Saturday, December 31, 2022

Happy New Year from the Louise Brooks Society

Happy New Year from the Louise Brooks Society. What a year it has been. I figure there is no better way to celebrate than to share a couple of 'swonderful pictures of Louise Brooks, and one less 'swonderful picture of me. 

My love and appreciation to all the fans of Louise Brooks who have supported me and this website for its 27 years of existance. Over the years, individuals and newspaper and magazines have said have said some rather nice things about me and the Louise Brooks Society. But none beats what I was told my the estate of Louise Brooks earlier this year; he simply thanked me for all that I have done. That means a lot. 

 
 


I had hoped to upload a couple of these celebratory pictures of Louise Brooks to the Louise Brooks Society Instagram account ( @louisebrookssociety ), but due to the pathetic actions of an individual who shall go unnamed, the LBS Instagram account has been suspended. 

The Louise Brooks Society™ blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Thursday, December 29, 2022

Reminder post: GoFundMe Launched for new Louise Brooks related book

First off, a BIG thank you to the thirteen individuals who have made a donation to my GoFundMe campaign towards the publication of  my forthcoming book, The Street of Forgotten Men: From Story to Screen and Beyond.The $400.00 goal has been reached, and surpassed by $60.00 !

And a gentle reminder to those who thought about donating but have not had a chance that it's not too late to do so.... I am still working on finishing the book, and any donation, no matter how small, will help. 

Those who donate $20.00 or more will be acknowledged by name in the book, and those who donate $40.00 or more will received an acknowledgement and an autographed, softcover copy of the book (USA only). The GoFundMe page is located HERE.

As many of you may know, I have been working on a new book titled The Street of Forgotten Men: From Story to Screen and Beyond. This approximately 350-page book is a deep dive into the history of a single film – its literary source, its making, its exhibition history, its critical reception, and its surprising cultural impact.

I am hoping to raise a few hundred dollars to purchase the rights to a small number of archival images that I hope to include in my forthcoming book, which is due out in early 2023. Any donations over the goal will be used to help defray costs already incurred. A draft of the front and back covers of the book are pictured below. (The price of the book is not yet set.)  

Though little known today, the 1925 silent film, The Street of Forgotten Men, was a popular and critical success at the time of its release. The film is based on a short story by a noted writer (George Kibbe Turner); it was made by a significant director (Herbert Brenon), shot by a great cinematographer (Hal Rosson), and features a fine cast (Percy Marmont, Neil Hamilton, Mary Brian) which includes a screen legend at the very beginning of her career (Louise Brooks). In many ways, The Street of Forgotten Men is exemplary of filmmaking & film culture in the mid-1920s. This new book tells its story in rich, historical detail. Along with dozens of rare images, my book contains all manner of vintage documents, clippings and advertisements as well as a foreword by Robert Byrne. (This noted film preservationist is responsible for the 2022 restoration of The Street of Forgotten Men, which debuted earlier this year at the San Francisco Silent Film Festival.) Among the book's many revelations
  • A detailed account of the making of the film - what it was like on the set of a silent film.  
  • A thorough survey of the film's many reviews, including one by a Weird Tales contributor, and another by Catholic icon Dorothy Day, a candidate for sainthood.  
  • Identification of a handful of the film's uncredited, bit players, including a noted journalist, a screenwriter, and a world champion boxer.
  • The story of Lassie's role in the film (no, not that Lassie, the first Lassie). 
  • The role music played in the making and exhibition of this silent film.  
  • How the film's title entered into 
  • The story of how future film legend Louise Brooks came to appear in the film - her first! 
  • And so much more... from censorship records to its mention on the floor of Congress to a French fictionalization to a clipping noting the film's last documented showing, at a Navy Y.M.C.A in Shanghai, China in 1931 !
The Street of Forgotten Men: From Story to Screen and Beyond is a book every silent film fan will want to own. It is also a must read for anyone interested in Louise Brooks.
 
The GoFundMe page is located HERE.
 
The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Monday, December 26, 2022

Re: Boxer Harry Lewis, and a Happy Boxing Day from the Louise Brooks Society

Happy Boxing Day from the Louise Brooks Society. For those who may not be familiar with the term, "Boxing Day" is a holiday celebrated after Christmas Day, occurring on the second day of Christmastide (today - December 26). Though it originated as a holiday to give gifts to the poor, today Boxing Day is primarily known as a shopping holiday. It originated in Great Britain and is celebrated in a number of countries that previously formed part of the British Empire.

Playing on the word "boxing" - namely the combative sport in which two people throw punches at one another, I discovered that a once famous boxer appeared alongside Louise Brooks in her first film, The Street of Forgotten Men (1925). Like Louise Brooks, Harry Lewis (1886-1956) also played an uncredited bit part in the film; he as a saloon patron and witness to the fight between the characters Easy Money Charlie and Bridgeport White-Eye. Brooks unnamed character was a moll to Bridgeport White-Eye. 

Harry Lewis was once a pretty famous boxer, having been the Welterweight Champion of the World from 1908 to 1911. Lewis, who also boxed in the lightweight and featherweight divisions, fought around the world, including a losing match to French boxing great Georges Carpentier in Paris in 1911. Today, Lewis is rated the sixth-greatest welterweight of all time; he was inducted into the International Jewish Sports Hall of Fame in 2002, and into the International Boxing Hall of Fame in 2008.

Like other sports celebrities of the time, including Carpentier, Lewis took a stab at acting. A bit in Exhibitors Herald reads, “Harry Lewis, former middleweight boxer, who acted as a comedy taxicab driver in Richard Dix’s Manhandled and in Herbert Brenon’s Street of Forgotten Men, is again behind the meter in W.C. Field’s latest starring picture, The Potters, just being completed at the Paramount Long Island studio under the direction of Fred Newmeyer.” (Exhibitors Herald, 12-25-1926)


(Left above) Boxer Harry Lewis, pictured early in his career. Courtesy of Wikipedia (Right above) Actor Harry Lewis, pictured far right wearing a cap, and two other background players during the fight scene near the end of The Street of Forgotten Men. Courtesy of San Francisco Silent Film Festival

(Left below) Harry Lewis, as a denizen of the Bowery (aka the street of forgotten men), observes an injured Bridgeport White-Eye (played by John Harrington), who is seen staggering along the bar of the Dead House as other forgotten men look on. Courtesy of San Francisco Silent Film Festival

The fight scene and its fallout (spoiler alert, Bridgeport White-Eye goes blind!) is also observed by various down and out Bowery locals, including saloon keep Diamond Mike, played by Riley Hatch, and Bridgeport White-Eye's sporty-looking moll, played by Louise Brooks – who is seen wearing a cloche hat with a question mark pin. (Below) Louise Brooks, Riley Hatch, and others observe the fight. Courtesy of San Francisco Silent Film Festival
 

All this information, newly revealed, comes from my forthcoming new book, The Street of Forgotten Men: From Story to Screen and Beyond. I have launched a GoFundMe page for this project which is located HERE. Please consider donating making a donation, no matter how small. 


Notably, Harry Lewis is not the only boxer to have appeared in a Louise Brooks film. Another noted box turned actor, Edward "Gunboat" Smith, appeared in a minor role in the second film in which Louise brooks appeared as a gangster's moll, The City Gone Wild (1927). Edward "Gunboat" Smith (1887 – 1974) was an Irish American boxer, film actor and later a boxing referee. During his career, Smith faced twelve different Boxing Hall of Famers a combined total of 23 times. Among the all-time greats he faced were Jack Dempsey, Harry Greb, Sam Langford, and Georges Carpentier. 

Another boxer turned actor who appeared in a film featuring Louise Brooks was Victor McLaglen, the star of A Girl in Every Port (1928). Victor McLaglen (1886 – 1959) was a British boxer-turned-Hollywood actor. He was known as a character actor, particularly in Westerns, and made seven films with John Ford and John Wayne. McLaglen won the Academy Award for Best Actor in 1935 for his role in The Informer. Before he got into acting, McLaglen earned a living as a wrestler and heavyweight boxer in Canada and elsewhere. According to Wikipedia, one of his most famous fights was against heavyweight champion Jack Johnson in a six-round exhibition bout at the Vancouver Athletic Club on 10 March 1909. This was Johnson's first bout since winning the heavyweight title from Tommy Burns. Between bouts, McLaglen toured with a circus, which offered $25 to anyone who could go three rounds with him. After World War I, he continued boxing, including a defeat at the hands of British champion Frank Goddard. His final fight was a loss by knockout to Arthur Townley in October 1920. McLaglen finished his professional career with a record of 16 wins, eight losses, and a draw. 

There are other boxers associated with the films of Louise Brooks, like Jim Tully, the author of Beggars of Life (1928), who once worked as a semi-pro boxer and later wrote a novel on the subject, called The Bruiser. But that may be a story for another day.

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Sunday, December 25, 2022

Happy Holidays from the Louise Brooks Society

 

Happy Holidays from the Louise Brooks Society. Here follows a snapshot of the Louise Brooks bulb which hangs on my Christmas tree. It is handmade, and crafted by a fan; I believe I purchased it on eBay a number of years ago -- perhaps as long ago as ten or fifteen or more years ago (that is, way before anyone trademarked her name). Does anyone else have hand made Louise Brooks ornaments? I would love to see them. 

Here is a screen grab from Pandora's Box of Louise Brooks holding some mistletoe. She has such a warm, lovely smile. 

And lastly, a posed portrait of Louise Brooks standing near a small Christmas tree. Happy holidays, merry Christmas and happy new years to all good fans of Louise Brooks. Thank you for reading this blog.

A BIG thank you to everyone who has contributed to my GoFundMe campaign to raise funds to help me complete my forthcoming book, The Street of Forgotten Men: From Story to Screen and Beyond. The GoFundMe page is located HERE.

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Tuesday, December 20, 2022

GoFundMe Launched for new Louise Brooks related book

Greetings fans of Louise Brooks and the silent film era. I have launched a modest GoFundMe campaign to raise funds to help me complete my forthcoming book, The Street of Forgotten Men: From Story to Screen and Beyond. The GoFundMe page is located HERE.

I am hoping to raise $400.00 to purchase the rights to a small number of archival images that I hope to include in my forthcoming book, which is due out in early 2023. Any donations over the goal will be used to help defray costs already incurred. A draft of the front and back covers of the book are pictured below. (The price of the book is not yet set.) Here's how you can help:

  • Any donation, however small, will be very much appreciated.
  • Donate $20.00 and receive an acknowledgment in the completed book.
  • Donate $40.00 and receive an autographed, softcover copy of the completed book, as well as an acknowledgment (USA only).
  • Donate $100.00 and receive an autographed, softcover copy of the completed book, an acknowledgment, and an autographed copy of my earlier book, Beggars of Life: A Companion to the 1928 Film (USA only).


As many of you may know, I have been working on a new book titled The Street of Forgotten Men: From Story to Screen and Beyond. This approximately 350-page book is a deep dive into the history of a single film – its literary source, its making, its exhibition history, its critical reception, and its surprising cultural impact.

Though little known today, the 1925 silent film, The Street of Forgotten Men, was a popular and critical success at the time of its release. The film is based on a short story by a noted writer (George Kibbe Turner); it was made by a significant director (Herbert Brenon), shot by a great cinematographer (Hal Rosson), and features a fine cast (Percy Marmont, Neil Hamilton, Mary Brian) which includes a screen legend at the very beginning of her career (Louise Brooks). In many ways, The Street of Forgotten Men is exemplary of filmmaking & film culture in the mid-1920s. This new book tells its story in rich, historical detail. Along with dozens of rare images, my book contains all manner of vintage documents, clippings and advertisements as well as a foreword by Robert Byrne. (This noted film preservationist is responsible for the 2022 restoration of The Street of Forgotten Men, which debuted earlier this year at the San Francisco Silent Film Festival.) Among the book's many revelations
  • A detailed account of the making of the film - what it was like on the set of a silent film.  
  • A thorough survey of the film's many reviews, including one by a Weird Tales contributor, and another by Catholic icon Dorothy Day, a candidate for sainthood.  
  • Identification of a handful of the film's uncredited, bit players, including a noted journalist, a screenwriter, and a world champion boxer.
  • The story of Lassie's role in the film (no, not that Lassie, the first Lassie). 
  • The role music played in the making and exhibition of this silent film.  
  • How the film's title entered into 
  • The story of how future film legend Louise Brooks came to appear in the film - her first! 
  • And so much more... from censorship records to its mention on the floor of Congress to a French fictionalization to a clipping noting the film's last documented showing, at a Navy Y.M.C.A in Shanghai, China in 1931 !
The Street of Forgotten Men: From Story to Screen and Beyond is a book every silent film fan will want to own. It is also a must read for anyone interested in director Herbert Brenon, actress Louise Brooks, etc.... The GoFundMe page is located HERE.
 
The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

Saturday, December 17, 2022

A COMPLAINT against Etsy's intellectual property policies

The Louise Brooks Society is under attack. Over the last couple of months, a person named Michael Garcia Mujica (dba Vintage Brooks) has filed a number of complaints against me on Etsy, CafePress and even LinkTree alleging infringement of his intellectual property. 

He is doing so because in 2019 he obtained a trademark on the name "Louise Brooks," and he is using his standing as a trademark holder to get the above named websites to remove content (listings, and even links) which he feels violate his trademark. He even made the "Louise Brooks Society" (which has been in existence as a website since 1995) change its Etsy account name, as he alleged it infringed on his intellectual property rights.  Despite the fact that "Louise Brooks Society" is different from "Louise Brooks" and despite the fact that the Louise Brooks Society had 27 years of prior use, Etsy forced me to change my name or else loose my account all together. BTW, the Louise Brooks Society account at Etsy is now called LuluPandorasBox

What follows is a complaint I posted in Etsy's forums regarding their intellectual property policies and their mishandling of a recent allegation of infringement regarding an item I listed for sale on their website. It makes for interesting, if not surreal reading. (UPDATE on 12/23/2022 - someone (Etsy?) removed the entire thread, include Vintage Brooks 12/21/2022 admission that he acted in error in filing a claim against me, and, would act to have his complaint withdrawn. As of today, the box of note cards is not listed as being for sale.)

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A COMPLAINT against Etsy's intellectual property policies

Out of frustration, I am posting this complaint regarding Etsy's intellectual property policies, and the way Etsy handled my counter notice.

Here's what happened. Some months ago, I posted a 20+ year old box of notecards for sale on Etsy. These notecards were manufactured by Fotofolio, a well known postcard/notecard company. These "Hollywood Glamour" cards depicted various movie stars including Garbo, Gloria Swanson, Marilyn Monroe, etc... The box itself pictures the silent film star Louise Brooks.

About a month or so ago, this guy who gained a trademark on the name "Louise Brooks" in 2019, filed a complaint with Etsy stating that my 20 year old box of notecards violated his three year old trademark! How ridiculous - not only that such a claim was made, but also that Etsy let is stand.

This set of boxed cards came from my collection. I believe it was clear in my original listing that these were older "vintage" cards made by a third party. I also made these details clear in my counter notice. It took Etsy eight days to respond, and when they did, all I received from someone named "Charlie" in Etsy legal was a generic, one size fits all email that failed to address the points I made in my counter notice. How disappointing.

I spoke with a trademark attorney who told me that trademark could not be applied retroactively. In my opinion, it also goes against common sense.

According to Etsy policy, allegations of intellectual property infringement are supposed to be made in "good faith." In my opinion, this is a "bad faith" claim. If it was done in "good faith," then I think the claimant is ignorant of the law, and it should not stand. If was done in "bad faith," then that is an abuse, and it should not stand.

I would like to hear back from Etsy on this forum as to how they can justify what I see to be their mishandling of this situation. I am sure that other Etsy sellers would also be interested, especially those that have likewise received claims against their Louise Brooks items for sale on Etsy.

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Pictured above, the notecards at the center of the dispute. I would appreciate hearing back from any anyone else who may have suffered similarly at the hands of Vintage Brooks. What is your story?

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

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