The San Francisco Silent Film Festival has announced
the line-up of films for their annual July event at the Castro Theater. And
once again, they've has put together a varied and interesting program. The Festival opens with a special presentation of
the air war epic, Wings, the first
film to win an Academy Award — and ends with The Cameraman, Buster Keaton's brilliant comedy about the business
of making movies. In between, there is an international assortment of films
from Sweden, Germany, Russia and China, as well as a couple of American-made
films set in foreign locales.
The Festival's "centerpiece film" is a not-on-DVD
and never-shown-in-San Francisco restoration of Pandora's Box, starring the legendary Louise Brooks. I, for one, am
looking forward to that.
Among the other stars set to grace the Festival screen
are Douglas Fairbanks in his first swashbuckler, dapper Ronald Colman in a
tearjerker, and sultry Brigitte Helm in The
Wonderful Lie of Nina Petrovna. A few years back, she wowed audiences as
the sexy robot in Metropolis. Others making early-in-their-career appearances include
Gary Cooper, George Bancroft and Lois Moran, while "It Girl" Clara
Bow and Prague-born leading man Francis Lederer both do double duty while appearing
in two films over the course of the four day event.
Sure to appeal to kids is a Saturday morning program
featuring the irrepressible Felix the Cat. The all-women Bay Area musical group
known as Toychestra is teaming up with pianist Donald Sosin to accompany this
program of rare silent cartoons. More adult orientated fare includes three
not-to-be-missed small masterpieces, Mauritz Stiller's Erotikon, Josef von Sternberg's decadent The Docks of New York, and Henry King's revelatory Stella
Dallas. Legendary directors Ernst Lubitsch and Victor Fleming helm others.
Perhaps the most unusual
offering is South, the 1919 documentary of Ernest Shackleton’s failed expedition
to Antarctica. Now restored by the British Film Institute with its original
tints and toning, the film will be narrated by English actor and Louise Brooks fan Paul McGann (Withnail
and I, Doctor Who) reading excerpts from Shackleton’s moving letters
in conjunction with Stephen Horne’s
haunting piano score.
Here is the line-up for
the 2012 San Francisco Silent Film Festival, which is set to take place July
12-15. Many of the prints set to be screened are restorations. All programs
feature live musical accompaniment.
Wings
(USA, 1927)
Thursday, July 12 at 7:00 pm
Director William A. Wellman’s now restored WWI epic is both a rousing action
film and a tender romance. The scenes of air combat, featuring spectacular
aerial photography, are breathtaking. Also breathtaking is Clara Bow's brief
nudity, which caused something of a furor at the time. But that's not what got
the film it's recent PG-13 rating more than 80 years later. / Introduced by William Wellman Jr. Accompanied by Mont Alto Motion Picture
Orchestra, with Foley sound effects by Academy Award winner Ben Burtt (whose
credits include the Star Wars and Indiana Jones film series).
"Amazing Tales from the Archives"
Friday, July 13 at 10:30 am
Archivists and film historians (to be announced) shed light on their ongoing
efforts to find, rescue, and preserve
cinematic treasures for generations to come. Admission to this event is free.
Little
Toys
(China, 1933)
Friday, July 13 at 1:00 pm
A blend of romance and social commentary was a trademark of director Sun Yu, who
is considered one of the great filmmakers in Chinese history. Voted one of the
hundred best Chinese films, Little Toys stars the beautiful Ruan Lingyu,
who is considered one of the great icons of Chinese cinema. / Accompanied by Donald Sosin on the piano.
The
Loves of Pharaoh (Germany, 1922)
Friday, July 13 at 4:00 pm
This was Ernst Lubitsch’s last
big film before he left Europe, and with its cast of thousands and spectacular
sets, it was meant to show Hollywood he could make epics. One of the great
screen actors of the time, Emil Jannings, stars as the powerful Egyptian
Pharaoh who must marry the daughter of an Ethiopian king to avert war. / Accompanied by Dennis James on the Mighty
Wurlitzer.
Mantrap
(USA, 1926)
Friday, July 13 at 7:00 pm
This sparkling comedy was based on a novel by Sinclair Lewis but considerably
humanized by director Victor Fleming, who saw Clara Bow’s character as more of
a flirt than a femme fatale. Under his direction, the story of the big city gal
who marries a backwoods lunk (Ernest Torrence) became not only a love and
adventure story, but a sex comedy as well. / Accompanied by Stephen Horne on the piano.
The
Wonderful Lie of Nina Petrovna (Germany, 1929)
Friday, July 13 at 9:15 pm
Before film director Max Ophüls lent his name to a distinctive style of
elegantly smooth camera work, there was Hanns Schwarz. This is his masterpiece, superb in every way and often
referenced with the adjective “Ophulsian.” Set in Czarist Russia, The
Wonderful Lie is the story of the mistress (Brigitte Helm) of an upper
class general who gives up her pampered life for the love of a lowly
lieutenant. / Accompanied by the Mont
Alto Motion Picture Orchestra.
"Irrepressible Felix the Cat!" (USA,
1925–1929)
Saturday, July 14 at 10:00 am
This all Felix the Cat program features archival 35mm prints of Otto Mesmer and
Pat Sullivan’s fabulous feline, including Felix the Cat in Blunderland,
Felix the Cat Weathers the Weather, Felix Loses Out, Felix Gets Revenge, Felix
Flirts with Fate and others. / Accompanied
by Donald Sosin and Toychestra.
The
Spanish Dancer (USA, 1923)
Saturday, July 14 at 12:00 noon
This splendid costume drama directed by Herbert Brenon tells the story of a
Spanish gypsy (Pola Negri) in love with the penniless nobleman (Antonio
Moreno). The lovers become involved in court intrigue involving the King
(Wallace Beery) and his French wife. / Accompanied
by Donald Sosin on the piano.
The
Canadian (USA, 1926)
Saturday, July 14 at 2:30 pm
Directed by William Beaudine and based on a Somerset Maugham play, The Canadian is a beautifully realized
film as well as an intimate study of relationships between a recently
impoverished Londoner who emigrates to her brother’s farm in Calgary, her
brother’s wife, and the homesteader (Thomas Meighan) she marries in desperation.
/ Accompanied by Stephen Horne on the
piano.
South
(United Kingdom, 1919)
Saturday, July 14 at 5:00 pm
Frank Hurley’s extraordinary documentary of Ernest Shackleton’s 1914-1917
expedition to Antarctica is a stunning visual record of one of the great epics
in the history of exploration. / Accompanied
by Stephen Horne on the piano, with Paul McGann narrating.
Pandora's
Box
(Germany, 1929)
Saturday, July 14 at 7:00 pm
Director G.W. Pabst cast the luminous Louise Brooks as Lulu, a femme fatale of
a kind who bewitches everyone who comes within her sphere—men and women alike. Adapted
from the Frank Wedekind’s plays, Pandora’s Box features what may well be
the first lesbian character in film history. The print to be screened is a new restoration
by San Francisco-based Big Sound. / Accompanied
by the Matti Bye Ensemble from Sweden.
The
Overcoat (USSR 1926)
Saturday, July 14 at 10:00 pm
This fourth film production by the avant-garde company FEKS (Factory of the
Eccentric Actor) was crafted as "a cinematographic novel in the manner of Gogol."
Criticized at the time for taking too many liberties with classic literature, The
Overcoat stands today as a superb piece of modernism. Andrei Kostrichkin
gives a brilliant performance as the meek bureaucrat whose greatest ambition is
for a new overcoat. / Accompanied by
the Alloy Orchestra.
The
Mark of Zorro (USA, 1920)
Sunday, July 15 at 10:00 am
As a masked champion of the people named Zorro, Douglas Fairbanks displays the
athletic prowess, humor, and rakish charm that would propel him to superstardom
in this, his first-ever swashbuckler. Cinéaste know the matinée idol depicted
in The Artist owes more than a little to Fairbanks. And in fact, the
film George Valentin views (as his own) in his apartment is The Mark of
Zorro. / Accompanied by Dennis
James on the Mighty Wurlitzer.
The
Docks of New York (USA, 1928)
Sunday, July 15 at 12:00 noon
Josef von Sternberg’s atmospheric, shadowy, silent presages film noir in its depiction of hapless souls
straight out of a police blotter. In a seedy bar, a sailor (George Bancroft)
and a good-time girl (Betty Compson) create a bond out of animal attraction and
commiseration. Their romance is unsentimental and von Sternberg’s
characteristic camerawork and framing imbue the story with depth and courage. /
Accompanied by Donald Sosin on the
piano.
Erotikon
(Sweden, 1920)
Sunday, July 15 at 2:00 pm
This sparkling comedy by Swedish director Mauritz Stiller takes a waggish look
at high society in the story of an entomology professor obsessed with the
sexual life of insects while his bored wife entertains suitors. The Swedish
Film Institute’s beautiful tinted and toned restoration shows off the lavish
production design of this small masterpiece, a film that inspired Jean Renoir’s
Rules of the Game. / Accompanied
by the Matti Bye Ensemble.
Stella
Dallas (USA, 1925)
Sunday, July 15 at 4:30 pm
Those familiar with the 1937 version with Barbara Stanwyck know the story — a
mother sacrifices her happiness for the good of her beloved daughter — but few
will be prepared for Belle Bennett’s extraordinary performance as the coarse,
frowsy Stella. Directed by Henry King, the uniformly excellent cast (including
Ronald Colman, Alice Joyce, Jean Hersholt, a very young Douglas Fairbanks, Jr.,
and Lois Moran in her breakout role) brings Frances Marion’s script to
believable, emotionally wrenching life. / Accompanied by Stephen Horne on the piano.
The
Cameraman (USA, 1928)
Sunday, July 15 at 7:30 pm
The genius of Buster Keaton is on full display in this wonderful film, which follows Keaton, a sidewalk photographer, as he
tries to break into newsreels in order to win the girl of his dreams. Keaton
famously did his own stunts, and The Cameraman is a showcase for his
physical virtuosity as well as an enchanting and goofy love story. / Accompanied by the Mont Alto Motion Picture
Orchestra.
