Thursday, October 28, 2004

Remarkable eBay item for sale


There is a remarkable item for sale on eBay - a poster (seemingly on board) for the 1928 film A Girl in Every Port. I have never seen anything like this before. It may be unique, in that it was created by a local artist for a specific theater. The seller offers no information except that it is "huge."

Wednesday, October 27, 2004

Weekly trip to the library


Weekly trip to the library to go over newly arrived inter-library loan material. . . . Today, I looked at the Baltimore Post, and managed to turn up a Denishawn review, and a review of the Ziegfeld Follies production of  "Louie XIV." (Louise Brooks was in the company of each of these productions at the time of their Baltimore appearance.) Also found a review of The Street of Forgotten Men at the time it was screened in Baltimore in August, 1925. I was lucky to find what I did, as theBaltimore Post was one of the worst big city newspapers I have ever encountered. It was little more than a tabloid, and an uninteresting and un-fun one at that.
Also went through a couple months of the Chicago Daily News from 1934, where I managed to find an article and some advertisements for the dance team of Dario & Brooks and their appearance, along with torch song singer Helen Morgan, at the Chez Paree - "Chicago's Smartest Supper Club." There was no cover charge - and dinner was only $2.50. Can you imagine?
[ BTW: If you are not familiar with Morgan, do check her out - she is terrific: "Her small, pale appearance and her sweet, artless, and blues-tinged voice made her the ideal performer of the new sort of popular song that was being written in the 1920s and '30s: ironic, sometimes bitter, distinctly urban, and full of the disappointment, loneliness, and joyless hedonism that filled the smoky clubs."]
The day's biggest haul came from a newspaper from the smallest city - Cumberland, Maryland. I looked through about a month worth of the Cumberland Evening Times, where I found a bunch of articles, advertisements, feature photos and a review of the 1923 Denishawn performance in that town. Louise Brooks was mentioned in one of the advertisements, and was twice pictured in group photographs of the Denishawn company.
A footnote: there are interesting happenstances I run across while looking for Brooks material. For example, when Brooks and the Ziegfeld Follies appeared in Baltimore in February of 1925, also in town for a performance was the Denishawn Dance company. Brooks had been ejected from Denishawn less than a year before. Did she notice the Denishawn performance? . . . . And in Chicago, when she was performing with Dario at a supper club, the Chicago Daily News ran a big feature on movie stars (such as Clara Bow and Raymond Hatton) and their failed attempts at a comeback. Did Brooks notice this article? One can only wonder.

Tuesday, October 26, 2004

Image search


Yahoo announced recently that the search engine at Yahoo Images  ( http://images.search.yahoo.com ) now has over a billion images on record. That's a lot! Google Image Search ( http://www.google.com/imghp ), by comparison, counts itself as having over 880 million images.
Either search engine will turn up hundreds of images of Louise Brooks. Many of the results come from the Louise Brooks Society or the handful of other websites and webpages devoted to the actress. However, a thorough look through the search results will turn up some little seen and otherwise unusual images, including examples of "fan art" and other pictorial representations of the actress. Here is one that I find somewhat striking.

Monday, October 25, 2004

The Chanteuse and the Crooner


There is a new book out called Chanteuse in the City: The Realist Singer in French Film, by Kelley Conway. This study "provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Frehel, and Damia. Above all, Conway offers a fresh interpretation of 1930's French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the cafe-concert." Fittingly, there are a handful of references to Louise Brooks and Prix de Beaute (which is depicted three times) in this new book. I have read parts of this book, and found it interesting. You may too.
On a not unrelated "note" . . . .
Did anyone catch today's installment of Fresh Air, which featured rock guitarist Lenny Kaye? He spoke about his new book, You Call it Madness: The Sensuous Song of the Croon, which chronicles the male singers of the 1920's and 1930's - such as Rudy Vallee, Bing Crosby and Russ Columbo - who were known for their suave, sophisticated and romantic interpretations of song. Kaye's book looks quite worthwhile.

Sunday, October 24, 2004

Emil Petaja "Photoplay Edition"


I have a few copies of  Photoplay Edition, by Emil Petaja, which I would like to sell. This collectors guide was the first book on the subject of photoplay editions, the movie tie-in books of the silent and early sound era. This heavily illustrated, 200 page bibliography contains a delightful introductory essay and a checklist of hundreds of titles. It is also illustrated with dozens of rare book covers and black-and-white stills. I am selling these softcover books for $10.00 each (which includes shipping). Personal checks or PayPal accepted. Contact me via email at thomasg at pandorasbox.com to arrange payment and shipping.
                                            
Emil Petaja (1915 - 2000) was a friend of mine, and I knew him during the last half dozen years of his life. Though an accomplished author in the fields of science fiction and fantasy, Emil is best known to movie lovers as the author of Photoplay Edition (SISU Publishers, 1975). Petaja based this book on his personal collection, which at the time of publication, numbered more than eight hundred books. He loved film, and was a life-long movie buff and collector of movie memorabilia. He had a large library of film-related books, owned hundreds of 16mm films and videotapes, and enjoyed recounting stories about classic films, actors and actresses. What always impressed me about Emil was his remarkable mind for recalling plots, the stars of films, and even the authors whose books were made into movies. Occasionally, we would take in a movie together. And I enjoyed many conversations with him about the movies. Emil was a gateway to the past.

Saturday, October 23, 2004

Freckles and His Friends


Here is an amusing item I came across the other day while looking though old newspapers on microfilm. This comic strip dates from 1923, and features Buster Keaton as a character (in this day's strip). Other strips I noticed featured Mary Pickford and Constance Talmadge. Does anyone know anything more about "Freckles and His Friends," or the cartoonist, Blosser?

Wednesday, October 20, 2004

Research notes


There were five boxes of microfilm waiting for me at the library this morning. Such excitement . . . . I spent four hours looking through the Cincinnati Enquirer (found reviews and articles on four films) and Phildadelphia Inquirer (found a couple of brief articles and advertisements for Denishawn performances). One of the articles in the Philadelphia newspaper told how the Denishawn performance was cancelled because a train wreck had prevented the costumes for the dance company from arriving at the same time as the dancers themselves. (Apparently, the costumes and the dancers travelled on different trains.) "There was a dissapointed audience hanging about the doors," the article stated. Tickets had to be refunded. And the performance was rescheduled for a month later.
Also looked through the Muskogee Daily Phoenix (found lots of Denishawn material and an advertisement for American Venus in this Oklahoma newspaper), theCedar Rapids Republican (found Denishawn articles and advetisements, as well as a few film reviews in this Iowa newspaper), and Pittsfield Advertiser (this small town weekly newspaper from Maine did not yield any Denishawn material).
Some time in the next few years, I plan on writing a narrative history of Louise Brooks' two seasons spent with the Denishawn dance company. This account will be based on the hundreds of articles and reviews I have already collected (and will collect) covering the hundreds of performances Brooks and Denishawn gave across the United States. This account will follow their two tours of the United States and Canada.

Tuesday, October 19, 2004

Broadway: The American Musical

Tonight, I watched the first two hours of "Broadway: The American Musical" on PBS. It was great to hear recordings and see film clips from the late 1920's and early 1930's. (Or were all the film clips from the early 1930's? It was hard to tell. Were any of the Ziegfeld Follies stage shows of the 1920's ever filmed?) I have also taken a look at the companion book, Broadway: The American Musical, in hopes of finding at least a reference to Louise Brooks and her time with the George White Scandals and Ziegfeld Follies. But, alas, there were none. Except, perhaps, for the image on the back of the book which depicts the Follies of 1925. Is Brooks included in that shot?
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