Beyond the Rocks / booksignings

On Sunday November 13, 2005, The San Francisco Silent Film Festival will present the West Coast Premiere Revival Screening of Beyond the Rocks (1922), the only film that Rudolph Valentino and Gloria Swanson made together. For nearly 80 years, only a one-minute fragment of Beyond the Rocks was thought to exist. But in 2003, a complete print was discovered among 2,000 unmarked cans of film by the Nederlands Filmmuseum. In partnership with Haghefilm Conservation, the Nederlands Filmmuseum employed state-of-the-art technology to create a dazzling new print of this long-sought-after film. 

Based on a novel by Elinor Glyn (author of IT ), Beyond the Rocks features Valentino as Lord Bracondale, a desirable bachelor who finds himself enchanted by Theodora (Swanson), a simple girl from the Dorset coast. There will be two screenings (at 2 pm and 7 pm) of this romantic drama at the Castro Theatre. Both programs will be presented with live musical accompaniment on the Mighty Wurlitzer by Dennis James. The Booksmith will also be on hand selling books on silent film, including new releases and autographed titles, as well as hosting three booksignings!

Lenny Kaye signing "You Call It Madness: The Sensous Song of the Croon"
after the 2 pm screening (signing will start at approximately 3:45 pm)

--- Crooner / Jazz Age personality Russ Columbo is the subject of a new book, a musical history combining the drama of a bestselling novel and a soundtrack from the Golden Age of Broadway and Hollywood. Hailed as "The Romeo of Radio" and "The Valentino of Song," and romantically linked to actresses Pola Negri and Carole Lombard, Russ Columbo is all but forgotten today, his limitless promise cut short in a tragic and controversial accident as he stood on the verge of winning the stardom that Bing Crosby, his great rival, would soon achieve.

Lenny Kaye is an acclaimed music writer whose work has appeared in Rolling Stone, The Village Voice, Hit Parader, and Crawdaddy! He has been a guitarist for poet-rocker Patti Smith since her band's inception thirty years ago and serves on the nominating committee forthe Rock and Roll Hall of Fame

Jack Tillmany signing "Theaters of San Francisco"
after the 2 pm screening (signing will start at approximately 3:45 pm)

--- Only a handful of the 100 or so neighborhood theatres that once graced the streets of San Francisco's streets still stand. However, they live on in the photographs featured in Jack Tillmany's new book. The heyday of such venues as the Clay, Noe, Metro, New Mission, Alexandria, Coronet, Fox, Uptown, Coliseum, Surf, El Rey, and Royal was a time when San Franciscans thronged to the movies and vaudeville shows, dressed to the hilt, to see and be seen in majestic art deco palaces.

Jack Tillmany, former owner of the Gateway Cinema in San Francisco and a revival programming pioneer, brings the city's theatres to life in this amazing selection of vintage images. Drawing from his personal archive collected during a 30-year career in cinema management, he paints a detailed story of the golden age of theatre, both live and cinematic. It was a time of stunning architecture, elegance, and opulence, and this volume is a reminder of the pre-multiplex days when almost every neighborhood boasted its own beloved theatre. 

Emily W. Leider signing "Dark Lover: The Life and Death of Rudolph Valentino"
prior to the 7 pm screening (signing will start at approximately 6:30 pm) 

--- Tango pirate, gigolo, powder puff, Adonis ­ all have been used to describe the silent-film icon Rudolph Valentino. From his early days as a taxi dancer in New York to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino's short and tragic life ­ the first fully documented  biography of the star Emily W. Leider looks at the Great Lover's life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. 

Emily W. Leider is the author of "Becoming Mae West" and other books. She lives in San Francisco, and will introduce the 7 pm screening.

Check out this site - hear Pola Negri sing

If you love music of the 1920's and 1930's, you will want to check out the Weimar Rundfunk Music website. You can even hear Pola Negri sing!

Thanks to Amanda

Amanda Howard - a longtime LBS member from Wichita, Kansas - has done it again!

Amanda took some time out of her busy schedule to hunt down Denishawn material from two Kansas newspapers - theWellington Daily News and the Lawrence Daily Journal-World. Amanda found an amazing assortment of newspaper advertisements, related articles, and reviews of each performance. One of the local-interest articles spoke of a pre-Denishawn dance recital by Louise Brooks at the Wellington Home Coming and Golden Jubilee in which she "used a large number of vari-colored balloons" in an "especially attractive" routine. Wow! What a find! The other material was also quite interesting . . . one local article spoke of a reception for the dance company, and one of the reviews praised Brooks by name. [ Citations for this new material have been added to the appropriate LBS bibliographies. ]

During her research, Amanda also came across a photograph (circa 1890) of the building which Brooks and her family would later call home starting in the late teens. What a wonderfull structure.



Thank you Amanda for your excellent efforts.

I found some good material

A couple of inter-library loans arrived. I went through microfilm of the Daily Pantagraph, where I found good material relating to the two Denishawn performances in Bloomington, Illinois.

I also went through the March, 1926 microfilm of the Palm Beach Post. I was hoping to find articles about or references to the making of It's the Old Army Game, which was filmed in both Palm Beach and nearby Ocala, Florida. I did find one article, "Ocala is Enjoying Movie Popularity," which mentioned the film and its star, W.C. Fields. An article I had come across in the Fields fan club newsletter mentioned another article, but I failed to find that piece.

Pre-code film fest features Paramount flicks

"During the pre-Code era -- the five years before the imposition of a restrictive production code on July 1, 1934 -- Hollywood made a series of racy and socially daring films. This is widely known. What is not widely known is that the naughtiest studio of them all was Paramount."

The Balboa Theater in San Francisco is about to start a pre-code film festival. What makes this one special is that all of the films were made by one studio - Paramount. Author / photo historian Mark Vieira will be in attendance to introduce tomorrow night's film, as well as sign books. (Vieira is the author of the sexy, scholarly pictorial Sin in Soft Focus, as well as one of the two new books on Garbo.) Mick LaSalle, the film critic for the San Francisco Chronicle, has a long article in today's newspaper about the festival. It's well worth reading. I will be there Thursday night as well. (p.s. Amanda, I will get your copy of Sin in Soft Focus signed at this screening. At last!)

On this day in 1923

On this day in 1923, in it's review of the previous evening's Denishawn performance, the Baltimore News wrote " . . . for all the amazing nudity not once has a salacious note sounded."

Thank you James Dilworth

A big thank you to James Dilworth, who took some time and dug a bunch of reviews and articles out of the Reno, Nevada newspapers. The articles James found all date from the the 1920's. Here is one rather delightful item.

Further notes

This week, I put in an ILL request for two reels of microfilm of the Hannibal Courier-Post and Hannibal Journal. The Denishawn Dance Company, with Louise Brooks, performed in Hannibal, Missouri on January 2, 1924. The lending institution, the State Historical Society of Missouri, just raised their rates for out-of-state requests from $7.00 to $10.00. So, until I can deliver a new check, my search for this material will be briefly delayed.

On a related note, my ILL request for the Beaumont Enterprise was rejected, as there are no lending institutions. Anyone live in Beaumont, Texas willing to look up a couple of articles? Denishawn performed in Beaumont on Friday, February 2, 1923 at the Kyle Theatre and on  Thursday, January 10, 1924 at the Kyle Theatre.

Notes from the library

Earlier this summer, I ran across a 1925 clipping regarding The Street of Forgotten Men while looking through Neil Hamilton's scrapbooks at the New York Public Library. (Actor Neil Hamilton - best known as Commissoner Gordon on the 1960's BatmanTV series - was featured in The Street of Forgotten Men, which also happened to be Louise Brooks' first film!) And just now, at the end of October, I got around to borrowing the microfilm of the Wilmington Morning News, the Delaware newspaper in which that clipping appeared. I tracked down a few additional articles and advertisements. REMARKABLY, that film was paired with a (unknown to me) documentary short about the then recent Atlantic City beauty pageant. Of course, as any Brooks' fan knows, that beauty pageant - one of the early Miss America contests - provided the background subject for the next Louise Brooks' film,The American Venus, which was released just a few months later.

This is exciting. Who knows what is on that short film - perhaps some brief footage about the making of the feature film? (I doubt that Brooks was present in Atlantic City. But who knows . . . .) I also ran across a brief article entitled, "Beauty Pageant Showing At Stanley Theatres." The article reads thus: "The thousands of Wilmingtonians who did not get the opportunity to be present in Atlantic City during the Beauty Pageant just completed there on Friday will see the principal scenes of the entire celebration in film at the Queen, Arcadia and Majestic Theaters beginning today. The scenes were especially 'shot' by the Stanley cameraman for the theaters of this organization." I'll pay anyone a dollar if they can provide me with a copy of that short film. I think it is titled Atlantic City Beauty Pageant.

Today, five inter-library loans were waiting for me. I also looked at some Denishawn material from the New Haven Journal-Courier (from New Haven, Connecticut) and the Wisconsin State Journal (from Madison, Wisconsin). Each yielded some long, detail-filled reviews and a few neat advertisements.

And, as well, I went through a number of months of two "other" American newspapers, the Honolulu Star-Bulletin (from the Territory of Hawaii) and the Alaska Daily Empire (also then a territory, pre-statehood). My search through the Star-Bulletin was based on my having earlier found film reviews in the Honolulu Advertiser (microfilm of which I stumbled upon in Sacramento, California. The Star-Bulletin microfilm came on loan from the Library of Congress). I checked my Advertiser dates in the Star-Bulletin and came up with a  couple of new reviews.

However, the Alaska Daily Empire (from Juneau) yielded nothing. I skimmed nearly six months of this newspaper, which only ran only eight pages on a daily basis. I found advertisements and short, generic articles about films showing in town - but none featuring Louise Brooks. There were at least two or three movie theaters in Juneau in the late 1920's - and they showed motion pictures starring the likes of Buster Keaton and Erich von Stroheim. Apparently, Juneau didn't show many or any Paramount films. One day, I hope to find or acquire some Alaska citations for the LBS bibliographies. I have citations from almost every other state.