From Louise Brooks to Downton Abbey to The Chaperone to Downton Abbey and back to Louise Brooks

The new trailer for the forthcoming Downton Abbey movie has just been released, and guess what, Lady Mary Crawley (played by charming actress Michelle Dockery) has a keen Louise Brooks hairstyle. It's so smashing, in fact, that yesterday InStyle magazine penned a story titled "Michelle Dockery Has the Most Covetable Baby Bangs in the Downton Abbey Movie."

It has been three years since the acclaimed television series went off the air. And the InStyle story notes a couple of the changes that have taken place since last we saw the show's much beloved characters: "Another prominent shift between the beloved PBS drama and its upcoming theatrical reboot? Michelle Dockery’s hair! Dockery (aka Lady Mary Crawley) has elevated her flapper-esque bob in the years since the series’s finale — she now has that coveted micro-fringe blanketing the top of her forehead. Though a retro style, the daring look has found a modern audience among stars like Emma Roberts and Charlize Theron."

Lady Mary Crawley has worn her hair short in the past, but this new look with bangs is something a little different. As W magazine put it, "it’s 1927, and the Crawleys are more modern than ever. Lady Mary wears a vest! She also sports a very cute Louise Brooks bob."

Though sometimes obscure, there are many connections between Downtown Abbey and Louise Brooks. The show's creator and writer, Julian Fellowes, is enamored with the story of Louise Brooks. In the past, he has noted how much he appreciated Barry Paris' 1989 biography of the actress, and has also noted that his mother wore bobbed hair and was said to resembled the silent film star. Besides penning the TV show, Fellowes also penned the script for The Chaperone, the new film from PBS Masterpiece which tells the story of Louise Brooks 1922 trip to New York City.

The Chaperone came about when Downton Abbey star Elizabeth McGovern was hired to read the audio book version of Laura Moriarty's novel of The Chaperone. (The Louise Brooks Society provided the image of Louise Brooks which adorns the cover of both the book and the audio version.) McGovern liked Moriarty's book so much she bought the film rights and went on to produce The Chaperone film. Besides recruiting Fellowes to write its script, McGovern also brought Downton Abbey series director Micheal Engler on board to direct the film.

The one other Louise Brooks connection to Downton Abbey is actress Shirley MacLaine. Like Fellowes, she is an admitted devotee of Louise Brooks, having once hoped to play the silent film star in old age. In Downton Abbey, she plays the mother of Elizabeth McGovern's character, who is the mother of Michelle Dockery's character.

The Downton Abbey movie opens in theaters on September 20.

A Refurbished Louise Brooks Society blog - check it out!

The 17-year old Louise Brooks Society blog -- located at http://louisebrookssociety.blogspot.com/ -- has been recently refurbished, brought up-to-date, and made spick-and-span. Notably, new functionality has been added to the right-hand column, including links to other silent film sites, additional blog subscription options, a "recent visitors" widget, a Patron button, and more.

This LBS blog has more than 240 followers, while dozens of others subscribe to posts through  BLOGLOVIN and other services. Which one do you use?

Scroll down the right-hand side of the blog and you'll find comprehensive hyperlinked lists to other blogs devoted to early film, as well as early film podcasts & message boards, film festivals & venues, and silent film websites. (The "silent film links" tab at the top of the page contains even more links, to websites devoted to early film actors and actresses, as well as a set of links to Jazz Age sites.) There is also a "In the News" link list  and a tab devoted to the media the Louise Brooks Society has received over the years IF YOU KNOW OF ANY DESERVING SITES NOT ALREADY INCLUDED ON THESE LISTS WHICH YOU THINK SHOULD BE LISTED, PLEASE SEND AN EMAIL AND WE'LL TAKE A LOOK.

One new addition is a PATRON button for those who would like to support the Louise Brooks Society and it's many activities. I started the Louise Brooks Society website back in 1995, and have been running it as a labor of love ever since. But heck, I could sure use your support. If you don't wish to support the LBS at even a dollar a month, how about treating yourself and showing your support by buying a one of the books issued by the Louise Brooks Society. They are pictured in the right-hand column; there is also a "Books for Sale" tab with even more goodies.

I appreciate all the web traffic this blog receives. Each post receives visitors numbering in triple, and since I installed a blogger hit counter ever so long ago, this blog has received more than 1,300,000 visitors. One of the most fascinating new items in the right-hand column is the "recent visitors / flag counter" widget.

What I love about it is how it shows that individuals from around the world have visited this blog, including many from Australia and Great Britain. There are also numerous visitors from Italy, France, and Canada, as well as a few from India, Ireland, Korea, Greece, and Norway. If you are reading this blog, I expect your country is represented.

I've also tinkered with other bits and pieces of this blog, including tidying up the various tabs.  Please explore all that this blog has to offer. It is one point of entry into the 'swonderful world of silent film which exists both on the internet and in the world itself.

I would also like to encourage everyone to follow the Louise Brooks Society on Twitter. To date, more than 4,900 individuals have done so. The LBS Twitter account is located at https://twitter.com/LB_Society, and there are follow buttons in the right-hand column.

Facts matter: Louise Brooks and some mistaken eBay listings

As there are with other movie stars and other cultural icons, there is a fair amount of misinformation floating around the internet regarding Louise Brooks. This misinformation ranges from simple inaccuracies regarding how many films the actress appeared in (was it 24, or 25?) -- or the date of a particular film's release (Pandora's Box is sometimes listed as a 1928 film, though released in 1929), to the mistaken identification of the actress (just because the subject of a portrait or film still is wearing bobbed hair doesn't mean it is Brooks). And then there are the various fake nudes.... which I've written about in the past HERE.

With all the attention Brooks has been getting of late with the release of The Chaperone, it is important to keep the facts straight. A few articles about The Chaperone, as well as a few related Facebook postings about the PBS film, have included a bit of inaccurate information. The film itself even contains a few historical anomalies. Read more about those HERE.

The Louise Brooks Society is intent on providing accurate information -- as well as pointing out inaccurate and mistaken material. Fact matter, after all - despite all the fake news coming out of Washington.

Recently, I've come across a handful of examples of inaccurate and mistaken material regarding the actress on eBay. It is hard to say whether these sellers are simply mistaken, suffering from wishful thinking, or are intent on deception. (As Lee Israel was when she faked letters from Louise Brooks and others as depicted in the recently released film, Can You Ever Forgive Me?) You be the judge.

To me, and to most Louise Brooks fans, the above photo does NOT depict Louise Brooks, despite the fact she was a Ziegfeld girl in the 1920s and was photographed in a similar fashion by Alfred Cheney Johnston. It is not even close.

In all fairness, the seller of this photo is uncertain (hence the question mark), but still willing to mention Brooks by name in the item descriptor. [Does anyone know which film this still is from? I wasn't able to track down the identification numbers in the lower left hand corner.]

Again, just because a woman is wearing bobbed hair doesn't mean it is Brooks.To my eyes, this women looks nothing like Louise.

This one is a hoot. No, that is NOT Louise Brooks and Fred Astaire. That is Cyd Charisse (meant to look like Louise Brooks) and Gene Kelly in a scene from Singin' in the Rain. Here is a better image from the celebrated 1952 film, and in color (not colorized, but that is a whole different debate).

Diary of a Lost Girl starring Louise Brooks to show twice at BFI Southbank in London, England

The sensational 1929 Louise Brooks' film Diary of a Lost Girl will be shown at the BFI Southbank in London, England in June as part of the Weimar Cinema 1919-1933 series. Diary will be shown twice, on Thursday, June 13 and Saturday, June 15, 2019. More information about this event, including ticket availability, can be found HERE.

Diary of a Lost Girl / Tagebuch einer Verlorenen

Iconic silent movie star Louise Brooks plays a woman who suffers at the hands of men, but refuses to be victim.

Germany 1929
Director G.W. Pabst
With Louise Brooks, Fritz Rasp, Valeska Gert
113min / Digital / English subtitles
Certificate PG

Louise Brooks gives a performance of radiant vitality and real depth as a young woman who suffers at the hands of a grotesque assortment of men, but refuses – despite everything – to be a victim. Pabst scathingly depicts the poverty and hypocrisy by which women’s lives are routinely destroyed. A heady cocktail of lurid eroticism, knockabout humour and genuine pathos.

Print and permission courtesy Friedrich-Wilhelm-Murnau-Stiftung.
With Javier Pérez de Azpeitia score (June 13), with live piano accompaniment (June 15).

The screening on Thursday 13 June will be introduced by film critic Pamela Hutchinson, author of a recent and rather excellent book on Pandora's Box.

New Book Features Louise Brooks - Women of the 1920s: Style, Glamour, and the Avant-Garde

A new book, Women of the 1920s: Style, Glamour, and the Avant-Garde by Thomas Bleitner, looks at the lives of seventeen influential women of the Jazz Age -- one of those seventeen is Louise Brooks. Bleitner's 176 page book will be published by Abbeville in September. A bit more information can be found HERE.

According to the publisher, "It was a time of unimagined new freedoms. From the cafés of Paris to Hollywood's silver screen, women were exploring new modes of expression and new lifestyles. In countless aspects of life, they dared to challenge accepted notions of a “fairer sex,” and opened new doors for the generations to come. What’s more, they did it with joy, humor, and unapologetic charm.

Exploring the lives of seventeen artists, writers, designers, dancers, adventurers, and athletes, this splendidly illustrated book brings together dozens of photographs with an engaging text. In these pages, readers will meet such iconoclastic women as the lively satirist Dorothy Parker, the avant-garde muse and artist Kiki de Montparnasse, and aviation pioneer Amelia Earhart, whose stories continue to offer inspiration for our time. Women of the 1920s is a daring and stylish addition to any bookshelf of women's history."

"Experience the glamor and excitement of the Jazz Age, through the lives of the women who defined it." Among the other notable women profiles in Women of the 1920s: Style, Glamour, and the Avant-Garde are Zelda Fitzgerald, Nancy Cunard, Tamara de Lempicka, Lee Miller, Claude Cahun, Clara Bow, Anita Berber, Josephine Baker, and Elisa Schiaparelli.

Thomas Bleitner is a writer and bookseller based in Hamburg, Germany. I found the image below online, and am not sure if it is an alternative cover, or what? I am sure that I like it.

Pandora's Box starring Louise Brooks shows in Denver, Colorado on May 9

The sensational 1929 Louise Brooks' film, Pandora's Box, will be shown at The Preservery in Denver, Colorado on Thursday, May 9th. More information about this event, as well as ticket availability, can be found HERE.

Silent Films at The Preservery: Pandora’s Box (1929) starring Louise Brooks

Thursday, May 9th, 2019

7:00pm - 9:00pm

Denver Public Library and Denver Film Society have teamed up for this silent film series hosted by The Preservery. Showtime is 7pm, but arrive early to order special appetizers, drinks and entrees inspired by the films. Louise Brooks shines in this masterpiece directed by G.W. Pabst. It’s daring and stylish and a testament to Brooks’ unique presence on film.

The Preservery
3040 Blake Street
Denver, CO 80205

Alas, the image used on the information page comes not from Pandora's Box, but from Diary of a Lost Girl.  That incorrect image is shown above. And alas again, it is a common mistake. Instead, here is an image from Pandora's Box.

Tonka of the Gallows and other points of interest and revelation at this year's San Francisco Silent Film Festival

There are a number of really fine films being shown at this year's San Francisco Silent Film Festival. Some of them may be familiar to silent film buffs (like the Buster Keaton and Lon Chaney films), while others are likely not (Victor Fleming's Wolf Song (1929), starring Gary Cooper and Lupe Velez, or the films from Bali and Japan). For me, it's those little known gems which prove themselves a revelation. And make attending this world class festival necessary. I detailed the schedule of films in an earlier LBS blog HERE.

I haven't seen all the film which will be shown, but I have seen a handful of them. The Ukiah Daily Journal just published my article on one of the films which will be shown, Clarence Brown's The Signal Tower (1924). Louise Brooks devotees might take note that the film's two stars, Virginia Valli and Wallace Beery, also appeared in later Brooks' films. Valli appeared in Evening Clothes (1927), while Beery appeared in another "train film," Beggars of Life (1928). Both actors are pictured below in one of the film's most dramatic scenes.

The director of Beggars of Life was William Wellman. His earlier film, You Never Know Women (1926), will also be shown at the Festival. Long thought lost, this backstage story is a bravura work - and according to his son, the success of this film got Wellman assigned to direct Wings (1927), the first film to win the Oscar for Best Picture. I enjoyed You Never Know Women immensely. If you can't attend the Festival, be sure and track down the DVD, recently released by Kino. It is brilliant! Really brilliant stuff!

For me, the one film I saw that proved a revelation was Tonka of the Gallows (or Tonka Šibernice), from 1930. It is a Czech film which stars Ita Rina, an attractive Slovenian ingénue. This rarely seen gem -- a parable of the cruelty that comes from small-mindedness -- tells the story of a country girl who becomes a prostitute in Prague where an act of selfless generosity -- spending the night with a condemned man -- marks her as a pariah. This exceptionally filmed film also has a Louise Brooks connection. Prague-born actor Josef Rovenský, Thymian’s father in Diary of a Lost Girl (1929), plays the condemned man in Tonka of the Gallows. The SFSFF sums things up when it states "Made as sound was taking over the industry, Tonka of the Gallows is a tour-de-force of silent-era filmmaking from Czechoslovakian director Karel Anton, who here has made his best work, always tempering style to serve the larger story." Tonka of the Gallows is a moving film, one which I hope to see many times in the future.

G.W. Pabst, who directed Louise Brooks in both Diary of a Lost Girl and Pandora's Box (1929), directs another of the films to be seen at this year's festival, The Love of Jeanne Ney (1927). Set against Russia’s post-revolution civil war, the story follows Jeanne Ney (Édith Jéhanne) who flees to Paris when her diplomat father is killed after receiving a list of Bolshevik agents from the duplicitous opportunist Khalibiev (Fritz Rasp) -- a list that contains the name of Jeanne’s lover (Uno Henning)! Rasp played the villainous seducer of Thymian in Diary of a Lost Girl. He has one of the more memorable faces in early German film.

 

Ahead of time, I also had the chance to see the Monta Bell directed Light of Old Broadway (1925), starring Marion Davies, as well as Brownie's Little Venus (1921), starring Baby Peggy, but found both not as enjoyable as I have other films starring either Davies or the diminutive Baby Peggy. King Baggot's The Home Maker (1925), starring Alice Joyce, was interesting from a sociological point-of-view. It tells the story of a frustrated housewife who must go to work when her less than successful husband is disabled. She is a success, and the tables are turned.

One other film which I enjoyed a great deal and which also proved to be something of a revelation was the John Stahl directed Husbands and Lovers (1924). Lewis Stone is the not-so-doting husband to Florence Vidor’s devoted wife in this splendidly nuanced, briskly directed comedy that features the quintessentially caddish Lew Cody as the other man. For me, Vidor's performance was an eye-opener. She is appealing and has a manner that draws one into her character. I certainly want to see more of her films.

I am looking forward to this year's Festival, which starts later today. I am also looking forward to seeing some films for the first time -- like the Italian diva vehicle Rapsodia Satanica (1917), and the first ever Italian feature, L'Inferno (1911). And though I have seen it before, once a number of years ago after meeting Fay Wray, I am also excited to see the Paramount restoration of Erich von Stroheim's The Wedding March (1928), starring Fay Wray; this special presentation will be introduced by Wray's daughter, Victoria Riskin.

And there's also Ernst Lubitsch's The Oyster Princess (1919), starring Ossi Oswaldo, and another early German film, Opium (1919), starring Werner Krauss and Conrad Veidt, and Japanese Girls at the Harbor (1933), which the Village Voice described as “A knockout. Shimizu’s stunning tale of passion, crime, and decadence [is an] exhilarating triumph of ... experimental style [and] also a precious portrait of the great port city of Yokohama.” And there's . . . . .

For those interested, I will be signing copies of Louise Brooks the Persistent Star following the Saturday, 10:00 am showing of the Marion Davies film, The Lights of Old Broadway. My book signing is expected to start around 11:15 am.More information HERE.