Tuesday, May 11, 2010

Last Ziegfeld Follies Girl dies at 106

Doris Eaton Travis, one of the last living Ziegfeld Follies Girls and a contemporary of Louise Brooks, has died. She was 106 years old.

In her long career, Travis appeared in silent and talking pictures, performed for presidents and princesses, bantered with Babe Ruth, offended Henry Ford, outlived her six siblings (who were also performers), wrote a newspaper column, hosted a Detroit television show, and earned a degree in history at age 88.

Her film roles include small roles in Taking the Count  (1928) and Street Girl (1929). The former was written by Rube Goldberg. The latter starred Bettty Compson.

Travis continued to work late in life, with annual appearances on Broadway, a small role in a Jim Carrey movie, and a recently published memoir, The Days We Danced: The Story of My Theatrical Family From Florenz Ziegfeld to Arthur Murray and Beyond. That book was published in 2003.

In 2006, a visual biography about Travis was also published. It was called Century Girl: 100 Years in the Life of Doris Eaton Travis Last Living Star of the Ziegfeld Follies. More about Doris Eaton Travis at Wikipedia, and here at her AP obituary. Here is a short video made a few years ago.

Saturday, May 8, 2010

Pandora's Box screens in Pasadena, CA

Pandora's Box, the 1929 G.W. Pabst silent film starring Louise Brooks, will be shown in Pasadena, California on Friday, May 28th.

The screening, with live music by jazz bassist Tom Peters, is set for 8 pm at Boston Court (70 North Mentor Avenue, one block north of Colorado Blvd and one block east of Lake Avenue, four blocks from the Metro Gold Line Lake Ave station). Apparently, Peters will be performing his own score to the film.

More info and ticket availability here.

I would love to hear from anyone who attends - I am especially interested to know their impressions of the score.

Friday, May 7, 2010

Louise Brooks letter for sale

History for sale, an online auction site, has a Louise Brooks letter for sale. The auction page, which has images of the two page, 1985 letter as well as descriptive text, can be found here. The letter is selling for a mere $3,999.00. Check it out.

Thursday, May 6, 2010

On the beach


This little seen image of the Denishawn Dance Company, taken during the 1922-1923 season, features future dance great Martha Graham, standing center, and future silent film actress Louise Brooks, kneeling second on the right. Graham and Brooks' time with Denishawn overlapped for a single season, when they toured the country togetheralong with Ruth St. Denis, Ted Shawn and the other members of Denishawn. Graham, born in 1894, was about 30 years old at the time. Brooks, born in 1906, was about 16. Those were the days.

Wednesday, May 5, 2010

Come to the San Francisco Silent Film Festival!

CONSIDER THIS BLOG YOUR FIRST WARNING: The event to attend this summer for every fan of Louise Brooks is the San Francisco Silent Film Festival. The event is scheduled to take place July 15th - 18th at the historic Castro Theater. For more info, visit the SFSFF website at www.silentfilm.org.

I really can't say much more, but Louise Brooks will shine at this special event - a gathering a like-minded silent film enthusiasts from around the world. Among those scheduled to be in attendance are Ira Resnick, author of Starstruck: Vintage Movie Posters from Classic Hollywood (which features a bunch of posters and lobby cards from Brooks' films) as well as screenwriter Samuel Bernstein, author of the just published Lulu a novel. Those two guests - each of whom will be signing books - are just the tip of the iceberg, as they say. More, much more, will be revealed in the coming weeks.

By the way, if you have never been to the Castro Theater, it is well worth checking out. It is a grand old neighborhood movie place - one of the last standing in San Francisco. It was built in 1922, and Janet Gaynor used to work there as an usherette. I just saw a silent film there last night, 20,000 Leagues Under the Sea (1916), with live musical accompaniment by Stephin Merritt (of the Magnetic Fields) and Daniel Handler (of Lemony Snicket fame).

And of course, films featuring Louise Brooks were shown there many times over the years. Actually, no theater in the city has shown more Louise Brooks' films over the years then the Castro. Here is a list of some of the films the Castro has shown which I have been able to document.

Love Em and Leave Em (Apr. 7-8, 1927)
Just Another Blonde (June 7-8, 1927)
Beggars of Life (Feb. 17, 1929)
Canary Murder Case (May 19-21, 1929)
It Pays to Advertise (June 8-9, 1931)
When You’re in Love  (June 3-5, 1937 with Criminal Lawyer)
Diary of a Lost Girl (Jan. 22, 1987 with Sadie Thompson as part of “Vamps” series)
A Girl in Every Port (Jan. 23, 1987 with Sadie Thompson as part of “Vamps” series)
Pandora’s Box (Feb. 26, 1987 as part of “Vamps” series)
Prix de Beaute (Feb. 26, 1987 as part of “Vamps” series)
Diary of a Lost Girl (Nov. 8, 1988 with Pandora’s Box)
Diary of a Lost Girl (May 11, 1992 with Pandora’s Box)
Pandora’s Box (May 5-8, 1995 as part of the San Francisco Film Festival)
Pandora’s Box (Dec. 16-17, 1995)
Pandora’s Box (Apr. 2, 1996 with Wings)
Just Another Blonde (July 14, 1996 screening of fragments, as part of the San Francisco Silent Film Festival)
Pandora’s Box (May 18, 1998 as part of Femme Fatale Festival)
Diary of a Lost Girl (Jan. 14, 2002 as part of the Berlin & Beyond Festival)
Pandora’s Box (July 15, 2006 as part of the San Francisco Silent Film Festival)
The American Venus (July 14, 2007 screening of a trailer & fragments as part of the San Francisco Silent Film Festival)
Beggars of Life (July 14, 2007 as part of the San Francisco Silent Film Festival)

Undoubtedly there were others, but the records - including the local neighborhood newspaper which carried advertisements for the Castro, have been lost. The picture up top is of yours truly introducing Pandora's Box at the 2006 San Francisco Silent Film Festival. And the picture below is of me outside the theater that same year. I hope to see some of you this year.

Monday, May 3, 2010

Diary of a Lost Girl to show in Brooklyn

The Diary of a Lost Girl, the great 1929 silent film starring Louise Brooks, will be shown at the Brooklyn Academy of Music as part of it's BAMcinemaFEST. Two screenings are set for Sunday, June 20th at 4:30 and 8 pm in the BAM Rose Cinemas. I wish I could be there. Tickets go on sale on May 17th. This from the BAM website.
Irish rock collective 3epkano (who performed their score to Metropolis last year) closes out BAMcinemaFEST 2010 with another electrifying performance to G.W. Pabst’s controversial drama Diary of a Lost Girl.

Pabst’s second collaboration with his magnetic Pandora’s Box star features Louise Brooks as Thymiane, who goes from young innocent to high-class call-girl after being raped and sent to a rigid reformatory. In this haunting examination of moral depravity in the post-WWI-era Weimar Republic, Pabst creates a potent mixture of lurid expressionism and social realism, concocting a sordid environment overrun with lecherous men and lost, loose women. Sex and violence are intrinsically linked in his powerful and controversial drama that cemented Brooks’ status as a silent-era icon.
What's interesting to note is that before she became an actress - and while still a teenager, Brooks was a dancer and a member of the world famous Denishawn Dance Company. The future actress twice danced at the Brooklyn Academy of Music while touring with Denishawn. The first time was on October 22, 1923. The company returned again on April 5, 1924. Who would have thought then that Louise Brooks would "return" all these year's later?

I would love to hear from anyone who attends this event. 

Sunday, May 2, 2010

Louise Brooks, exhibiiton practices: rong & wright

I spent most of Friday at the California State Library in Sacramento, continuing my survey of small town newspapers in Northern California. I found a bunch of stuff, and added to my list of more than 750 instances of when Louise Brooks films were shown in the region during the 1920's and 1930's. That may seem like a lot, and it is. But I am sure that other stars, like Clara Bow of Colleen Moore, were shown even more as each was not only more prolific but also more popular.

By compiling all this data, I have come to a couple of realizations. The first is that I am nuits to have done it. The second is that Paramount (the studio for which Brooks made most of her films), dominated the region in terms of exhibition - especially outside the major cities, like San Francisco, Oakland, Berkeley, San Jose and Sacramento, though Brooks' films did show a lot in those places as well. And thirdly, less than ten weeks went by during the period of 1926 and 1927 when one of Brooks' films wasn't showing somewhere around the San Francisco Bay Area. That's less then 10 seven day periods over the course of 104 weeks. How's that for ubiquity?

Well, anyways, I wanted to post a few things I found, as examples. Here are a couple of typical newspaper advertisements for the Liberty Theatre in Susanville, California. Susanville is in the north and eastern part of California, not so far from the Nevada border and Mt. Shasta.

What sticks out about the ad on the left is that fact that they got some important details mixed up. The 1927 film, Evening Clothes, which is noted as playing on October 24-25, was listed as starring Thomas Meighan. That's wrong. Of course, it stars the suave Adolph Menjou. Perhaps the person who typeset the ad was thinking of another 1927 Louise Brooks' film, The City Gone Wild, which does star the rough and tumble Meighan. It had just been released but wouldn't play Susanville till February. A week later, as the ad on the right shows, the theater got it right. On October 30th, the Liberty ran another 1927 film, Rolled Stockings, and noted correctly that it starred Louise Brooks.


Speaking of Rolled Stockings, I also came across something of an atypical factoid about it and the town of Placerville, California. It, too, is located in the north and eastern part of the state, not so far Sacramento and North Highlands, and east of Folsom near the Sierra Nevada foothills. The theater owners or patrons of the one theater in town must have really liked that film, because they showed it a lot - three times to be exact! Rolled Stockings was shown at the Elite Theatre on June 19 and July 17, 1927 - and then again on January 1, 1928. It's pretty unusual for a small town theater to show a film twice, let alone three times.

Why this small town showed Rolled Stockings three times I can't say. Perhaps they liked it. As the list below shows, the first Placerville screening was also one of the earliest in the State, beating out not only the region's biggest city, San Francisco, but also Berkeley and Oakland, where much of the film was shot. All of the instances of the regional screening of this now lost Brooks' film are listed below.

American in San Jose (June 15-17, 1927); Modesto Theater in Modesto (June 18, 1927); Elite in Placerville (June 19, 1927); Maywood Airdome in Corning (June 25, 1927); California in Santa Rosa (July 2, 1927); National in Chico (July 3, 1927); Hub in Mill Valley (July 5-6, 1927); New Stanford in Palo Alto (July 10, 1927 with Whispering Stage); Princess in Sausalito (July 10-11, 1927); Strand in Los Gatos (July 14-15, 1927); Elite in Placerville (July 17, 1927); Liberty in Marysville (July 23, 1927 with Hills of Peril); Liberty in St. Helena (July 24, 1927); California in Pittsburg (Aug. 2-3, 1927); Grand Lake in Oakland (Aug. 6-12, 1927); Casino in Antioch (Aug 7, 1927); Golden State in Monterey (Aug. 7, 1927); Mystic in Petaluma (Aug. 8, 1927); Granada in San Francisco (Aug. 13-19, 1927); Playhouse in Calistoga (Aug. 23-24, 1927); Boyes Hot Springs Theatre in Boyes Hot Springs (Aug. 26, 1927); California in Berkeley (Aug. 28-30, 1927); Peninsula in Burlingame (Sept. 4, 1927); Manzanita in Carmel (Sept. 4, 1927); Lodi Theatre in Lodi (Sept. 4, 1927); Capitol in Sacramento (Sept. 4-6, 1927); Merced Theatre in Merced (Sept. 5, 1927); New Santa Cruz Theatre in Santa Cruz (Sept. 5-6, 1927); Columbia & Loring in Crockett (Sept. 6, 1937); Sequoia in Redwood City (Sept. 9, 1927); Hippodrome in Napa (Sept. 11, 1927); New San Mateo Theatre in San Mateo (Sept. 11, 1927); Orpheus in San Rafael (Sept. 11, 1927); National in Woodland (Sept. 13-14, 1927); Lorin in Berkeley (Sept. 16, 1927); Starland in Sebastopol (Sept. 17, 1927); Chimes in Oakland (Sept. 18, 1927); Opal in Hollister (Oct. 12, 1927 with On Ze Boulevard); Hayward Theatre in Hayward (Oct. 14, 1927); Auburn Theater in Auburn (Oct. 28, 1927); Liberty in Susanville (Oct. 30, 1927); Redding Theater in Redding (Nov. 12, 1927); Mountain View Theatre in Mountain View (Nov. 16, 1927); Rivoli in Berkeley (Nov. 26, 1927); Tamalpias in San Anselmo (Nov. 30, 1927); Broadway in Oakland (Dec. 9-10, 1927); Strand in Lincoln (Dec. 13, 1927); New Fillmore in San Francisco (Dec. 19-21, 1927); New Mission in San Francisco (Dec. 19-21, 1927); California in Livermore (Dec. 23, 1927); Elite in Placerville (Jan. 1, 1928); New Roseville Theatre in Roseville (Jan. 6, 1928); Fern in Oakland (Feb. 8-9, 1928); Sequoia in Sacramento (Mar. 22, 1928); Smith’s in Yuba City (June 21-22, 1928).

I suppose there is something to be discerned about theater exhibition practices from all this data. I don't know. My interest is in local histories, as well as the intersection of individual histories (biography) and cultural histories. That's my interest. For more on the topic of exhibition practices, be sure and check out Kathryn H. Fuller-Seeley's Hollywood in the Neighborhood: Historial Case Studies of Local Moviegoing (Univ of California Press, 2008). It includes a whole chapter by George Potamianos focussing on the Elite Theater, "Building Movie Audiences in Placerville, California 1908-1915."

It is also interesting to note that the film that preceded Rolled Stockings at the Elite theater in the small town of Placerville was the great German futuristic sci-fi epic Metropolis. Here is a picture of yours truly standing next to a very specific replica of the robot from that film. Ten points to anyone who knows where this picture was taken. And an additional five points to anyone who knows which star of Metropolis co-starred with Louise Brooks in a later film.
Powered By Blogger