapers editors and the public sometimes mistook one actress for the other. Or was it that they thought of them in similar terms?

Here are the adjoining advertisements for the Louise Brooks and Colleen Moore films which appeared in the Tacoma paper (on the same page as the previously mentioned miscaptioned photographs).

 

At home

Another nice image of Louise Brooks for sale on eBay.

Viewpoint: Modern Drama

A rather interesting article on the work of Frank Wedekind is in the March, 2007 issue of Opera News. F. Paul Driscoll 's piece begins

The characters and situations created by German-born playwright Frank Wedekind (1864–1918) have lost none of their power to shock and disturb audiences. The feral, heartless temptress at the heart of Wedekind's Lulu plays is familiar to opera aficionados as the femme fatale of Alban Berg's Lulu; for film buffs, the personification of Wedekind's cunning mantrap is Louise Brooks, in G. W. Pabst's classic silent film Pandora's Box. Brooks's keen intelligence and highly individual "look" — sharp, shining eyes, immaculately trim legs and a glossy helmet of bobbed black hair — conspired to create one of cinema's enduring erotic icons. But what makes Pandora's Box, first released in 1929, still feel freshly-minted is the character of Lulu, the amoral, unapologetic adventuress that Wedekind put on paper more than a decade before Brooks was born. Alban Berg'sLulu is still thought of as a "modern" opera, although the composer has been dead for more than seventy years; it will always seem so, because its leading character refuses to age. Lulu's fascination lies in her ability to simulate freshness; she attracts men because her possibilities seem endless. Her life, for as long as it lasts, is lived in the future tense. 

China nixes LBS at LJ

According to a post on BoingBoing (which references a news item on Wired News), "China has added the whole of LiveJournal to its list of banned websites."

Sadly, thus, the billions of people of China won't be able to keep up with what's new in the world of Louise Brooks. . . . what new picture of the actress has popped up on eBay, where one of her films is screening around the world, what new articles or reviews have been uncovered, or even what news songs have been added to RadioLulu. What is the world coming to?

Ford Sterling

There is a new book out on Ford Sterling, the one time Keystone Kop and comedic actor who appeared in two Louise Brooks films, The American Venus and The Show-Off (both 1926). Wendy Warwick White's Ford Sterling: The Life and Films is the first ever book on this talented and fascinating personality. "The main focus of the work is Sterling's career, from 1911 to 1937, which is unfortunately largely forgotten today. With an emphasis on correcting inaccuracies and restoring Sterling's legacy, this volume examines his on-screen work, his production ventures, his reputation as a world renowned photographer and his final debilitating illness. A detailed filmography provides all known production, cast and crew information as well as a synopsis for each film when available."