The Niles Essanay Film Museum in Niles (Fremont), California has announced that it will be screening the 1929 Louise Brooks film, Pandora's Box, on Saturday, March 23 at 7:30 PM. Gideon Freudmann will accompany the film, performing a live soundtrack using real time looping and electric cello. More information about this event may be found HERE.
According to the Niles website, Gideon composes music for classic and modern films, performs extensively, and has produced an impressive catalog of CDs and chamber string sheet music
The film museum, located in the San Francisco Bay Area, is housed in a storefront studio where Charlie Chaplin once worked; the museum last showed Pandora's Box, a Bay Area favorite, back in 2015.
In fact, one of the earlier revival showings of the film in the United States took place at Monterey Peninsula College in Monterey in August, 1962 as part of Peninsula Film Seminar. That historic event was attended by many local notables, including future famed film critic Pauline Kael.
Since then, the film has been shown in the San Francisco Bay Area numerous times. Among ts many screenings are the Pacific Film Archive in Berkeley (Oct. 5, 1972 as part of Women's Works); San Francisco Museum of Modern Art in San Francisco (Nov. 21, 1972); Cento Cedar Cinema in San Francisco (February 1-7, 1973 with Threepenny Opera); Surf Theater in San Francisco with The Last Laugh (Jan. 22-23, 1974 “new print”); Wheeler Auditorium in Berkeley (July 24, 1974 with Lonesome); Cento Cedar Cinema in San Francisco (Sept. 18-20, 1975 with The Blue Angel); Wheeler Auditorium in Berkeley (Nov. 9, 1975 with L’Age D’Or); San Francisco Museum of Modern Art in San Francisco (Nov. 7, 1976); Wheeler Auditorium in Berkeley (Feb. 10, 1978 with L’Age D’Or); Sonoma Film Institute in Sonoma State University (Feb. 28, 1979 with The Blue Angel); Pacific Film Archive in Berkeley (Jan. 20, 1980); Roxie in San Francisco with The Blue Angel (Mar. 31, 1980); Noe Valley Ministry in San Francisco (April 11, 1980 with Un Chien Andalou); Castro Theater in San Francisco with A Girl in Every Port (May 2-3, 1980); Castro Theater in San Francisco with The Threepenny Opera (Aug. 28, 1980); Roxie in San Francisco with A Girl in Every Port (Feb. 17-19, 1981); Showcase Cinema in Sacramento with Foolish Wives (Mar. 3, 1981); Pacific Film Archive in Berkeley (Mar. 7, 1981 as part of the series “Organ Accompaniment By Robert Vaughn”); Rialto 4 in Berkeley with A Girl in Every Port (Feb. 12-16, 1982); Electric in San Francisco with The Blue Angel (Mar. 10-11, 1982); York Theater in San Francisco (June 22, 1982); UC Theater in Berkeley with A Girl in Every Port (Oct. 25, 1982); Darwin Theater / Sonoma Film Institute at Sonoma State University (Jan. 20, 1983); Showcase Cinema in Sacramento with M. (Feb. 1, 1983); Castro in San Francisco with Diary of a Lost Girl (Oct. 26 – Nov. 3, 1983); Pacific Film Archive in Berkeley (Dec. 7, 1983); Santa Cruz Film Festival in Santa Cruz with A Conversation with Louise Brooks (Jan. 19, 1985); Pacific Film Archive in Berkeley (Jan. 27-28, 1985 with M.); U.C. in Berkeley (Sept. 18, 1985); Pacific Film Archive in Berkeley (Oct. 13, 1985 as part of the series “A Tribute to Louise Brooks (1906-1985),” accompanied on piano by Jon Mirsalis); Castro in San Francisco with The Threepenny Opera (Nov. 29, 1985); Pacific Film Archive in Berkeley (Oct. 29, 1986); San Francisco Public Library (main branch) in San Francisco (Dec. 18, 1986); Castro in San Francisco (Feb. 26, 1987 as part of “Vamps” series); U.C. in Berkeley (June 30, 1988); Castro Theater in San Francisco (Nov. 8, 1988); Pacific Film Archive in Berkeley (Nov. 17, 1988); Red Vic in San Francisco (Feb. 13-14, 1990); Castro Theater in San Francisco (Aug. 7, 1990); Pacific Film Archive in Berkeley (Dec. 4, 1990 as part of the series “Surrealism and Cinema”); Castro Theater in San Francisco (Apr. 29, 1991); Pacific Film Archive in Berkeley (Apr. 5, 1992 as part of the series “Silent Film Classics”); Castro in San Francisco (May 11, 1992 with Diary of a Lost Girl); Castro in San Francisco (May 5-8, 1995 accompanied by the Club Foot Orchestra, as part of the San Francisco Film Festival); Castro in San Francisco (Dec. 16-17, 1995 accompanied by the Club Foot Orchestra); Castro in San Francisco (Apr. 2, 1996 with Wings, accompanied on organ by Robert Vaughn); Towne Theatre in San Jose (June 28, 1996 accompanied on organ by Robert Vaughn); Castro in San Francisco (May 18, 1998 as part of Femme Fatale Festival); Pacific Film Archive in Berkeley (May 28, 2000); Stanford in Palo Alto (Sept. 5, 2001); Jezebel’s Joint in San Francisco (Feb. 10, 2003); Castro in San Francisco (July 15, 2006 as part of the San Francisco Silent Film Festival, with introductions by Thomas Gladysz and Bruce Conner); Rafael Film Center in San Rafael (Nov. 11, 2006 introduced by Peter Cowie); California in San Jose (Mar. 9, 2007 as part of Cinequest); Castro in San Francisco (July 14, 2112 as part of the San Francisco Silent Film Festival); and Stanford Theater in Palo Alto (Sept. 23, 2016).
According to the Niles website, Gideon composes music for classic and modern films, performs extensively, and has produced an impressive catalog of CDs and chamber string sheet music
The film museum, located in the San Francisco Bay Area, is housed in a storefront studio where Charlie Chaplin once worked; the museum last showed Pandora's Box, a Bay Area favorite, back in 2015.
In fact, one of the earlier revival showings of the film in the United States took place at Monterey Peninsula College in Monterey in August, 1962 as part of Peninsula Film Seminar. That historic event was attended by many local notables, including future famed film critic Pauline Kael.
Since then, the film has been shown in the San Francisco Bay Area numerous times. Among ts many screenings are the Pacific Film Archive in Berkeley (Oct. 5, 1972 as part of Women's Works); San Francisco Museum of Modern Art in San Francisco (Nov. 21, 1972); Cento Cedar Cinema in San Francisco (February 1-7, 1973 with Threepenny Opera); Surf Theater in San Francisco with The Last Laugh (Jan. 22-23, 1974 “new print”); Wheeler Auditorium in Berkeley (July 24, 1974 with Lonesome); Cento Cedar Cinema in San Francisco (Sept. 18-20, 1975 with The Blue Angel); Wheeler Auditorium in Berkeley (Nov. 9, 1975 with L’Age D’Or); San Francisco Museum of Modern Art in San Francisco (Nov. 7, 1976); Wheeler Auditorium in Berkeley (Feb. 10, 1978 with L’Age D’Or); Sonoma Film Institute in Sonoma State University (Feb. 28, 1979 with The Blue Angel); Pacific Film Archive in Berkeley (Jan. 20, 1980); Roxie in San Francisco with The Blue Angel (Mar. 31, 1980); Noe Valley Ministry in San Francisco (April 11, 1980 with Un Chien Andalou); Castro Theater in San Francisco with A Girl in Every Port (May 2-3, 1980); Castro Theater in San Francisco with The Threepenny Opera (Aug. 28, 1980); Roxie in San Francisco with A Girl in Every Port (Feb. 17-19, 1981); Showcase Cinema in Sacramento with Foolish Wives (Mar. 3, 1981); Pacific Film Archive in Berkeley (Mar. 7, 1981 as part of the series “Organ Accompaniment By Robert Vaughn”); Rialto 4 in Berkeley with A Girl in Every Port (Feb. 12-16, 1982); Electric in San Francisco with The Blue Angel (Mar. 10-11, 1982); York Theater in San Francisco (June 22, 1982); UC Theater in Berkeley with A Girl in Every Port (Oct. 25, 1982); Darwin Theater / Sonoma Film Institute at Sonoma State University (Jan. 20, 1983); Showcase Cinema in Sacramento with M. (Feb. 1, 1983); Castro in San Francisco with Diary of a Lost Girl (Oct. 26 – Nov. 3, 1983); Pacific Film Archive in Berkeley (Dec. 7, 1983); Santa Cruz Film Festival in Santa Cruz with A Conversation with Louise Brooks (Jan. 19, 1985); Pacific Film Archive in Berkeley (Jan. 27-28, 1985 with M.); U.C. in Berkeley (Sept. 18, 1985); Pacific Film Archive in Berkeley (Oct. 13, 1985 as part of the series “A Tribute to Louise Brooks (1906-1985),” accompanied on piano by Jon Mirsalis); Castro in San Francisco with The Threepenny Opera (Nov. 29, 1985); Pacific Film Archive in Berkeley (Oct. 29, 1986); San Francisco Public Library (main branch) in San Francisco (Dec. 18, 1986); Castro in San Francisco (Feb. 26, 1987 as part of “Vamps” series); U.C. in Berkeley (June 30, 1988); Castro Theater in San Francisco (Nov. 8, 1988); Pacific Film Archive in Berkeley (Nov. 17, 1988); Red Vic in San Francisco (Feb. 13-14, 1990); Castro Theater in San Francisco (Aug. 7, 1990); Pacific Film Archive in Berkeley (Dec. 4, 1990 as part of the series “Surrealism and Cinema”); Castro Theater in San Francisco (Apr. 29, 1991); Pacific Film Archive in Berkeley (Apr. 5, 1992 as part of the series “Silent Film Classics”); Castro in San Francisco (May 11, 1992 with Diary of a Lost Girl); Castro in San Francisco (May 5-8, 1995 accompanied by the Club Foot Orchestra, as part of the San Francisco Film Festival); Castro in San Francisco (Dec. 16-17, 1995 accompanied by the Club Foot Orchestra); Castro in San Francisco (Apr. 2, 1996 with Wings, accompanied on organ by Robert Vaughn); Towne Theatre in San Jose (June 28, 1996 accompanied on organ by Robert Vaughn); Castro in San Francisco (May 18, 1998 as part of Femme Fatale Festival); Pacific Film Archive in Berkeley (May 28, 2000); Stanford in Palo Alto (Sept. 5, 2001); Jezebel’s Joint in San Francisco (Feb. 10, 2003); Castro in San Francisco (July 15, 2006 as part of the San Francisco Silent Film Festival, with introductions by Thomas Gladysz and Bruce Conner); Rafael Film Center in San Rafael (Nov. 11, 2006 introduced by Peter Cowie); California in San Jose (Mar. 9, 2007 as part of Cinequest); Castro in San Francisco (July 14, 2112 as part of the San Francisco Silent Film Festival); and Stanford Theater in Palo Alto (Sept. 23, 2016).
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