Monday, December 5, 2022

An Interview with Alexandre Lobao about his Louise Brooks story, A Caixa de Pandora

Back in 2000, the Brazilian writer Alexandre Lobão published one of the earlier works of fiction to include Louise Brooks. His book was titled A Caixa de Pandora (Pandora's Box and other stories). I remember hearing about it sometime around then, and even obtaining a pdf copy of the Portuguese-language book. I never had the chance to really connect with the author until recently, when we "ran into one another" in Instagram. I sent Alexandre, who is now a successful author, a message asking if he might answer a few questions about A Caixa de Pandora, his first book. He agreed.

 The 2000 edition                          The Author - Alexandre Lobão                        The 2015 edition     

Louise Brooks Society: Your first book, A Caixa de Pandora (Pandora's Box and other stories), is a collection of stories; it was first published in Brazil in 2000, and has been described as a work of "fantastic reality." What would you like readers to know about it?

Alexandre Lobão:
This book has ten short stories, and it’s still being published nowadays, 22 years later - which is unusual, at least in Brazil. Most of the stories have some kind of fantastic or magical element. The main (and longest) story, “Pandora’s Box,” is about a writer who is researching Louise Brooks in order to write a book, and every new piece of information he gets about her, he finds her more and more appealing, until the point that he realizes he is in love with her. Knowing that there is little more information about her, after all the research he did, he becomes more and more uneasy, lonely and abandoned, until he goes one last time to the local university library to see if he can uncover anything else. At the library he experiences a strange moment, a dream that leads him to a small recess he never saw in the library, an old video cassette library where he finds some tapes about Louise. To his surprise, he discovers that the tapes are not movies, but instead they allow him, for a limited time, to talk with Louise Brooks using his TV.  It’s a blessing, but also a curse, because he has only a few hours to talk to her. In the end (which was a surprise even for me, when I first wrote) he manages to help Louise and help himself to go on with their lives, leaving the past behind and knowing that each other are fine.

Louise Brooks Society: When and how did you first discover Louise Brooks?

Alexandre Lobão: I first saw Louise in the video clip of the O.M.D. (Orchestral Maneuvers in the Dark) song “Pandora’s Box.” I was in my twenties, in a train station during my first trip around Europe, and was mesmerized by her appearances in the video.

Louise Brooks Society: In the title story, you appear as a character in love with Louise Brooks. The narrator details your encounters with the actress. What lead you to write this story? Were you inspired by any other story or writer?

Alexandre Lobão:  After 25 published books, “Pandora’s Box” is still the story that most resonates with me. When I returned to Brazil after my trip, I started to look for information about her (which was rather difficult, because there are no internet back in 1991) out of curiosity. I started then to hunt around in libraries, and discover that Louise was also inspiration for the Dixie Dugan comic strip (1929, by J. P. McEvoy) and other works beyond the movies, and after some research the idea of writing a book about a writer that researches & searches for her came to me. By then, I was only published in magazines and short story collections; “Pandora’s box” was my first short novel (60 pages). The inspiration of it was only Louise and my own journey in discovering how amazing she was.

Louise Brooks Society: Is Louise Brooks very well known in Brazil?

Alexandre Lobão:  Not really. I found some people that know her, some that love her, but she’s not a pop culture icon here – although many people would recognize her bob hair style.

Louise Brooks Society:
What does she mean to you as an actress, or as a person?

Alexandre Lobão: Tough question! When I first found out about her, I fall in love as we usually do, loving not the real person, but the idealized person we have in our minds. After a while, I knew her flaws, her problems, the details that are not so lovable; but I still love her as a person. Nowadays my feelings for her are more like an old passion that, after the right time, became more like an ember that never fades away than a huge fire that burns bright and ends fast. I love seeing her movies, of course; I believe she was the greatest artist of her time, although she unfortunately hasn’t followed the evolution of the movies industry and language.

Louise Brooks Society:
You have written fiction, as well as books for young readers, comics, and screenplays. You have written in may genre's. How can someone find out more? 

Alexandre Lobão: All my books and movie scripts and comics are on my web site, www.AlexandreLobao.com. I have some works published in English and Chinese, but only technical stuff – the rights for publishing my fiction works on other countries are currently available. 😉

* * * * * 

Pandora's Box and other stories is a book of short stories with varied themes, mostly containing fantastic elements. The tales present stories that take place in different times and places, in Brazil and abroad, from the past to the future, and have a common point in a personal, intimate view of each story, making the reader feel as if they were listening to a friend's story, the kind friends share around a campfire, when the lack of television increases interaction between people. The last story, “Plain”, subtly creates a link between all the stories, where the character has visions about situations that happen in several other stories in the book. More about Caixa de Pandora (Pandora's Box and other stories) can be found on the authors website. 

The Louise Brooks Society blog is authored by Thomas Gladysz, Director of the Louise Brooks Society. (www.pandorasbox.com). Original contents copyright © 2022. Further unauthorized use prohibited.

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