It is not known if Louise Brooks read this story, as she was only 14 years old when it was first published. However, it is known that Brooks and Fitzgerald later encountered one another on at least one occasion.
"Bernice Bobs Her Hair" tells the story of a shy young woman who leaves the confines and regularity of her home to visit her flapper cousin. When her cousin tries to teach Bernice how to be modern, Bernice gives her much more than she bargained for. In 1976, there was a TV movie made starring Shelly Duvall.
"Bernice Bobs Her Hair" was written in 1920 and first published in the Saturday Evening Post in May of that year (pictured below). The publication of the story marked the first time Fitzgerald's name appeared on the cover of the prestigious magazine. The story later appeared in Fitzgerald's short story collection Flappers and Philosophers.
The first installment appeared yesterday. The second installment (featuring parts III and IV) can be found below. The third installment runs tomorrow. Tune in to find out what happens!
Part III
While Marjorie was breakfasting late next day Bernice came into the room with a rather formal good morning, sat down opposite, stared intently over and slightly moistened her lips.
"What's on your mind?" inquired Marjorie, rather puzzled.
Bernice paused before she threw her hand-grenade.
"I heard what you said about me to your mother last night."
Marjorie was startled, but she showed only a faintly heightened color and her voice was quite even when she spoke.
"Where were you?"
"In the hall. I didn't mean to listen--at first."
After an involuntary look of contempt Marjorie dropped her eyes and became very interested in balancing a stray corn-flake on her finger.
"I guess I'd better go back to Eau Claire--if I'm such a nuisance." Bernice's lower lip was trembling violently and she continued on a wavering note: "I've tried to be nice, and--and I've been first neglected and then insulted. No one ever visited me and got such treatment."
Marjorie was silent.
"But I'm in the way, I see. I'm a drag on you. Your friends don't like me." She paused, and then remembered another one of her grievances. "Of course I was furious last week when you tried to hint to me that that dress was unbecoming. Don't you think I know how to dress myself?"
"No," murmured Marjorie less than half-aloud.
"What?"
"I didn't hint anything," said Marjorie succinctly. "I said, as I remember, that it was better to wear a becoming dress three times straight than to alternate it with two frights."
"Do you think that was a very nice thing to say?"
"I wasn't trying to be nice." Then after a pause: "When do you want to go?"
Bernice drew in her breath sharply.
"Oh!" It was a little half-cry.
Marjorie looked up in surprise.
"Didn't you say you were going?"
"Yes, but----"
"Oh, you were only bluffing!"
They stared at each other across the breakfast-table for a moment. Misty waves were passing before Bernice's eyes, while Marjorie's face wore that rather hard expression that she used when slightly intoxicated undergraduates were making love to her.
"So you were bluffing," she repeated as if it were what she might have expected.
Bernice admitted it by bursting into tears. Marjorie's eyes showed boredom.
"You're my cousin," sobbed Bernice. "I'm v-v-visiting you. I was to stay a month, and if I go home my mother will know and she'll wah-wonder----"
Marjorie waited until the shower of broken words collapsed into little sniffles.
"I'll give you my month's allowance," she said coldly, "and you can spend this last week anywhere you want. There's a very nice hotel----"
Bernice's sobs rose to a flute note, and rising of a sudden she fled from the room.
An hour later, while Marjorie was in the library absorbed in composing one of those non-committal, marvellously elusive letters that only a young girl can write, Bernice reappeared, very red-eyed and consciously calm. She cast no glance at Marjorie but took a book at random from the shelf and sat down as if to read. Marjorie seemed absorbed in her letter and continued writing. When the clock showed noon Bernice closed her book with a snap.
"I suppose I'd better get my railroad ticket."
This was not the beginning of the speech she had rehearsed up-stairs, but as Marjorie was not getting her cues--wasn't urging her to be reasonable; it's all a mistake--it was the best opening she could muster.
"Just wait till I finish this letter," said Marjorie without looking round. "I want to get it off in the next mail."
After another minute, during which her pen scratched busily, she turned round and relaxed with an air of "at your service." Again Bernice had to speak.
"Do you want me to go home?"
"Well," said Marjorie, considering, "I suppose if you're not having a good time you'd better go. No use being miserable."
"Don't you think common kindness----"
"Oh, please don't quote `Little Women'!" cried Marjorie impatiently. "That's out of style."
"You think so?"
"Heavens, yes! What modern girl could live like those inane females?"
"They were the models for our mothers."
Marjorie laughed.
"Yes, they were--not! Besides, our mothers were all very well in their way, but they know very little about their daughters' problems."
Bernice drew herself up.
"Please don't talk about my mother."
Marjorie laughed.
"I don't think I mentioned her."
Bernice felt that she was being led away from her subject.
"Do you think you've treated me very well?"
"I've done my best. You're rather hard material to work with."
The lids of Bernice's eyes reddened.
"I think you're hard and selfish, and you haven't a feminine quality in you."
"Oh, my Lord!" cried Marjorie in desperation. "You little nut! Girls like you are responsible for all the tiresome colorless marriages; all those ghastly inefficiencies that pass as feminine qualities. What a blow it must be when a man with imagination marries the beautiful bundle of clothes that he's been building ideals round, and finds that she's just a weak, whining, cowardly mass of affectations!"
Bernice's mouth had slipped half open.
"The womanly woman!" continued Marjorie. "Her whole early life is occupied in whining criticisms of girls like me who really do have a good time."
Bernice's jaw descended farther as Marjorie's voice rose.
"There's some excuse for an ugly girl whining. If I'd been irretrievably ugly I'd never have forgiven my parents for bringing me into the world. But you're starting life without any handicap--" Marjorie's little fist clinched. "If you expect me to weep with you you'll be disappointed. Go or stay, just as you like." And picking up her letters she left the room.
Bernice claimed a headache and failed to appear at luncheon. They had a matinée date for the afternoon, but the headache persisting, Marjorie made explanation to a not very downcast boy. But when she returned late in the afternoon she found Bernice with a strangely set face waiting for her in her bedroom.
"I've decided," began Bernice without preliminaries, "that maybe you're right about things--possibly not. But if you'll tell me why your friends aren't--aren't interested in me I'll see if I can do what you want me to."
Marjorie was at the mirror shaking down her hair.
"Do you mean it?"
"Yes."
"Without reservations? Will you do exactly what I say?"
"Well, I----"
"Well nothing! Will you do exactly as I say?"
"If they're sensible things."
"They're not! You're no case for sensible things."
" Are you going to make--to recommend----"
"Yes, everything. If I tell you to take boxing-lessons you'll have to do it. Write home and tell your mother you're going to stay another two weeks."
"If you'll tell me----"
"All right--I'll just give you a few examples now. First, you have no ease of manner. Why? Because you're never sure about your personal appearance. When a girl feels that she's perfectly groomed and dressed she can forget that part of her. That's charm. The more parts of yourself you can afford to forget the more charm you have."
"Don't I look all right?"
"No; for instance, you never take care of your eyebrows. They're black and lustrous, but by leaving them straggly they're a blemish. They'd be beautiful if you'd take care of them in one-tenth the time you take doing nothing. You're going to brush them so that they'll grow straight."
Bernice raised the brows in question.
"Do you mean to say that men notice eyebrows?"
"Yes--subconsciously. And when you go home you ought to have your teeth straightened a little. It's almost imperceptible, still----"
"But I thought," interrupted Bernice in bewilderment, "that you despised little dainty feminine things like that."
"I hate dainty minds," answered Marjorie. "But a girl has to be dainty in person. If she looks like a million dollars she can talk about Russia, ping-pong, or the League of Nations and get away with it."
"What else?"
"Oh, I'm just beginning! There's your dancing."
"Don't I dance all right?"
"No, you don't--you lean on a man; yes, you do--ever so slightly. I noticed it when we were dancing together yesterday. And you dance standing up straight instead of bending over a little. Probably some old lady on the side-line once told you that you looked so dignified that way. But except with a very small girl it's much harder on the man, and he's the one that counts."
"Go on." Bernice's brain was reeling.
"Well, you've got to learn to be nice to men who are sad birds. You look as if you'd been insulted whenever you're thrown with any except the most popular boys. Why, Bernice, I'm cut in on every few feet--and who does most of it? Why, those very sad birds. No girl can afford to neglect them. They're the big part of any crowd. Young boys too shy to talk are the very best conversational practice. Clumsy boys are the best dancing practice. If you can follow them and yet look graceful you can follow a baby tank across a barb-wire sky-scraper."
Bernice sighed profoundly, but Marjorie was not through.
"If you go to a dance and really amuse, say, three sad birds that dance with you; if you talk so well to them that they forget they're stuck with you, you've done something. They'll come back next time, and gradually so many sad birds will dance with you that the attractive boys will see there's no danger of being stuck--then they'll dance with you."
"Yes," agreed Bernice faintly. "I think I begin to see."
"And finally," concluded Marjorie, "poise and charm will just come. You'll wake up some morning knowing you've attained it, and men will know it too."
Bernice rose.
"It's been awfully kind of you--but nobody's ever talked to me like this before, and I feel sort of startled."
Marjorie made no answer but gazed pensively at her own image in the mirror.
"You're a peach to help me," continued Bernice.
Still Marjorie did not answer, and Bernice thought she had seemed too grateful.
"I know you don't like sentiment," she said timidly.
Marjorie turned to her quickly.
"Oh, I wasn't thinking about that. I was considering whether we hadn't better bob your hair."
Bernice collapsed backward upon the bed.
Part IV
On the following Wednesday evening there was a dinner-dance at the country club. When the guests strolled in Bernice found her place-card with a slight feeling of irritation. Though at her right sat G. Reece Stoddard, a most desirable and distinguished young bachelor, the all-important left held only Charley Paulson. Charley lacked height, beauty, and social shrewdness, and in her new enlightenment Bernice decided that his only qualification to be her partner was that he had never been stuck with her. But this feeling of irritation left with the last of the soup-plates, and Marjorie's specific instruction came to her. Swallowing her pride she turned to Charley Paulson and plunged.
"Do you think I ought to bob my hair, Mr. Charley Paulson?"
Charley looked up in surprise.
"Why?"
"Because I'm considering it. It's such a sure and easy way of attracting attention."
Charley smiled pleasantly. He could not know this had been rehearsed. He replied that he didn't know much about bobbed hair. But Bernice was there to tell him.
"I want to be a society vampire, you see," she announced coolly, and went on to inform him that bobbed hair was the necessary prelude. She added that she wanted to ask his advice, because she had heard he was so critical about girls.
Charley, who knew as much about the psychology of women as he did of the mental states of Buddhist contemplatives, felt vaguely flattered.
"So I've decided," she continued, her voice rising slightly, "that early next week I'm going down to the Sevier Hotel barber-shop, sit in the first chair, and get my hair bobbed." She faltered, noticing that the people near her had paused in their conversation and were listening; but after a confused second Marjorie's coaching told, and she finished her paragraph to the vicinity at large. "Of course I'm charging admission, but if you'll all come down and encourage me I'll issue passes for the inside seats."
There was a ripple of appreciative laughter, and under cover of it G. Reece Stoddard leaned over quickly and said close to her ear: "I'll take a box right now."
She met his eyes and smiled as if he had said something surpassingly brilliant.
"Do you believe in bobbed hair?" asked G. Reece in the same undertone.
"I think it's unmoral," affirmed Bernice gravely. "But, of course, you've either got to amuse people or feed 'em or shock 'em." Marjorie had culled this from Oscar Wilde. It was greeted with a ripple of laughter from the men and a series of quick, intent looks from the girls. And then as though she had said nothing of wit or moment Bernice turned again to Charley and spoke confidentially in his ear.
"I want to ask you your opinion of several people. I imagine you're a wonderful judge of character."
Charley thrilled faintly--paid her a subtle compliment by overturning her water.
Two hours later, while Warren McIntyre was standing passively in the stag line abstractedly watching the dancers and wondering whither and with whom Marjorie had disappeared, an unrelated perception began to creep slowly upon him--a perception that Bernice, cousin to Marjorie, had been cut in on several times in the past five minutes. He closed his eyes, opened them and looked again. Several minutes back she had been dancing with a visiting boy, a matter easily accounted for; a visiting boy would know no better. But now she was dancing with some one else, and there was Charley Paulson headed for her with enthusiastic determination in his eye. Funny--Charley seldom danced with more than three girls an evening.
Warren was distinctly surprised when--the exchange having been effected--the man relieved proved to be none other than G. Reece Stoddard himself. And G. Reece seemed not at all jubilant at being relieved. Next time Bernice danced near, Warren regarded her intently. Yes, she was pretty, distinctly pretty; and to-night her face seemed really vivacious. She had that look that no woman, however histrionically proficient, can successfully counterfeit--she looked as if she were having a good time. He liked the way she had her hair arranged, wondered if it was brilliantine that made it glisten so. And that dress was becoming--a dark red that set off her shadowy eyes and high coloring. He remembered that he had thought her pretty when she first came to town, before he had realized that she was dull. Too bad she was dull--dull girls unbearable--certainly pretty though.
His thoughts zigzagged back to Marjorie. This disappearance would be like other disappearances. When she reappeared he would demand where she had been--would be told emphatically that it was none of his business. What a pity she was so sure of him! She basked in the knowledge that no other girl in town interested him; she defied him to fall in love with Genevieve or Roberta.
Warren sighed. The way to Marjorie's affections was a labyrinth indeed. He looked up. Bernice was again dancing with the visiting boy. Half unconsciously he took a step out from the stag line in her direction, and hesitated. Then he said to himself that it was charity. He walked toward her --collided suddenly with G. Reece Stoddard.
"Pardon me," said Warren.
But G. Reece had not stopped to apologize. He had again cut in on Bernice.
That night at one o'clock Marjorie, with one hand on the electric-light switch in the hall, turned to take a last look at Bernice's sparkling eyes.
"So it worked?"
"Oh, Marjorie, yes!" cried Bernice.
"I saw you were having a gay time."
"I did! The only trouble was that about midnight I ran short of talk. I had to repeat myself--with different men of course. I hope they won't compare notes."
"Men don't," said Marjorie, yawning, "and it wouldn't matter if they did--they'd think you were even trickier."
She snapped out the light, and as they started up the stairs Bernice grasped the banister thankfully. For the first time in her life she had been danced tired.
"You see," said Marjorie at the top of the stairs, "one man sees another man cut in and he thinks there must be something there. Well, we'll fix up some new stuff to-morrow. Good night."
"Good night."
As Bernice took down her hair she passed the evening before her in review. She had followed instructions exactly. Even when Charley Paulson cut in for the eighth time she had simulated delight and had apparently been both interested and flattered. She had not talked about the weather or Eau Claire or automobiles or her school, but had confined her conversation to me, you, and us.
But a few minutes before she fell asleep a rebellious thought was churning drowsily in her brain--after all, it was she who had done it. Marjorie, to be sure, had given her her conversation, but then Marjorie got much of her conversation out of things she read. Bernice had bought the red dress, though she had never valued it highly before Marjorie dug it out of her trunk--and her own voice had said the words, her own lips had smiled, her own feet had danced. Marjorie nice girl--vain, though--nice evening--nice boys--like Warren--Warren--Warren--what's-his-name--Warren----
She fell asleep.
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