Three interlibrary loans arrived this week. And so I spent an enjoyable morning - some two hours of time and some seven dollars for photocopies - going through microfilm at the SFPL. . . . I looked through a few months worth of the Toronto Globe & Mail, where I found film reviews of The American Venus (1926) and A Social Celebrity (1926). I also looked through the Springfield Republican, a Masschusetts newspaper, where I gathered a slew of material on the Denishawn performance there in 1924. (One of the articles mentioned Louise Brooks.) I also got an advertisement and review of The City Gone Wild (1927). And then from the now defunctPittsburgh Press I found material on The Street of Forgotten Men (1925), Now We're in the Air (1927), The Canary Murder Case (1929), and It Pays to Advertise(1931). All together, it was a good haul.
A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Wednesday, December 1, 2004
This week at the SFPL
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Tuesday, November 30, 2004
The Whole Equation
Chatted today with film critic David Thomson, whose fascinating new book, The Whole Equation, has just been published. This new book, a collection of essays on everyone from Chaplin and von Stroheim to Nicole Kidman and Harvey Weinstein, is subtitled "A History of Hollywood." Louise Brooks is referenced three times.
Thomson has written about or referenced Brooks many times in his various essays, reviews and books.* This rather intertesting passage comes from Thomson's new book. " . . . Louise Brooks in Pandora's Box is the first presence I think I could have fallen for. And Brooks's Lulu is still very dangerous, capable of sweeping pages of description aside with a glance. . . ." Well put.
* David Thomson's The New Biographical Dictionary of Film, which has just been published in a revised and expanded softcover edition, is a must read for any film buff! Go get yourself a copy. You won't be disappointed.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, November 29, 2004
Louise Brooks and Lemony Snicket . . . . redux
On September 20th, I wrote . . .
"Came across these interesting references to Louise Brooks in the works of the popular writer known as "Lemony Snicket." . . . In the "A Night at the Theatre" section of Lemony Snicket: The Unauthorized Autobiography, the author refers to the "Brooks-Gish Award for Best Actress." . . . And in The Carnivorous Carnival, which is part of the author's A Series of Unfortunate Events series and which contains other cinematic and literary references, there is a mention of Lulu. . . . What does it all mean? Is Lemony Snicket a fan of Louise Brooks?"
. . . Today, I had a chance to briefly chat with the mysterious Lemony Snicket, and yes, he is a fan of Louise Brooks!
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, November 28, 2004
Victor McLaglen and Star Cast in "A Girl in Every Port"
Yesterday, I received in the mail a remarkable item I had won on eBay. It was a vintage photograph - measuring 29" wide by 10" tall - of a group of United States Coast Guard standing outside of a theater where A Girl in Every Port was showing in 1928. The marquee above the uniformed members of the Coast Guard reads:
Victor McLaglen and Star Cast in "A Girl in Every Port"
"Semper Paratus" with U.S. Coast Guard and Fox Ensemble of 125
Prologue - Richard Singer & Concert Orchestra - Charles Althoff
"Semper Paratus" with U.S. Coast Guard and Fox Ensemble of 125
Prologue - Richard Singer & Concert Orchestra - Charles Althoff
The film is being shown at a Fox theater. I am not sure in which (likely) East Coast city this photograph was taken. Might anyone hazard a guess? Follow the link above to see scans of this oversized image.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Saturday, November 27, 2004
Dark Star
Finished reading Dark Star, by Leatrice Gilbert Fountain. I enjoyed this book a great deal, and would recommend it to anyone interested in the silent film era. This excellent, 1985 biography tells the story of the rise and fall of the silent film star John Gilbert. (This dashing actor was the star of such classics as The Merry Widow,The Big Parade and Flesh and the Devil. He also appeared in He Who Gets Slapped, La Boheme, and A Woman of Affairs. All together, his is a remarkable list of credits!) The author is the daughter of John Gilbert and Leatrice Joy, an actress who replaced Gloria Swanson as Cecil B. DeMille's leading lady in the 1920's.
It's stated that John Gilbert and Louise Brooks knew each other ("Louise, a fond friend of Jack's"), and the actress is referenced twice in the book. Once, it is in relation to an article that Beggars of Life author Jim Tully wrote about Gilbert. The second time it is in support of the author's contention that MGM was out to sabotage Gilbert's career based on the quality of his voice. (Brooks claimed a similar fate at the hands of Paramount.)
Leatrice Gilbert Fountain tells a sympathetic story in a convincing manner. Film historian Kevin Brownlow described the book as "A tragic and compelling story, essential to an understanding of this extraordinary actor."
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Thursday, November 25, 2004
Daily gleanings
Late last night, while digging through an online newspaper database - not unlike the one which the NEH and LOC are proposing to create (see earlier entry) - I came across a few brief articles and advertisements from the 1920's in the Daily Gleaner, a newspaper based Kingston, Jamaica. This is the first Louise Brooks material I have gathered from that country, and the second from a Caribbean nation. (I already have a handful of vintage clippings from Cuba.)
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Wednesday, November 24, 2004
Weekly trip to the library
Weekly trip to the library to look at requested microfilm. A few roles of the Cincinnati Enquirer arrived, and I found a short article, review and advertisement for A Social Celebrity. Pinpointing this Cincinnati screening will aid me while I survey the other Cincinnati newspapers when I travel to Ohio next month.
Also arriving were two reels of the Daily City Gate and Constitution-Democrat, from Keokuk, Iowa. This newspaper contained numerous short articles, advertisements and a review of the two Denishawn dance company performances in that small town.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
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