I was listening to National Public Radio while driving home from a research trip to the University of California, Berkeley. On the radio was a program called "Artists At Work." The artists featured were French song composer Dominique Cravic and artist Robert Crumb, members of the musical group Les Primitifs du Futur. While highlighting the group's music and past cd's, the program host mentioned their song for Louise Brooks, "Chanson pour Louise Brooks," and then played an excerpt.
A cinephilac blog about an actress, silent film, and the Jazz Age, with occasional posts
about related books, music, art, and history written by Thomas Gladysz. Visit the
Louise Brooks Society™ at www.pandorasbox.com
Sunday, September 19, 2004
Louise Brooks mention on NPR
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Friday, September 17, 2004
Silent film analyzes battle of the sexes
A review of Diary of a Lost Girl appeared in yesterday's Grand Rapids Press. The article, by John Douglas, was entitled "Silent film analyzes battle of the sexes." The article concludes " . . . The print of "Diary of a Young Girl" on this DVD has been restored, and much of the footage deleted by the early censors has been restored. So it is a wonderful opportunity to catch up with this film starring a true talent few people remember."
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Monday, September 13, 2004
Lulu play
This brief article, by Wally Rubin, appeared in the September 10 issue of Variety.
"Presented by Fearless Productions as part of the New York International Fringe Festival at the Lucille Lortel Theatre, 121 Christopher St., NYC, Aug. 24-28.
"Presented by Fearless Productions as part of the New York International Fringe Festival at the Lucille Lortel Theatre, 121 Christopher St., NYC, Aug. 24-28.
Lulu is a new musical by two graduates of NYU's Tisch School of the Arts, based on two plays by German Expressionist playwright Frank Wedekind. The plays were also the basis for an opera by Alban Berg and a 1929 silent movie starring Louise Brooks, famed for her bobbed hairstyle. It is the story of Lulu, a young, amoral man killer, and of the unbidden effects of love, how passion and lust can overrule rational impulses.
Composer-lyricist Adam Gwon and Courtney Phelps, who wrote the book with Gwon and directed, have set this Lulu against the backdrop of the roiling 1920s, when jazz, booze, and silent movies were all the rage. Think La Ronde meets The Wild Party, which, not so incidentally, are both works that have been musicalized by Michael John LaChiusa, who is clearly on influence on Gwen. The style (if not the effect) of the writing is similar, with the same penchant for a restless sound that distrusts melody, and an arch tone that is equal parts bitter and wistful. Gwon shows potential, but he needs to find his own voice and allow his characters greater specificity, giving us reasons to care more about them. At the moment, they seem like ideas culled from other sources.
Broadway veteran Brooke Sunny Moriber was Lulu. She has the perfect 1920s face, with a small mouth and pale porcelain skin, and is gifted with both a distinctive belt and soprano. Jessica Morris, Selby Brown, Daniel C. Levine, and Maggie Letsche all have strong voices, and it was a treat to hear them unmiked. Kevin Kern as a young screenwriter with sunken cheeks and curly blond hair had a melancholic manner that appropriately set him apart. Trevor McGinness' costumes were impressively all of a piece."
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Sunday, September 12, 2004
Calgary Herald
Another newspaper achive I've come across is that for the Calgary Herald, which is part of the early Alberta newspaper collection. Unlike other newspaper archives, this collection is not searchable by keyword. Instead, the archive contains rather large images of individual pages from the newspapers in its archives. I went through months and months of the Calgary Herald, and managed to find a bunch of articles, reviews and advertisements from the 1920's. (Citations have been added to the appropriate bibliographies on the LBS website.) Does anyone know of any other Canadian publications with searchable on-line archives?
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Saturday, September 11, 2004
Harvard Crimson
While crawling around the world wide web, I ran across the website for the Harvard Crimson, the student newspaper at Harvard University. That publication has put its archive, dating back to 1873, on the internet. My search under keywords "Louise Brooks" only turned up a few minor mentions, including this brief review of A Girl in Every Port.
Does anyone know of any other student publications with searchable on-line archives?
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Wednesday, September 8, 2004
Rare Louise Brooks soundtrack
Yesterday, I won an eBay auction for a contemporary soundtrack recording for Le Journal dUne Fille Perdue, or The Diary of a Lost Girl. Brooks is pictured on the front and back of the record sleeve. This rare French LP (PSI / Musimage 20716) was released in 1981, and contains original music for String Quartet by Robert Viger and Solo Piano by Alain Bernaud. I assume this soundtrack recording accompanied the film at some time during its then recent rerelease by Connaissance du Cinema.
This blog is authored by Thomas Gladysz, Director of the Louise Brooks Society™. Launched in 1995, the Louise Brooks Society is a pioneering website and online archive devoted to the legendary silent film star. The Louise Brooks Society operates with the consent of the Estate of Louise Brooks (Louise Brooks Heirs, LC), and have its permission to use the name and likeness of the actress. As an Amazon Associate, I earn from qualifying purchases. CONTACT: louisebrookssociety (at) gmail.com
Subscribe to:
Posts (Atom)