Monday, August 9, 2010

Diary updated

I've updated my "publisher pages" on THE DIARY OF A LOST GIRL. There's more info, and more links to be found.

Click thru to Lulu.com to buy direct and use coupon code BEACHREAD305 at checkout and receive 15% off the retail price! This special Lulu.com offer ends on August 15, 2010 at 11:59 pm.

THE DIARY OF A LOST GIRL. is available at Book Soup (Los Angeles), as well as at Bird & Beckett (San Francisco), Books Inc. (San Francisco, Market Street), Browser Books (San Francisco), and Cover to Cover (San Francisco), as well as Pegasus & Pendragon (Berkeley), Moe's Books (Berkeley), and the Niles Essanay Silent  Film Museum (Fremont). Other retail locations coming soon.

"Long relegated to the shadows, Margarete Bohme's 1905 novel, The Diary of a Lost Girl has at last made a triumphant return. In reissuing the rare 1907 English translation of Bohme's German text, Thomas Gladysz makes an important contribution to film history, literature, and, in as much as Bohme told her tale with much detail and background contemporary to the day, sociology and history. He gives us the original novel, his informative introduction, and many beautiful and rare illustrations. This reissue is long overdue, and in all ways it is a volume of uncommon merit." - Richard Buller, author of A Beautiful Fairy Tale: The Life of Actress Lois Moran

Below are a few sample pages from my this 336 page book, which contains three dozen mostly vintage illustrations.



"Thomas Gladysz is the leading authority on all matters pertaining to the legendary Louise Brooks. We owe him a debt of gratitude for bringing the groundbreaking novel, The Diary of a Lost Girl - the basis of Miss Brooks's classic 1929 film - back from obscurity. It remains a fascinating work." – Lon Davis, author of Silent Lives

Sunday, August 8, 2010

Gone, but not forgotten

Louise Brooks passed away 25 years ago today. She is gone, but not forgotten. Long live Lulu. Long live Louise Brooks.

Friday, August 6, 2010

Rufus Rufus Rufus on Lulu Lulu Lulu

Yesterday, I posted an article to the Huffington Post website about Rufus Wainwright and his quite understandable interest in Louise Brooks. I recently had the chance the interview Rufus about the actress and his new CD, All Days Are Nights: Songs for Lulu. He is on tour in support of the new record.


I plan on posting another article / interview sometime next week which will be more of a general interest piece. The current article, headlined " 'I am the victim of such a lascivious beauty': Rufus Wainwright on Louise Brooks" includes Wainwright's comments on the silent film star. Check it out at www.huffingtonpost.com/thomas-gladysz/i-am-the-victim-of-such-a_b_672089.html

[Photo above courtesy of Kevin Westenberg / www.rufuswainwright.com ]

Thursday, August 5, 2010

Discovering a Polish Lulu

For those interested in European film history, in silent film, and in Louise Brooks - Marek Haltof’s Polish National Cinema (Berghahn Books) offers a little something for everyone. Haltof’s 300-page survey is the first comprehensive English-language study of Polish filmmaking and film culture from the end of the 19th to the beginning of the 21st century. It’s also a groundbreaking work well worth checking out - whatever your interst.

The book's first two chapters, “Polish Cinema before the Introduction of Sound” and “The Sound Period of the 1930s,” are each fascinating and detailed accounts of the origins and development of the Polish cinema.

Buffeted as it was between Germany and Russia and by the more dominant film industry’s found in each of those countries, Polish cinema was, naturally, influenced by its neighbors. German and Russian as well as French and American films all showed in Poland – and each left their mark. It’s known, for example, that at least a few of Louise Brooks’ American silent films as well as her German-made movies were shown in Warsaw – the capitol of both Poland and the Polish film industry.

For example, Pandora’s Box, retitled Lulu, opened at the Casino Theater in Warsaw at the end of May, 1929. It ran for a few weeks, and was well received. In my research, I have been able to track down the Polish newspaper reviews and advertisements for that historic screening.

One striking example given by Haltof of the German influence on Polish cinema is noted in the book’s second chapter, on the films of the 1930s.

Haltof writes, “The treatment of women in Polish melodramas oscillates between presenting them as femme fatales in the tradition of Pola Negri’s silent features made for the Sfinks company, and as vulnerable figures at the mercy of the environment. The former representation, which is not very popular in Polish cinema, can be seen in Zabawka (The Toy, 1933), directed by Michal Waszynski. The title refers to the female protagonist Lulu (Alma Kar), a Warsaw cabaret star, who is invited to a country manor by a wealthy landowner. The landowner’s son and local Don Juan both fall in love with Lulu and pay for it. The name of the protagonist and the theme of the film suggest G.W. Pabst’s influence (Louise Brooks as Lulu in Pandora’s Box, 1929), and this inspiration has been emphasized by one of the scriptwriters of the film.” Pictured here is Alma Kar as Lulu in Zabawka.




Haltof, a Polish-born scholar, is now resident in the United States where he teaches Film in the English Department at Northern Michigan University. Via email, he confirmed the influence of one film on the other. He also supplied a photocopy of a page from a hard-to-find Polish work, Historia filmu polskiego (1988), which he cites in his own book. It quotes coscriptwriter Andrzej Tomakowski on the influence of Pandora’s Box on Zabawka.



A viewing of Zabawka itself confirms the influence (see video clip below - the entire film resides, in parts, on YouTube). The character, played by the charming Alma Kar, is named Lulu and is like Pabst’s version of Lulu a showgirl desired by many (including a Father and his son) with disastrous results. In one early scene, this Polish Lulu is surrounded by a line of chorus girls each wearing a sharp bob haircut just like that worn by Brooks in Pandora’s Box – except each of these Polish chorines are blonde!


Marek Haltof’s Polish National Cinema was first published in 2002, and was reprinted in softcover in 2008 by Berghahn Books. It is available online and at select independent bookstores.

Tuesday, August 3, 2010

Starts Thursday!

Starts Thursday! is a new blog devoted to the art and history of coming attraction slides -  the kind shown in movie theaters during the silent and sound era to promote forthcoming films. The blog is run by Robert Byrne, a San Francisco Bay Area film preservationist and a big fan of Louise Brooks. 



Today, I guest blogged for Starts Thursday! I wrote about a glass slide for The American Venus, Louise Brooks' second film and the first in which she had a starring role. My blog also discussed Fay Lanphier, one of the other stars of that film and the actress whose image appears on the slide. Check out my guest blog here.

Monday, August 2, 2010

An unusual girl, an unusual photo

In the past, I've blogged about some of the various newspapers around the country which are selling off their photographic archives. Among them is the Chicago Tribune - one of the country's great newspapers. I once spent a few days in Chicago pouring over past issues.

Some of these photos are being sold on eBay, where just recently three Tribune images have shown up. One of them, seemingly colorized, is rather unusual.

According to a scan of the reverse of the photo provided by the seller, the photo is dated (or at least stamped) October 4, 1928. This photo likely dates from around the time when Louise Brooks left for Germany to begin filming Pandora's Box.

Without examining the photo itself, it's hard to say if the pattern on Brooks' jacket is actual, an enhancement, or just a creative embellishment. Whatever the case, I like it.

The other two images from the Chicago Tribune archive, each of which show photo retouching typical of the time, can be found here and here. Be sure and check them out.
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