Saturday, April 19, 2008

Louise Brooks in London exhibit

A portrait of Louise Brooks is included in the Edward Steichen exhibit currently on display at the National Portrait gallery in London, England.  For more about the exhibit, see http://www.npg.org.uk/vanityfair/index.htm

Thursday, April 17, 2008

French radioprogram on Louise Brooks

Thank you Pascal, who pointed me to this webpage for a radiofrance program on Louise Brooks. The program, "Louise Brooks, l'insoumise d'Hollywood par Véra Feyder," can be accessed by the headphone link on the top right of the page. (The RealMedia program, which aired on April 13th, starts with a pop song.) The program is in French, of course, and seems to be some sort of dramatization. The cast includes

LOUISE BROOKS : Béatrice Agénin
UN REPORTER : Stéphane Valensi
MARION DAVIES : Véra Feyder
MARY BROOKS : Evelyne Guimmara
PABST : Georges Claise
JAMES CARD : Patrice Bornan
GENINA : Lucciano Travaglino
Présentation : Stéphanie Duncan
Prise de son et mixage : Olivier Dupré
Montage : Adrien Roch
Assistante : Virginie Mourthé
REALISATION : Jacques Taroni
Can any of the many French speaking fans of Louise Brooks give a sense of what this program is all about?

Monday, April 14, 2008

Midnight Palace

The Midnight Palace website has a long new article about Louise Brooks. Read it here.

Thursday, April 10, 2008

Mike Doughty, Musician

Mike Doughty should be familiar to fans of Louise Brooks. The alt-rock singer-songwriter fronted the great alt-rock ("deep slacker jazz") group Soul Coughing in the 1990's. In 1998, they released El Oso, which contained "St. Louise is Listening," a musical homage to Louise Brooks. It's also well known that Doughty sports a tattoo of the actress on his arm. 

Doughty is now a solo musician, and as I understand it, on tour promoting his new album, Golden Delicious. There was an interview with the musician on the Gothamist website. In the interview, the musician is asked

On the album El Oso, there’s a song called "St. Louise is Listening." Who is St. Louise?

Louise Brooks, the silent film star. 'The Eskimo' mentioned in the second verse is a real character from her life, a Parisian faux-aristocrat.
If you have a chance, check him out on tour. Or check out his website at www.mikedoughty.com/  [I have never met the musician, though I did communicate with him via email a number of years ago while Soul Coughing was around. He seems like a fine fellow. And I like his music. The Louise Brooks Society was even one of his top friends on his Myspace page.]

Sunday, April 6, 2008

Silent Film Fest 2008

Here's what's coming up this July at the San Francisco Silent Film Festival. . . . I hope to be there.

LEGENDARY STARS AND DIRECTORS RETURN TO THE BIG SCREEN AT 13TH SILENT FILM FESTIVAL
SAN FRANCISCO, March 31, 2008 - Harold Lloyd, Lon Chaney, Joan Crawford, Colleen Moore, Teinosuke Kinugasa and Carl Theodor Dreyer are just a few of the legendary stars and directors who will return to the big screen, all accompanied by live music, at The 13th Annual San Francisco Silent Film Festival, July 11-13. “Many of the filmmakers and actors whose films were featuring this year were groundbreaking artists and stars of the first magnitude in the 1920s,” said Artistic Director Stephen Salmons.

The enduring vitality of their movies will be given added emphasis at this years festival with the debut of a new program: Directors Pick, at which a contemporary filmmaker will present a favorite silent film. To inaugurate the series, Guy Maddin director of The Saddest Music in the WorldBrand Upon the Brain! and My Winnipeg will preside over a late-night screening of Tod Brownings horror-ode to unrequited love, THE UNKNOWN (1927), starring Lon Chaney and Joan Crawford. It’s practically my favorite silent film, Guy Maddin said. I lead off my syllabus with that film every year, I love it so.

Also appearing at this year’s event to share his enthusiasm for the silent era will be famed movie historian and critic Leonard Maltin, who said of the festival, “(Its) a shining example of how to present great films, rarities, and informational conversations about film preservation for a large and appreciative audience.”

Other highlights of this year’s three-day, thirteen-program celebration of silent film include the Opening Night Presentation of Harold Lloyds comedy THE KID BROTHER (1927), to be shown in a beautiful tinted print from the UCLA Film & Television Archive. “It’s the perfect opener because it has everything: a great story, characters we genuinely care about, romance, action and, of course, non-stop laughs,” Salmons said. Lloyd considered it to be his best film, and its hailed as his masterpiece.

The number one box-office attraction of 1926 will make her debut appearance at the festival: Colleen Moore, star of HER WILD OAT (1927), a fast-paced, wise-cracking romantic comedy. Few of Colleen Moores films survive in any form, and HER WILD OAT was among the lost until two years ago, when a 35mm print was located in the Czech National Film Archive and given a major restoration by the Academy of Motion Picture Arts and Sciences Archive. “We’re excited to present this film because it’s both a wonderful showcase for Colleen Moore’s effervescent comedic skills, and it’s a first-rate example of what we all gain from film preservation,” said Salmons.

Several directors of major significance will be featured at the festival for the first time, including Japanese innovator Teinosuke Kinugasa, represented by the expressionist tour-de-force JUJIRO (CROSSWAYS, 1928), and Danish master Carl Theodor Dreyer, whose profoundly powerful drama MIKA’ (1924) - a landmark in the history of gay cinema - will be presented.

“In the thirteen years that we’ve produced the festival, we’ve screened more than 100 films,” Salmons said. “But there are still many legendary names whose films we have yet to show.”

“Even those making return appearances at the festival, such as Harold Lloyd and Lon Chaney, are familiar to us today mostly through DVD,” Salmons added. But you really can’t know just how fresh, exciting and masterful these pictures are until you experience them on the big screen with live music and an attentive, revved-up crowd - the way they were originally seen.

The 13th Annual San Francisco Silent Film Festival opens on Friday, July 11 and runs through Sunday, July 13 at the Castro Theatre, located at 429 Castro Street in San Francisco. Complete program details and information on how to purchase tickets will be announced in late May at www.silentfilm.org. The San Francisco Silent Film Festival is a nonprofit organization dedicated to promoting silent film as an art form and as a cultural and historical record.

Sunday, March 30, 2008

$4.1 Million of Hollywood Memorabilia Sold at Auction

Profiles in History offered over more than 1000 iconic Hollywood items at a two day Hollywood memorabilia auction, which took place March 27 & 28, 2008.  Here are some of the highlights

$345,000.00 King Kong six-sheet movie poster.
$126,500.00 Leaping Alien Warrior figure from Aliens.
$115,000.00 "Ming the Merciless" cape from Flash Gordon. (Univ., 1936)
$115,000.00 Hydraulic screen-used Velociraptor from The Lost World: Jurassic Park II.
$103,500.00 Michael Keaton's complete "Batman" costume from Batman Returns.
$97,750.00 Pteranodon display with a full set of Pteranodon babies from Jurassic Park III.
$74,750.00 Shanghai Express three-sheet poster (Paramount, 1932).
$74,750.00 Robin Sachs screen-used Sarris costume from Galaxy Quest.
$69,000.00 John Wayne costume from She Wore A Yellow Ribbon.
$57,500.00 Louise Brooks in Diary of a Lost Girl [Tagebuch] German one-sheet poster.
$51,750.00 Julie Andrews signature coat from Mary Poppins.
$48,875.00 Danny DeVito "Penguin" display study from Batman Returns.
$46,000.00 Greta Garbo portrait by Edward Steichen from A Woman of Affairs.
$46,000.00 Bob Keeshan jacket and pants worn as "Captain Kangaroo".
$43,125.00 James Cauty Lord of the Rings original drawing "iconic masterpiece of the psychedelic era".
$43,125.00 Trio of costumes worn byBruce Willis,Milla Jovovich & Chris Tucker in The Fifth Element.
$43,125.00 Halle Berry hero "Storm" battlesuit from X-Men.
$43,125.00 James Marsden hero "Cyclops" battlesuit from X-Men.
$43,125.00 Screen-used purple Thermian from Galaxy Quest.
$40,250.00 No One Man three-sheet poster.
$37,375.00 Screen-used Baby Stegosaur from The Lost World: Jurassic Park II.
$37,375.00 Boris Karloff as Frankenstein's Monster.
$34,500.00 Triceratops screen-used head from The Lost World: Jurassic Park II.
$34,500.00 Screen-used Velociraptor insert head from Jurassic Park III.
$34,500.00 The Wolf Man one-sheet poster.
$34,500.00 Alien Queen maquette from Aliens.
$34,500.00 Full-scale Velociraptor display study from Jurassic Park III.
$31,625.00 Maltese Falcon window card.
$31,625.00 Baby T-Rex display study from The Lost World: Jurassic Park II.
$31,625.00 Dilophosaurus display study from Jurassic Park.

Saturday, March 22, 2008

A social celebrity in evening clothes

Louise Brooks: a social celebrity in evening clothes

Thursday, March 20, 2008

Scottish Screen Archive puts clips online

For those who like this kind of thing, the Scottish Screen Archive has placed a catalog of its holdings online. And what's more, there are many film clips available for online viewing. The site is available at http://ssa.nls.uk/

Actually, the site is a catalog of Scottish films. You can browse the catalog by place, subject, biography, or decade (the clips go back to the 1890s, though most of the clips seem to be from the 1950s and 1960s). Or, you can search by other factors. You can also limit your search to those results which have clips, and/or those clips to which the Library has copyright or can clear copyright.

The catalog pages for each film are extensive. In addition to name, date, length, etc..., there’s also an extensive listing with time markers. Clips are embedded on the right side of the page. There are descriptions for those clips as well. Most of the catalog pages have multiple clips available. Underneath the embedded clips are copyright notifications and suggestions — based on topic — for other film catalog pages which might prove interesting. Though Louise Brooks is not to be found, the site is well worth checking out.

Monday, March 3, 2008

A new edition

Today, I received the German-language edition of Peter Cowie's Louise Brooks: Lulu Forever. I had ordered it over eBay from a German retailer who was selling them at a slightly reduced price.

This edition was published by Schirmer/Mosel in 2006. It is, of course, nearly identical to the English language edition published in the United States, except the text in the Schirmer/Mosel edition is in German. I just had to have a copy. (I have four or five different language editions of Lulu in Hollywood.) The main difference is the dustjacket, which has a slightly different design. (That design is NOT the one that shows up on www.amazon.de)
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